Life, in General

Except for the fact that I wasn’t a little boy when I was growing up (unlike one of my closest female friends and colleagues), that little illustration above pretty much shows you my entire childhood.

At every possible moment, I was listening to records. And usually on one of those small portable record players pictured there. And even while that is a very isolating — well, I don’t know if that’s the best word; maybe a word like solitary is more appropriate — even though it was solitary, those were the happiest years of my life. Truly.

Even the process  of  “listening to records” nowadays has changed drastically, of course. I have a record player,  but I almost never play it. I usually just stream stuff off the Internet in one way or another.  And I play a lot of CDs in my kitchen or in my car. But it’s just not the same thing. At all.

The way of living life that I used to love is simply long gone.  I’m not trying to reclaim the past, or to live in it (yeah, I know — I bought a house that’s 118 years old, with a really cool old barn that’s 108 years old, and it’s in a tiny village in Ohio that’s close to 200 years old, and I interact with the long-dead spirits here on a daily basis; however, I do not consider any of this as living in the past! I think of it more as “sharing the different levels of reality,” or co-existing in something virtual.).

Anyway. Big digression. Sorry.

I don’t need to live in the past, but I do crave a certain simplicity. I guess that’s why I fell in love with Muskingum County and moved here. Even though it makes traveling a colossal headache.  Just getting to the nearest International airport takes an hour. I realize that when I lived in NYC for 3 decades, it took at least an hour if not more to get to either airport, but here in Muskingum County, if you want a car service to do the driving for you (as I usually preferred in NYC), it’s about $175 before the tip. So life is not quite as “simple,” living in the peaceful middle of nowhere, as it might seem.

I’m bringing all this up because I’m going to have to start traveling again in the near future and probably not stop for a long time. NYC, Toronto, Florida, and LA.  Because of the theater projects, the TV projects, and then the micro-short films and (hopefully) the music projects with Peitor. It’s all good; I’m not complaining. It’s just that there’s something still down inside me that would prefer to sit in my room and listen to records…

However. Yesterday, I continued to make great headway in the revision of the Tell My Bones script. I am almost done.  Which is, like, a really good thing because I need to meet with the director in something like 6 days.

Nothing like waiting until the final moment to get your fucking shit together.  I don’t know why it has been so difficult for me to take a 90-minute play and condense it down to a 30-minute staged reading.  Sounds so easy in the abstract, yet doing it on paper has been unbelievably hard for me. I don’t know why. But I will be so relieved when it is done. Or at least a draft of it is ready to show people.

And next week, I expect feedback on the chapters I have so far in my new novel, Blessed By Light, because I want to get that project completed, too. I really thought I’d have that novel done by Christmas, but au contraire; everything else in the world happened instead. I’m eager to see what the feedback from the editor will be, though. It is such an unusual book for me to be writing – the life of an aging rock star told in 2nd Person, from a male POV; the eroticism of his inner world, of his memories, and then the redemption of his life.

I still don’t know why I’m writing it, but I do really love the book. I can’t wait to be able to really focus on it again.

Well, on that note, gang, I’m gonna tackle the revision of Tell My Bones now. Inching my way toward the finish line.

Have a wonderful day, wherever you are in the world. I leave you with the songs I’m listening to, although not on my record player, as I yearn for that simpler world I used to have:

Sun Kil Moon’s new album, I Also Want to Die in New Orleans

And Grinderman’s Go Tell the Women from 2007

Okey-doke! Thanks for visiting! I love you. See ya!

You Remember THIS Guy, Don’t’cha??!!

Yeah, baby! He’s the little weasel of love!

That cute little furry thing that gets down deep into your intestines and scurries around in there, gnawing on stuff and filling you with anxiety, when all the while you’re wondering , truly, what on earth IS the human race? And more importantly, what IS love?

This time of year, I do the Lenten prayers every morning before I even get out of bed. And I recently began doing the daily lessons of A Course in Miracles again, too. Also before I even get out of bed. These two practices, in some ways, give you polar opposite approaches to the teachings of Jesus Christ, although the Lenten prayers I practice come from the Franciscans, who are decidedly open-minded and philosophical, so there are underlying similarities to the two, as well.

Loyal readers of this lofty blog know that I am an ordained minister; I got through Evangelical Divinity School with a magna cum laude gpa; that I was raised by an adoptive family in Cleveland who were strict, conservative Jews and so I hid my devotion to Jesus until I was 14 years old; that I’m also deeply interested in the history of ancient Christianity, primarily First Century followers of the Jesus Movement. Normally, the history of Christianity and the theology of Christianity make for exceedingly strange bedfellows.

And since I normally sleep in the same bed with myself, you can imagine just how strange I am. All of this is a constant tumble in my head. Sometimes sending me barreling into absolute insanity.

But I take it all really seriously: the human condition; these multiple layers of reality that reveal wildly different suggestions of what’s really going on here. And of course, and more importantly, I constantly ponder the existence beyond this present one — this one that oddly seems so real.

Love is currently side-lining me again, as usual. And so I’ve been pondering the nature of love. I sat at my breakfast table this morning, listening to The Boatman’s Call on the CD player. (WARNING: Do NOT do this if you are sitting alone at your breakfast table at 6am, pondering the nature of love!! Just don’t do it!! Turn it off!)

