All posts by marilyn jaye lewis

writer, editor, publisher, thinker -- all-around joyful gal!

Excerpt 4: Girl in the Night: Erotic Love Letters to the Muse

Excerpt 4 is sort of like an intermission, in the style of a Litany. It is still in progress, so excuse typos if there are any!!

Excerpt 4:  Girl in the Night: Erotic Love Letters to the Muse. Contains sexually graphic material which will be inappropriate for some readers.  Please be forewarned. (Approx. 2 pages.)

Litany (One): The Girl Goes Down
For His Mercy Endures Forever

O give thanks    in those days, the land he came from was called Yugoslavia and he worked for the Soviets. In secret. In New York. Gathering, gathering. Information, all the time. From everywhere. From everyone. In my room at night, on my bed, he was the first man I knew who liked to be on top during 69. It was what I liked best about him. Flat on my back, my throat open – his cock went right down. And he never lost track of my clit. Even when he was coming. He made it easy for me to swallow it. I could come like crazy then. His cock down my throat. His mouth on my clit. I was 25, 26 – something like that. It was heaven, to come like that – with my legs wrapped tight around his back.

For his mercy endures forever.

O give thanks    two of them, now. Was I 46? We were all in our 40s. Single. We did it a lot. We liked one another. Well enough. In my house, my room. My bed. Flat on my back. My knees to my tits. The one between my legs is bitching about the condom. It doesn’t fit right. It’s annoying – to me, I mean. He won’t quit fussing with it and I’m so ready to fuck. The other one is backed up onto my face and I’m giving him a rim job. He loves rim jobs and so I love giving them to him. He’s holding my thighs apart to help the other one put his cock in my ass. I could be happy, if the other would quit bitching about the condom. The one with his ass in my face says, “just put it in.” “I can’t, this thing isn’t on right.” “Just put it in her ass. She wants it in her ass, come on.” “Just shut up.” “No, you shut up.” They’re arguing again. The mood is blown. “Will you both shut up? You’re arguing like little kids.” They were always arguing like children, like brothers.

For his mercy endures forever.

O give thanks     David Bowie’s Pinups is on the record player. I’m 13. The boy with me is the love of my life. A child, really. Like me. It’s a new skill I’ve learned – just two days prior. And I can’t wait to show him. It’s his first blowjob. We’re both very excited. We’re trying it. It’s working. But then, suddenly, he comes in my mouth. I wasn’t expecting that. He wasn’t expecting that. I’m stuck there – I don’t know what to do. Nobody had warned me about this part. I didn’t want to be rude. So I swallowed it. He looked at me. And I said, “Um. Excuse me.” And I left the room abruptly. Went into the bathroom and shut the door. Stood there. Looked down at the sink. Wondered if there was something I was supposed to do. But it didn’t come back up or anything.

For his mercy endures forever.

O give thanks     I’m 14. The man is fresh from prison. I like him. I’m giving him a blowjob on a Friday night. It’s summertime. He runs his fingers through my hair while his dick is in my mouth. He’s so gentle. He says, “Where on earth did you learn how to do this? You’re good at it, you know?” My heart was in it – kind of. For the moment.

For his mercy endures forever.

O give thanks      I’m 27. He’s 35. Working on a Dissertation at Columbia University. He’s a Physicist, from Cameroon.  He’s nice. Very gentle. We’ve had two dates. He wants to make love. I go to his room and we kiss. He has the biggest cock I’ve ever seen. I’m scared of it. I want to leave. “Don’t go,” he whispers. “Don’t leave. You’re so beautiful. Don’t go.” I stay. I undress again. I cannot even get my mouth around it. Eventually, we just lie down to go to sleep. He has a very narrow bed. We cuddle. He says, “It’s all right. You’ll get used to it. All the girls are like this, at first.” (He was right. I did get used to it. I loved his cock. I would somehow get it into my mouth; at least suck on the head of it. And he would lie back and whisper: Oh baby.)

For his mercy endures forever.

O give thanks      I’m 24. He’s 21. He’s my boyfriend. But we fight about everything – except sex. He has the perfect cock. He really does. And he worships my pussy, which is just so nice. I’m straddling him, for 69. I’m sucking his perfect cock, which I love to do. I never get tired of having his dick in my mouth. But right now, my soaking pussy is planted on his face and he’s got a firm grip on my hips – keeping me planted there on his mouth. His tongue is going for my clit and I can’t move. His grip on my hips is tight. I’m trying to be fair; trying to keep sucking his cock. I don’t want to be a glutton for all the delirium. But he’s holding my clit captive – it’s at the mercy of his tongue. His tongue is right up in the stiff little hood, wiggling it like crazy. He won’t stop, won’t let me go. I’m stuck there; my whole world becomes my clit and his tongue. I am finally forced to give up on his cock. I’m gasping out all sorts of inanities: oh god oh god fuck jesus god oh shit. And I come right in his face.

For his mercy endures forever.

O give thanks     I’m 20. He’s 40. Italian. He makes love to me. Like a grown man, who’s been around and knows what he doesn’t want. His wife is dead. She jumped from their window, timing it so that he would be coming around the corner shortly after she hit the pavement. His heart shattered when he saw her body on the sidewalk on E. 66th Street. It took him four years to kiss a woman again. That woman was me. He kissed my whole body, made love to it in every position. It was easy to suck his cock, to really suck it; his body was full of passion for me. I wanted him to come in my mouth but he wouldn’t. He wanted to lie down on me and come up inside me, instead. Fucking him was heaven. We made a baby.

For his mercy endures forever. He alone does great wonders.  He led his people through the wilderness. He parted the Red Sea.  O give thanks   Time is a mystery. Your cock in my mouth – it could define the future. He laid out the Earth above the waters. He made great lights. The sun to rule by day; the moon and stars to rule by night. Your cock could define the future – it could. Stars, sun, moon – all of it. For his mercy endures forever.    O give thanks.

© – 2019 Marilyn Jaye Lewis
Girl in the Night: Erotic Love Letters to the Muse

Hmmm. What Fucking Planet is She On…

Yeah, well, I guess it would have been nice to have been alerted that a little PR blast about “me, the playwright” was going out yesterday. I probably wouldn’t have chosen yesterday to blog about being suicidal and going off to a convent…

Crap. You know?

This is why blogging is always so dicey for me. I actually blog about not only my real life, but also the constant insanity that is really in my head. And as pretty as I am on the outside, well you know, the Portrait of Dorian Gray is often in full bloom on the inside.

So there we have it. My experience of yesterday. All kinds of new traffic coming in through my (outdated, inaccurate) Wikipedia page because of a new crop of strangers googling me; and then finding out about all the joys of being moi.

