Tag Archives: Tom Petty

Almost Done Being Thankful!!!

Now it is time to be Merry!

I am of course going to wait to decorate the house & the tree until my birth mom gets here (in 2 weeks). (Her name is Cherie, btw, so I guess I can just call her Cherie here, but then I’ll worry that it’s your first time reading the blog and won’t know who Cherie is, and I’ll end up calling her “Cherie, my birth mom”.) Anyway. I do want to at least switch out the autumnal wreaths on the door for the Christmas ones. And put the Christmas bedding on both of the beds.

At least get started on some stuff. Because I’m feeling a little merry this year!

Just so much better than last year — it’s like I’m not even on the same planet. Which is just a really, really good thing, gang.

I’m going to mention here, that my grandfather (Cherie’s dad), named her Cherie after a girl he fell in love with in Paris, when he was stationed there during WWII.  (She used to call him, “chéri“.)

Mind you, he was already betrothed to my grandmother back in the States. So, naming their daughter after the girl he’d fallen in love with in Paris was a big secret for, like, decades. My grandparents did get divorced early on in my mom’s life. But how unfortunate, right? To have a child with a man and have him secretly name your child after a woman he loved more…

When I was adopted, my adoptive parents changed my name to Marilyn. My adoptive mother wanted to name me “Molly,” but my dad won out; he really wanted to name me Marilyn. When I was 11, he confided in me, one Saturday afternoon while I was in the family room watching an old Marilyn Monroe movie on TV — she had been dead for almost 10 years by then, and I had no real understanding yet of who she’d been. Anyway, my dad passed through the family room, saw what I was watching on TV, smiled sort of wistfully and told me, confidentially, “I named you after that woman — but don’t tell your mother.”

So perhaps this is common? Maybe I should take a poll: Did you name your daughter after a woman you loved more than the child’s mother? (There’s an “Add Poll” thingy here on my blog but I don’t know how to use it…) So I guess just think about your answers quietly amongst yourselves.

Loyal readers of this lofty blog are likely aware that my birth mom named me Dory. I don’t know why, or if there was a specific reason. She was 13 when I was born so there was likely some sort of romantic thing in her head. I don’t know. I’m afraid to ask her because I still worry that if I draw too much attention to myself, she’ll remember that she gave me up and ask me to leave her alone. Much like why I’m still afraid to call her on the telephone and only do it if I absolutely have to. (I’m actually really serious about this. Even though she’s been back in my life now for 34 years, I still worry that she will give me up again and that I will lose her.)

But Dory is the name I actually identify with privately in my head — you know, like, spiritually or something. I don’t go by that name at all in real life. However, I don’t relate to the name Marilyn at all. I just don’t and never have. I think it’s a complicated name, and then, once I understood who Marilyn Monroe actually was, culturally, well, that’s just too much to have to identify with — even though I love Marilyn Monroe, plus it wasn’t even her real name. Still. Just way too much going on there.

Image result for marilyn monroe
Do I actually have to say who this is?

So. I’m guessing I digressed…

Mostly, I’m just kind of feeling a little untethered here; not sure what I want to work on today. I’m feeling like I need to make some progress with Thug Luckless — even though I love that character so much, I can’t emphasize enough just what a commitment it is to write about him. It requires 110% of my concentration, and I’m kind of feeling a little Christmas-y here, today. Not sure I can commit to writing several hours’ worth of porn. I guess we’ll see!

I do want to mention here that the horrible wind storm we had here all day Wednesday– even into the wee hours of yesterday morning– the winds were up to 60 mph. Anyway, it was God’s way of ensuring that the super enormous pile of dead leaves that were in my front yard were more evenly distributed among every single solitary house all up & down First Street. And for this dispensation from Heaven, I am profoundly grateful. Even while the high winds also got me some loose siding on my house, it is a small price to pay for not having to rake any of my fucking leaves! They are, essentially, all gone now! Yay.

Okay, gang, I’m gonna scoot. Put up a wreath or two, change the sheets, think about the day before me and what I might want to do with it!

The breakfast-listening music today was once again “Night Raid” from Ghosteen, which I posted here just the other day. (And I gave up trying to figure out what the song means; all I know is that it’s a beautiful song and I love it, and whatever I might decide it means– well, I will be hopelessly wrong. So I’m just listening to it now without trying to figure out what it means.)

So, since I posted the song here the other day,  instead, I’ll leave you with what I was listening to yesterday while eating my dinner! Alone!