So I turned it off. A word to the wise is sufficient.  I could not let the situation at hand get so far as song #4 on the CD, which is Brompton Oratory, or I would probably grab a butter knife and saw helplessly at my wrists… (Brompton Oratory is such a fucking beautiful song that I would only advise listening to it when you’re having one of those days where absolutely nothing matters to you at all. Otherwise, you will never live through it. Listening to the song, that is.)

Anyway. I digress.

I came to the conclusion — a conclusion I’ve come to before, btw, but this time it loomed huge and undeniable in my awareness: love is only and always a reflection of what you are putting out there. What you put out there and how you are feeling at any given moment, is just getting reflected right back at you.  Because what you perceive is always filtered through you and always projected through you and always interpreted through you.

So when you love somebody, or an animal, or a pet spider, or an entire movement of some sort, that feeling of love you get in return is really all about how you love yourself. At the very bottom line, that’s what it is. The love you think you’re sending out into the world (and of course, you are actually doing that) is all about how you are loving yourself. It has little to do with the “other.”

What it does have to do with the “other,” in my opinion, is that we are all coming from the very same starting point within the creation of energy itself — once you dig down deep enough, go back far enough, remove enough of the layers of what we consider reality.

So, yes, that means that I believe that to love each other means we are, in the truest sense, loving ourselves.  And that’s why I believe so strongly in forgiveness, too. We don’t really forgive others, we forgive ourselves.

So that’s what I was thinking about this morning.  And I felt kind of good about that; the idea that everything that’s coming back at me, even when I find it inexplicable on its surface, is just telling me a little more about how I love myself.

And yesterday, gang.  I finally made some needed headway on the revisions of the play! (Tell My Bones, which both Sandra and the director are patiently awaiting in NYC.) Thank you, God. I still have a ways to go, but that really troublesome spot I’d been languishing in for a few weeks already  is finally behind me! Yay. I am well into the midway point, but I was at it for 8 solid hours yesterday — and I am talking about 8 hours, primarily focused on 2 pages. And once I finally conquered those 2 pages, I got through 4 more before I had to call it a day.

The backs of my hands were aching and the back of my neck was in spasms from being hunched over this crazy laptop for so long yesterday. But then I did yoga while focusing very spiritually on reruns of the Dick Van Dyke Show and LMAO, and that seems to have taken care of  all the joint and muscle pains. And we will begin the process all over here today until the revision of this play is done.

So I guess life is good.  And thanks for visiting! Gang, I leave you with this, but DON’T watch it if you’re on the borderline of anything emotionally dicey! Otherwise I cannot be held responsible.  Okay, I love you! See ya!

Up those stone steps I climb
Hail this joyful day’s return
Into its great shadowed vault I go
Hail the Pentecostal morn

The reading is from Luke 24
Where Christ returns to his loved ones
I look at the stone apostles
Think that it’s alright for some

And I wish that I was made of stone
So that I would not have to see
A beauty impossible to define
A beauty impossible to believe

A beauty impossible to endure
The blood imparted in little sips
The smell of you still on my hands
As I bring the cup up to my lips

No God up in the sky
No devil beneath the sea
Could do the job that you did, baby
Of bringing me to my knees

Outside I sit on the stone steps
With nothing much to do
Forlorn and exhausted, baby
By the absence of you

c – 1997 Nick Cave

The Days of Exhaustion are Over!

Oh right! That’s funny… hahaha

It’s, in fact, quite the opposite around here. The exhaustion continues unabated.  But I’m still alive so I guess that’s the good news.

I’m still working on the revisions of my play Tell My Bones, for the staged reading coming up in NY at some point really soon. Yes, still tearing my hair out over that but I’m feeling hopeful that today might be the day it all starts coming together.

We can dream… (I know — when I’m accepting my Pulitzer Prize, this will all be a distant memory.)

And starting on Saturday, Peitor Angell and I finally  begin putting down in script form all those micro-short comedy films we’ve been creating together since last fall. We have something like 9 or 10 of them already.  We’ve spent the last few months trying to get the editing done on his incredible book, The Door, and then he kept dashing off to Italy, France, London, Dublin… (Don’t you just hate that? When you’re trying to work on something and then you keep dashing off to Europe?)

Anyway, I’m just saying. Life’s not going to let up any time soon. Once we get the scripts in order, we have to go through all that seeking out of funds to get the little fuckers produced and off (or uploaded) to film festivals.

Probably about 10 years ago, I was on the Board of Directors of the Columbus International Film Festival. And around that time, we started seeing categories getting added to other festivals for micro-short films and videos, made & viewed on people’s phones and stuff. And I just couldn’t wrap my mind around that, you know? Because I was used to dealing with lofty “International Films“!! So very serious.

And now, here I am, lo! but a decade later, and I’m not only watching videos on my phone all the time, I actually go off to Hollywood to create them. Just too funny how life unfolds.

Okay!

