Tag Archives: Neptune & Surf by Marilyn Jaye Lewis

Not Free & Not Legal

I feel like Friday is now my day to want to scream at people.

Neptune & Surf is not in the public domain or anything close to it. Even if you are an Asian gaming site currently offering free downloads of the alleged “Blue Moon” version of this book, it is not legal to do it.

I know that used copies of this specific edition currently cost anywhere from $45 to $125 — and who wants to pay that? Actually not me –however, it still doesn’t mean that the Blue Moon edition is legal to download.

Neptune & Surf, Blue Moon edition

While Barney Rosset is indeed dead and Blue Moon was shuttered many years ago, the rights to Neptune & Surf are controlled by Hachette UK, and if any of you gentle readers have not read Neptune & Surf yet, and feel the irresistible urge to read it immediately and cannot afford the 99 cents  (or whatever paltry amount the Kindle edition costs) in order to download it legally; if it’s a choice between a humble bowl of soup and a lowly crust of bread, or legally buying Neptune & Surf — just contact me for godssakes.

This is getting really annoying….

Please do not patronize pirates. I’d really appreciate that, gang.

Thanks for visiting. See ya.

What A Difference 20 Million Hours of Sleep Makes!

Or, in my case, 8 !!

Yes, I actually slept 8 hours and I never do that. I feel like a functioning human being again.

Let me explain something about Eros, gang. Loyal readers of this lofty blog are no doubt aware that I essentially went kicking & screaming into my career.  By age 12, I knew that I wanted to be a writer. I was thinking I was going to be a songwriter, but I was already writing short stories. Really strange short stories.

Luckily, it was the 1970s (yes! the 1970s were actually good for some things!), and I had really amazing teachers at school. They were open-minded and excited about change and about passing that on to us, the students.  So I got “A”s on stories that would have probably gotten me expelled in other political eras (which came both before and after the 1970s.)

I wasn’t trying to upset people, or anything. And I didn’t know that I was writing anything that might upset anyone. I was just writing the stories that were in my head. And the stories weren’t always school assignments; I would just write stories.

One afternoon, when I was 13, but we were already living in that awful apartment complex that I’ve written about recently, I was home alone, sitting at the kitchen table, writing a story about two grown men who were lovers. Not exactly a topic I knew anything about, but for some reason, the story was coming out of me. I remember this so vividly. I was writing about how one of the characters knew his own body so well, knew what he liked to feel sexually, that it made it effortless for him to make love to another man’s body.

I was writing that when my mom came home and walked into the kitchen. She said, “What are you writing?” ME: “A story about two men who are in love with each other.”

She stared at me, really strangely, and said, “What do you mean, ‘in love’?” And I said that they make love to each other.

She actually sat right down at the kitchen table and said, “Can I read that?” I was very excited because she was actually taking an interest in me and not just exploding at me in her usual awful, horrible way.

So I let her read the story thus far, and at that point, it ended at the aforementioned spot. After she read it, she just sort of stared at it and then she looked at me. And she said, “I never really thought about it like this. I think maybe you could be right. What made you think of this?”

ME: “I don’t know. I’m just writing what’s in my head.” And she was so incredibly nice about it — I can’t stress enough how unusual that was for her. However, she said, “Honey, I wouldn’t show this story to anybody. You might upset people.”

Culturally, of course, we’re talking only 4 years after the Stonewall Riots and gays were barely tolerated, not that I knew anything about that yet. But my mom saying that to me was the first time I learned that things I wrote could maybe upset people.

When I was 14, a story I wrote for English class was about a transvestite fashion model who lived in NYC (I was always writing about only the things I knew first hand!) and how it was a secret — everyone thought the model was a woman, including the readers of my story, until the scene where the model gets out of her shower and sees her actual body in the mirror — the body of a man — and how it devastates her to have this body and so she takes sleeping pills in order to get through the night.

I got an “A++++” on that story. No one ever even talked about transvestites back then, least of all in the Middle-of-Nowhere Ohio. There wasn’t even Cable TV yet, no MTV, no nothing. And it’s not like I had some fresh-from-college, starry-eyed English teacher. She was a black woman in her mid-60s, close to retiring. When she handed me back my paper, she just looked at me and said, “What on Earth made you think of this?”

I honestly didn’t know, but I do think that it’s extremely interesting that during that same time-period, Sandra (the transgender actress I now write plays for in NYC), was, in real life, becoming a successful fashion model in Montreal and no one knew that she was actually a man. Everyone assumed she was a physical woman. Until she got arrested & deported for an expired work visa — then a handful of people found out and Sandra was devastated. It wasn’t too long after that, that she got her surgery. Still, it’s ironic, isn’t it? I didn’t meet her until years later.

Anyway, I’m digressing. But by my late teens, my short stories were getting blatantly erotic and I didn’t know what to do about it. I could not stop it from happening. The only way to stop it was to simply not write them. I was taking a short story writing class that I had to drop out of because the stories my brain insisted on writing were really embarrassing to me.

