It Don’t Come Easy!!

Yes, well, Ringo Starr turns 80 today, if you can wrap your mind around that!! (I can’t.)

I was a huge Beatles fan as a little girl. When I was 5, there was a Beatles cartoon that was shown on TV very early on Sunday mornings in Cleveland.

The Beatles (TV series) - Wikipedia

I’m not sure why it was shown on Sunday mornings, since most cartoons (that weren’t religious, like Davey & Goliath) were shown on Saturday mornings.

Davey and Goliath - a claymation cartoon developed by the Lutheran ...

However, The Beatles cartoon was shown on Sunday mornings in Cleveland and I absolutely loved it. And at that point, Ringo Starr was my favorite Beatle. But, also, at that point, I only knew what they looked like as cartoons!! Then, when I was a little bit older and saw the movie A Hard Day’s Night on television, and saw what they actually looked like as non-cartoons, I was absolutely smitten with all of them.

A Hard Day's Night at 50 | Vanity Fair

Anyway. I can’t believe that Ringo is 80. He looks fantastic, btw. I follow him on Instagram so I see his posts all the time and there’s just no way on Earth he seems 80. Unlike Paul McCartney, who has become very “Sir Paul”-like, Ringo is still really groovy.

Ringo Starr Announces Dates for 2020 All Starr Band Tour - Rolling ...

When I was 10, after The Beatles broke up, Ringo released a single that became a huge hit in the US and the UK. I remember buying the 45 RPM at Woolworth’s and then playing the record un-endingly  for months afterward. I just loved the song — “It Don’t Come Easy.”

George Harrison produced it. (This is a shot of them using a Moog synthesizer during the Abby Road recordings, but I’m guessing they looked exactly the same when they recorded “It Don’t Come Easy”!!)

Recording "Abbey Road" | The Beatles

Well, all I can say is happy birthday, Ringo. That guy has seen so much. And yet he still seems like a really happy guy.

All righty. Back to the editing on The Guitar Hero Goes Home today. Yesterday was a complete wash out, work-wise. I was not able to focus. I am going to try like heck to get some work done today, though. We shall see.

Okay, gang. Thanks for visiting. You know what I’m leaving you with today. Play it loud!! Be happy & enjoy your day. I love you guys. See ya.

“It Don’t Come Easy”

It don’t come easy,
You know it don’t come easy.

It don’t come easy,
You know it don’t come easy.

Got to pay your dues if you wanna sing the blues,
And you know it don’t come easy.
You don’t have to shout or leap about,
You can even play them easy.

Forget about the past and all your sorrows,
The future won’t last,
It will soon be over tomorrow.

I don’t ask for much,  I only want your trust,
And you know it don’t come easy.
And this love of mine keeps growing all the time,
And you know it just ain’t easy.

Open up your heart, let’s come together,
Use a little love
And we will make it work out better.

Got to pay your dues if you wanna sing the blues,
And you know it don’t come easy.
You don’t have to shout or leap about,
You can even play them easy.

Peace, remember peace is how we make it,
Here within your reach
If you’re big enough to take it.

I don’t ask for much, I only want your trust,
And you know it don’t come easy.
And this love of mine keeps growing all the time,
And you know it don’t come easy.

© 1971 Richard Starkey (Ringo Starr)

Just Too Many Beautiful Days!!!

I know you’re going to stop believing me, but it is yet another unbelievably beautiful day here today, gang!

And I am off to town here shortly to get the groceries.

Sorry for not posting yesterday, but I actually was totally wiped out from finally completing Letter #8 for Girl in the Night. Not that it was so taxing to actually write it, but every day that I worked on it last week, the temperatures hovered around 90 degrees Fahrenheit.  So it was more the relentless heat hovering around my desk each day that wiped me out.

During the evenings, though, it really cools down around here and then the house is wonderful by morning. But, again, today, it’s supposed to zoom up to 94 by midday…

So!!

I did go to Granville last evening to have dinner with Kevin (the director of Tell My Bones) and his husband, at the Granville Inn. My first time being out and about and socializing since March 14th.

I had such a great time. I was really sort of anxious regarding how I was going to feel to see the inn during a pandemic, with everyone wearing masks and all that, but honestly, it was not so bad. They’re just face masks, right? It’s not as if some sort of irreparable horrific deformity has befallen anyone — it’s just a mask.

And we ate out on the patio, so were able to keep our own masks off the whole time. We were there for 3 hours. I could not believe how the time flew.

And I made a vow to myself before getting out of the car to not talk about politics. But, of course, this is America, and the overwhelming amount of artillery focused on removing Trump from the White House is hard to not at least mention.

I am, of course, opposed to Biden and that whole crew (and curious why more people aren’t talking about the news re: the Obama-Biden collusion on the Logan Act re: Flynn … hmmm.) Anyway.  I’m not voting for Biden because I don’t trust him or any of the machinery in full force behind him right now. So I have no clue how to vote in November. And of course, some of the things I feel about what’s going on in Washington right now had to come up in conversation — because they asked me.

And when I replied (trying hard not to get on my soapbox) they both sort of stared at me and said “How do you know all this stuff? You should run for President.”

I didn’t say this, but what should really happen is that more Democrats should leave the realm of CNN, and make a determined effort to seek out a news source that just relays facts, without the selective omissions and opinions, and then I think more & more Democrats would know this same stuff. (And I don’t think that too many Republicans are actually in the dark about how the news is getting reported & by whom — because we Democrats are notoriously known for thinking with our hearts, our compassion, and not studying the facts for ourselves. Which is why we are so easily led astray by drama and hysteria.)

Anyway, if more Americans would try harder to seek out facts for themselves, then more of us would see that on ALL sides we are receiving a dramatic distortion by those who would profit from us believing their lies. ALL sides. And right now, I think that the Democratic Party is the worst I’ve ever seen it.

I’m guessing a bunch of people are just going to vote for Kanye West at this point…

We actually did not talk too much about politics, per se. Although we did talk a bit about the progressive/liberal “Hitler Youth” mentality that continues to sweep the college-aged generation of Americans  right now. That is truly scary and just fucking awful. (And what’s worse is that they probably don’t even know who the Hitler Youth were because so many public school-educated young people all over the US are not taught History or Civics anymore.) (Or Art, or Music, or Drama…) (They’re taught anger and intolerance with a little entitlement thrown in.)

And we also talked a little about what China is doing to the Uyghur women in those internment camps (!!) involving shaving their heads and then trying to sell the hair to Americans… And why aren’t more Americans alarmed by that? And by the uncomfortable parallels to Auschwitz? Or by the global pandemic of slavery in the world right now?

Mind-boggling to me. All anyone wants to talk about is “get Trump out of the White House” and all problems will be solved.

Well, all that aside, it was great to be out with friends and have dinner at a place I truly love.

Some good news — the Nick Cave Instagram site announced today that those videos the fans submitted for Bad Seed TeeVee will be shown on Friday July 10th and on Friday July 17th, in a 24-hour loop, starting at 10am BST.  So that should be kind of amazing!!

Beyond that, I’m getting back to the final edits of The Guitar Hero Goes Home later today — once I get back from town. I want to make sure the temperatures are at their peak around here before I get down to any serious work at my desk…

All righty, gang! On that note — I’m outta here. Have a great Monday, wherever you are in the world. Thanks for visiting. I will leave you with some travelin’ music as I prepare to scoot right out the door! “Travelin'” by Tom Petty & the Heartbreakers, off of Nobody’s Children from their Playback Collection. Listen and enjoy and maybe even scoot out the door, too, and go somewhere!! Okay. I love you guys. See ya!