“Scare Easy,” by Tom Petty, from the Mudcrutch album in 2008. (It was also in a movie, but I can’t recall now which one.) Anyway, so I leave you with that.  (The video is a live concert of him reunited with Mudcrutch in 2016 — this is not the Heartbreakers, even though it includes Mike Campbell and Benmont Tench. Mudcrutch was their first band together back in Florida in the late 60s-early 70s.)(In fact, Tom Petty’s final studio album was a Mudcrutch album and not a Heartbreakers album, oddly enough. Coming full circle, as it were. My favorite song of his on the final album is “Beautiful Blue,” which, for me, means that this is the final beautiful song he ever wrote. So I’ll post that, here, too.)

Okay! Have a terrific Black Friday wherever you are in America, and have a nice little regular Friday wherever else you are in the world!! Thanks for visiting. I love you guys. See ya!

https://www.youtube.com/watch?v=5NKJnRiQI6c

“Scare Easy”

My love’s an ocean, you better not cross it
Yeah, I’ve been the distance and I need some rest
I had somebody once and damn if I lost her
I’ve been running like a man possessed

[Chorus]
I don’t scare easy
Don’t fall apart when I’m under the gun
You can break my heart and I ain’t gonna run
I don’t scare easy for no one

[Verse 2]
Yeah, I’m a loser at the top of my game
I should’ve known to keep an eye on you
Now I got a sky that ain’t never the same
Yeah, I got a dream that don’t ever come true

[Chorus]
I don’t scare easy
Don’t fall apart when I’m under the gun
You can break my heart and I ain’t gonna run
I don’t scare easy for no one

[Verse 3]
Sun going down on a canyon wall
I got a soul that ain’t never been blessed
Yeah, and I’m a shadow at the back of the hall
Yeah, I got a sin I ain’t never confessed

[Chorus]
I don’t scare easy
Don’t fall apart when I’m under the gun
You can break my heart and I ain’t gonna run
I don’t scare easy for no one
I don’t scare easy
Don’t fall apart when I’m under the gun
You can break my heart and I ain’t gonna run
I don’t scare easy for no one

c – 2008 Tom Petty

I’ve Noticed that Sometimes It Takes Her Forever to Get Her Mind Back

Well, finally. My mind came back.

The rewrites I need to make on Tell My Bones — the direction I need to take and the voices I needed to hear from my characters, are finally arriving.

I’m guessing that by the end of this coming week, I might even have the new version of the play entirely finished.

It is such an incredible relief when the voices you need to hear finally start talking to you. Of course, this means that all the other projects I’m doing will take a back seat for a week or two, but I totally don’t mind. It is just such a relief to finally move past certain difficulties I’ve been having — re: personalities involved in the play — and just concentrate on the PLAY. Make space in my head to allow the revisions to just come.

I’ve blogged here in the past about my singer-songwriter career in NYC, way back in the old days of the 1980s, and how naive I was back then about people’s ability to literally sabotage your whole career. And then how it started to happen again in the early days of my writing career, but at that point, I did what I felt I had to do to ensure that I didn’t get sabotaged again.  I’m not going to go into all of it again here, only enough to say that I’ve been around long enough to know that it’s real. People do try to sabotage you.

You know, even if people aren’t consciously aware that they’re doing it to you, on some emotional level, because of their own insecurity, some people do want to see you fail. It’s up to you, of course, to allow that to happen or not. And because of naivety, I allowed it to happen to my music career, but I’ve never allowed it to happen again. But it’s that feeling of incredible disappointment, when you see it coming at you from someone you had no clue whatsoever there was ever any reason to distrust. However, in these few weeks since I’ve been home from NY, shit happened and continued to happen, so my eyes are open. For sure. Unfortunately.

I guess I really just needed to process that whole thing and find the best way to keep the relationship intact, but move forward with a better understanding of what is really in play, underneath it all.

Peitor’s brief phone conversation with me on Thursday really helped me get back on track and get my head together. (And I guess 3 hours of crying in the dark yesterday morning was the final processing of everything. And I can finally move forward. Allow people to be whoever they need to be, but move forward.)

So here we are.

Well, tickets began going on sale in Europe yesterday for the 2020  Nick Cave & the Bad Seeds tour, supporting their new indescribably staggering album, Ghosteen.