Okay. We’re just going to move on. But I’m also going to bring this up again, as I so often do around here: When you’re a woman and you’re a writer, nothing will likely speak more to the heart of you than Virginia Woolfe’s A Room of One’s Own. If for some inexcusable reason, you don’t know the book; her overall premise:

“In referencing the tale of a woman who rejected motherhood and lived outside marriage, a woman about to be hanged, the narrator identifies women writers such as herself as outsiders who exist in a potentially dangerous space.”

And once having read it, nothing will feel so horrific as knowing that, even while Virginia Woolfe understood all of it,  she ultimately walked off to the river with rocks in her pocket. She should not have ended that way. I am not going to end that way, I just refuse; even if sometimes the only thing that will help me is taking cover amid a bunch of Carmelite nuns — women who also reject motherhood and live outside marriage but inside the auspices of the Patriarchy. (Wouldn’t that be cool? To just go off and let some guy take care of you? Jesus Christ, right? And no pun intended there… But the minute you let some guy take care of you, he gets to tell you what to do. And loyal readers of this lofty blog no doubt recall that I will always, without fail, say “NO!” even before I hear what the guy is even trying to say!!! AAAAAaaaarrrrgh!!!!)

But, Jesus. Come on. Even in a First World country, in the 21st Century, it is fucking hard to be a woman, be a writer, and live on a single, wildly fluctuating income — and afford a room of your own that’s quiet so that you can focus and write.

The pressure in my life sometimes feels insurmountable. I am someone who pulls miracle after miracle after miracle out of her hat. But it gets not only exhausting but also daunting: looking into that hat and wondering if another miracle is gonna manage to come out of there one more time.

And in this instance, unfortunately, I am talking about a situation involving other, private people that I cannot blog about. But it’s making me feel undermined and sniped at. And it hurts.

So — on to more beautiful things.

Nick Cave sent out a Red Hand Files newsletter yesterday that was just beautiful.  You can read it here. You know, is it wrong & selfish  to say that it’s too bad men like him (meaning, “rock stars”) weren’t around when I was growing up in the 1970s, or do you just feel appreciative that he’s alive right now?

Oh, and also, during one of Nick Cave’s Conversations in Austin the other night, a woman was sitting next to him on his piano bench while he sang “Shivers.” I ask you, just what kind of hat do you have to have in order to pull that kind of miracle out of it???!!! I thought my Miracle Hat was pretty cool but au contraire! It pales in comparison.

(The people in Austin eventually put a whole bunch of cool stuff on Instagram.) (I believe he’s going to be in Portland tonight. We’ll see what kinds of magical hats the people possess in Portland…)

Well, this week, when I’m not gently tearing my hair out over rewrites of Tell My Bones, I intend to write another short segment of In the Shadow of Narcissa. It’s a difficult one because it goes deeper into the abuse my brother suffered at the hands of our adoptive mother when he was just a little boy.  And to write it from the perspective of a 4-year-old girl. And not through the lens of my own fear of our mother, but from that desperate feeling of wanting to help my brother but being given the constant mandate from her that I was not allowed to care about what happened to him.

Not being permitted to feel things was probably the hardest part of living with her.

The fucked-up-ness was simply manifold.

But I’m also going to take a look at the 4th segment of Girl in the Night: Erotic Love Letters to the Muse. It’s going to be that “Litany” segment. It should just be very interesting. I’m very eager to write that because I can’t imagine how it’s going to hit the page.

Meanwhile, I’m going to get laundry started here. And at some point, I have to go back into town and buy groceries. I’m gonna wait until the fog lifts, though.  We’ve had an amazingly dense fog here since late last evening.

The fog as seen from my kitchen window just now. The same Carl Sandburg fog that “crept in on little cat feet.” Oh no!! Not more cats!!

Okay, gang. I’m gonna scoot.

Have a terrific Tuesday wherever you are in the world. Thanks for visiting. I leave you with two options, both equally from my own perception of life. The first is one I really enjoy believing in. I really, honestly do. Someday, I’ll meet my soulmate and we’ll go off to the Chapel of Love.

The second is more like how I experience love, for real. You know, intensely deeply, but no chapel anywhere on the horizon. (This song was actually playing on the record player when I lost — or got rid of — my virginity. Go figure. The gods are funny, for sure.)

All righty. I love you guys. See ya.

“Piece of My Heart”
Oh, come on, come on, come on, come on!
Didn’t I make you feel like you were the only man -yeah!
Didn’t I give you nearly everything that a woman possibly can?
Honey, you know I did!
And each time I tell myself that I, well I think I’ve had enough,
But I’m gonna show you, baby, that a woman can be tough.
I want you to come on, come on, come on, come on and take it,
Take it!
Take another little piece of my heart now, baby!
Oh, oh, break it!
Break another little bit of my heart now, darling, yeah, yeah, yeah.
Oh, oh, have a!
Have another little piece of my heart now, baby,
You know you got it if it makes you feel good,
Oh, yes indeed.
You’re out on the streets looking good,
And baby deep down in your heart I guess you know that it ain’t right,
Never, never, never, never, never, never hear me when I cry at night,
Babe, I cry all the time!
And each time I tell myself that I, well I can’t stand the pain,
But when you hold me in your arms, I’ll sing it once again.
I’ll say come on, come on, come on, come on and take it!
Take it!
Take another little piece of my heart now, baby.
Oh, oh, break it!
Break another little bit of my heart now, darling, yeah,
Oh, oh, have a!
Have another little piece of my heart now, baby,
You know you got it, child, if it makes you feel good.
I need you to come on, come on, come on, come on and take it,
Take it!
Take another little piece of my heart now, baby!
oh, oh, break it!
Break another little bit of my heart, now darling, yeah, c’mon now.
oh, oh, have a
Have another little piece of my heart now, baby.
You know you got it -whoahhhhh!!
Take it!
Take it! Take another little piece of my heart now, baby,
Oh, oh, break it!
Break another little bit of my heart, now darling, yeah, yeah, yeah, yeah,
Oh, oh, have a
Have another little piece of my heart now, baby, hey,
You know you got it, child, if it makes you feel good.
c –  1967 JERRY RAGOVOY / BERT BERNS

Onward & Onward, Full of Grace

First, the scale: Back down to my goal weight. I lost those pesky 7 pounds during the night.

Actually, it’s really sort of fun — having this new insane scale to step on first thing in the morning: what is it going to tell me? I don’t interfere with its read-out in any way; I can’t, actually. It’s a really cheap scale. It does what it does and that’s it, and all I can do is either step on it or not. So that element of complete  surprise is just an interesting new way to start my morning.