Travelin’

Well I’m travelin’, travelin’ baby, travelin’ on
Well it’s good to see you but I can’t stay long
No I’ve got a travelin’ fever, baby, got a travelin’ jones
No don’t look for me in the mornin’, baby, I’m gonna be travelin’ on

I’ll be good, as good as gold
To the next or maybe better
Wait for me down the road
Keep one eye open for my letter

Cause I’m gonna be travelin’, travelin’ baby, travelin’ on
Lord it’s good to see you but I can’t stay long
Oh I’ve got a travelin’ fever, baby, got a travelin’ jones
Well don’t look for me in the mornin’, baby, I’m gonna be travelin’
Gonna be travelin’, gonna be travelin’ on

I’ll be up before the sun
Get a big jump on the morning
You should have known all along
You should have known you’d get no warning

And I’m gonna be travelin’, travelin’ baby, travelin’ on
But lord it’s good to see you but I won’t stay long
Oh I got a travelin’ fever, baby, I got a travelin’ jones
Yeah don’t look for me in the mornin’, baby, I’m gonna be travelin’
Gonna be travelin’, gonna be travelin’ on

Travelin’ on, travelin’ on
Travelin’ on, travelin’ on

Well I’m travelin’, travelin’ baby, travelin’ on
Yeah it’s good to see you but I can’t stay long
Yeah I got a travelin’ fever, baby, a travelin’ jones
Well don’t look for me in the mornin’, baby, I’m gonna be travelin’
Gonna be travelin’, gonna be travelin’ on

© 1995 Tom Petty

Excerpt #8 — Girl in the Night: Erotic Love Letters to the Muse

Okay, I will probably still keep tweaking this, gang, but here is Letter #8 ” The Choice to Kill,” from Girl in the Night: Erotic Love Letters to the Muse. Please excuse any typos!!

The following contains sexually graphic material and subject matter that might be objectionable to some readers. Please be advised! Thanks, gang!!

********************************************************************

The Choice to Kill
© 2020 Marilyn Jaye Lewis

I was protecting you from all of them – you see? I thought you were coming back. I never dreamed I was killing you for good.

The streets became dirtier. Darker. Buildings so tall, the sun couldn’t shine.

I was 20. It was November.

He was 40, with curly black hair, peppered with grey.

Kisses on my face that lead us – to what? Conceiving endless children of joy. Entwined in lust, where a different sort of life is made.

We met in a laundromat on New York’s Upper East Side – a neighborhood where I’d lived for a handful of days; where he’d lived all his life. Where, in the late 1960s, his dad had been gunned down in the streets – not far from his apartment building’s front door. A Mob hit.

In New York, I let life happen. I needed to be released from what my life had already been back home – a prison. With very little love in it; almost no love at all.

When we’d both finished at the laundromat, he said, “Come on, let me buy you a drink.” So I went with him to a bar around the corner and my life changed. Forever.

*     *     *

Passion. Lust. The cock, the hole. Fucking, finally. Fucking turn over. (Come on.) Turn over. (For me – come on.) That union of both. It’s there before we meet. Though it swells when we make love; it aches, it drips, it yearns. But the need to commune – the lust; it’s there, in us, before we meet. And it remains long after we’ve left each other behind for good. It’s always “for good for good for good” – I can’t destroy myself just because you love me. (Of course, I can. Of course, I can.) 

His bedroom was lit by candlelight. It was soothing, and yet; it was hard for me to undress. So many eyes of his wife – looking right at me.

You paint sometimes, so maybe you know what it’s like – that need to get the image out; the same one, over and over, with only slight differences each time.

I don’t paint; I don’t really know how it feels. But it turned out Leo was a painter – oil paints. Portraits. His bedroom was full of portraits he’d painted of his late wife.

She’d been Irish. Pretty. With green eyes and very long, curly red hair. He painted her from memory, over and over. She was naked in every portrait – but whole, every delicate curve of her full; not crushed, not broken – with her long hair rolling down.

“You feel it, too?” he said.

“I do,” I said, and it was unnerving – between his elderly Catholic mother within earshot in the next bedroom, and his wife staring at me with so many green eyes. “It feels like she’s right here.”

“She is,” he said. “My wife haunts this fucking room, even though she never lived here. She makes me crazy sometimes. But let’s try this anyway, okay? I can’t let her make me a prisoner for the rest of my fucking life. Come on,” he urged me. “Come here; I’ll help you.”

When I was naked, he whispered: Look at you. I can’t even remember being 20.

He sat down on his bed, still in his clothes, and pulled me over to him. I sat on his lap and he held me, kissed me – on my neck, my nose, my cheek. I forgot all about his mother in the next room. Forgot about his dead wife’s green eyes.

“You should get out while you can, you know. New York, I mean,” he said quietly. “This city’ll ruin you. I see it happen every day. I don’t want to see it happen to you.” He stroked my hair and studied my face in the flickering dark. His finger touched the tip of my nipple. “I wanna make love to you so bad.”

“Then why don’t you?” I said – not understanding; getting aroused.  My naked bottom squirmed in his lap. I could feel for certain that he wanted to make love.

“I’m not sure I remember how,” he said.

*     *     *

Out there on E.66th Street, we’d crossed Second Avenue and headed towards First:

“I live back with my mother now,” he explained. “But don’t worry – she minds her own business. I’ve got my own room – although I’ve never tried to bring a girl up there before. I guess we’ll see how that goes. She’s very Old World, you know.”

I didn’t know. I didn’t have a clue. I was fresh from Ohio. We didn’t have Old World where I’d come from.

“Catholic,” he explained. “Born there – in Sicily, I mean.”

“Oh.”

“I couldn’t be alone in the old place anymore,” he went on. “It was too depressing. So I moved back in with my mother. I was married – 15 years. Then my wife killed herself. Jumped from the balcony. Because we were getting a divorce. I didn’t want the divorce – she did. She filed for it. She finally called me to come back home to talk, so I thought I was going there to have it out with her. I didn’t want that fucking divorce. But you know what she did? She timed her leap so that I’d be turning on to the corner of our block and walk right smack into that crowd of people, that crowd standing over her, gawking down at her – slammed to pieces, naked – on the fucking sidewalk. My wife. Christ, I loved her – if you’ll excuse me saying a thing like that on our first date.”

“It’s okay.”

“She’s been dead now for four years,” he added. “You’re the first woman I’ve laid eyes on in four years that could make me stop thinking about her, even for a minute.”

*     *     *

His wife; his muse. 

Have you noticed how the muses always have children? As if they aren’t afraid of aging, when it’s been proven time and again that even a single child is what ages you quickest of all. 

Yet, over and over, the muse soars up and the children come – in a sort of blizzard of soft hair and small feet and tiny teeth and nails and flesh and bone and blood. Children – undeniably. 

But never duplicates of the muse; no – it’s more like the muse is leaking.

 *     *     *

Adoration – that’s what it was. The way he looked at me. From the moment he saw me in the laundromat. No man had ever looked at me in that way before. He didn’t seem in any hurry to jump my 20-year-old bones – to take whatever I had, whether I was offering it or not. It was more like he didn’t want to stop looking at me.

Everyone in the bar knew him by name. When we walked in, they said, “Leo, how’ya doin’?” The late-afternoon November light was still visible outside the plate glass windows that looked out onto Second Avenue.

They all said it just like that, too: “Leo, how’ya doin’?” Like some Scorsese movie.

And it didn’t stop there.

Most of the men in the bar wore tailored suits and had gleaming 24-kt. gold watches on their wrists. Some had religious medallions on gold chains around their necks, easy to see because their shirt collars were unbuttoned, three buttons down. Like Leo, all the men had dark hair and dark eyes. It was right out of the movies – movies about the Mob. And yet I didn’t pick up on it. I was still young and too naïve about New York.