Since it is officially Spring, and since any day now we’ll be wanting to wear all those spring-like fashions, I want to mention something funny here.  Most loyal readers of this lofty blog know that I am 58 years old, rapidly approaching 59, and even while I try to stay in shape and stay healthy, etc., etc., I’m also trying hard to age gracefully. And with that in mind, I try to wear clothes that are what a 58 year-old might wear. Well, a 58 year-old tomboy or something like that. Or aging hippy chick. I’m not sure what you’d call me.

Well, the other day at the Dollar Store, where I find all my best and favorite fashion choices, I found a cute pair of those stretch-legging denim Capri pants that everyone imaginable wears nowadays. I’ve shied away from leggings for quite a while now, thinking that “58” and “stretch, skintight leggings” aren’t a good thing to put in the same sentence. But these pants were so cute and so cheap, I thought “I have to have those.”

But I bought them a size larger than I usually wear because I can’t stand wearing anything that feels too  constricting, you know? So I took them home, put them on, and I was a little dismayed that, even a size larger, they were still tight around my waist and I wasn’t sure I could stand it. But from the waist down they were cute. Well, when I took them off to take my shower, I discovered the tag inside and saw that they were for “Juniors” — which means I’d bought a pair of leggings meant for teen-aged girls!!

Oh man! All of the sudden I was through the moon! Wow! At age 58, I can fit into a pair of stretch leggings made for a 15 year-old girl!! They’re a little tight around my waist, but, fuck, I’m wearing them!! Yay!!

Yeah. I’ve lost a lot of weight. Loyal readers of this lofty blog no doubt recall that the minute I moved to Crazeysburg, for some inexplicable reason, I began to lose weight. In the last year now I’ve lost 32 pounds. And I haven’t even been on a diet. I’ve just been happy (for the most part, anyway.) (And those of you who have made me less than happy know totally who you are…heavy sigh) (PS: I went to another store and bought a similar pair of stretch-denim leggings that are actually meant for grown ups!)

All right. Well, let me get going here, gang.  God knows, I’ve got plenty to do today at this desk that does not involve blogging.  But thanks for visiting. I hope the world is unfolding beautifully, wherever you are in it!I love you.  See ya!

What do you love?

I started teaching myself how to play guitar when I was about 9 years old. We were still living in Cleveland at the time, and I was already taking violin and piano lessons.

My dad had come home from a trip to Chicago and he brought me home a huge stuffed animal, and he brought my older brother an inexpensive acoustic guitar.

Well, I loved my stuffed animal because, you know, I was a girl. But I also loved my brother’s guitar. He never touched it so I was all over that thing.  The piano teacher would come to our house to teach, but I had to go to a music store to have my violin lessons. And one day, while at the lesson, I could see all the guitars hanging on the walls outside the practice room windows and I told my violin teacher that I really wanted to learn how to play the guitar.  That I loved the Beatles. (They were still together at this point, that’s how old I actually am, gang!) My teacher was kind of impressed that I wanted to play the guitar, and he was also a guitar teacher, so he said he’d go out to the waiting room and ask my dad if I could have lessons.

I was so excited. You have no idea.

But my teacher came back to the practice room and had bad news. He said, “Your dad says he’s already paying for too many lessons for things and he can’t afford anything more.”

I was devastated but I really tried to be brave about it. Still, there were actual tears in my eyes. I’ll never forget the pain of that moment.  I was heartbroken. All my dreams, dashed in a matter of moments. And that poor guy — my teacher. He had to stand there and watch a 9 year-old girl, clutching her violin and trying not to cry.

But then, of course, as happens on planet Earth, my violin teacher changed my life.  He gave me a music book. Gave it to me, that day. he didn’t even charge my dad for it. It was Alfred’s Basic Guitar Book One: Teach Yourself Guitar.  And it had diagrams of every single chord, and also songs in it for learning how to play notes on the strings/frets.

My teacher said, “Just take this home and you can teach yourself how to play. You honestly can.”

And, oh my god, he was right! Even at age 9, I taught myself how to play. And when I was 13, an older cousin was upgrading to a better guitar and gave me his old Harmony acoustic, which was just light years better than the one I’d been playing, and by then, since I had already written literally tons of songs on my guitar, my parents broke down and got me guitar lessons, too.

I bring this up because, yesterday, I was talking to this much younger woman I know who composes gospel music on her phone, and I told her I’d finally gotten my guitar out of storage and was trying to play again, but that I was a little rusty. So she told me about a free phone app that teaches you how to play guitar. And you know,it’s just phenomenal, how effective the app is and for someone my age, who had so many teachers over the years — teachers who earned their living teaching kids how to play music —  it’s just like being on another planet. It really is.

And it’s free. Which is great. And it’s on my phone, which means I can use it whenever I have time, day or night. Still. That’s a heck of a lot of teachers out of work, right? The personal element, gone.

I remember one summer evening when I was seventeen, me and my best friend both had jobs in a restaurant in a little neighborhood shopping center. We’d gotten off work and were in the parking lot, sitting in the front seat of her parents’ car, trying to decide what we wanted to do that night. The music store where I was taking even more guitar lessons, was in that same shopping center.  And as she and I were sitting there talking, the lights of the music store went out and they closed up for the night. And a man comes out of the music store. And I said to my girlfriend, “Oh, that’s my guitar teacher.”