If it weren’t for the fact that I will be up to my eyeballs with stuff for the play in NY by then, as well as overseeing the Writer’s Retreat either in Italy or England, I seriously contemplated the idea of buying a ticket to one of those concerts, just choosing a country I’d never been to before, and going.

But, of course, it is just indescribably impractical. And I feel completely, 100% confident, that they will eventually come to the States and add Crazeysburg to their line-up of venues. (We do have a Little League ball field here, with ample bleachers to hold all 14 of us who live here. So of course it will clearly happen. Patience is key.)

Anyway. Whatever. Who knows what the fuck is going to happen in my life by mid- 2020, right? I should try to just focus on the weekend for now. It is the final weekend of October and I just last night realized that I haven’t set out a single Halloween decoration. I keep thinking, subconsciously, that it’s still September.  Oh well.

I’m gonna close this and get started here. Go down to the kitchen and get another cup of coffee. Thanks for visiting, gang. I hope you have a splendid Saturday, wherever you are in the world!! I leave you with this parting shot of Tom Petty, early 1990s, drinking a cup of coffee. (He was a Maxwell House drinker to the end — according to his second wife, Dana.) Okay. I love you guys. See ya.

Coffee! Always has been and forever will be the beverage of champions!

Yes! Coffee’s Ready!!!

Yes, I confess!! I am blogging from bed again. My cup of coffee on the night table beside me once more.

A different cup, though. Still autumnal, but this one is really huge.  Requires fewer trips downstairs:

Enormous autumnal coffee cup requires that I leave the bed less!

 

I’m also  blogging in the dark (I only turned on the lamp to better regale you with the photo), plus I’m blogging without my glasses on and hoping for the best!

As much as I love summer and truly hate to see it end (grieve when it ends, is more accurate), I sure do get used to the quiet coziness of fall mornings in a hurry. I cannot emphasize enough how cozy my bed is in the dark, when there’s a little chill in the air.

Kevin is supposed to come by sometime today with his dad to come get his VW camper van from out of my barn.  It’s always so great to see him, if only for a few minutes! He is definitely a wonderfully quirky guy.  Just a delight to know. About 20 years younger than me. Born and raised out here in the Hinterlands.

The first thing he said to me yesterday was, “Are you still giving that guy piano lessons?”

Funny how, when someone is gone for a few months, their perceptions of you remain back in time. Alas, no; I’m not still giving that guy piano lessons. He did finally move to the new house and took his piano out of storage, but he also got a new girlfriend and she moved in with him and he wasn’t making any dedicated time to practice.  So sadly, it was really just wasting my time.

Regardless, though, it was enough time to help me reconnect with myself musically, so that was perhaps the hidden blessing within that whole experience.

But between all the writing projects and trying to learn Italian every day, my intellectual plate is kind of full. If I still had my own piano in the house and could teach here, without having to do all that driving, I would probably be able to be a little more tolerant of people not practicing enough between lessons. Otherwise, to me,  it just feels like a hobby for them, not something serious, and I end up thinking, “Jesus Christ, do you have any clue how busy I am?”

That said… this morning, as I was lying here, doing absolutely nothing besides drinking my coffee, I was reflecting on how incredibly great it feels to do absolutely nothing.  Just lie here. Even while I’m getting excited about Letter #5 of Girl in the Night: Erotic Love Letters to the Muse forming on my inner horizon. I’m not sure yet what it’s going to be about; I can only feel a darkness to it and a depth. No words are forming yet. So I’m excited about all these things I’m writing, but it sure feels good to lie in bed for an extra hour or two in the dark and do nothing!!!

There has also been some interesting stuff going on regarding both of my adoptive parents. It has given me food for thought. I don’t actually know if my adoptive mother is still alive; I’m guessing she is.  But I’m also guessing that if she is dying, no one is going to rush to alert me because they wouldn’t want me to pop up and contest her Will. (Yes, I think that highly of all of them…)

Anyway, my adoptive dad has nothing to do with any of them, But I was lamenting this morning that my relationship with him has really begun to deteriorate again. Part of it is me just becoming this total emotional minefield now.  It doesn’t matter if he tries to be nice (in his own nearly unidentifiable way of being “nice”), I make sure to keep moving all the active mines so that he’s gonna step on one of them, no matter what.

I’m just awful. Like I’m not going to give an inch anymore. I’m just one big minefield, loaded with active mines that are constantly shifting around so that he can’t possibly make any headway with me at all right now.  Pretty much everything he tries to say to me is WRONG. I don’t know if I’ll stay like this forever, but it’s definitely who I am with him right now.