And they were all so serious, those men. Even Leo. No one seemed to be there to have a good time.

And though everyone knew him, he introduced me to no one. “No one needs to know your name,” he told me. “You’re better than any of them. Why should they know who you are?” I had no reply. No one had ever said that to me before.

“Leo, how’ya doin’?”

This time it was a woman – a young and very pretty one. She came up to the bar where I was sitting, where Leo stood behind me, protectively, and she ordered herself a drink. Leo was friendly to her, but when he didn’t introduce me, she took my hand anyway and smiled and said, “I’m Mia. Nice to meet you.”

When she got her drink, she went her way. “Mia seemed nice,” I said to Leo.

“Of course, she did,” he said. “It’s her job – she’s a hooker. But do yourself a favor and don’t fall for her shit.”

As far as I knew, I’d never met a hooker before in my life.

The bartender seemed nice, too. “He’s a dirty cop,” Leo said, speaking low in my ear as I stared blankly at the bartender. “Got kicked off the force a few years ago. He owes something to everybody in this place. They saved his ass from going to prison and then they gave him this bar to run. It keeps him visible; keeps him on call, you know? I wouldn’t give you a nickel for his life now, though. Not for nothing.”

I had no idea what any of that meant but it was unsettling.

When I finished my drink and set my empty glass on the bar, the evening had officially started. He said, “You want another, or no? You wouldn’t wanna come home with me, would you? I live just up the block.”

*     *     *

His mouth on my nipple felt tender. As I sat in his lap, my arms just naturally went around him, now, too. Within moments, though, he abruptly stopped.

“I can’t do this,” he said. “Give me a minute.”

He urged me up off of his lap and then grabbed anything he could easily find – towels, shirts – and then draped them over all the portraits of his green-eyed wife.

*     *     *

Sweating, panting. We were fucking – finally. Fucking. I was flat on my back, my legs wrapped around him. His cock filling me. His mouth on my mouth. Flickering candlelight filling his room. Without the eyes of his wife anywhere.  

On your belly – he said softly. Come on, turn over. 

I was doing everything he asked. It was suddenly so effortless to be with a man. I wasn’t drunk. Wasn’t flying on speed, even though I had a plastic baggy back at the apartment filled with pharmaceutical-grade black beauties. I usually never had sex without them. But I wasn’t even thinking about black beauties now. 

Lift up – he said. 

I lifted my ass, expecting his cock to slide back into my pussy. I felt his mouth down there, instead. His tongue landing right on my clit. 

Oh god – I said. Breathless, because my clit was already stiff, already completely aroused. God. His tongue was all over it. And I forgot all about his mother in the next room. I did not even know I was making so much noise. Every place he had touched me, and in each way that he had touched me – his fingers, his cock, and now his mouth – it had felt like I was meant to be touched there just by him.  

Shameless, I lifted my ass up higher. Steadied my knees wide apart. Burying my face in his bed pillows, hugging them to me, trying to be quiet, I pushed my pussy open for that tongue that was making such love to my clit. That’s how it felt – like he was making love to it. He sucked it, licked it, caressed it, chewed it; then poked his tongue up under its stiff little hood, exposing the clit itself – that vulnerable tiny dot of flesh that was now my entire world; his tongue pressed right into it and was mercilessly licking it. 

And right at the moment when I knew I was going to come he slid a finger up my ass.

It went up easily and went in deep because I was not expecting it. 

Oh god. I loved the pressure. His finger was way up there. Oh god! I was really loud that time and I came in his face, right on his mouth. My legs trembling, my whole body shaking. 

Before I could finish coming, the finger slid out of my ass and he mounted my pussy again. It was soaking, swollen; still shuddering in my orgasm. He grabbed hold of my waist and pulled my pussy all the way on to him; my cunt flush against his belly – his cock getting in deep, fucking me hard.

 

And I kept coming. It felt so good. To be fucked so hard and to be held by him. I cried out in a sort of pained delirium each time he slammed it into me – over and over, he went in too deep. Leo – god. God.

 

Then the side of his face was against the side of my face, and his mouth was right at my ear: God your pussy’s hot. God. Then I felt him jerking deep into me, thrusting in so hard I was almost crying – his cock pushed all the way up, going deeper than I could usually stand it, until I was all the way on that cock, my pussy lips spreading too wide, the base of my hole stretching impossibly open and planted right up against his pubic hair – Leo, god! – I squealed. I felt my cervix actually open and it was now impaled on the head of his cock. His cock jerked hard against me up there and I tried to cry out but barely any sound came out of me – just the tiniest stunned squeak – having never felt anything move past my cervix before. He gripped my hips tight, forcing my cervix to remain impaled; the full length and width of my cunt stuffed so completely with his cock that now my clit was rubbing up against his balls. It feels so good, it feels so good – I squeaked out, as his cockhead squeezed up past my cervix, then pulled down out of it, then squeezed right back up – as if massaging it to open even wider for his oncoming assault. And he came, as I squealed out from all that pressure up there inside me. And his tight grip on me was not letting me budge an inch; his cockhead stayed wedged up there in the opening of my cervix, jerking the jism endlessly into me – completely unloading his balls after four lonely years of having no woman at all – until my whole soaking pussy was filled with it.

 Then he pulled out of me, and as his full weight collapsed down on top of me, pushing me flat down to the bed beneath him, he said in my ear: “God that was noisy. My mother is gonna kill me.”

*     *     *

For three days, I did not go back to my own apartment.

For three days, we stayed naked in his bed and made rambunctious love.

When I needed to use the toilet or the shower, he’d check first that the coast was clear. “My mother is gonna tear your hair out,” he said. “It’s a sin to be doing this if we’re not married, you know. So she informs me.”

If he went into the kitchen to forage for food, I could easily hear the two of them shouting. I didn’t know what was said – they argued in Sicilian – but I had an idea: I was a whore. And under her roof – in her apartment. Where she’d raised her sons in wedlock, until the fated day that the Mob, for whatever reason, gunned down her husband in broad daylight.

Eventually, I had to go home. Still we saw each other every single day. He took me to museums and taught me about painting, about art. We ate in diners and gave his mother a break whenever we could. Each evening, though, we were back in his room, his bed, and we made that noisy love.

For fourteen uninterrupted nights.

And then I noticed his calendar. Shit. I’d lost track of my cycle. For the first time in my life.

*     *     *

Come on; come back to bed. 

Don’t worry – so what if you might get pregnant? I want to marry you. I’m so serious. Just say the word, and I will marry you. We’ll raise a family. It’s okay. Nothing would make me happier than to have a kid with you.

*     *     *

Over she went. Down down down. Slamming into the pavement. Naked. Her broken body waiting for no one but him.

“If she wanted the divorce,” I finally asked him one night, as I lay naked in his bed and watched him – naked, too – standing at the dresser, lighting a cigarette. “Then why did she kill herself? I mean, I know you weren’t happy about it, but you were going to give her the divorce, right?”

He sat down on the edge of the bed, smoked his cigarette, and got quiet. No more did we need to drape all her portraits with shirts and towels; her presence in the room had become part of our lovemaking, too. Those beautiful paintings of her always-naked, perfect form. It was the three of us now. Always the three of us in the bed. And now, she joined us in that moment of bated silence. I could feel her.

“She lost her mind,” he finally said. “I mean – literally. We’d been trying so hard to have a baby and she had five miscarriages in a row. Her body just couldn’t do it; her uterus always eventually rejected them. After the fifth miscarriage, she lost her mind. Started seeing blood everywhere. Couldn’t stop crying, screaming. I had to put her in Bellevue for a while, it got that bad. She decided that the divorce would be her gift to me – so that I could find another woman who could give me a kid.”