It took me a long time to come to terms with my stories. It really did. For a long time, I would write the stories, because I physically had to write them; they needed to come out of me. It would make me crazy to try to block them. The words would literally come into my head and just hang around in there until I put them down on paper. So I would write them to ease the pressure, but then tear them up and throw them away. It wasn’t until my friend Valerie began to seriously encourage me, that I began not tearing up the stories and, instead, sending them out for possible publication.  (This was in the late 1980s and there were so many avenues for publication back then. It was an amazing era for literary erotica in the US and the UK.)

It wasn’t until 1994, though, when my best friend Paul began dying from AIDS (it took him about 5 years to die), he told me that I really needed to follow my heart — in every area of my life. (For one thing, he didn’t think I should have married Wayne. He thought Wayne was too conventional for me. It took me forever to see that Paul was right.) But Paul encouraged me to really make a commitment to my fiction writing. And so I did. I gave up the songwriting and focused exclusively on my fiction, even though it terrified me to do that because I knew that it was, for the most part, socially unacceptable to do that — to put all of my focus into writing what other people called porn.

But five years later, when Paul was suffering from severe dementia and could no longer talk, could barely communicate, I flew in from NYC to visit him at the nursing home and I was able to tell him that Neptune & Surf had been published (it had taken me 4 years to write it) — and, for the type of book it was, it was really greeted with high acclaim. And by then, I already knew that a French translation of it would be coming out in Paris the following year.

He really was my dearest, dearest friend; he stood by me in everything. And even though he was so far gone at that point, he had tears in his eyes when I was telling him all this about Neptune & Surf. I knew he understood what I had said. I was pushing him in his wheelchair out in the back garden, so that he could smoke a cigarette (he never forgot how to smoke, even though his muscles would often forget how to swallow and he was always in danger of choking to death whenever he ate or drank anything.) Anyway. He was so happy for me and I knew it and he died a couple months later.

So, you know, by now I have become completely accepting of the fact that for whatever reason, Eros chose me as one of its vehicles for getting itself into the world. And even though I write other stuff, too, I still work really hard at trying to be the best vehicle for Eros that I can be, in terms of the English language. I find so much of what gets into the world today to be really boring, crude, and unimaginative. I know it’s about money now, about making a huge profit, and that for serious erotic art (writing, painting, film) to make its way into the public consciousness today, it requires Herculean determination on the parts of whoever’s creating it.

So, I’m sort of used to living in a world where Eros is inside me and not outside of me anymore. So when it does come at me from somewhere outside of me and hits me between the eyes — wow. For me, it’s like getting hit head-on by the most wonderfully devastating car. It felt immobilizing, in the best possible way. For about 24 hours, I could not think straight.

But I guess I finally slept it off. Or something. I expect to have better luck with the play today.

I do want to mention, not to leave you on a down note, but these fires going on in the Amazon forests. Oh my god. It is just devastating to see. The poor animals, as well as everything and everyone else. It rips my heart to pieces. I don’t know what to do besides pray. I always want to rescue every singe animal from peril, and of course that is impossible.

Okay. Oh, and I want to say that my dear friend Kara, whom I’ve really only known for a very short while, told me yesterday out of the blue that she’d read Neptune & Surf and that it was wonderful. Gosh, that made me feel so happy. No one I personally know has any reason to buy the book anymore, it’s been out for 20 years now. It just made me so happy to hear that. That book was my first baby; it learned how to walk and how to go out into the world.

So, on that note, I’m gonna close and, as usual, get to work!! Thanks for visiting. I leave you with the wonderful song that was going through my head when I woke-up this morning and was so in love with my Muse!! Enjoy it. I love you guys. See ya.

“Good Vibrations”

I-I love the colorful clothes she wears
And the way the sunlight plays upon her hair
I hear the sound of a gentle word
On the wind that lifts her perfume through the air

I’m pickin’ up good vibrations
She’s giving me excitations (Oom bop bop)
I’m pickin’ up good vibrations (Good vibrations, oom bop bop)
She’s giving me excitations (Excitations, oom bop bop)
Good, good, good, good vibrations (Oom bop bop)
She’s giving me excitations (Excitations, oom bop bop)
Good, good, good, good vibrations (Oom bop bop)
She’s giving me excitations (Excitations)

Close my eyes, she’s somehow closer now
Softly smile, I know she must be kind
When I look in her eyes
She goes with me to a blossom world

I’m pickin’ up good vibrations
She’s giving me excitations (Oom bop bop)
I’m pickin’ up good vibrations (Good vibrations, oom bop bop)
She’s giving me excitations (Excitations, oom bop bop)
Good, good, good, good vibrations (Oom bop bop)
She’s giving me excitations (Excitations, oom bop bop)
Good, good, good, good vibrations (Oom bop bop)
She’s giving me excitations (Excitations)

(Ahh)
(Ah, my my, what elation)
I don’t know where but she sends me there
(Oh, my my, what a sensation)
(Oh, my my, what elation)
(Oh, my my, what)

Gotta keep those lovin’ good vibrations a-happenin’ with her
Gotta keep those lovin’ good vibrations a-happenin’ with her
Gotta keep those lovin’ good vibrations a-happenin’

(Ahh)

Good, good, good, good vibrations (Oom bop bop)
(I’m pickin’ up good vibrations) (Oom bop bop)
She’s giving me excitations (Excitations, oom bop bop)
Good, good, good, good vibrations

Na na na na na, na na na
Na na na na na, na na na (Bop bop-bop-bop-bop, bop)
Do do do do do, do do do (Bop bop-bop-bop-bop, bop)
Do do do do do, do do do (Bop bop-bop-bop-bop, bop)

c – 1967 Brian Wilson, Mike Love, Tony Asher

Neptune & Surf is 20 years old!