Okay, well. On that cheery note!!! Have a great Sunday, wherever you are in the world. It is of course Tom  Petty‘s birthday today.  Have some cake or something, okay?

(From before he even moved to LA — a really long time ago!)

Okay, I love you guys! See ya.

It Seems That Things Are Getting Better!

It is a really glorious October day here today.  I’m feeling a little more centered than I’ve felt in well over a week. Balanced, I guess.

Yesterday’s work with Peitor, over the phone, was really just great. Not only productive, but also it was really so much fun going over the script and all our notes for the script and both of us being kind of amazed by it. Some of it is intense, but on varying levels, all of it is funny.  We hadn’t worked on the script since July, so it was just fun to realize just how much work we had already gotten done on it before life went off in various intense directions.

It was also just great to be working with Peitor again and not feeling so isolated. I love writing, and I usually don’t mind that I have to be alone while doing that. But sometimes I really do feel intensely isolated. So it was great to be creative but have someone to laugh with, too.

And the movie is going to be so fucking cool even though it will only be about 8 minutes long.

Okay.

Well, tomorrow would have been Tom Petty’s 69th birthday so there are memorial concerts all over the country for him this weekend and the proceeds go to his 2 favorite charities in LA — mission charities that help the homeless and homeless children, and maybe homeless addicts, or something like that. I don’t really remember the exact charities. But a lot is going on.

I am doing incredibly good about all this. Only an occasional twinge of sorrow and then only when I think of him from the late 70s & early 80s — sometimes that whole Tom Petty era really still gets to me. The loss of that. His incredibly intense and wonderful youth. But overall, I’m good.

Both of his daughters are in my Instagram feed but I don’t usually pay too much attention to either of their feeds because they are both very intense, outspoken women — both artists and extremely political.  I usually find both of them a little disarming. But for some reason, it feels rude to just unfollow them. But this weekend, one of them posted just some horrific stuff involving animals in peril, it was just awful, so disturbing. So I’m guessing she’s still having some really deep issues about her father’s birthday & his death. (Last year, she was intense, as well, but not in this horrific way.) So very public. All of it. I’m sure that has got to make everything so much harder to process.

But right at this very point in time, I’m coping with all my own issues of loss. I really am. I’m feeling that sense of perspective that’s calmer or perhaps more accepting of things? And not just various deaths, but other issues of loss that I’ve had to confront over the last few (extremely difficult) years, especially revolving around my adoptive mother. All of it is easing up now. It really is.

All right. Well I’m gonna scoot. Thanks for visiting, gang. I leave you with two things. A photo of Tom Petty with his granddaughter shortly before he died:

Tom Petty In LA with his granddaughter, Everly.

And a great song of his off of Damn the Torpedoes, their breakout album from 1978.  This is a live  version from that time period, in London, but Tom sings  his original lyrics to the song. On the album, Jimmy Iovine, the producer, made him get rid of the drug references.

All righty! Enjoy what’s left of Saturday, wherever you are in the world, gang. I love you guys. See ya.

 

How Exciting!

I was just sitting down to do the blog and I checked my email, and what to my wondering eyes should appear? A Red Hand Files newsletter (two, actually) announcing a new double album from Nick Cave & the Bad Seeds coming next week.

Ghosteen.

It sounds like it is going to be sort of intense. As if Skeleton Tree wasn’t difficult enough for me to listen to. Of course, it’s worth the emotional payoff.  In spades, but still. A tiny little voice, deep in the center of my mind is fearfully fretting: oh no, now what?!

Because I don’t ever just listen to Nick Cave; I react on every level.

It’s funny, during the night, I awoke and was thinking about the Conversation from Saturday night and when a guy in the balcony asked him when a new album would be coming out, Nick Cave didn’t reply to it. I can’t recall now if he literally did not reply or if he said something that was not a reply. Anyway, I was pondering that during the night; wondering why he didn’t reply. And now, voila. The real reply.

I was also thinking last night how interesting it is that the 2 songs I remember most from Saturday night were 2 songs that he didn’t write. I remember all of the songs, but just the 2 that stood out most for me emotionally were songs he didn’t write: Cosmic Dancer and Shivers.