“Oh no, Leo. That’s so sad.”

“The divorce had actually become final that day. But I was just going to ignore it. She was still my wife; I still considered us married. And if I had to remarry her, legally, I was gonna do it. That fucking divorce – it was all her idea. But it turned out, she didn’t fucking want it, either. Didn’t want me with some other woman – raising a family without her. So she killed herself. Her big gift to me.”

*     *     *

I want to marry you. Come on. Think about it. Let’s get married.

He was saying it all the time now.

Out on the street, standing in front of an antique store, looking at our own reflections in the plate glass window. “You are gonna have such beautiful babies,” he said. “You know that? Come on; marry me. I’m fucking 40 already. I’m in love with you. Don’t make me wait.”

I was 20. I had come to NYC to be a singer, a songwriter. I had escaped from so many things back home in Ohio, one of which was a boy I loved who wouldn’t stop talking about getting married. Having a kid. I wanted a kid – I wanted lots of kids – but I wasn’t ready. Not then. Not yet.

*     *     *

“How can you do that? Oh my god – how can you do that?!” I was hysterical. “You actually kill people?”

Jesus. Keep your fucking voice down. Come on!” His eyes rapidly searched the diner for our waitress. “Check please, miss! We gotta leave. Now.”

He threw the money on the table. “Come on,” he said to me. “We’re going back to the apartment. You’re getting hysterical.”

It was no better in the apartment, in the privacy of his room. I was still hysterical. Until, from out of nowhere, a revolver was in my face. Its nose to my nose. It stopped me cold.

“Just shut up,” he said quietly. “My mother is in the next room. She can hear everything you’re saying. She and I – we don’t talk about this shit. About what I do. You are gonna have to calm down.”

“How am I supposed to calm down?” I whispered, verging on tears. “I’m going to have a baby.”

His expression softened at the news but the gun stayed in my face. “We’re getting married, right?” he said calmly. “You said so at brunch. So what’s the problem?”

What’s the problem?” I cried.

*     *     *

His mouth – it always felt so good on me down there. His tongue on my clit – it made anything I worried about disappear. 

He spread my long legs apart and did it again – his mouth rained slow, wet kisses all over my pussy, and then his tongue came out to play with my clit. 

I can’t – I persisted, a little breathlessly now. It’s a bad time. I could get pregnant. 

His lips were so gentle, so soft; his tongue so deliberate and thorough. It found its way into every hidden fold of my pussy, dipped into my soaking hole. It doesn’t matter – he said, pausing only long enough for me to want his mouth back on me again. We’ll get married. Right? We’re gonna get married as soon as you say yes.

Oh, Leo. He pushed my thighs wider apart, then held open my lips, exposing my vulnerable clit to his now determined tongue. 

Oh god – I moaned. This isn’t fair. It feels so good. So good.

Each time I felt my clit about to trigger an orgasm, his tongue seemed to sense it and would stop licking it – abandoning my clit then and dipping down into my hole instead. Licking right down there at the base of it, where the hole was always pouting eagerly open for him, and starting to drip now, needing to be entered at just that moment. Even by a gently licking tongue. 

Back and forth his mouth went – from my clit to my hole – my tenderest places; keeping me fully aroused, on the verge of ecstasy. And without letting me come, he kissed his way up my belly, my ribs, until his mouth latched on to first one soft nipple, then the other – making them swell. And while he sucked on them, tugging them into the gentle pressure of his mouth, then teasing the very tips of them – first one, then the other, held captive between his teeth; until each nipple was also stiff and too tender, just like my clit, his cock slid up my vagina and we began to fuck. 

It felt so good – the ways he liked to fuck; when he had each of my knees hooked over his arms, guiding them until my legs were up over his shoulders; until my hole – primed and ready to play; the lips engorged and slick – became like a bullseye, pierced, and stretching now around his incoming cock. I loved it; all the ways he liked to fuck. He was so grown up. And in that position – my legs up over his shoulders – my thighs were trapped beneath the weight of his chest; the position forced my hole to lift up and spread open, stretch open, then stretch even more; to take what was coming. Trapped there beneath him, my face buried in his chest until I needed to come up for air; my arms wrapped around his neck, holding him tight, I became my hole; my only focus was my hole – a hole surrendering to a cock on a mission, only able now to accept the thick intrusion all the way in. 

His mouth on my mouth, then; his tongue swirling with mine, kissing me into a trance. The scent of my pussy all over his lips now. Going right up my nose. That smell of pussy. Of my own aroused cunt – the taste of it mashing into my mouth, as we kissed with passion, with lust. And his wife’s Irish blessings from a world beyond – they were all over us in that bed. In that candlelit room of love. 

His cock eased its way up me slowly. Pushing in. Pushing while he kissed me. Then his cock went in too deep, as it always did, and I cried out into his kiss, his mouth – his pussy-tasting mouth. His cock pulled out just enough to push right back in – going even deeper this time, pushing pushing into my proffered hole, my ankles over his shoulders – finding that my cervix is opening around the thick probing head, now, too; unable to expel the intrusion either, forced as always to take the cockhead in. 

And that’s how he fucked me that night. My knees to my ears. My hole offered up beneath him, slick and helpless, all of me opening around that incoming cock; that probing, pounding, merciless cock. I couldn’t help but cry out in his ear as he picked up speed and picked up speed. My cunt felt split open with him. Too filled up. He was in too deep. Up into my cervix again and my pitiful hole was trapped and stuffed and opening opening opening for him. Betraying me with all its soaking lust; its need to feel the cock up in there. All the way, then pounding hard. I was addicted to it now – the feel of his cock plowing up where it shouldn’t be. He had to stop. He had to stop. I wasn’t ready to make a baby. It feels so good. It feels so good – I cried over and over, right in his ear; overwhelmed by my own need to get fucked by him again, throwing all calendars to the wind.  

His cock didn’t let up. The pounding became ferocious until my hole was thoroughly opened, the whole length of it. And the thick blanket of love his wife draped over us from some world beyond kept me battened down, kept me entwined with him, my ankles now wrapped around his neck, forcing me to offer my hole upwards even more, to open my cunt for his cock to pound into deeper. Oh god Oh god. Leo, no – I cried. My hole sore now yet still stretching open, pussy skin spreading tight tight tight like elastic that might snap it’s so stretched open that his balls almost squeeze up in there, too; into the vortex of the sloppy-sucking pussyhole pulling it in, wanting it in, wanting those balls to stretch me open and pop up into me, too; and maybe rip me open, that’s right, rip me open even more, pound me right open, baby, maybe turn me into a gaping hole, a slobbery soaking gaping hole – while I beg for the intrusion to continue, at a fevered pace; and so it does, as he pushes my knees down to the pillows now, all his weight on my knees then, keeping me spread and pinned, my sore and hopelessly stretching hole way up high now and his cock slaps into it, over and over down into me it goes. Oh shit! Oh shit! Leo, shit! I’m babbling, crying, taking it and unable to do anything at all to fend off his final unbearable burst up past my now forcibly dilated cervix, the gateway to my womb.  

Oh Jesus – he cried. 

His body went rigid, his balls tightened as I cried out now, too, and his orgasm jerked into me several punishing times; spurting his lust out through the tiny slit of his urethral hole, his shaft pumping into my vaginal tunnel that pulsing muscle of welcoming love, the fat head of the cock honing in on its new home, that opened cervix that recognizes its beautiful pain now; the pain of the fat cockhead pushing in; where there is nowhere for the sperm to go but deeper in; and in it goes, heat-seeking the real target: that dancing, quivering, naughty-with-her-knickers-down, come and get me, spank me, fuck me, ovulated, fallopian-ejected, quite fertile, 20-year-old, unmarried white girl fresh from Ohio egg. 