Plus, it’s super uplifting to lose 7 pounds during the night!! (And on those nights when I’ve gained 5 or 8 pounds, well. You know, it’s just a cheap scale and it doesn’t work! So disregard it!) (It only works when I reach my goal weight, which, thank goodness, is quite frequently. I’ve already reached it several times in the past couple of days.)

Okay. I am doing reasonably okay today.  I’ve been having mental issues again over the last several days.  I’m thinking it’s just stress. But it’s maybe other stuff, too. I’m not sure. Who the fuck knows. It got so bad yesterday that I was seriously thinking it was time to go back to the convent. (Loyal readers of this lofty blog probably recall that St. Therese’s convent is where I go when I get extremely suicidal. But since I’ve moved, it’s now 50 miles from here. But when you get there, you turn in your phone and then there’s a vow of silence. And they feed you if you want to eat, which I usually don’t.  They give you a little cell, and you can be alone with St. John of the Cross and Kempis’ The Imitation of Christ. But usually, I most prefer the  Beatitudes because sometimes I think that that’s all there is to it, really. Then there is that tiny but amazing old stone chapel, where it’s just you on your knees with Jesus for however long it takes. Get your shit back together; get back in your car and drive home.)

But 50 miles is 50 miles now. And I have these cats. And I have this house. And responsibilities. I wait until it’s really, really dire, you know, before I go there. But then there’s that grey area — if I wait too long, I can become immobilized. And then it’s just dicey, all the way around. I just hate that grey area. You have no idea.

But even when I get immobilized — when my brain sort of  puts me on lock-down and I can’t easily do things that will save me, I can still text. So texting is a true blessing. It really, really is. Even when I can no longer communicate verbally, I can always, always write. Usually all I need is just help getting out of the house — getting into the air, under the sky, remembering that there’s an actual world outside of my brain.

Anyway. Yesterday was heading in a bad place all day, and so I was thinking about the convent. But I decided to just sleep in the guest room last night and see if that would break the chain of negative crap. I don’t think of my own bedroom as negative at all. I love my room, and the energy in it. But I remembered how incredible it felt, the night before I left for NY, sleeping in my guest room for the first time and what a great room it turned out to be.

It was okay last night, but I think that other time, having my birth mom sleeping in the next room probably had a lot to do with the peace I was feeling. I was thinking I should call my mom and tell her she has to come back. But I don’t like to hold people for ransom  emotionally. Because of course she would come, but she does have her own life to live. I always somehow manage to get myself back on track.

It’s so weird how you can just turn a corner and wake up and be okay. I really do think it’s stress. Primarily, both Sandra and Peitor needing my attention to various projects, when right now, I need to give 110% to the Tell My Bones rewrites. Well, anyway. The noise just starts in my head.

I know what it is I need to turn off the noise and I also know I’m not going to get it anytime soon, if ever. So maybe adopting a little puppy would be the next best thing — unconditional love & devotion! But I can’t take on a puppy, or even a full grown dog. Aside from a house full of untamed cats that would freak the fuck out, I don’t have the time for the added responsibility.

So I’m just trying to focus on the writing and have that particular type of joy be all I need for the time being.

When I was meditating this morning, I got myself into a place of pure potentiality. That true realization that there is no such thing as the future and there is no past. The past is a memory — and if your memory is gone, your past is gone. And if your memory shifts, then your past completely changes. So what is the past, really? And the future is only an idea. It can be absolutely anything or nothing at all. The only thing that’s filled with wide-open potential is the infinite expanse of right now.

It was a beautiful feeling. The beauty and the openness of right now is where all that feeling of fulfillment is for me — you can do anything, experience the joy or the thrill or the satisfaction of anything right now, because all of reality is experienced in your mind anyway.

I’m not saying that reality doesn’t eventually play out in some way; I know it does. But for me, the true fulfillment comes from the creation of the idea. The “playing out” of the idea is where the baggage is. Not that baggage is essentially unmanageable. I’m just saying that, for me, the moment the idea is created — that’s where I find the most emotional fulfillment. I can do anything I want to in my mind, especially experience pure beauty and pure love.

Which, of course, reminds me of Ghosteen again. I was listening to it in the guest room last night, in the dark. God, it is such a gorgeous album (even though it is so fucking sad). Every time I think I’ve chosen a favorite “song” (I hesitate to call them “songs” because they simply don’t feel like “songs’), I realize that I can’t actually say that I love one over or more than another. They are each just so haunting and beautiful.

I really love “Spinning Song” and “Night Raid.” But then the other songs come on and I love those, too. So who knows. All I know for sure is that the whole album is sort of uncategorical.  It defies my mind’s ability to define it.  Meaning, I can’t simply say, “Oh, that’s a great record.” Or section it out into a group of songs, or something.

I did notice that there’s a bunch of cute little Ghosteen things that we can purchase now! I say “cute” because most of them have got the little lamb picture on it — but of course, little lambs (in cemeteries) are symbolic of dead children so my brain hesitates to identify with the little lamb as “cute,” even though it is. It’s incredibly cute. But, you know, it’s also unbearably sad. So I’m not sure what to do about that.  I really want one of those tote bags — but do I tote it around until the little lamb becomes common place or meaningless? I’m not sure I can do that.

Anyway. You can see that it’s best for me to pursue wide open expanses of blankness where I’m not encouraged to think about anything.

And on that note!! I will remind you to please go on Instagram and follow @tellmybones. And to go on Facebook and follow: https://www.facebook.com/tellmybones

The web site will be launching soon. Mostly, they have to figure out my bio, which is stupidly extensive and goes off in many directions. And I think once that’s solved, the site will launch. I noticed they picked that author’s photo of me from my novel Freak Parade — where I’m wearing my Mark Jacobs aviator shades that I just love! And I’m sitting on the stoop, looking totally dyke-y. Yay. Nothing like just going out into the world.  (You’d never know that I am a girl who loves elegance. I honestly do. I used to own the most gorgeous dresses. Anyway.)

So, thanks for visiting. I apologize for being all over the map today, but it’s better than not existing. So I guess I don’t really apologize for it. I would leave you with something from Ghosteen today, but I think you’re supposed to go purchase it. So, in the meantime, I leave you with this thought-worthy piece of questions. Have a good day out there, okay? I love you guys. See ya!