She said, “Really?”

I said, “Yeah.”

And as we sat there, talking, we watched as my teacher got into the front passenger seat of a car that was parked and waiting for him.  There was a guy sitting behind the steering wheel on the driver’s side, you know, and when my teacher got into the car, the two men leaned over and kissed each other, right on the mouth. And my girlfriend and I were, like, Whoa.

We sure weren’t expecting to see that.

See, these are the things you miss by teaching yourself how to play guitar alone in your room on your phone! That personal touch!

Anyway. I also wanted to talk about 2 albums here today.  For two different, but somehow similar, reasons.

On the TomPettyOfficial Instagram account, they’re asking people to post about why they like his song “I Won’t Back Down.” I actually don’t really like that song, so I didn’t post anything.

But it got me wondering if I could choose a favorite Tom Petty song, and it really would be extremely difficult for me. I have so many favorites. But I then realized that if I had to pick a favorite album of his, it would be Hard Promises, from 1981.

Even though I actually love all his albums, solo, or with the Heartbreakers, or with Mudcrutch, I would have to say that Hard Promises is simply my favorite. I love every song on it and it also probably has to do with that era of my life, too. I was just married to my first husband, I was 21, living in Times Square in NYC, beginning to play professionally as a singer-songwriter. Just a really great point in my life.

If you don’t know this album, you can hear the whole album on Youtube. Just 10 reasonably short rock & roll songs. Most of the songs on it now are considered classic Tom Petty songs.

The other album I wanted to mention is extremely not similar at all to Hard Promises. In no way, shape, or form, but it’s also an album I really love, and I started playing it in my car again the other day, and I once again came to the overwhelming conclusion that it is a really, really great album.

Henry’s Dream by Nick Cave & the Bad Seeds, from 1992.

Image result for henry's dream album

I love every single song on this album, too.  There is a tie between my favorites, though, and they would be: “Papa Won’t Leave you Henry,” and “Brother, My Cup is Empty.” Still, every single song, in my opinion, is great.

But I will leave you with the  delightfully intense  “Brother My Cup is Empty”, the best song about a deranged whisky drinker ever.

Okay, gang! Have an amazing day! Thanks for visiting. I love you! See ya!

Oh golly, another one!

Man, life has been hard lately.  Everything has gotten so intense. In the main areas of my life that matter most to me: Love, Writing, Money.

In that order. Those are the Big 3 for me, and everything else in my life is a sub-genre.

Intense is not necessarily a bad thing. Intense is simply that: Intense.

I can’t go into the details of any of this right now. It is sufficient to say that my life astounds me and that I am so blessed, but all these many blessings bring unique challenges along with them that immediately give me a headache.

And along with the headache — I just wanna sleep. But how will any of the writing get written if I sleep? And if I’m always sleeping, how will I do yoga, which is pretty much the only thing that calms me down ?

I try hard to choose other routes besides the insanity route but most times I am not very successful. Or, to put a positive spin on it: I’m exceedingly successful at finding the insanity route in almost any intense circumstance that comes my way.

Yesterday was  a small day from hell for me. But it is over now. So on we go.  I am trying to ignore the headache that is merely the fallout from yesterday’s day from hell.  (And the day from hell was my fault, because there was the option to just ignore something, or to go down the insanity route. Guess which one I chose, for about 26 straight hours?)

Okey-dokey!

The title of this post refers to yet another really cool song I found out about today on the Australian guy’s blog (AThousandMistakes). Several weeks ago, he turned me onto a Mark Kozelek song –an acoustic version of I Love Portugal — that I immediately fell in love with, had to purchase the entire album, and then had to listen to over & over.

Today, it was another song I’d never heard before which blew me away, Needles Disney. It is from a collaboration album of British band Jesu and American band Sun Kil Moon (Mark Kozelek), called 30 Seconds to the Decline of Planet Earth from 2017.

It’s beautiful. I love it.  I share it with you now!

Have a splendid Saturday, wherever you are in the world, gang. Thanks for visiting. I love you! See ya!

I was in Seattle and you were there
Said you were in a methadone clinic
You came to my show and you talked the whole way through it
About how you couldn’t sleep and fuck
You kept me up, you asked me “please please Mark
Could you give me thirty bucks?”
So you could go out and score
And I gave it to you so I could get some sleep
And you ran off into the streets so fast like a little crack whore
Came back I told you I was playin’ in a couple of days in Orlando
You bounced up and down in the bed like a little yo-yo
“Please Mark, I’ve always wanted to go to Disney World”
I said sure, next morning we went to the airport
You saw me play my show down at the Sapphire
And we met a fan there who of all things played a Disney character
He was nice enough to arrange free passes and your smile was so bright
Some people we met at the venue took us

To Disney World
We went to Splash Mountain
I looked at the photo of us on the ride
We both looked so happy and carefree and oh
Later that day we were walkin’ and you dropped your purse
And you squatted down in your leopard-skin skirt
To pick up all your hypodermic needles, I helped you with it
Everyone looked at us like we were both pure evil
And on the way back we heard 10cc’s “I’m Not in Love”
And you got real close to me and at the same time we both said “I love this song”
And you fell asleep on my shoulder as we rode along in the backseat
Content and peaceful as a sleeping fawn
And the girl who was drivin’ was looking at me in the rearview
Like “What’s up, why the hell did you bring that crazy girl with you?”
I looked at her like “Mind your own goddamn business, fuck you, junkies are allowed to enjoy Disney World too”