I think that Shivers is such a beautiful song. It seems like it always bothered Rowland Howard a lot — how people responded to that song. I don’t think he wanted people to like it so much. He seems maybe to have written it from a perspective of ironic contempt and then people responded to the ironic beauty of it, instead.  (Well, there’s irony for you!) I personally think it’s a song of truly timeless relevant beauty. I really do. I was wondering if Rowland Howard has a different perspective on it now from where he’s at. I’m guessing he does. I think that when we die, we immediately embrace and embody the love of everything beautiful that we created while we were physical, even if we were at odds with it and couldn’t see its beauty while we were alive.

Anyway, Nick Cave sang it so beautifully on Saturday night; it was spellbinding.

Last night, I looked it up on YouTube and there’s an extremely old live version of  it. I don’t remember now if it was the Boys Next Door or the Birthday Party, but it was really cool to watch it.

There is something sort of cosmic in just that process. You know, on the one hand, experiencing the emotional beauty and intensity of hearing Nick Cave sing that song live right now, at his age now — a song of such precise teenage angst; and then holding a little phone in your hand and watching him sing it so differently but no less beautifully when he’s so young.  Maybe close to 40 years ago — something like that.

Perhaps you can see that I had sort of a strange evening last night.

I was determined to just rest and not go out walking. It was hot out and of course teeming with people everywhere. Plus, I really was just exhausted. So I forced myself to stay in and go to bed early. And I probably really and truly did relax for the first time in a year. But I did find my thoughts going to strange places. Or unexpected places, is more accurate.

For instance, I listened to an old audio interview with Tom Petty from the late 80s, when Full Moon Fever first came out. Back in the days when he only just barely tolerated interviewers and you can always hear his contempt for the person and the whole process bobbing just under the surface of everything he says. The guy asked him a question about perspectives in songwriting and Tom Petty replied re: using all three perspectives at various points— first, second, and third perspectives. And I found myself feeling a little surprised that he knew about terms like that! But you know — he was actually really smart. I’m not sure why I find it surprising that he could express concepts and stuff like that. How weird, right?

Ah well. It only made me start missing him a lot, so I stopped listening to it.

And then I was also thinking about certain streets from my past that are right around here. For instance, this street I’m staying on — W.53rd. MoMA is on this  street, but a few avenues east. I used to work at MoMA a long, long time ago. In fact, that’s where I met Peitor and we became instant friends. It was an important time in my life— working at MoMA. Frank O’Hara is probably my most favorite poet. I first fell in love with him when I was 15. And so for me, working at MoMA was my way of trying to absorb his spirit, his essence. (He worked there as a curator when he wrote pretty much ALL of his best poems and when he died, he was still working there. Modern Art was a huge part of his emotional sensibilities.)

Anyway. I had nearly forgotten all about that. And then W.50th Street. I’ve walked across it numerous times this trip, and only last night recalled that I used to live on it —just around the corner from here — and that my song, “Breaking Glass,” was written about a relationship I was in while living there. My first husband proposed marriage to me in that apartment — one afternoon while he was visiting me.

And then on Saturday, on my way to that incredible meeting with the director re: my play, the Lyft driver drove passed E. 66th Street on 3rd Avenue and it was in an apartment on that very block of E.66th Street that my one and only baby was conceived.

I thought last night about how strange it was that I have always retained that. Not the actual apartment number. I would not recognize the building if I saw it again. I just always remember that it was on E.66th Street, between 3rd and 2nd Avenues. So sad.

Well, anyway. I must say that blogging on a phone is a wee bit annoying… this one-finger typing business.

Okay, so I’m gonna close this now. I’m gonna try to wash my hair before Valerie arrives. And then I will be indescribably eager to see Nick Cave in Conversation again tonight. I think it will be an entirely different experience from up in the balcony, though — even though, normally, I actually prefer the balcony at Town Hall.  (Tonight, however, I think that I will not be preferring it.) (If only I were one of those people who felt really comfortable defying public convention; I would look to see which seats remain empty down on the main floor and go sit in one! But I’m just somebody who totally behaves in public and does not wish to draw undue attention to myself, ever!!)

All righty!! Have a great Monday, wherever you are in the world! Thanks for visiting. I love you guys. See ya!

Ghosteen Nick Cave & the Bad Seeds

 

Dicey, Indeed!

Let’s say that yesterday was Keanu Reeves’ 55th birthday. And that you saw some mention of it in your Instagram feed, so you rashly decided to start following #keanureeves.

Wow, you know what happens then? Your Instagram feed gets positively inundated with photos of Keanu, at every stage of his professional life, from every film, every magazine, every TV talk show appearance, every moment he was out on some street within the range of some photographer’s lens.

