Tag Archives: Charm by Philip Dawkins

A lovely Saturday in the Hinterlands

It feels like it’s been a long time since I posted here. Life zips by at such an astounding pace.

Here are some updates!

First, and newest: I am currently managing Sandra Caldwell‘s website.  (She is the actress in NYC whom I write with & for.) There is not much posted there yet, but please visit and follow her, so that we can all stay updated on her (and eventually my!!) theater projects. Yay!

I will not be going to New York City this weekend. I had to postpone my trip until early October because everything is just kinda crazy right now.  And since The Great Comet closed (see my agonized post below somewhere, titled Requiem for a Comet) and we no longer had tickets to see that,  I decided to wait until Wayne (my ex-husband) is back from Morocco and Alaska, so that we can see Sandra’s play together instead.

Things seem to be moving along with my request for a mortgage!!  You know how you can get all sorts of alerts from various credit cards, banks, and credit reporting agencies to be notified if anyone accesses your FICO score? Well, a couple days ago, alerts came in like crazy, all at the very same time, notifying me that a mortgage broker had checked my FICO score… So I’m excited that it is moving forward, but it took forever to get all that paperwork together, filled out, and turned in. Hence my need to re-schedule my trip to see Sandra in NYC.

Other good news: the head of production at the production company in LA informed me that we are done with revisions and edits to my pilot for the Untitled Cleveland Drama TV proposal!! (This is the project that was originally titled Cleveland’s Burning.) So, we will be moving forward and I will keep you posted!! I almost cannot believe it.

What I super-duper quadruple cannot believe, though, is that I still have so many more revisions left to make on my theatrical adaption of Tell My Bones — my Helen LaFrance project for Sandra — that needed to be completed this week. The home-loan paperwork stuff really did take over my life for a while there. But now I can give the project my full attention. Again. [She said hopefully. — Editor]

Other good news, or promising news, I should say. The same production company in LA who is developing my Cleveland Drama, is interested in seeing a proposal for a limited streaming series based on my novel, Freak Parade.

So, as soon as the Helen LaFrance revisions are completed, I will begin wrapping my brain around that. How exciting.

All right. I’m gonna go collapse for awhile. Thanks for visiting, gang! Have a really great end-of-summer weekend, wherever you are! I leave you with this!!  This CD is currently playing nonstop in my car (well, not “currently” per se — only when I’m actually in the car and driving.) It’s a classic from 1965, and it gets more lovely as the years race by. Okay, gang! Enjoy! See ya.

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Ready for a painful death yet???

Well, okay, perhaps I exaggerate. But I did start doing Shoshin Yoga (a class that teaches Kaiut Yoga). And doing it calls to mind poses that were perhaps used by torturers during the Spanish Inquisition.

Do not be fooled by how simple the poses look! That would be your first foolish mistake.

I have been doing just basic old yoga for about 10 years. Primarily simple floor poses. Nothing elaborate or fancy. I get great results and am really happy with it. However, I am really, really tired of pounding my poor feet around on hard wood floors, pavement, cement, concrete, etc., all the time. Now 57 years’ worth of all the time. My legs are taking a  real beating. So I thought I would try Shoshin Yoga.  The poses looked so relaxing and, yes, easy!

Well, it is, in fact, easy! But it kills you. The poses are all about putting pressure on the joints, and holding the poses a really long time.  Or what feels like a long time, because you’re putting so much darn pressure on your joints!(I’m currently focusing on a routine that does 10 floor poses in 75 minutes. Oddly, the time overall goes quickly, even though you feel like it is taking forever to die.)

After the torture is over, I do feel noticeably loose & limber. So I’m going to try doing it 3-4 times a week and see how it goes. If you see me go skittering past you, all loose & limber & spry, then you can assume the torture is paying off.

Meanwhile…

Tickets are now on sale for the play Charm, by Philip Dawkins, at MCC Theater in New York City.  I will be there opening night (September 18th?) but I believe tickets for that night are now impossible to get. This is the play in which my friend & colleague, Sandra Caldwell, has the lead:

The New York Times calls Sandra Caldwell a ‘true entertainer in every sense of the word.’ Her acting career extends throughout the worlds of film, television, and theater. As a jazz singer, she has performed with top orchestras in some of the world’s finest venues, including the Montreal Jazz Festival, the Montreux Jazz Festival, and the Newport Jazz Festival. On television, Sandra was seen in ‘The Book of Negroes’ (miniseries, guest lead); ’19-2′ (recurring); ‘Soul Food’ (recurring) ‘Little Men’ (series regular) and guest starring roles in such shows as ‘Law & Order: SVU’ and ‘Rookie Blue’. She was a featured performer in many TV movies, including Good Fences with Whoopie Goldberg, and Disney’s The Cheetah Girls. Film work includes Murder at 1600; Shall We Dance, and Maya Angelou’s directorial debut, Down in the Delta. In theater, Sandra has appeared in the musical Buddy: The Buddy Holly Story (Shubert Theater); the Original Workshop for Ragtime (Live Ent. Productions); the drama Coming Through Slaughter (Necessary Angel Theater, Toronto); and was nominated for a Dora Award, the Canadian Tony, for her work in Sophisticated Ladies (Sterling Productions, Toronto).”