Oh Disney World
A place for moms and dads and little boys and little girls
A place for everyone to have fun as far as I’m concerned
Some day I gotta go back to Orlando
And make some time for Disney World

Oh I never dreamed that you’d ever ever ever ever even turn thirty
You dated an illegal and you had his baby
He started robbin’ stores and he went to prison down in Mexico City
And all these years later you’re livin’ not far away
And I’m almost forty now and on the same day you’re gonna be forty too
You know something? I still have a lot of love for you
I still have a lot of love for you
I still have a lot of love for you
I still have a lot of love for you
I still have so much love for you
I still have a lot of love for you
I have so much love for you
I have so much love for you
I still have so much love for you

You still have a few drinks and you still smoke a little weed
But you’re off the junk and you work for an outreach program
Helping kids on the street
And though we only see each other maybe once or twice a year
When I see you your smile always manages to fill my heart with cheer
When I see you I never dare bring up that young girl
Who dropped her needles all over the pavement at Disney World

Oh Disney World [x12]

c- 2016 Jesu/Sun Kil Moon

I’m Sorry For A lot of Things, Only One of Which I will Mention Here

Hi gang!

First, let me quickly draw your attention to the cover of the vintage men’s magazine above. Specifically the special book bonus: “NIGHT OF THE NUDE NYMPH”

You’ll note, if you have great eyesight, that underneath that, is says: “Compelling tale of a twisted desire…raw emotions.” –The Record

This means that upon its publication, Night of the Nude Nymph was actually reviewed (!!??!!) [Wow, that ain’t never gonna happen anymoreEd.]

I love how America used to take literary pursuits, of pretty much any stripe, seriously. Of course, this was decades ago, a couple of which I was actually alive in. And then the decades of “images” came along and soundbites, and keeping everything as entertaining as possible in order to promote deep consumerism, etc., etc. And then everything became highly personal (yes, even the nightly news!!), so that if a book gets reviewed nowadays, it’s likely just some person “opinioning” it.

Yes, I love America. I really really do. But in order to maintain this deep love I have for America, I have to move deeper and deeper into the Hinterlands so that I can hear myself think; to be cut off from the bombardment of unwanted extreme opinions, images, proclamations, and questionable definitions of “entertainment.” I also got rid of the television a long time ago.  And while it has nothing to do with my television, I have since learned to fear the extreme liberals in this country as much as I’ve feared the extreme conservatives here all my life.

Meaning that my greatest fear is of intolerance; a thing that an extremist of any variety can master with alarming speed.  A thing that will also quickly “erode our liberty without eternal vigilance” on our parts (attributed to Thomas Jefferson although he doesn’t seem to have actually written that anywhere) . (And yes, that means eternal vigilance for the liberty of the people you don’t like; such is the weighty burden of being an American. “I will defend to the death your right to do that thing I don’t like.” You don’t hear that kind of thing too much in America anymore.)

One of the main reasons I love living here in the Hinterlands is that everyone leaves everyone else alone.  And its not overrun with rules and regulations or high taxes. And no new construction is underway anywhere, at all. In fact, all the old construction remains until it literally falls down and blows away — and this sometimes takes hundreds of years.

At dawn this morning, I stood at one of my bedroom windows (in my 118-year-old house that sat vacant for a few years until I bought it last March), drinking my cup of coffee, and noticing how the guy a few houses down First Street from me, always parks his old Mustang GT horizontally across his driveway.  I love that he does that. I’m not sure why he does that but I’m thinking it has something to do with space; not outer space (although that’s another thing Americans are really eager to incorporate into the things they get to own), but the actual space in his driveway.  He can better utilize the space of the driveway he owns by parking horizontally on it.

I used to live in a town where they would never have tolerated that. If you would have dared to park your car funny, you would have been the victim of relentless neighborly scorn. And it would have escalated if you refused to buckle.

All righty!

Time for one of those things I’m sorry for!

I’m sorry I forgot to wish everyone a happy St. Paddy’s Day!

Even though I was not still officially sick, I was still under the weather enough to not want to get out of bed and deal with the computer until today. So a belated happy St. Paddy’s Day to everyone!

Long time readers of this lofty blog will no doubt recall that St. Paddy’s Day is also when I celebrate all the birthdays of my many cats . I bought them a new batch of catnip-infused felt mice, which they delighted in for about 5 minutes, and then went right back to playing with their ratty, beat-up, chewed-up, old toys.  So now I have a big bunch of brand new catnip-infused felt mice scattered all over my family room floor, being hopelessly ignored by everyone.

But that’s okay because it’s finally SPRING!! Yay!! And there are also birds everywhere outside all our many windows, keeping our attention occupied and keeping us eager for that warmer weather, wherein we will be able to open all 21 of those said windows and keep them open until October.  (It’s so cute, gang. The cats are practically glued to the windows now that all the birds have returned.)

