Only a ten-day absence this time! Pretty good! (Of course, it’s still nothing like the years & years & years where I blogged every single solitary day, including Sundays & holidays! But onward!)
Okay! Remember that great news I couldn’t discuss in my last post? Well, it is now official and so I can share it. And I am so happy about it.
Sandra Caldwell, the actress in New York City that I write with/for, has just landed the leading role in Charm, a play by Philip Dawkins. It will be having its Off-Broadway debut as the fall season opener at Manhattan’s MCC Theater beginning Labor Day weekend.
(I’m planning on attending opening night and I’ve already bought a new dress for the occasion — one of those Calvin Klein floral fit & flare dresses that everyone is wearing these days.) (Although I might change my mind at the last minute, since I am usually a plain black sheath-wearing sort of gal… We’ll see if I ultimately opt once more for living in the past, or taking a bold leap into being like everybody else!)
I’m excited about this show for many reasons. One being that Sandra is my friend and this is her return to the New York stage after a long hiatus. Another reason being that her decision to focus again on stage work was made a couple years ago, wherein she hired me to not only help her with her one-woman musical, but also to be the head writer for her production company, with a focus on theater.
Charm was very well received in Chicago and promises to be a real winner in New York, as well, and it looks additionally promising that the one-woman musical Sandra and I have been working on for several years will get produced and find an off-Broadway stage in New York in the near future.
Even though I was a singer-songwriter for many, many years — in my halcyon days in New York, before switching to full-time fiction writing in the 1990s — theater was always my first love, ever since I was a wee bonnie lassie.
I love all kinds of theater: Jr. High and High School theater; college theater, Broadway, Off-Broadway, Off-Off-Broadway theater; and even the occasional “go down these dank ancient stairs and enter a clammy, dark, hell-hole abyss theater space” to watch stupifyingly experimental theater where none of the actors even get paid. I love it all.
And even while I’m really excited with the progress I’ve made the last several years with my TV Pilot scripts and TV MOW scripts, theater still excites me, probably even more. So with Sandra’s upcoming success (I know she is going to be superb), will come more and more opportunities to write theater projects for her.
Dare I say that I couldn’t be happier?? (Let us return briefly to the unbridled joy of the American Housewife! If my soul could project onto a screen or perhaps a hologram, it would look like her!)
And in terms of re-writes for my TV Pilot/MOW script, The Tea Cozy Murder Club: A Murder at Parsons Ridge — I have made great progress in re-thinking the story. Not the plot, not the characters, not the setting; but the story itself and how it gets told. I’ve been re-watching tons of old Midsomer Murders episodes and getting delightfully re-inspired. Even though graphically violent & angry police procedurals are all “the rage” now (excuse the pun) (and even the more recent Midsomer Murders have gone more in that direction), the older shows, with their intensely quirky characters interest me a lot more and that’s more in keeping with how I envision the Tea Cozy Murder Club characters. So off we go!
Okay, thanks for visiting, gang. And have a wonderful weekend, whatever you wind up doing! I leave you with this little ditty from Mame, it’s a song that I’ve pretty much lived my life by since childhood, come what may!