Tag Archives: John Coltrane A Love Supreme

Finally!! A Good Morning!!

Guess who woke up breathing today??!!

Not only did I wake up breathing, but I got out of bed and went downstairs and was still breathing. And the morning has officially gotten underway here and I’m still breathing.

I can only hope this means that the virus is actually completely gone.

I even extended the yoga yesterday to half an hour instead of just the 15 minutes I’d been doing for a few days now, and I still woke up breathing.  I didn’t go in reverse at all. So I’m thinking that maybe I’m finally really well, gang.

I can’t tell you how relieved that makes me feel.

I slept with all the windows in my bedroom partially open all night, too. Even though it cooled down during the night, it felt so good to have all that fresh air. So maybe that helped, too.

It’s really just a gorgeous morning here today, gang. I’m in the best mood, too.

Peitor and I are planning to actually work on the “Lita” script today. Just checking the script for typos (there are tons!), and making sure the formatting is as readable as possible.  The script is 98% shots, lenses, blocking — it doesn’t read like a normal script does. So now we’re trying to make it “readable” for the other people involved.

I’m also feeling inspired today in two different directions, finally. Doing a final edit to Blessed By Light (and probably changing the title to The Guitar Hero Goes Home), in preparation for getting it into a publishable format. And also doing some brand new writing on Thug Luckless: Welcome to P-Town.

BTW, I did try to watch another episode of “Dummy” on Quibi (the show about the girl who befriends her boyfriend’s AI sex doll and they go on a road trip). But I just couldn’t stick with it. There are a lot of elements to the show that I like, however, the dialogue just aims way too low. And, in my opinion, it doesn’t have to. It could still be racy and dirty and challenging and funny, without resorting to just being smutty.

(You know, if I was able to laugh out loud over the dialogues between Adolph Hitler and a 10-year-old Nazi boy in JoJo Rabbit, then we ought to be able to move mountains — dialogue-wise — with an AI sex doll, right? I should think so.)


I finally finished reading Love in the Time of Cholera. And instead of picking up Rilke (for now), I went for James Merrill’s The Changing Light At Sandover because I really am feeling like getting underway again with Thug Luckless. And I keep thinking that something about Sandover is going to inform the direction of Thug Luckless. (For some inexplicable reason, a few months ago, it occurred to me that the original name of P-Town before the Apocalypse was “Sandover.” I’d like to find out why that came to me.)

So I’m feeling inspired. And it really has been weeks since my mind was clear enough to attempt any new writing. So I just feel really happy.

Oh, and another “btw” — I looked through all the old lyrics & music sheets yesterday and never did find the chords I was looking for to that song! I found chords for everything else. Apparently, I thought the chords to that one song would simply live on forever in my mind. I did see a ton of set lists that indicated the song was in the key of C# — but I guarantee you, I never wrote a song in the key of C# in my life. That has to be something the lead guitar player changed at some point.  But it doesn’t help me. I see something now like the “key of C#” and my brain implodes. (“What the fuck is C#? How do my fingers do that? And what other horrible chords go along with it???” — stuff like that.)

Okay!!! So. Have a great Monday, wherever you are in the world, gang.  (May the 4th be with you, and all that happy Star Wars stuff!) I’m gonna leave you with two options today, both of which I have posted here before. My breakfast-listening music — John Coltrane’s A Love Supreme (1964) (because I was feeling supremely happy about love at breakfast today). And my post-breakfast-listening music, “Little Empty Boat,” by Nick Cave & the Bad Seeds, from their B-Sides & Rarities collection (1997, 2005). Enjoy!! Make it a really great day, okay? I love you guys. See ya.


Booty Core in a Bubble!

Yes, that’s me, doing Booty Core in my bubble in Crazeysburg. We now have 4 cases of the virus in the State of Ohio — all of them up near Cleveland, which is a couple hundred miles from me, and is a large metropolitan area with a busy international airport.

It’s interesting to see how the local media handles it, though, compared to the national cable news. Much more low key with no hysteria. Just a concern for the elderly and the at-risk people.

Well, last evening, Peitor decided to tinker with the new logo, and I love it yet again!! Here it is:






By the way, if you’re someone who usually views this site on your phone and you’re noticing that now a lot of the text gets misplaced directly after an image — I have no idea why it’s suddenly doing that. Or why some images cause it and some don’t. And I cannot get it to stop. So, sorry about all the scrolling…

Anyway. Life goes on.

I had sort of a rough day yesterday, trying to wrap my mind around several things. The most recent one being that we now have that amazing cinematographer onboard for Abstract Absurdity Productions. And because our concept is so cinematic and artistic and absurd, he’s willing to be part of our company profile. And we haven’t even made out first movie yet.

The reason that something wonderful like that causes me to have a rough day is because of that tendency I have to “have an idea” and then, sure enough, it turns into something like this.  I’m excited, for sure, but it feels a little overwhelming.  How am I supposed to really spend all that time in LA this summer? Maybe it will work out just fine, I don’t really know. But I’ve got so much on my plate ( and even before the Coronavirus, it was all up in the air, date-wise).

Peitor is clearly the “director” part of the company and I am the “producer” part — a ton of paper work for me and organizing and creating budgets. Not to mention that the scripts, that we create together, have to be on paper before we shoot them — even though these are micro-micro shorts that we’re talking about shooting in LA this summer. It’s still 3 of them.  And a cinematographer who is willing to go to LA specifically to shoot those films — well, it has to be incredibly organized.

So when I got the flurry of texts late last evening, after having spent the day on accounting work for the company, and the web site nonsense, and trying to figure out how to be a film editor in the space of 14 seconds…

Okay, well!!

I just had a 45-minute phone conversation with Wayne, my ex-husband in NYC.  And I got to unload onto him everything I was in the process of unloading here — plus some other stuff that’s really, really confounding me right now.

And he said: “You wouldn’t be Marilyn Jaye Lewis if things weren’t so complicated. You’re going to pull it all together — I already know this about you and you do, too.”

And he added that he was a big fan of mine. So that was very, very nice, right? I’ll tell you, my marriages work so great when I’m not actually married to the people. And I’m only partly kidding. And it does give me much food for thought. That’s for sure.

Anyway! Now it is almost noon and I need to get started here, gang! Thanks for visiting. I hope you have a really good Thursday, wherever you are in the world. I love you guys. See ya.