And on that lovely note, I wish you a wonderful Equinox!! Make some heartfelt wishes today, okay? Because I think that they’re all gonna come true!! Seriously.  And now I’m gonna go make some lunch, then get back to re-writes on the new play.

I leave you with another old song I only recently found out about through that Australian guy’s blog (A1000Mistakes), and I absolutely love it!!! The Beasts of Bourbon singing Drunk On A Train!! It cracks me up! The lyrics are fantastic. Okay!

Enjoy, gang. And thanks for visiting! I love you! See ya!!

Holy McMoly!!

Man, was I sick.  3 long weeks of that garbage. But I finally broke down and went to the clinic over the weekend. They promptly put me on 4 different meds, all of which had to be taken at different times, in different quantities, and that alone can make a sick mind really rebel against the system. But I am finally almost well!

Jeepers, that took forever.

While I was down for the count, I laid in bed and watched a  lot of YouTube stuff on my phone.  You know, I really hate to watch those indescribably “unofficial” videos of concerts  other people make with their phones,  because I know the entertainers really wish that people wouldn’t do that.  There is no quality control whatsoever, and of course there is no way for the entertainer to “merchandize” that.

And yet…

I was not able to resist watching Nick Cave & the Bad Seeds in concert in Saint Petersburg Russia last July recorded (not at all well) on some Russian guy’s phone.

And I am talking terrible sound quality. And I am talking terrible visual quality. And yet I am still talking: What a mesmerizing concert. Even under those wretched video conditions. Often, the guy taping it couldn’t keep pace with Nick Cave moving all over the stage and so only God knew what we were suddenly looking at. And sometimes  his phone would drop briefly and he would only be capturing the backs of the heads of the people in front of him. And I would find myself calling out to him in my horrifying laryngitis-infused gasp: “Dude, dude!! Fix your phone!! I can’t see!!” As if I were actually there beside him, watching it all on his phone.

Yes, I feel a little guilty. I didn’t pay the 3 billion rubles the actual tickets must have cost, and the sound & visuals were awful, plus I was hopped-up on various cold meds throughout, yet it was still astoundingly cool. A great show.

And I have to say to all you Americans out there reading my blog; yes, you who steadfastly refuse to listen to Nick Cave — I must say that all those Russians, who speak a language that could not be more dissimilar to English if it tried; yes they were all singing along in English to those lofty Nick Cave songs and you can’t even be bothered to listen to them in your own native language. A word to the wise is sufficient!

Okay!! Onward.

I am hoping against hope to get back at the revisions of Tell My Bones today. I have been so sick that it was hard to even get out of bed, let alone to think in an even remotely creative way. And of course the clock is ticking.  Sandra and the director of the play patiently await my revisions in NYC  so that rehearsals can begin!

Nothing like a  little pressure and a whole lot of stress to get those creative juices churning… But here we go, gang.

I hope all is going good in your part of the world! Sorry for my prolonged absence. Thanks for visiting. I love you!! See ya!

(I know you’re not gonna listen to it, but here’s one of my (many, many) favorites from about 20 years ago or so. Thank god we don’t have to learn this whole song in Russian….)

Please bear with me as I attempt to post…

I’m still sick! But the good news is that I feel a lot better.

I dragged myself from the sick bed in an effort to share with you Sandra Caldwell’s newest photo. I love it so much!!

Sandra Caldwell. The actress I write for in NY.

The only down side to this new photo (there were actually several new photos from this shoot that were just wonderful, gang), is that she is back in NYC now, gearing up for rehearsals for the staged reading of my play, Tell My Bones.

I say “down side” because I have not yet written the staged reading version of my play, Tell My Bones. Because I’ve been so fucking sick.

Structurally, it’s ready to go. I did a lot of work before I got sick. But there is still a whole lot of revising, tweaking, paring down that I need to do to the text of it. And I need to have a truly keen presence of mind to do that, guys. Because everything imaginable hangs on the staged reading being a success.

I got out of bed primarily for Holy Communion today — Ash Wednesday. And felt reasonably good. But as the morning has gone on, I keep sinking back down to feeling not-so-good.  I was up literally half the night coughing my lungs out. In that horrific way where you can’t catch your breath, and you’re pissing into your PJ bottoms, and you’re thinking you’re literally going to hack a piece of your lung out of your mouth — and yet you know that you’re on the mend because you’re coughing up everything that accumulated for the past week. So surely you must be getting better!!

And even though I felt like I was gonna die from that horrible hacking, I was also in this wonderful euphoria because I am so fucking in love with my guy and he had texted me such a cute little string of emojis before I went to sleep and it was still on the screen of my phone. So it just kept making me smile, you know?

ME (all night): Cough, smile. Cough, smile. Cough, smile.

So. I feel happy; I feel pressured to get well enough to work on the play today; maybe even wash my hair, which is truly horrifying to behold. It promises to be an interesting day.

Oh, also. I saw on Instagram this morning that Lukas Nelson (son of the very famous Willie), and Dhani Harrison (son of the famous George), Jakob Dylan (son of the indescribably famous Bob) and Adria Petty (daughter of Tom, who I heard today is no longer dead, thank God — wait, that was probably fake news). Anyway, all of these offspring of hugely famous songwriting men are involved somehow in Lukas Nelson covering a previously unreleased song of Tom Petty’s.