*     *     *

We uncoupled and spooned together in the tangled blankets and both fell right to sleep, the candlelight still flickering in the room.

“Help me!” I gasped, snapping awake moments later. “I’m choking. I can’t breathe!”

I could barely talk. Something had me by the throat, sucking in my air for its own.

“Shit!” he said, waking immediately. “Breathe. Try to breathe. It’s my wife. I know it is. Just breathe. Try to calm down and just breathe.”

*     *     *

His wife, his muse. Tormented, childless. She was seeking a way back home; climbing into me through my very breath, infusing her soul with my egg, his sperm; becoming the conception. 

If she couldn’t give Leo the child he’d wanted; she would become his child for him, instead. 

*     *     * 

I did not need a test to know I was pregnant; didn’t need to miss a period. I knew within a few days that we had conceived. I could feel it in me – the other; the part of me that wasn’t me. I was scared but mostly I was happy. Filled with joy, to be exact. A secret joy that, for a little while, was just my own.

*     *     *

I didn’t tell Leo right away that I was pregnant. Didn’t explain why I was suddenly so ravenous in bed, so filled with passion, lust, and life – even more so than before.

I loved what had happened to my body, basically overnight. But the decision to marry – I had trouble with that.

Then, just as easily as I had conceived, my decision to marry Leo came to me suddenly.

On Sunday morning, we slept in, then headed out to the diner for brunch. Thanksgiving had come and gone. It was now a beautiful morning in early December. We walked along E. 66th Street, then turned north onto First Avenue.

“You look so fucking pretty this morning,” he said. “You know that? I wish you would just fucking marry me already. I’m not getting any younger here, you know – and you’re getting prettier.”

“Okay,” I said.

“What?”

“Okay,” I said again. “I’ll marry you. Let’s get married and have a kid.”

“You mean that? You’re serious?”

By the time we got to the diner, I’d convinced him that I was serious, but I hadn’t mentioned the pregnancy, yet. I wanted to wait until we were sitting down.

We scooted into a booth, facing each other. He looked so happy. As happy as he’d probably been when his wife had been alive. I’d never seen him look so happy.

“Listen,” he said. “I gotta tell you something – you’re sure you want to get married?”

“I’m sure.”

“Okay, then.”

The waitress came over for our order and we ordered the same things we always did, every other time we’d been in that diner together. And then the waitress went away.

Leo leaned closer to me, he got quiet. “I need to tell you a little bit about me, since you’re gonna be my wife.”

“Okay.”

“Like – what it is I do.”

“Okay.” I was thinking about his fingers up me, his tongue on my clit, his kisses. I wanted to leave the diner and go straight back to bed. Make more love.

“Are you listening to me?”

“Yes,” I said. “I’m listening.”

“You know I’m in the Family, right?” he said quietly. When I looked at him blankly, he said, “The Mafia – right?”

“What?”

“You’ve been in my home – seen all the photos – my dad.”

It was just barely connecting. “What does that mean?”

“I’m in the Mafia – that’s what it means. My brothers are, my uncles are; my dad was, my grandfathers were. And every so often, I get on a boat, and take a little trip. Fulfill a contract and then I come right back home. Now, listen. You’re way too pretty. I won’t want too many of them knowing when you’re home alone. They might get ideas, okay? They just might. Contracts can become funny issues. Look what happened to my dad. Too many Family problems, and you never know when it could blow up. So I’m gonna get you a gun and teach you how to use it, okay?”

“What are you talking about? Why do I need a gun?” None of it was making sense to me, and yet all of it was.

“You’re gonna be my wife. I don’t want anybody hurting you. You need to know how to protect yourself.”

The waitress brought us our food and we fell silent. I didn’t want to see food; suddenly I couldn’t eat.

“Are you understanding me? This is serious.”

“No, I don’t understand,” I said. “Why do you have to go away?”

“Contracts,” he said quietly. Then very quietly, he said it again: “Contracts.”

Our eyes locked and held. Then very quietly again, he made it plain, this time leaving NYC for a moment, and speaking to a 20-year-old white girl, fresh from Ohio: “They call me. I kill someone. Are you understanding now?”

*     *     *

By mid-December, my period did not come and I went to the clinic, just to know for sure.

I’d left the Upper East Side and was hiding out in a brownstone in Brooklyn – in a building that, by back-home-Ohio standards, would have been condemned. But I was learning to live in New York now. By New York standards of what was an acceptable existence.

I had Leo’s phone number. I called him every few days, not knowing if I was going to change my mind.

“It’s our baby,” he’d shout at me over the phone. “Don’t do this. Don’t fucking do this. Just tell me where you are. My brother’s got a big fucking Cadillac. We’ll come get you, load up your stuff in the car, and you’ll move in here with me. I’ll marry you – come on. I fucking love you, can’t you get that?”

I gave myself two more weeks to hide out alone with my baby – the baby that was still a shifting, constantly-combining ball of microscopic cells inside me. I talked to it constantly, explaining myself.

I love you, okay? I love you so much. But I’m poor. I won’t even be able to feed you. But things will change, and you’ll come back, okay? You’ll come back to me and it’ll be different. And your dad will be different – a different man altogether. He won’t be a killer. It’ll all be different. We’ll have a pretty apartment and plenty of food. You’ll come back – when my life has changed.

*     *     *

My legs spread open in the stainless-steel stirrups. I wore the blue paper disposable gown. The doctor was from Pakistan; the nurse, a young black man from Harlem. He was readying the IV for my arm, until he saw the look on my face and then he quickly reached for my hand. He gently stroked it.

“You’ll be all right,” he said softly.

He alerted the doctor, who came and stood at the other side of me. I had seen the doctor once before. He was the one who had examined me and had confirmed that I was pregnant. He said, “It’ll be over quickly. You’re going to be just fine.”

The three of us alone in a bleak room that looked more like the storage room of the clinic than anything else. A man from Pakistan, a man from Harlem. A lost girl from Ohio, spread out, naked under a blue paper gown, wanting so much to be a mother – wanting so much to not be poor.

They were both so kind to me, I cried.

*     *     *

His muse, his wife – I released them back into their own world, out of mine. Then I grew to understand just how deeply a muse can haunt you. How many people, alone, in how many rooms across the world, are haunted by muses? Who can say?

And killers. Who are they, really? You know – there are so many ways you can choose to kill.

You can love. And you can kill.

I see that now.

Excerpted from Girl in the Night: Erotic Love Letters to the Muse
© 2020 Marilyn Jaye Lewis

Enjoy the 4th, Everybody!!

I can’t tarry on the blog today because I am almost finished with Letter #8 for Girl in the Night: Erotic love Letters to the Muse.

I got so much done on it yesterday, gang. I was at my desk for 11 hours — in 90 Fahrenheit degree heat, so it was a bit exhausting. But I’m happy with how it’s going. It’s going to be one of the longer chapters.

In the middle of all my progress yesterday, I got a text from Peitor wanting to know if I was available for a “quick” conference call with the line producer (they are both in LA).

ME: I'm in the middle of another project right now -- how long will it take?

HIM: 10, 15 minutes the most.

ME: OK. but no Zoom, I don't want to be on camera

Well, an hour and fifteen minutes later… it actually was a great conference call, though, and I’m so happy we had it. I just keep getting more and more excited about Abstract Absurdity Productions, gang. Even though it’s still going to take a while to get things up and running and filming. Just some really talented and enthusiastic people are getting on board and they are being so helpful. We are so blessed.

Meanwhile…

Loyal readers of this lofty blog will no doubt recall the 4th of July coffee mug!! It comes out once a year. (It doesn’t look it here, but it’s way too small; instead of 3 refills of morning coffee,  I get about 17!!) (Which also means going up & down the stairs 17 times…).