It makes me so happy to announce that my first book, Neptune & Surf, is officially 20 years old this year!

First published in 1999, it has remained continuously in print now for 20 years, both in English and in French. You can buy used copies of it in all its various print formats all over the Internet. However, the official version that is currently in print, is an eBook, published by Little Brown and Company UK, and available here.

When it was first published in trade paper, it looked like this:

Neptune & Surf, Masquerade Books 1999

And my official author’s photo back then looked like this:

Marilyn Jaye Lewis 1999

The Guardian newspaper in London called Neptune & Surf  “a sensational debut” and selected it as one of their Top Ten Summer Reads for 1999.

The American Book Review  said it was “reminiscent of Sergio Leone’s ‘Once Upon A Time in America’”.

Neptune & Surf garnered me London’s Erotic Writer of the Year award.

And here is what my first reader reviews said on Amazon.com – where Neptune & Surf ranked in sales at #7 in fiction upon its release!!

5.0 out of 5 stars  Brilliant

I adored this book. Marilyn Jaye Lewis is a first rate erotic writer. I read it more than once, bought copies to give to friends. Her characters are so human, their stories so well developed, and the eroticism is…well, truly erotic. Everyone who appreciates erotic literature should read this book and everything else Lewis writes. She’s the best of the best.

5.0 out of 5 stars This is erotic fiction with believable characters.
No matter what I’m looking for in fiction, I always enjoy it more when I care about the characters. Ms. Lewis drops us “behind the scenes” into the thoughts of tangible characters in intriguing interaction. She’s also got a knack for the occasional sudden twist into a sexual situation – sometimes disturbing, sometimes gratifying.

 

5.0 out of 5 stars Twisted but Nice but Not!
My girlfriend got me this. I had no idea what the hell it was, but I was out of regular books, so I read this. I thought it would be all lesbian stuff but it’s *really* good and sexy and I’ve never really read *anything* like this. Totally cool.

5.0 out of 5 stars Quality erotic literature with a deft, sure touch
Quality erotic literature is rare, and well-done examples even more rare; such an undertaking demands a deft, but sure touch. Neptune and Surf holds three novellas, which nicely complement one another: a set of stories that are literate, with well-drawn characters, imaginative plots, and a marvelous sense of atmosphere; which holds, underlying all like a subterranean lava flow, a theme that is frankly, unashamedly, erotic.

Lewis begins our journey with the title story, set in the gritty, ramshackle Coney Island of the 1950s, a squalid, slightly shabby land of dreams that’s lost its glitter long ago. It’s a neighborhood were the residents scratch out a living as best they can, and two lovers, Nat and Rosalie, become one, for a few brief moments of bliss in this sad world, and are moved by the power of life.

The Mercy Cure, takes us into the home of two lesbian ex-nuns, women who have lost their church, but not their belief. Their comfortable relationship is disturbed by the appearance of a former student, one who has kept alive her raging schoolgirl crush on the former Sister Margaret-Phillip – “…a lean and hard looking woman, her black hair cropped short, making her angular features and dark eyes seem that much more severe.” The girl drawn into their midst, yearns for a man’s touch, even as she’s driven to satisfy her obsession with her ex-teacher. She tries to explain her conflict to her lesbian lover: “…to have a guy wanting you that much, to be aiming all his lust right at you, so you can’t ignore it anymore, until you’re wanting it too”. What is revealed is a richly complex relationship of love and hate, punctuated with laughter and tears, a short but telling journey, a fast ride on an emotional roller coaster.

The final story, Gianni’s Girl, once again turns out to be a story of faith — the belief that even in the most forbidding circumstances, one can survive and triumph. Victoria is playing with fire when she gets involved with Paulie, a minor functionary of the mob. It is a world in which women are used, traded and bartered to satisfy male debts of honor. Victoria is forced to perform before these mobsters, made to engage in the most degrading sexual acts, and in the midst of this depravity, she meets Gianni – an unlikely hero, an innocent with boyish charm. Gianni’s notions of love are straightforward; a man who knows nothing of sin and guilt.

Lewis’ work is characterized by hope; sexual instinct fuses with the life force, driving the characters, in an affirmation of life itself. Her message is ultimately positive, speaking to the human spirit…and the human flesh.

A heartfelt thank you to all my readers all over the world who kept this book alive for 20 years…