Okay, now. This clearly means that anyone in the Universe could cover a previously unreleased song of Tom Petty’s and I’ll be forced to buy it! Well, I already buy Lukas Nelson CDs, but come on. If Taylor Swift covers a previously unreleased song of Tom Petty’s I will be forced to refuse to listen to it, or to buy it. And how will I stand that??

Hey, though, that reminds me. A fellow blogger from Australia, a1000Mistakes, recently turned me onto Tropical Fuck Storm and I really like them!! And also regurgitator! So I leave you with some new favorite songs: You Let My Tyres Down, by Tropical Fuck Storm, and Weird Kind of Hard, by regurgitator.

Okay! Listen and enjoy, gang. Thanks for visiting. I love you so much! See ya.

Variations on a Most Lovely Theme

Do you notice how sometimes when you’re sick, you wake up and think, Hey I feel lots better today, and so you try to do a million things only to make yourself 10 times sicker than you were even the day before?

That was me yesterday. But because of that, I spent a lot of really spacey, sort of drug-induced dreaminess in bed this morning because I was incapable of doing anything else but just lie there for 5 hours, trying to drink coffee.

And I was thinking about my Lou Reed birthday post from yesterday, and thinking about that song Walk on the Wild Side and how much it meant to me when I was growing up, and how songs like that literally  helped get me to NYC – helped me find my way there.

I moved there when I was 20, in 1980, thinking I would stay one year and then move to L.A. But once I got to New York, it was like everything I ever dreamed life was supposed to be, and also a whole lot worse. So I stayed there for nearly 30 years.

I think of those years in NYC as “my life” and everything that came afterwards as basically just the stuff I need to do before I die. Well, I did fall in love recently and that might change things, change my take on the world. It’s too soon to know for sure but I guess we’ll see.

Anyway.  Loyal readers of this lofty blog know that pretty much the very instant I moved to NYC, I fell in love with an older man who turned out to be a hitman for the Mob and then I launched myself headlong into a pregnancy with him that devastated me. And in the middle of all that, John Lennon was killed, and he was truly one of my girlhood heroes.  All of this was, literally, within a month of my moving to NYC. Once you get NYC into your veins like that — and it was so easy to do back then; it was a whole other world then — you just can’t get it out of your system, really. I became a New Yorker, like, overnight.

In the mid-1980s, I joined the Visiting Nurse Services of NY as a volunteer, because of the AIDS crisis going on back then. I went into the homes of people in the last stages of AIDS and tried to help make their lives easier in anyway they needed until they died, which was usually right away. By the time they sent someone like me into someone’s home, it was sort of the death knell.

THEM: “You’re not a nurse.”

ME: “No, I’m not.”

THEM: “Who are you?”

ME: “I’m just here to help you with whatever you need from now on.”

One of my patients was an aging black pimp up in Harlem, who had this amazing apartment straight out of the 1920s, and a wife who was still working as a prostitute, who was part black and part Chinese, who looked & dressed like an aging dragon lady. (Yes, folks, from that slice of my reality, my now classic erotic novella Neptune & Surf was born.) That particular patient – a pimp who kept his wife turning tricks until the final moment – only wanted me to read to him from the Bible, which I did, until he died.

Another patient of mine lasted for quite a few months when they assigned me to him.  I was 27 at the time. You know, this kind of work is very confidential.  However, not only was this over 30 years ago, the patient’s Significant Other mentioned me at the funeral, so that was public, and so now I feel I want to go public, too.

That particular patient was the photographer, Peter Hujar. A gentle, warm, lovely man. A very talented photographer who documented so much of the NYC I lived in — and had gone to NYC to experience in the first place.  He had some truly famous, and infamous, photos framed and mounted on the walls of his modest apartment.

I bring all this up in connection to Lou Reed’s song, Walk on the Wild Side, because Peter Hujar took some iconic photos of men and drag queens from that era, including the men Lou sang about in that song.

When Peter first let me into his apartment that first day, I looked at all those photos hanging there on the walls and was stunned. I said, “Did you take all of these? I know these photos.” They were truly part of my life.

He was already so fragile by then, even though he would live a couple more months. But that day, he said to me, “You’re just perfect, you know that? I apologize for being so sick.”  In the early days of the AIDS crisis, the patients were basically treated like they were radioactive, because the disease was not understood yet but it was killing everybody. Most people back then would not get near anyone who was known to have AIDS. It was hard for the nurses to find enough volunteers. For some reason, I never had a fear of being around them. I saw them as people who needed help while they were dying and that fear was never going to be the right response when anyone needed help while they were dying.

Below are a couple photos Peter Hujar took. Click on them and they get larger. I’m guessing he also took photos of Holly Woodlawn, Joe Dallesandro, and the Sugar Plum Fairy (Joe Campbell), but you’d have to google all that.