But there you have it — my first cup of 4th of July coffee out on my kitchen porch at 6am this morning. It’s yet another gorgeous (hot) day here in Crazeysburg.

All right. I’m gonna close now. I want to get back to work on Letter #8.

If you live Stateside, and still like being an American, I hope you enjoy the 4th.

If you live elsewhere, have a great Saturday!! And thanks for visiting!!

Since so many Americans seem to hate America right now, I will forego anything patriotic and leave you, instead, with “La Marseillaise”. Who can find fault with that, right?! (Especially that final verse!! Yay!! Just an all-out testament to tolerance.) (If you don’t know “La Marseillaise,” it’s the French national anthem. They actually taught us this in elementary school in Cleveland. Nowadays, I don’t think they even teach our own national anthem in our elementary schools, let alone the national anthem of any other country’s…)

Well, all righty!! Enough!!. I love you guys!! See ya!

Thank Goodness for Small Towns

And I really mean that, gang.

Last night was the night that Crazeysburg did our fireworks in honor of the upcoming July 4th weekend. And living here, I have to say, you’d never know there was any unrest in the world in any way at all.

I’m guessing that over at the ballpark, where they set off the fireworks, they asked people to at least observe social distancing. I didn’t need to go over there because I could see everything from my kitchen porch. So I don’t know for sure. But everywhere else, it just felt like a regular, low key and wonderful, small town 4th of July holiday getting underway.

And I have to say that the full moon that’s getting underway now, too, was so beautiful last night that it was hard for me to focus on the fireworks! The moon was peaking through the really tall,  100-yr old pine tree in my neighbor’s backyard. And gently rolling clouds were setting off the moon like some sort of painting. It was just lovely. (And down on the ground, the fireflies were once again putting on an amazing display of their own.)

The little kids across the street — and they are really little — would scream every time a firework boomed really loud. It was so cute. (Not so cute for my poor cats, though. When I came inside, all 7 of them were hiding in my bedroom closet! It was so funny to see them all come spilling out of there about an hour after the noise was finally all over.) (The door to my bedroom closet doesn’t close all the way, so that’s their favorite place to hide. It’s a good-sized closet and easily fits 7 cats.)

Anyway. I’m gonna scoot for now because I made really great progress on Letter #8 for Girl in the Night yesterday and I want to continue the momentum. I might stop back and post again later.

Enjoy your Friday, wherever you are in the world!! Paul Weller’s new album, On Sunset,  finally dropped today, after many delays due to the virus causing shortages in the stuff they use to press vinyl records. But it’s out now and it is a really lovely album, gang. I leave you with the song “Village,” which actually dropped back in May, but I still really love it. Especially the way my life feels these days.

Okay, thanks for visiting!! I love you guys. See ya!

“Village”

Here I am, ten stories high
Not a single cloud in my eye
Not a thing I’d change if I could
I’m happy here in my neighborhood

And all the things I’ve never been, I’ve
Never seen, I don’t care much
And all the things I’ve never done, I’ve
Never won, I don’t care much

I never knew what a world this was
‘Til I looked in my heart
And saw myself for what I am
Found a whole world in my hands

And all the things I’m supposed to be
And all the things that you want from me
I don’t know why, I don’t know why
I don’t know why, I don’t know why

I don’t need all the things you got
I just wanna be who I want
I don’t need all the things you hold
In high regard, they mean nothing at all

And all the things I’ve never been, I’ve
Never seen, I don’t care much
And all the things I’ve never done, I’ve
Never won, I don’t care much

This village is where I’m from
It’s one place that I call home
You wanna show me another side
But I’ve got heaven in my sights

I never knew what a world this was
‘Til I looked in my heart
And saw myself for what I am
Found a whole world in my hands

And all the things I’ve never been, I’ve
Never seen, I don’t care much
And all the things I’ve never done, I’ve
Never won, I don’t

©  2020 Paul Weller, Jan Kybert

Happy Days Are Here Again!!

The Nick Cave website announced this morning that on July 23rd, a “live stream” concert with Nick Cave, performing alone at the piano in Alexandra Palace in London, will stream on the DICE app!!

It will stream in 3 different global time zones so check that link above there for details. I don’t know what the global exchange rates are, but for the US ticket, it was only $20. (And seating is only limited by the number of people who can sit on your phone at once!!)

 

 

As luck would, of course, have it, July 23rd is my dad’s 90th birthday and I will be driving home from Cincinnati that evening, but oh well.  It’s always best to have nothing whatsoever to do for months, and then cram all upcoming events into the same day. (My life seems to excel at that, with or without a pandemic.)

But I am, of course, very excited, and will endeavor to not speed more than my customary 95 mph the entire 100 miles that it is between my dad’s place and my home.

Yay!!!

I got some more good-ish news yesterday. Sandra called to tell me that she’s having a phone conference today with the theater company in Toronto  that will be producing our play  (this one is mostly her play, about her life; but I’m a contributing writer on it and we’ve been collaborating on it for something like 7 years now. Literally. It was supposed to be produced in Toronto this Fall, however, as we all know too well by now, 2020 no longer exists in the abstract, only in the immediate upfront here & now, day after day after day, hour after unpredictable hour …)

Anyway!! I will be super excited to hear what they chat about. I’m guessing our production date will be reset for 2021, but no clue yet exactly when. (And rest assured, gang, that there are still a TON of rewrites needed for that play!! So I can’t wait to be indescribably super busy again. It will finally feel like real life around here.)

Today is the day I’m supposed to chat with my accountant in NYC re: Abstract Absurdity Productions, but he never actually confirmed a time, so I’m not certain if it’s happening today or not. We’ll only know for sure  if the phone rings…

Meanwhile. Yesterday did not pan out as planned. Kevin (the Director of Tell My Bones) had to cancel our dinner plans for the Granville Inn, and instead, we’ll be going there on Sunday evening. I was really disappointed because it has been 3 and 1/2 months since I socialized in any way and I was so excited for the chance to not only go out with someone but also to go to Granville, but that’s how life seems to go these days. We’ll do it on Sunday, instead.

11 Granville Ohio Photos - Free & Royalty-Free Stock Photos from ...
Granville Ohio in the summer

After I got off the phone with him, I went outside and took a walk — just to sort of focus on something else. It was just a gorgeous day. I took a bunch of photos during the walk and posted them to my Instagram account, but here are a couple them.

Across the street from my house, looking east.

 

The first one  is of the train tracks in front of my house, but looking East this time — in the direction of Coshocton County, which is just a really beautiful county, gang. (You can’t see it from here, it’s too far away. I’m just saying that it is really beautiful there.)

Looking west, from the main road in and out of town

And the second one is of the main street through the village. If you look way in the background, that hill is where there are always a bunch of cows grazing. By the way, by the time you’re at that hillside, you are already over Wakatamika Creek and well out of the village.

I know the street looks deserted, but I actually waited for a bunch of cars to drive by first.

Plus, it was 90 degrees Fahrenheit yesterday and not a lot of folks were outside at midday.

Okay, well, gang. I guess that’s it for today!! I hope you have a terrific Thursday planned for yourself, wherever you are in the world! Thanks for visiting!!

I’ll leave you with the song “Idiot Prayer” — the title of Nick Cave’s upcoming streaming event. It’s a song I really like but I won’t say why I like it so much. It’s from the album The Boatman’s Call — Nick Cave & the Bad Seeds, 1997. (This is a really beautiful album, gang, if you aren’t familiar with it.  Some real heartbreaking gems on this album, plus the title is really easy to spell.)

So, listen and enjoy! I love you guys. See ya!