“LOSING MY RELIGION”

Oh, life is bigger
It’s bigger
Than you and you are not me
The lengths that I will go to
The distance in your eyes
Oh no, I’ve said too much
I set it up

That’s me in the corner
That’s me in the spotlight
Losing my religion
Trying to keep up with you
And I don’t know if I can do it
Oh no, I’ve said too much
I haven’t said enough

I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try

Every whisper
Of every waking hour
I’m choosing my confessions
Trying to keep an eye on you
Like a hurt lost and blinded fool, fool
Oh no, I’ve said too much
I set it up

Consider this
Consider this
The hint of the century
Consider this
The slip that brought me
To my knees failed
What if all these fantasies
Come flailing around
Now I’ve said too much

I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try

But that was just a dream
That was just a dream

That’s me in the corner
That’s me in the spotlight
Losing my religion
Trying to keep up with you
And I don’t know if I can do it
Oh no, I’ve said too much
I haven’t said enough

I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try

But that was just a dream
Try, cry
Why try?
That was just a dream, just a dream, just a dream
Dream

c – 1991 : Bill Berry / Michael Stipe / Mike Mills / Peter Buck

Adventures in Wild Weight Fluctuations!!

I’m still keeping this new bathroom scale. If only because I want to try to hack the code.

Apparently, I gained 5 pounds during the night. (After losing 9 pounds the previous day.)

At the very least, the scale reconnects me with everything I ate the day before. You know, it sort of acts as a grounding rod for my wildly dispersed reality. From moment to moment, I can no longer tell you what’s happening to my life. I am just so caught up in my head these days. Absolutely everything flies past me. So this new bathroom scale — its seeming slight relation to reality — sort of helps anchor me. I step on the scale. I look at that wildly unexpected number. And it makes me stop and think and remember yesterday: What was yesterday?  What did I do? What did I think? What did I eat?

So the new bathroom scale is sort of an adventure in consciousness.

An alert just came through on my laptop that the drummer Ginger Baker died. This also serves as an anchor in reality: a.) I did not know he was even still alive; b.) I can’t believe he was 80; and c.) another part of my girlhood — gone.

When these things happen, I immediately feel that I either have to die right away. Like, I don’t know, tomorrow maybe. Or just live for some stupidly long time so that the main point to my whole existence becomes: Everything and everyone I ever knew is gone. This “in between” business — where you watch everything you ever knew disappear in bits and pieces; that part gets hard to process. So I’d rather just deal with one extreme or the other. Die now, or live so very long that nothing has relevance anymore and everyone assumes I simply am just never going to die.

On a sort of similar note… I’ve been thinking the last couple days that I’d really like to take a drive to the old Civil War battle ground in Cynthiana, Kentucky, and visit my great-great-grandfather’s grave. He’s buried there in a Confederacy War Memorial. For some bizarre reason, google maps assures me this is only 3 and a 1/2 hours from Crazeysburg. I’m not sure how that could possibly be. It feels like it should be much farther away. So I think I’m going to set aside a couple days here in the fall and do that. Find some sort of a strange motel there and stay over for one night. Maybe even drink bourbon for the first time in a couple of years. (I can’t imagine being in Kentucky again and not drinking bourbon.)

I’ve listened to Ghosteen a few more times.  And that anchors me, too, actually. It has such a presence to it that I just hone right in and everything else in my mind and in my world simply stops.  I’m just listening. Picturing all this stuff that I don’t understand at all — meaning, the images just come because the lyrics are so precise and so intense, yet I have no idea what any of that whole first part of the record means. (I don’t necessarily know what the second part means, but I feel like I intuitively grasp it. The first part — any hope of concrete meaning flies away from me in all directions but it sustains such an intense beauty, regardless.)

It is enigmatic, to be sure. I feel like there is absolutely no way in. By that, I think I mean that this is sort of an operatic painting about his life, his family, his marriage — and how can you ever truly understand how the inside of someone else’s perspective of life really feels? Well, anyway, I can’t. So I can’t find my way into it. Which doesn’t mean it’s not beautiful or that I don’t love it, or that it doesn’t cause me to feel a lot of things.

Nick Cave has said things before about how songs speak to you, personally; you know, you feel like a song was written just for you and it becomes yours, in a way. Actually, there is no Nick Cave song, ever, that I felt spoke to me, personally. I do feel that way about pretty much every single song Tom Petty ever wrote — starting with “American Girl.” I heard that song in my teens and immediately wondered, “How come that guy knows how it feels to be me?” But with Nick Cave — he’s on this whole other planet from me. It’s one that I absolutely love, with all my being and all my soul, but it could not be more different from my planet if it tried. Yet I still love, basically, everything he ever wrote. Or likely will write.  Still, this new record goes even beyond that. Really, like discovering a whole new planet. Complete with a language that sounds remarkably similar to the one I know, and yet, eludes me. I think it’s just something I have to feel in my heart. And maybe meaning will come later. Or the “meaning” is simply that I feel it all very intensely. That is the meaning to it.

Okay. And on that note, the Conversations continue tonight in Austin. Maybe one lone photo appeared on Instagram from last night so, clearly this “put your phones away” idea is working. Eventually, I will no longer have any reason whatsoever to be on Instagram! But that’s okay.

All righty!! I’m gonna scoot and get Sunday underway here. Have a great day, wherever you are in the world. Thanks for visiting, gang. I love you guys. See ya.

“American Girl”

Well, she was an American girl
Raised on promises
She couldn’t help thinkin’
That there was a little more to life somewhere else
After all it was a great big world
With lots of places to run to
And if she had to die tryin’
She had one little promise she was gonna keep.

Oh yeah, all right
Take it easy, baby
Make it last all night
She was an American girl

Well it was kind of cold that night,
She stood alone on her balcony
Yeah, she could hear the cars roll by,
Out on 441 like waves crashin’ on the beach
And for one desperate moment there
He crept back in her memory
God it’s so painful when something that’s so close
Is still so far out of reach

Oh yeah, all right
Take it easy, baby
Make it last all night
She was an American girl

c- 1976 Tom Petty

Just the Most Perfect Day!

Now that I’m willing to allow myself to believe it’s really fall, it is just the most perfect day.

The sun is shining but there is a chill in the air, and the house is sort of freezing. Yay! I’m still wearing my favorite summer (cotton) jammies at night, and still have the summer (cotton) sheets on the bed because it is still getting into the 70s Fahrenheit during the daytime, but last night, I brought out the winter blanket and threw it on top of the summer stuff.

Me in my favorite summer PJs, but, oddly, I’m wearing them last December in Peitor’s bathroom in West Hollywood…

Last night, I slept the best sleep I’ve slept in a while. Only one window in my bedroom slightly open. Everything else in the house closed up. So, now, there are no sounds. no crickets, no cicadas, no birds. Just intense quiet.

I miss summer and the racket of all the earth, but the quiet is kind of nice.