Candy Darling on her deathbed. I saw this photo in Rolling Stone Magazine’s Random Notes when I was 14. At the time, I simply could not believe that she was a man. I never forgot this photo and I was stunned to learn that Peter was the photographer who had taken it.
Jackie Curtis at his own funeral in 1985. Another photo I saw long before I met Peter Hujar.
One of Peter Hujar’s self-portraits. This one is from 1976, 4 years before I moved to NYC. He looked pretty much exactly like this when I met him 11 years later, although he was painfully thin by then.

Yesterday, when I posted about how the song Walk on the Wild Side helped shape my life, making me who I am, I meant it on so many levels. Even though I’m almost 60 now, those very early days of mine in NYC seem like they truly happened just yesterday.

I’m not sure why so many gay men, drag queens, heroin addicts, gay alcoholic poets and painters, had such an enormous influence on who I was and who I became as a writer and as a woman, but they really did. A song like Walk on the Wild Side is part of my DNA now.

And I think that when people in Toronto (and sooner or later NYC), finally see the one-woman show I’ve been working on for 5 years now with Sandra Caldwell about her own life (The Guide to Being Fabulous), you’ll agree that the two of us meeting at all was pure destiny from the word go.

I was totally born to do this, to help bring her incredible story to the stage.  My play, Tell My Bones, about the painter Helen LaFrance that I wrote for Sandra, is a beautiful piece of theater that I want to share with the world. But being part of a play like The Guide to Being Fabulous is why I was born.

Better than Yesterday

And sometimes that’s all I can ask for, right? That today is better than yesterday.

I’m still sick but nowhere near as bad as I felt before.  (Plus, it’s good to know that you’re never too old to throw up! That’s sure some good news!)

I’m struggling to at least get my voice back because I have a conference call with someone in L.A. in 3 hours. As of right now, I cannot talk. So we”ll see how that goes.

It would have been Lou Reed’s birthday today, had he remained alive, which he did not. But, hence, the photo at the top there.

I really loved Lou Reed so much. What a songwriter. When I think of all the later songs he did that were just so good, I tend to forget absolute gems like Walk on the Wild Side. I do not want to forget gems like Walk on the Wild Side. I don’t want to be in a world where a song like that doesn’t exist anymore. It helped shape the person I became. And as difficult as that can be for me to digest on some days, most of the time, I really like the person I became.

My daddy cat is feeling lots better today, too. He’s frisky and back to being his naughty self.  So I guess that’s good.

I had better dreams last night, too. And I awoke feeling like I was able to forgive just about everybody. There’s a few key people that I don’t forgive so much as I just sigh and say, whatever, and move on because the degree to which they need to be perpetually forgiven astounds me.

Oh, and I forgave myself. Mostly for being too trusting, and for being too quick to always blame myself.  You know, sometimes other people are wrong. It may seem like a no-brainer for you to figure out, but it’s taken me a lifetime to understand that.  That sometimes the other person is just genuinely up to no good and they know it and I need to just accept that I can be too gullible.

I mentioned this guy back in December – JosephJames.  He’s a professional reader in London and he is just so good. He really helped me again last evening, on Instagram.  He pulled the worst card in the tarot deck: the 10 of swords. I hate that card. But his take on it was so  cool. “It’s time to take the knife out of your own back and put on your wings.”

Image result for 10 of swords

He said this based on the sunrise in the background.  That 10 swords in the back is just overkill already;  get up and start a new day.  He said to put on your angel wings and just be your own angel, and accept the apology for yourself that you were never given.

So early this morning, around 5am, I was finally able to forgive certain people because I decided to accept their apology — the ones they never actually gave me. Just forgive and move on. And I’m gonna try like hell to look at all of this in a different light that somehow sublimates me and takes away my victimhood.

(I’m being alerted that “victimhood” is not an actual word, gang, but whatever. On we go.)

Okay, I need to go back to bed until my conference call. So I’m outta here. Have a terrific Saturday, folks, wherever it takes you.  Thanks for being here. I love you!! See ya.

Holly came from Miami F.L.A.
Hitch-hiked her way across the U.S.A.
Plucked her eyebrows on the way
Shaved her legs and then he was a she
She said, hey babe, take a walk on the wild side,
Said, hey honey, take a walk on the wild side.
Candy came from out on the island,
In the backroom she was everybody’s darling,
But she never lost her head
Even when she was giving head
She sayes, hey baby, take a walk on the wild side
Said, hey babe, take a walk on the wild side
And the colored girls go,
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo doo
Little Joe never once gave it away
Everybody had to pay and pay
A hustle here and a hustle there
New York City is the place where they said:
Hey babe, take a walk on the wild side
I said hey Joe, take a walk on the wild side
Sugar Plum Fairy came and hit the streets
Lookin’ for soul food and a place to eat
Went to the Apollo
You should have seen him go, go, go
They said, hey Sugar, take a walk on the wild side
I said, hey babe, take a walk on the wild side, alright, huh
Jackie is just speeding away
Thought she was James Dean for a day
Then I guess she had to crash
Valium would have helped that bash
She said, hey babe, take a walk on the wild side
I said, hey honey, take a walk on the wild side
And the colored girls say
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo
Doo doo doo doo doo doo doo doo doo doo
Songwriters: Lou Reed
Walk on the Wild Side lyrics © 1972 Sony/ATV Music Publishing LLC

The world of author Marilyn Jaye Lewis