“Idiot Prayer”

They’re taking me down, my friend
And as they usher me off to my end
Will I bid you adieu?
Or will I be seeing you soon?
If what they say around here is true
Then we’ll meet again
Me and you

My time is at hand, my dove
They’re gonna pass me to that house above
Is Heaven just for victims, dear?
Where only those in pain go?
Well it takes two to tango
We will meet again, my love
I know

If you’re in Heaven then you’ll forgive me, dear
Because that’s what they do up there
If you’re in Hell, then what can I say
You probably deserved in anyway
I guess I’m gonna find out any day
For we’ll meet again
And there’ll be Hell to pay

Your face comes to me from the depths, dear
Your silent mouth mouths, “Yes”, dear
Dark red and big with blood
They’re gonna shut me down, my love
They’re gonna launch me into the stars
Well, all things come to pass
Glory hallelujah

This prayer is for you, my love
Sent on the wings of a dove
An idiot prayer of empty words
Love, dear, is strictly for the birds
We each get what we deserve
My little snow white dove
Rest assured

© 1997 Nick Cave

Yes, It’s That Kind of Wonderful Morning!!

Here in Crazeysburg, the cocks — excuse me — the roosters are out and about, which is always exciting, and it is yet another incredibly beautiful day!!

(I’m kidding about the roosters, gang. They don’t actually allow you to keep chickens and such here in the Village of Crazeysburg itself. You have to take 14 steps out of the village if you want to do that.) (And I’m not kidding about that part.)

But that reminds me:  A million years ago, Tom Petty & the Heartbreakers did a live radio broadcast out of Chicago, where they did just a killer (sexy) version of Howlin’ Wolf’s “Little Red Rooster”!

(This whole broadcast is actually really great.  It totally kicks A. I don’t think it’s on an actual album or CD, but there is an MP3 download of it that you can get everywhere.)

Okay!! So!!

Today’s kind of a big day for me. Today is my big foray into Granville, Ohio, to have dinner with Kevin (Director of Tell My Bones) (in some future make-believe land, that is. All theater in NYC is shut down until 2021. I’m guessing NYC will never get back to normal, at this rate.)

Anyway. Kevin and I are having dinner at the Granville Inn and I have not done anything social, let alone been to the inn, since March 14th. I’m not entirely sure that I remember how to behave in public, but we’ll find out. Plus, this will be the first time I will put on my eye make-up in 3 and 1/2 months. So weird.

But I’m excited!! And also nervous. Because life is just plain different now. I’m guessing that if I let go of believing in anything I ever knew before, I should do all right.

Yesterday, I was working on Girl in the Night, and I guess I’ve just been doing too much typing these last few days, because the bones in the tops of my hands started to really hurt. So I took one extra-strength Tylenol and within minutes, my hands felt great but I was so sleepy I couldn’t even sit at my desk anymore! I had forgotten that those darn pills make me sleepy.

So the bulk of the day was not entirely productive, although I did have a nice day, regardless. And the lawn guy came to cut the grass, so the weedsyard — is looking really spiffy.

And of course, by 9pm, I was quite perky and wide awake. And remained that way for a few hours, but I didn’t really feel like working at that point. So, after streaming another episode of Professor T., I just laid around on my bed in the dark — well, with the lights out. My bedroom is never actually dark because of the streetlights outside my window.

But I laid around on my bed in the dark, stared out the window at the truly beautiful night, watching the blinks of the fireflies wane, and I listened to Phoebe Bridgers’ new album, Punisher.

I Know the End Lyrics Phoebe Bridgers | Punisher - Genius-Lyrics

It’s kind of a depressing album, but it’s still beautiful and the lyrics are great. If I were closer to her age and not old enough to be her grandmother, I would likely relate to it a bit more, but I still really love her way with words. (Although the entire album makes me think of the song “Chasing Cars” by Snow Patrol. So I ended up playing that beautiful, non-depressing song over & over, and then finally fell to sleep.)

But back to listening to Phoebe Bridgers — I was thinking, once again, how incredible it is for young women nowadays to be able to make any kind of music they want to; to write any kind of songs they want to and have them sound however they want them to sound.  Because it definitely didn’t used  to be that way.

Plus there’s room now for so many more women musicians and songwriters and performers. They used to sign about one or two per genre, and then get behind them for about 2 albums, as long as they proved to be massive hits.  Of course, back then, there was so much more money at stake for the various music industry gatekeepers, and all that’s been thoroughly “disrupted” now by everyone wanting so much music for free (and I won’t get political today, I’ll just say, that Socialist tendencies are so great, gang; it helps make everybody equally poor).

However!!

I do genuinely think it’s so great that women in music nowadays have so much more freedom to express what they want to express, however they want to express it. And I think that’s just so beautiful.

And something else that is amazingly beautiful, is the Red Hand Files thing that Nick Cave sent out today. You don’t even have to know his music, or know the album Ghosteen, to be able to appreciate what he has to say about love today. You can read it here if you are so inclined.

On that note, gang, I’m going to get started here.  I’ll leave you with both the beautiful song “Punisher,” by Phoebe Bridgers, and the equally beautiful though very different song “Chasing Cars,” by Snow Patrol. Relax and enjoy!! (Or float off into the stratosphere is probably more like it!!) But either way, thanks for visiting! I love you guys! See ya!

“Punisher”

When the speed kicks in
I go to the store for nothing
And walk right by
The house where you lived with Snow White
I wonder if she ever thought
The storybook tiles on the roof were too much
But from the window, it’s not a bad show
If your favorite thing’s Dianetics or stucco

The drugstores are open all night
The only real reason I moved to the east side
I love a good place to hide in plain sight

What if I told you I feel like I know you
But we never met?

And here everyone knows you’re the way to my heart
Hear so many stories of you at the bar
Most times alone and some looking your worst
But never not sweet to the trust funds and punishers

Man, I wish that I could say the same
I swear I’m not angry, that’s just my face
A copycat killer with a chemical cut
Either I’m careless or I wanna get caught
Ooh, I’m not

What if I told you I feel like I know you
But we never met?
It’s for the best

I can’t open my mouth and forget how to talk
‘Cause even if I could, wouldn’t know where to start
Wouldn’t know when to stop

© 2020  Phoebe Bridgers

Another Delightful Morning in Crazeysburg!!

So far, it’s been just an amazing summer.  The weather, I mean. And today is going to be yet another gorgeous day!

Before I forget, I did post another chapter yesterday on the In the Shadow of Narcissa website. This one is titled “I See God Everywhere.”

Also, yesterday — remember, a few days ago, I posted that photo of my new Val Kilmer coffee mug, with the Doc Holliday movie quote? I had also posted that photo on my Instagram feed and apparently Val Kilmer saw it, because he sent it out on his own Instagram feed yesterday. (The limited edition mugs are only available until tomorrow — July 1st.)

Well, that was a totally unexpected little thrill, however, it sent quite a number of scammers to my Instagram feed yesterday. Now that I’ve made my account public, anyone can follow me. But I patiently go through every single follower and block anyone that seems like a scammer, and they were coming all day yesterday.

And it was fun to have my picture posted there, too — the cup is sitting on the cafe table out on my kitchen porch:

 

 

 

 

My trip to town yesterday was splendid! I have never seen the Honda dealership so empty. I think there were maybe 5 people sitting in the waiting room (myself, included).  Most people wearing masks, but not everybody. But the seats were all placed 6-feet apart.

I kind of liked it, actually. Usually, it’s a mob scene in the Honda waiting room! And it can take forever for them to finish your car. I was there less than 30 minutes, and they had changed the oil, topped the fluids, rotated the tires, and even washed the car.  So, you know, one of the sort of “nice” things about the virus, I guess.