I won’t turn the furnace on until it gets a lot colder. But I am looking forward to switching to the downstairs bathroom! I use that shower all during the winter months because the upstairs bathroom is really, really old. It was added onto the house back when it very first got indoor plumbing, back in the 1920s or 1930s, and there is no heating vent in there. The downstairs bathroom is much more modern and actually has heat…

Anyway. I like seasonal traditions, in general. And so now, here in the Hinterlands, in my 118-year-old house, that has become my autumnal tradition: switching bathrooms.

Pretty exciting!!

I had a really, really cool dream last night! One of those sex & love dreams! I was in love with some guy and we had sex, but I cannot for the life of me, remember who he was or what he even looked like. I can only remember the presence of him. A warmth. Like, a body warmth. There was also a woman in the dream who came on to me. For some unfortunate reason, I totally remember who she was. Not that she was unpleasant, but in the dream, I wasn’t in love with her, I was in love with the guy. But more importantly the guy was actually in love with me!

This is sort of unheard of in real life, so that’s why it’s doubly disappointing that I can’t really remember the dream…

But I do remember, vividly, that he made me really happy. So I guess recalling the feeling is good enough.

Here’s something extremely interesting!! The other day, I discovered (you are going to think I am so weird, but this only proves to you how extremely focused I am on work, and on writing, and on living at my desk), anyway, I discovered that all of my underarm hair has turned completely silver.

I was astonished by this.  Not just because it’s gone silver, but you’d think I would have noticed it before it had all entirely changed to a new color. I mean, I do shave my underarms. But I guess I just don’t ever really look at it. I mean, it’s not something I even think about. It’s automatic. I’ve been shaving my underarms for, like, 50 years. Well, maybe I didn’t start shaving at age 9. But  let’s just say something really close to 50 years.

Anyway. It was just weird. To say I am preoccupied with the world in my mind is now, I guess, officially an understatement.

Oh, and yesterday!! The best bathroom scale came into my world.

Back before I went to NY, my old bathroom scale finally broke. So I threw it out. At that point, I had put on 2 or 3 pounds, which I was making a mental note of getting rid of. But then I went to NYC and forgot about it. And then the other day, I noticed my pants felt a little tight, which usually means I’ve put on close to 5 pounds. So, posthaste, I bought another digital scale. Just to make sure that nothing got out of control.

The scale arrived and, lo & behold, it told me I had put on 8 pounds!! Whoa. I was not happy. I could not imagine what I might be eating that could make me gain 8 pounds. But I was at least glad I’d bought the scale when I did.

And then this morning, a mere 24 hours later, I got back on the scale and it told me I’d lost 9 pounds!!! Yay! Best scale ever. I reached my goal weight in 24 hours!!

Fuck, yes! I am keeping this scale!!

(I did actually get on it a couple more times, and it keeps hovering around that goal weight, so I’m guessing that the first time I used it, I probably had not actually gained 8 pounds…)

Still, what a great morning, right? A love & sex dream, followed by losing 9 pounds!! And beautiful weather, to boot.

Okay! Tonight & tomorrow night, Nick Cave is in Austin, TX doing his In Conversation on the Austin City Limits thing. (Does this mean that at some point we can watch it on TV?) (I don’t actually have TV so that doesn’t help. Of course, I’ve upgraded my iPhone, got a new laptop, got a new car, all within the last few months — I suppose I can just go out and get a new TV, too! Why the fuck not??) (Because I really, really need to fix my barn… I really do. I have the coolest 111- year-old barn. But it needs to be painted and it needs a new roof. And I never watch TV….)

Anyway. I guess we’ll see. (And I am really, really loving that Ghosteen. Gosh, it’s beautiful. I wish I understood it. I just don’t. But the songs are so beautiful.)

Okay. I’m gonna go drink a cup of tea. And think about life. And get back to work!! Thanks for visiting, gang. Enjoy what’s left of your Saturday, wherever you are in the world!! I leave you with a really rockin’ song from my sweet bonny girlhood. I was 6 when I got this album!! I absolutely adored it. (And I was born on a Friday, so you have to listen to the end to find out what Friday’s child is like!!) All righty. I love you guys. See ya!

Ghosteen Part Deux

I got into my car late last evening, wanting to listen to  The Ronnettess’ Greatest Hits while I drove. And while  scrolling through the ‘G’s’ for “greatest hits,”  there sat Ghosteen! It was already out! I thought it was coming out next week!

So of course I played it again.

No oncoming trains.. No nothing. Just a beautiful night.

It really is such a beautiful album. I don’t understand that first part any better than I did the first time, and it still made me really sad. But it’s so beautiful.

Oh Man, I Knew It Was Gonna Hurt…

I actually did get to listen to Ghosteen last night — the new album by Nick Cave & the Bad Seeds.  It was still available on YouTube once I got home and was safely in bed. In my room. The only place in the world that protects me from the world. Usually.

You perhaps recall that when he first announced the new album last week and described what it was going to be about, my initial, sort of primal reaction was, Oh no, now what. A sort of “please keep that away from me” kind of feeling.

I had barely survived the first time listening to Skeleton Tree. It took a long time for me to be able to listen to that album without feeling like the world was being pulled out from under me. And I was worried that Ghosteen was going to be worse. Meaning, just too emotionally intense for me.

And guess what, gang??!!

I was right.

It’s really just a beautiful, beautiful album.  Just stunning. On so many levels. But I’m wondering, would I rather be hit by a freight train, or listen to this album again?

I’m thinking freight train. But I’m not 100% sure. I mean, luckily, God saw to it that I have ready access to a freight train — it runs right past my door, sometimes several times a day. And night. I already pre-ordered both the MP3 and the CD of Ghosteen. So when one of those things arrives, I’ll wait to press the “start” button until I know for sure a train is coming, and then decide at the last minute…

Jesus Christ, right?

It is just too beautiful. And part of what tormented me most is that, a huge portion of it, I don’t understand. The whole first album, which is being told by “the children.” Or it simply is “the children.” And I don’t understand why it’s “the children.”  I couldn’t figure that part out.  Why is it “the children”? And I’m thinking it’s maybe because I never had any so I’m not able to access something important there. And that alone, that state of being childless, is just something that’s unbearable for me, on any given day, at any given time, in any given year.

So that got triggered, and from there, everything sort of spiraled down for me.  The only way I know how to handle that whole subject is to close the door and walk away. But, come on! It’s a Nick Cave album! He hasn’t had a new album out in a couple of years. I don’t want to just close the door and walk away.

The second half, the part about “the parents” was easier for me to at least maybe understand.  I could understand why “the parents” were saying that second part.