Plan to see the show if you are going to be in NYC this fall, okay? But make haste! It is a limited run.

All right.  Now I have to take my loose & limber self back to the world of TV pilot re-writing! I’ll see if I can keep my limber hip joints from sliding off my desk chair!

Then, this evening, it’s cake & coffee, with one of my former writing students, at my home away from home: the Granville Inn!!

We are celebrating our recent birthdays. (His 30th; my 57th!) I’m looking forward to it. It seems all I do around here anymore is work, sleep, and kill myself with Kaiut yoga…

So! Enjoy this gorgeous Wednesday, gang, wherever you are and whatever you’re doing! Thanks for visiting. See ya!

OMG, I know!

It’s been yet another FOREVER since I’ve posted here!

Let’s see. What have I been doing?

I took a quick and lovely road trip in the new Honda Fit recently. It was a lovely day and a perfect drive. (Although I have to say, I do get really tired of always doing everything by myself!)

I bought myself a season ticket to a local summer stock theater company. It’s in the next town over; a quick drive out to a barn, basically, in the middle of trees and fields. I had the best time! (Once again, though, all by myself. One thing about living out here in the Hinterlands — I only have 1 friend and he now has 3 tots under the age of, like, 8 at home — and he’s as old as Methuselah. So I rarely ever get to see him nowadays.)

But back to the theater — The first show was Children of Eden, by Stephen Schwartz. I’m not always a Stephen Schwartz fan. While I absolutely adore Pippin (having seen the original touring version back in 1973 and then going on to memorize the Original Broadway Cast album soon thereafter), I think I am the sole person on planet Earth who does not adore Wicked, and Children of Eden has a similar musical feel to Wicked. Meaning that the singing just goes on and on and on and the melodies just seem to blend into one another. However, even though I didn’t leave the theater humming any semblance of a memorable musical tune, I did enjoy the performance and the people in the show a whole lot and I’m looking forward to the next show, Peter & the Starcatcher.

And on a similar note (i.e. theater) — the reason why I haven’t been able to post here in quite some time:

When last you heard from me, I was re-working my approach to The Tea Cozy Murder Club TV script, and was painfully researching that new approach by tirelessly streaming endless repeats of Midsomer Murders, one of my favorite TV shows of all time.  (It’s a tough job, but someone’s gotta do it.)

Meanwhile, I was also doing that never-ending research for the play I’m writing about Caiaphas, In the Days of the Flesh. (Research involving theology, ancient biblical history both Jewish and Christian, and current archeology, so the never-ending-ness of it can get overwhelming.) Anyway, I enjoy every minute of it, but before I could really settle down and put pen to paper on either project, an additional play I’m writing for Sandra Caldwell has suddenly landed smack dab on the center of my plate.

Loyal readers of this lofty blog will no doubt recall that 2 summers ago, I went to New York to work with Sandra on refashioning my TV movie script, Tell My Bones: The Helen LaFrance Story, into a one-act play for Sandra to perform/star in. Well, now that we’ve at long last, really & truly, signed off on the final draft of her one-woman musical (currently titled The Guide to Being Fabulous), she informed me that she needed a finished draft of the Tell My Bones play within 2 months, when she starts performances of Charm Off-Broadway with the MCC Theater.

It’s not like I totally forgot that Tell My Bones even existed. The TV movie script of it is with the production company in LA and I’m awaiting feedback on it. However, the one-act PLAY version of Tell My Bones … well, I did totally forget that it even existed. (Too many half-finished projects on my plate, perhaps??) So, when Sandra said she needed a final draft of Tell My Bones by the end of the summer, all I could think of to say was, “You got it!”

Then I hung up the phone and had to scrounge around, digging up 2-year-old notes for the thing, keeping in mind that I sold my house, stuffed everything imaginable into boxes that went into storage for 6 months and then got shoved willy-nilly here in the basement in the house I’m renting in the Hinterlands…

But blessings and miracles!! I found all the notes and discovered that when I sat down at my desk to tackle it, I was incredibly and effortlessly inspired! And I am so happy with how it’s progressing.

The one-act play version of Tell My Bones will be done by the end of the summer simply because it has to be. Pressure aside, it feels so exciting to be working on it right now, simply because the inspiration is so close, so tangible, so beautiful. As any writer (or any artist) knows, inspiration is not always present when deadlines are. So to have them arriving at the same time and keeping pace with each other –Wow. It just feels so great.

But, on the downside, it leaves me little leftover inspiration for blogging.  So yes, my friends; you must suffer. You must pay the price in all this heady inspirational madness going on over here in the Hinterlands!

Okay, on that note… Let’s see. I will leave you with this! Some of that “inspiration” for Tell My Bones. Thanks for visiting, gang! Have a wonderful weekend whatever you wind up doing. See ya!