Tag Archives: MCC Theater

OMG, I know!

It’s been yet another FOREVER since I’ve posted here!

Let’s see. What have I been doing?

I took a quick and lovely road trip in the new Honda Fit recently. It was a lovely day and a perfect drive. (Although I have to say, I do get really tired of always doing everything by myself!)

I bought myself a season ticket to a local summer stock theater company. It’s in the next town over; a quick drive out to a barn, basically, in the middle of trees and fields. I had the best time! (Once again, though, all by myself. One thing about living out here in the Hinterlands — I only have 1 friend and he now has 3 tots under the age of, like, 8 at home — and he’s as old as Methuselah. So I rarely ever get to see him nowadays.)

But back to the theater — The first show was Children of Eden, by Stephen Schwartz. I’m not always a Stephen Schwartz fan. While I absolutely adore Pippin (having seen the original touring version back in 1973 and then going on to memorize the Original Broadway Cast album soon thereafter), I think I am the sole person on planet Earth who does not adore Wicked, and Children of Eden has a similar musical feel to Wicked. Meaning that the singing just goes on and on and on and the melodies just seem to blend into one another. However, even though I didn’t leave the theater humming any semblance of a memorable musical tune, I did enjoy the performance and the people in the show a whole lot and I’m looking forward to the next show, Peter & the Starcatcher.

And on a similar note (i.e. theater) — the reason why I haven’t been able to post here in quite some time:

When last you heard from me, I was re-working my approach to The Tea Cozy Murder Club TV script, and was painfully researching that new approach by tirelessly streaming endless repeats of Midsomer Murders, one of my favorite TV shows of all time.  (It’s a tough job, but someone’s gotta do it.)

Meanwhile, I was also doing that never-ending research for the play I’m writing about Caiaphas, In the Days of the Flesh. (Research involving theology, ancient biblical history both Jewish and Christian, and current archeology, so the never-ending-ness of it can get overwhelming.) Anyway, I enjoy every minute of it, but before I could really settle down and put pen to paper on either project, an additional play I’m writing for Sandra Caldwell has suddenly landed smack dab on the center of my plate.

Loyal readers of this lofty blog will no doubt recall that 2 summers ago, I went to New York to work with Sandra on refashioning my TV movie script, Tell My Bones: The Helen LaFrance Story, into a one-act play for Sandra to perform/star in. Well, now that we’ve at long last, really & truly, signed off on the final draft of her one-woman musical (currently titled The Guide to Being Fabulous), she informed me that she needed a finished draft of the Tell My Bones play within 2 months, when she starts performances of Charm Off-Broadway with the MCC Theater.

It’s not like I totally forgot that Tell My Bones even existed. The TV movie script of it is with the production company in LA and I’m awaiting feedback on it. However, the one-act PLAY version of Tell My Bones … well, I did totally forget that it even existed. (Too many half-finished projects on my plate, perhaps??) So, when Sandra said she needed a final draft of Tell My Bones by the end of the summer, all I could think of to say was, “You got it!”

Then I hung up the phone and had to scrounge around, digging up 2-year-old notes for the thing, keeping in mind that I sold my house, stuffed everything imaginable into boxes that went into storage for 6 months and then got shoved willy-nilly here in the basement in the house I’m renting in the Hinterlands…

But blessings and miracles!! I found all the notes and discovered that when I sat down at my desk to tackle it, I was incredibly and effortlessly inspired! And I am so happy with how it’s progressing.

The one-act play version of Tell My Bones will be done by the end of the summer simply because it has to be. Pressure aside, it feels so exciting to be working on it right now, simply because the inspiration is so close, so tangible, so beautiful. As any writer (or any artist) knows, inspiration is not always present when deadlines are. So to have them arriving at the same time and keeping pace with each other –Wow. It just feels so great.

But, on the downside, it leaves me little leftover inspiration for blogging.  So yes, my friends; you must suffer. You must pay the price in all this heady inspirational madness going on over here in the Hinterlands!

Okay, on that note… Let’s see. I will leave you with this! Some of that “inspiration” for Tell My Bones. Thanks for visiting, gang! Have a wonderful weekend whatever you wind up doing. See ya!

Advertisements

Such good things!

Only a ten-day absence this time! Pretty good! (Of course, it’s still nothing like the years & years & years where I blogged every single solitary day, including Sundays & holidays! But onward!)

Okay! Remember that great news I couldn’t discuss in my last post? Well, it is now official and so I can share it.  And I am so happy about it.

Sandra Caldwell, the actress in New York City that I write with/for, has just landed the leading role in Charm, a play by Philip Dawkins. It will be having its Off-Broadway debut as the fall season opener at Manhattan’s MCC Theater beginning Labor Day weekend.

(I’m planning on attending opening night and I’ve already bought a new dress for the occasion — one of those Calvin Klein floral fit & flare dresses that everyone is wearing these days.) (Although I might change my mind at the last minute, since I am usually a plain black sheath-wearing sort of gal… We’ll see if I ultimately opt once more for living in the past, or taking a bold leap into being like everybody else!)

I’m excited about this show for many reasons. One being that Sandra is my friend and this is her return to the New York stage after a long hiatus.  Another reason being that her decision to focus again on stage work was made a couple years ago, wherein she hired me to not only help her with her one-woman musical, but also to be the head writer for her production company, with a focus on theater.

Charm was very well received in Chicago and promises to be a real winner in New York, as well, and it looks additionally promising that the one-woman musical Sandra and I have been working on for several years will get produced and find an off-Broadway stage in New York in the near future.

Even though I was a singer-songwriter for many, many years — in my halcyon days in New York, before switching to full-time fiction writing in the 1990s — theater was always my first love, ever since I was a wee bonnie lassie.

I love all kinds of theater: Jr. High and High School theater; college theater, Broadway, Off-Broadway, Off-Off-Broadway theater; and even the occasional “go down these dank ancient stairs and enter a clammy, dark, hell-hole abyss theater space” to watch stupifyingly experimental theater where none of the actors even get paid. I love it all.

And even while I’m really excited with the progress I’ve made the last several years with my TV Pilot scripts and TV MOW scripts, theater still excites me, probably even more. So with Sandra’s upcoming success (I know she is going to be superb), will come more and more opportunities to write theater projects for her.

Dare I say that I couldn’t be happier?? (Let us return briefly to the unbridled joy of the American Housewife! If my soul could project onto a screen or perhaps a hologram, it would look like her!)

Well, all righty, gang!!

And in terms of re-writes for my TV Pilot/MOW script, The Tea Cozy Murder Club: A Murder at Parsons Ridge — I have made great progress in re-thinking the story. Not the plot, not the characters, not the setting; but the story itself and how it gets told. I’ve been re-watching tons of old Midsomer Murders episodes and getting delightfully re-inspired.  Even though graphically violent & angry police procedurals are all “the rage” now (excuse the pun) (and even the more recent Midsomer Murders have gone more in that direction), the older shows, with their intensely quirky characters interest me a lot more and that’s more in keeping with how I envision the Tea Cozy Murder Club characters. So off we go!

Okay, thanks for visiting, gang. And have a wonderful weekend, whatever you wind up doing! I leave you with this little ditty from Mame, it’s a song that I’ve pretty much lived my life by since childhood, come what may!

See ya!