Well, anyway. I’m sure I will adjust over time. Find my way back from the train tracks and maybe not be any worse for wear. Or, maybe even create great art. That would be cool. (I’m being sarcastic there because, of course, I think that’s the sole reason I even exist — to create art.  And it gets tiring. Wouldn’t it be cool if God had created me for something/anything else?  You know, like: Let’s let her have this great LIFE so that she doesn’t have to create art in order to process the simple act of getting out of bed in the morning…)

So, anyway. In all honesty, it is a beautiful record. Majestic and exquisite. Just so beautiful. And whether or not I can process it, isn’t the actual point, is it? Great art is supposed to make you feel something, so in that respect, it was a truly GREAT work of art. (And I did, indeed, see that coming.)

Okay.

So Sandra texted me yesterday and guess what? She’s working on a new play. Writing a new play, I mean. I am her collaborator on theater projects so this means that I, too, am working on a new play.

We have two other plays on the back burner, that are just barely even developed. But it sounds like this new one has her complete attention. Even though she’ll be going to Stratford to play the role of Mama Morton in “Chicago” at the same time that we’ll be doing the full-length staged reading of Tell My Bones in NYC; and we have our other play to do in Toronto, although that one has come to a little bit of a standstill right now, awaiting words from lawyers and accountants. Apparently, we will be undertaking another new play.

You know, when she texted me that, I wanted to just lie down and refuse to get back up. I’m sort of wiped out. These new Tell My Bones rewrites are probably the most important work I’ve had to undertake in my entire career. I need to focus.

This is when it would be good to just say “fuck the world,” and just  drink & smoke.

But I don’t really do either anymore. So, onward.

The morning here — meaning 5:30 am — was quite, quite lovely. There was something sacred in the stillness. The heatwave broke. Fall is really here. Another opportunity to try to figure out what the heck any of this all means, and why love seems to still be at the root of all of it.

I woke up crying. Not sobbing, or anything, but tears were in my eyes from the moment I awoke and they stayed there all during breakfast.

But I stayed in bed for a little while, wondering about the “story” of a person’s life, juxtaposed against how that life might have felt to be lived. F. Scott Fitzgerald came to my mind. He is now considered one of the greatest literary writers of the 20th Century. If you know his life, his career, at all, you will know that his outrageously uncontrolled alcoholism defined him while he was alive. And his wife was nuts and every extravagant thing about her cost him a fortune. It wasn’t until he died that his writing, alone — his creations, his art — could stand on its own, without the pain of how his life felt to be lived. (I’m not even going to try to talk about Zelda and her tragic fate because now she’s too bogged down in revisionist, feminist theory kinds of stuff.)

But there was the “life” he was creating while he lived. Meaning his endless and amazing short stories (that he wrote to keep himself afloat financially) and then his beautiful novels — that not only document the times he was living in, but created them at the very same time: The Jazz Age.

And then there was his actual life. Complicated, frustrating, passionate, tragic, short. And absolutely saturated with booze.

I’ve been thinking about this stuff lately because I am so very, very tired of “my life” and how it lived. But because I know how to write, it “saves” everything, you know? I can create a reason for life to feel worthwhile. And most days, that’s enough for me. Other days, nothing’s enough.

Okay, I’m gonna scoot. Get more coffee. Look at the beautiful, sacred morning some more. Embrace autumn. Let love be enough. Thanks for visiting. I love you, guys. See ya.

“Bye Bye Blackbird”
c – 1926

Blackbird, blackbird singing the blues all day right outside my door
Blackbird, blackbird gotta be on your way
Where there’s sunshine galore
All through the winter you just hang around
Now you’re going back home
Blackbird, blackbird gotta be on your way
Where there’s sunshine galore

Pack up all my cares and woes,
Here I go, singing low,
Bye, bye, blackbird.
Where somebody waits for me,
Sugar’s sweet, so is he,
Bye, bye, blackbird.

No one here can love and understand me,
Oh, what hard luck stories they all hand me.

Make my bed and light the light,
I’ll arrive late tonight,
Blackbird, bye, bye.

Pack up all my cares and woes,
Here I go, singing low,
Bye, bye, blackbird.
Where somebody waits for me,
Sugar’s sweet, so is he,
Bye, bye, bye, bye, blackbird.

I said, no one here can love and understand me,
Oh, what hard luck stories they all hand me.

So, make my bed and light the light,
I’ll arrive late tonight,
Blackbird, bye, bye.
Make my bed and light the light,
I’ll arrive late tonight,
Blackbird,
I said blackbird,
I said blackbird,
Oh, blackbird, bye, bye.

c – 1926 Henderson -Dixon

A few little leaks

That quiet and happy little boat I started out in yesterday sprung a couple leaks before the day was over.  The day was sort of a bust, all the way around.

My heart just hurts and life gets sad — what can you say?

Onward, though.

I really wish I could listen to Ghosteen tonight! But it seems like the only way I can do that would be to lock myself up in the bathroom with my phone for an hour or however long the album is, and I’m guessing that will not only be rude but would alarm everybody. So I guess I will have to wait until tomorrow.

Eventually I will hear it, though, and I know it will be great.

Have a happy Thursday, gang, wherever you are in the world. I love you guys. See ya.

Excerpt: Blessed By Light

Chapter 18: The Guitar Hero Goes Home

[Currently live at the Exterminating Angel Press Magazine]

The Guitar Hero Goes Home.

by Marilyn Jaye Lewis.

IT’S JUST LIKE THEY SAY IT IS. You’re floating. You’re going to the light. And then you’re looking down on yourself, at all the men, slamming the palms of their hands into your chest with all the strength they’ve got. I could hear them talking, calling to me to come back. Saw all those lights flashing on the highway. Then they got out that horrible little machine. I could see my chest lurching. I could see you crying. No one seemed to notice that all you were wearing was a little blue trench coat, nothing under it. No shoes, even. Standing there barefoot on the shoulder of the freeway at 3 in the morning.

And George sure is a good friend. I know that now without doubt – not that I ever really doubted him.

I’m glad I’m back, but I didn’t wanna come back. Not when I was out there looking down, because, honey, my god, was it peaceful out there. Just so peaceful.

Not that I wanted to leave you. It wasn’t like that. It was just that peace. It felt like something I had always known and yet had just suddenly remembered. It was all around me. I hated to leave it.

*  *   *

Do I really wanna keep on living if I can’t smoke? Jesus.

Come on, honey. I didn’t mean it like that. Yes, I know this is crucial. It’s important stuff now. I have to make some serious changes here, but goddamn it, I’ve been smoking since I was, like, 10 years old.

And what the hell are all these things on me?

Get me outta this fucking place.

Please.