Tomorrow evening, Kevin (the director of my play) and I are finally going to go have dinner at the Granville Inn. I have missed that place so much, but I’ve had my trepidations about going there while it was easing out of lockdown because everyone has to wear masks. And I’m sort of afraid to see it like that.

Sunday Brunch - Review of The Granville Inn, Granville, OH ...
Those non-mask days of yesteryear…

But, tomorrow, we’re going! I’ve been hearing that it’s crazy busy there — meaning, busy while remaining at 50% capacity. So we’ll see. I haven’t been there since St. Patrick’s weekend.

Then on Thursday, I have a phone conference with my accountant in NYC, because Peitor and I have to formally set up Abstract Absurdity Productions. I always love talking to my accountant because he is always a straight shooter and I get off the phone sort of in renewed & devastating shock over just how fucking much every single fucking business-related thing costs.

Still. It’s better to know than to be surprised when you can least afford it.

And then sometime later this week, Peitor and I have a conference call with the line producer in LA to see just how we might be able to come up with a budget that doesn’t undersell our film but that doesn’t make all of us fall out of our chairs, either!!

Other than that, life is pretty much quiet around here. I’m going to be tackling Letter #8 again for Girl in the Night. I’m hoping that the unexpected detour into In the Shadow of Narcissa will help Letter #8 seem fresh & brand new today!! I do love the 3 and 1/2 pages I’ve written (and re-written and re-written) so far, but I really, really would like it to finally finish itself, you know? It’s dragging on forever.

So, on that note, I will take my leave, gang! I hope you have a terrific Tuesday, wherever you are in the world!! Thanks for visiting.  I leave you with one of my favorite songs from my wee bonny girlhood (mentioned in my new chapter for In the Shadow of Narcissa — I absolutely loved this song when I was little, gang, although a bunch of children were singing the version I knew back then): “This Land is Your Land” by the late, great Woody Guthrie.

All righty!! Enjoy. I love you guys. Have a great day. See ya!!

Gotta Get Tootling Along!!

I’m heading out early today, gang. Have to drive to one far away town (30 miles) to spend some quality, post-lockdown time with those guys at the Honda dealership! My very grown-up car informed me last Monday (the last time I was actually in my car) that it was time for an oil change.

Then I’m going to drive to the other far away town and get the groceries.

It’s a stunning day here today, gang, so it’ll be nice to do all that excessive speeding on the highway with the music blasting! (And just a quick note to those of you who are new to the blog — there are usually only about 3 cars on the highway out here in the Hinterlands (no exaggeration!), and in the Honda, it’s almost impossible not to speed.) (Plus, you can drive these Hondas for 10K miles now before you need an oil change. I find this astounding.)

Okay!

Well, I did finish that new chapter for In the Shadow of Narcissa yesterday, but I still want to tweak it. So that’s what I’ll likely do when I get back from town.

On that note, though, I gotta scoot! Thanks for visiting, gang. I leave you with a song that I’ve posted here many times, but I just love it. And something I saw at about 4am this morning on Instagram that took my breath away, has had me singing this song all morning!! “Breathless” by Nick Cave & the Bad Seeds, from their double-album with two impossible-to-spell titles from 2004, Abattoir Blues / The Lyre of Orpheus.

All righty!! Have a wonder-filled Monday, wherever you are in the world, gang! I love you guys. See ya!

Let’s Just Let Life Happen, Shall We ??

What a lovely Sunday here in Crazeysburg, gang! And even though yesterday was mostly about thunderstorms and torrential rain all day long — that, too, was wild and sort of beautiful.

And the skies cleared up unexpectedly by 5PM. The storms were supposed to go on straight through until today. But the skies cleared and then last evening was sunny again and really lovely.

I streamed two episodes of Professor T. yesterday (the Belgian TV crime series on PBS) — I know, I said I wasn’t going to binge watch it, just sticking to one episode per evening.  But the rainy afternoon sort of called out for an episode of Professor T! So I watched an episode in the afternoon, during a thunderstorm, which was atmospheric and wonderful. Then another episode in the evening, when it was just so fucking  beautiful outside the screen door in my kitchen.

I also got a lot of work done on a new chapter for In the Shadow of Narcissa yesterday. I might finish it today. (I like to think I will, since each chapter is well under 1000 words.) Then I’ll get back to Letter #8 for Girl in the Night: Erotic Love Letters to the Muse.

Things with Valerie in Brooklyn are still exhausting and very emotional for her right now, so any book projects requiring cover art are still on hold.

Oh, and that reminds me. In July, I will once more be participating in the Smashwords Summer Sale. All my eBooks there will be $1.00 and one of the Muse Revisited books will be free. I don’t know which one will be free, I simply agreed to participate and they take care of the rest. (And I think you have to buy at least one eBook this time to get the free one.)

And just a head’s up — once the new cover art is made for The Muse Revisited collection, those manuscripts will be re-edited. The editing in those books right now is not that great. I look forward to editing them myself and completely re-packaging them, not to mention having them available in trade paper for the first time, ever. (The stories themselves have all been in trade paper, many times over.  However, the 3-part collection as it is now has never been in traditional print.)

And Twilight of the Immortal will once again be in trade paper, as well. That one did come out with a traditional press several years ago, but has only been available as an eBook for quite a while now.

So, I’m excited!! Because, God knows, I need more stuff to do here at my desk!!!!!

All righty. On that note, I’m gonna get back to work on this new chapter for In the Shadow of Narcissa. I hope you have a really great Sunday, wherever you are in the world!

I’m leaving you with a song I was reminded of on Instagram this morning. “Cassiel’s Song” — by Nick Cave & the Bad Seeds. It’s from the soundtrack of a Wim Wenders film from 1993, Far Away, So Close! (A sequel to Wings of Desire.) (The song is also on the Bad Seeds’ album  B-Sides & Rarities. 2005)

And oddly enough, just yesterday afternoon, I had taken Judy Stone’s awesome book from 1997, Eye on the World: Conversations with International Filmmakers, down from the bookshelf and had re-read her Wim Wenders interview from  June 1988.

Eye on the World: Conversations with International Filmmakers by ...

It was a really interesting interview because he talked a lot about when he was young and sort of struggling to not only be a filmmaker but to come to terms with his nationality. (You can still buy the book, even though any filmmakers who became successful after the mid-1990s won’t be in it. And a number of the very well known international filmmakers who are in it have passed on now. But if you love international cinema, it is a real treasure. (And huge!! Almost a thousand pages, with 200 interviews with filmmakers from 40 countries.)

Okay!!  I’m off!! Thanks for visiting, gang! I love you guys. See ya!

We’ve come to bring you home
Haven’t we, Cassiel?
To cast aside your loss and all your sadness
And shuffle off that mortal coil and mortal madness
For we’re here to pick you up and bring you home
Aren’t we, Cassiel?
It’s a place where you did not belong
Were time itself was mad and far too strong
Where life leapt up laughing and hit you head on
And hurt you, didn’t it hurt you, Cassiel?

While time outran you and trouble flew toward you
And you were there to greet it
Weren’t you, foolish Cassiel?
But here we are, we’ve come to call you home
And here you’ll stay never more to stray
Where you can kick off your boots of clay
Can’t you, Cassiel?

For death and you did recklessly collide
And time ran out of you
And you ran out of time
Didn’t you, Cassiel?
And all the clocks, in all the world
May this once just skip a beat in memory of you
Then again those damn clocks, they probably won’t
Will they, Cassiel?
One moment you are there and then strangely you are gone
But on behalf of all of us here we are glad to have you home
Aren’t we, dear Cassiel?

©  1993 Nick Cave

The world of author Marilyn Jaye Lewis