*  *   *

An angel came to me when I was just a little boy. I was in my bed. A winter morning was just barely creeping through the window shades. It was quite early. My little brother was sound asleep in the bed across the room from me.

She was blonde, the angel, and just so pretty. And she told me things I eagerly believed. All about destiny and dreams manifesting, hearts rejoicing and being fulfilled. She told me this in pictures, you know; not words, as such.

It had something to do with a guitar.

So I begged my dad to buy me one. He said no. I begged again. He said no. I begged some more and he said, “If you don’t shut the fuck up, Christmas is never gonna come.” And he kicked me.

Right on my little shin. My left shin. It hurt like hell. I was just a little boy.

But Christmas morning came and there it was. A big red bow stuck on it and everything. A beautiful acoustic guitar. I don’t know how he afforded it. He worked, and all that, but, man, booze is expensive and he was always drunk.

And then he helped me learn how to play.

He sat me right down on the couch in the front room there, and he taught me C, D, and G. And he said, “These are easy chords. You learn ‘em and you can play about 50% of everything. So just learn ‘em.”

I was stunned, you know? I had no idea he knew how to play a guitar. There were no musical instruments in our house at all. Nothing to indicate I’d come from any sort of musical lineage.

But that Christmas morning, he lit a cigarette, sat down on the couch with my brand new guitar and said, “Sit right next to me here so you can see.” And so I sat down next to him.

He put the neck of the guitar in front of me, his arm came around me – a man who never even hugged me or got demonstrative in any way. His arm goes around me and he takes my little left hand in his and with his what seemed to me to be huge fingers, he helped me shape the chords right there on the frets of the guitar. And by lunch time on Christmas Day, I was playing it. Really playing it, you know?

Because he was right. You can play 50% of everything that’s worth playing in rock & roll with those three chords.

“Oh yeah, your daddy used to play,” my mama said a little while later, while she and I were sitting at the kitchen table, alone. “He played all the time when we were first dating.”

This, of course, was startling news to me. “But it bothered him, you know,” she went on. “Because his daddy – your grandpa, who you never met because he died so young – was a drunk. He drank himself to death when he was 49 years old. And all he did when he was alive was haul your daddy around with him – a beat-up guitar and your daddy. And he’d go hang out in this little bar called the Pissin’ Weasel.” My mama laughed then. She was so pretty when she laughed. “It wasn’t really called that. It was something like the Piston Wheel, or something similar. But your daddy always called it the Pissin’ Weasel. Your daddy’s so funny.”

My daddy was funny? The same man who kicked me on my left shin because my wanting a guitar had irritated him?

“Well, your grandpa would play that guitar for hours on end in that bar and just get so drunk. Made your daddy stay there with him, hour after hour, listening to your grandpa sing those old hillbilly songs. Your daddy didn’t call it singing, though. He called it caterwauling like a drunk skunk in a steel leg-hold trap. And then when it got near closing time, your grandpa would make your daddy drive them both home. Your daddy was just a child. A little boy. He could barely see above the steering wheel!”

My mama went on to explain that it hadn’t mattered at all how angry that whole scene had made my daddy as a little boy, he still grew up playing the guitar. And before long, he was playing it and singing in bars.

“And that’s what he was doing when we met,” she said. “I thought he was the best looking young man I had ever seen. And the way he sang could just melt your heart. I always tried to dress up as pretty as I could – well, as I could afford to, at any rate. And I’d go listen to your daddy sing and hope that he would notice me. And of course, he did. Because I was always there. And then, you know…”

She sat there at the kitchen table and smiled at me in the most beautiful and yet peculiar way. And in the softest, prettiest voice, she said: “Now, don’t you ever tell anybody on Earth that I told you this. But it was right around the time that your daddy and me got married – right around that time; very, very close – we found out I was gonna have you.”

Then she winked at me! I was way too young to have any clue what she’d meant by that. That cute little wink just stumped me. I’d never seen my mama do a thing like that before. It wasn’t until I was a little older and just by accident happened to do the math regarding their wedding day and my birthday. Then it all came together and made great big sense.

They’d been doing it before they got married.

And I was the reason they’d gotten married.

And having a new mouth to feed is what caused my daddy to quit playing his guitar and singing in bars and to go to work at a regular job, because he didn’t want to end up like his own father had – a drunk, caterwauling in a bar, dragging his son around so that he could get a sober ride home at closing time. But instead, my daddy became a drunk who had a regular job that bored him to tears and dreams so dead it filled him with nothing but anger.

Anger and a little rage.

But that Christmas morning, he was patient with me. For the first and last time, if I remember right.

He took my fingers in his and pressed them down on the strings against the frets and said, “No, son, like this. Press a bit harder. Let each of those notes really ring. It’ll hurt, at first, but you’ll get callouses and it’ll be fun to play. You won’t notice any pain.”

Right away, I started writing songs. But I didn’t tell anybody. My brother knew, but I made him swear not to tell a soul. I’m not sure why it bothered me that I was writing so many songs, or why I didn’t want anyone to know. I guess because, down in my heart, I knew I really, really wanted to go hang out in bars and sing and play my guitar. And I knew that wasn’t gonna go over at all in my house. Just not at all. And I was right. Because as soon as I got just a little bit older and started playing music with my buddies and practicing out in the garage like everybody else was doing back then, it pissed my daddy off to no end.

Even though he let us use our garage most of the time. I could tell it made him mad. My grades were suffering and he could see I had no thought in my head about getting a regular job, or going to college, or anything like that.

When I was 18, I left home with my guitar and a couple of the guys I’d been playing music with around town, and my girlfriend – who later became my first wife. We were all going to New York because I was gonna go get famous. I knew I would. I knew I had it in me. I knew my songs were good. But when I was leaving, my daddy took me aside and said, “Just try to keep it in your pants, son. Because there’s no quicker way to kill a dream. You will kill it quick and hard if she gets knocked up. It costs money to feed a kid. More money than you’ve ever seen.”

We all piled into the van and I left my daddy standing there in the driveway, just standing there, staring at me, a look on his face that seemed to say that, even though my little brother had eventually come along, too, and my little sister after that, it was me; I was the one whose mouth had been impossible to feed. I was the one whose hunger had cost him more money than my daddy had ever seen.

When I got a record deal, and when my songs got on the radio, and I got written up in magazines – it made my dad happy. It did. You had to know him pretty well to see it. It wasn’t easy to see the difference in my daddy looking drunk and angry and my daddy looking proud of me. But I knew the difference, and that’s what mattered.

By the time my daddy died, I was really famous. Famous, with two little girls who always had food in front of them whenever they sat down at the table. Girls who’d been conceived in love. Who were sheltered by love. Who were nothing but love to me.

It didn’t hardly cost me anything to feed those girls.

*************

This entry was posted in Fall 2019: Heavens Revealed.. Bookmark the permalink.

Non parliamo di Trump o del tempo! Parliamo dell’amore!

Yes, indeed! Why talk about Trump or the weather, when we can talk about love??!!

I’m not really sure what to do about me and my Italian lessons, gang. I do great on all my many quizzes.  But the moment I’m not looking at the app, I pretty much forget every single Italian word I know.

Okay. The Fall Issue of The Exterminating Press Magazine, Heavens Revealed,  is now online.  So, at long last, here is the link to the excerpt they published from my new novel, Blessed By Light. It is Chapter 18: The Guitar Hero Goes Home.

http://exterminatingangel.com/eap-the-magazine/the-guitar-hero-goes-home/

Well, apparently every single solitary soul in Minneapolis follows rules to a “t”.  Because not a single solitary post from inside Nick Cave’s Conversation last night has been posted to Instagram. Only photos from outside the venue have posted. These, of course, are meaningless to me!

However, people did indeed say that the show was incredible. So I’m going strictly on word-of-mouth for this one, gang. It’s really nice, though, that people are finally putting their phones away. (I’m guessing this means that we get to redo the Town Hall show in NYC, and this time have it be phone free!! Yay!! I’m so excited!!)

Okay, well. As I sit here waiting for pigs to fly… (Honestly, I wouldn’t trade the memory of Town Hall for anything, even with its annoyances. Of course, I had that amazing time at Lincoln Center, too, so it’s not like I’ve been deprived of anything.)

I’m doing really good here today, gang. I’m feeling really quiet at the soul level.  I finally slept good. No coughing at all, so I think the cold is at long last gone.

At the breakfast table this morning, listening of course to Tom Petty and thinking about the nature of Life and how it not only ends and moves on but it also constantly circles back in these predictable seasons; I noticed that the sun is taking a while to come up now. At 7 a.m. the sky was just barely light, so it is clearly really fall.  And I am doing okay with it. With the summer being gone, I mean.

I’m feeling like I can handle everything again.  Or maybe even for the first time, ever. I think that it actually is for the first time ever. What I have normally done all my life is cope and survive. And now what I feel like I’m doing is actually living. So that’s pretty cool, right?

I spent several hours hanging out on my bed in the dark last night, being okay with saying goodbye to the wonderful “dead guy”. I didn’t even feel his spirit in my room, as I sometimes do. But I was okay with it. And I was remembering the most amazing summer of my life with him (spent entirely in my bedroom and in my kitchen). And I cannot tell you just how grateful I am that he even came into my world so unexpectedly and so briefly, because it truly changed me.

I was sitting on my bed in the dark, looking out my window at the night and thinking about just how different I actually am now. He taught me so many things about myself. Things I wasn’t happy with and so I changed. I actually changed.

One thing he did was taught me about boundaries, in this very interesting way. Very self-affirming. I had this way of making self-disparaging remarks and it really bothered him that I did that. And I had no clue just how often I did that — said negative things about myself. Early on, he said there were going to be boundaries — things I wasn’t allowed to say anymore.  I simply couldn’t say them; he didn’t want to hear these things coming out of my mouth ever again.

So then, when I would even start to make a negative comment about myself, he would just say, “Boundaries…” and I’d have to shut up. Like, immediately. And that was when I realized just how negative I was about myself, you know? Because he was constantly saying, “Boundaries…” and I’d have to shut up.

And then when I would shut up – you know, sudden dead silence — then I’d be forced to think about what I’d been getting ready to say. And it totally trained me to stop talking that way about myself. And eventually, I  stopped even thinking in that really negative way.

The hardest thing I ever had to do was this other thing he came up with. I had this deep-rooted understanding about my life, as I was growing up, that I was not loved. And from that, I determined that I was never going to be loved. Love just did not exist for me. I knew people felt grateful to me, appreciated me, and all that, and I had a huge capacity to give love, but being loved never entered into it. I could not even imagine being loved. 57 years of that.

My mind could go to some really dark places very quickly back then. My whole demeanor could turn on a dime. Stuff that really alarmed him because he was just not a negative person, at all. I really wanted to be loved. I really, really did. But I literally could not believe that I was. Long story short, whenever I would even begin to go someplace dark or say something that indicated I couldn’t accept that he loved me, I had to make direct eye contact with him and say to him, “Thank you for loving me” ten times!!

I actually really had to do this. He would count up to ten! And I can’t tell you how difficult it was for me to do that those first few times. It was nearly impossible. It was as if my brain was completely re-wiring itself. It was so hard. But as the process went on, it not only became easier, but I actually believed him. And things inside me permanently changed. I finally understood myself to be someone who was loved.

Anyway. That is only a drop in the bucket of things he helped me break free of.  Helped me restore to myself. And I know that it’s important now for me to live my life — to actually live it and not go on to the next realm prematurely. But stay here and get the most joy out of being physical as I can until it’s really time to go.

So. Back to Tom Petty. Back to October — the month that he was born in and died in. I’ll close with the song that ended up really defining him — the song he wrote when he was finally able to process the death of his mom. He allegedly wrote the song in one fell swoop. He woke up at 3 in the morning, hearing it inside his head. Got out of bed, went to the piano, turned on the tape recorder and the entire song just came out; he never had to change a word. Then he went back to bed and woke up his wife, Jane, and said, “Listen to what just came out of me!” And so she listened to the tape and said, “That’s nice, dear,” and rolled over and went back to sleep.

And the rest is history. There isn’t a single Tom Petty fan anywhere who doesn’t know every single word to this song –we could sing it in our sleep. And we process his beautiful mom’s death right along with him, eternally. Forever and ever.

Okay. Thanks for visiting, gang.  Have a great Wednesday, wherever you are in the world. I love you guys! See ya.

“Southern Accents”

There’s a southern accent, where I come from
The young ‘uns call it country, the yankees call it dumb
I got my own way of talking, but everything gets done
With a southern accent, where I come from

Now that drunk tank in Atlanta, is just a motel room to me
Think I might go work Orlando, if them orange groves don’t freeze
Got my own way of working, but everything is run
With a southern accent, where I come from

For just a minute there I was dreaming
For just a minute it was all so real
For just a minute she was standing there, with me

There’s a dream I keep having, where my mama comes to me
And kneels down over by the window, and says a prayer for me
Got my own way of praying, but every one’s begun
With a southern accent, where I come from

Got my own way of living, but everything gets done
With a southern accent, where I come from

c- 1985 Tom Petty