I’m now getting photo after photo after photo of Keanu. What’s nice about that, though, is that it doesn’t require me to think at all. I don’t even have to hit the “like” button either. I can just sort of scroll away, into oblivion, not thinking, not liking or unliking, just staring.

I enjoy not thinking. I so rarely get the chance.

I might actually unfollow everybody else in order to just have an endless stream of photos of Keanu that don’t require me to do any thinking at all.

We’ll see.

Here’s something that is getting to me, though. I think that the closer we get to the anniversary of Tom Petty’s death (which came really close to his birthday, too, regrettably), Dana is posting stuff that is really hard for me to take. Just personal, simple stuff. I’m never gonna unfollow her, that’s for certain. But last night, when I went to sleep, the final post I saw in my feed was of him in bed with his dog and his cat, talking to them, some movie playing in the background. You couldn’t see him — just the dog and the cat, but you could hear him. It made me sad because not only was it just so simple, but he apparently died in that bed. Even though the paramedics got his heart going again, his brain never came back and so he “technically” died at the hospital. Still, you know. He was in that bed.

Then first thing this morning at 5:30am, for some reason, the very moment my eyes opened, I checked my Instagram feed and I don’t usually do that first thing. I’m usually awake for hours before I do that. But right there in front of me, was another 40-second clip of him in bed with his dog, and he was playing a harmonica — the really high-pitched notes– to make his dog go a little nutty. It was cute, of course. But it broke my heart. Because I ponder all of it: the bedroom, the drapes, the choice of colors in there, the books on the shelves, the furnishings, the man alive in the bed loving his dog, the wife he loved right next to him, filming it with her phone, again the TV on in the background  — everything.

I don’t really know what to do with that information, you know? Because he’s dead now, and when he was alive, I don’t think he wanted a bunch of strangers to see that private stuff. But now, I guess it doesn’t really matter what he would have wanted back then. And I can’t not ponder it. But there is no sort of answer to be gotten from it or anything.

All right.

Well, today is all about getting myself out the door soon because I have my interview for the TSA Precheck and I have to drive 100 miles. I’m not even exaggerating; such is the price one pays when one lives in the middle of nowhere. I’m hoping it gets processed before I have to go to New York City, which is right around the corner.

I finally heard from Sandra this morning! Meaning that she finally texted me, at dawn. We haven’t discussed anything yet re: Tell My Bones rewrites, or even the other play we’re working on re: Toronto. But at least I finally heard from her. I know the trip will go well. I just know it. There are nothing but loose ends, but it’ll all work out.

There’s a new Red Hand Files newsletter from Nick Cave today, really beautiful, about forgiveness. You can check it out at the link there, if you want to.

And now I gotta scoot. Thanks for visiting, gang. I leave you with a shot of my kitchen table from last night. As you can see, I’m a little behind on my MOJO Magazines. However, my table looks really good compared to how it looked before I actually cleared most of the junk off! (I know…)

And here’s what I was playing on the little jukebox. Enjoy! I love you guys. See ya.

“Hungry Heart”

Got a wife and kids in Baltimore, Jack
I went out for a ride and I never went back
Like a river that don’t know where it’s flowing
I took a wrong turn and I just kept going

[Chorus:]
Everybody’s got a hungry heart
Everybody’s got a hungry heart
Lay down your money and you play your part
Everybody’s got a hungry heart

I met her in a Kingstown bar
We fell in love. I knew it had to end
We took what we had and we ripped it apart
Now here I am down in Kingstown again

[Chorus]

Everybody needs a place to rest
Everybody wants to have a home
Don’t make no difference what nobody says
Ain’t nobody like to be alone

[Chorus]

c – 1980 Bruce Springsteen

The Price You Pay

For whatever reason, the gods decided I would suddenly start listening to old Bruce Springsteen albums yesterday.

It began yesterday afternoon, when I hit that wall while working on Tell My Bones and needed to just collapse on my bed for a few minutes and try to stop overthinking.

Stopping the overthinking is pretty much an impossibility for me. What I do is find some new thought stream where I can start overthinking about something else. But I always pretend that I’m going to just relax and stop overthinking…

But when I do collapse and try to stop thinking, I usually like to listen to music and suddenly that old Springsteen album, The River, fell into my field of vision in my Amazon stream.

I used to really love Bruce Springsteen. Ohio in the 1970s was huge Springsteen territory and he toured Ohio relentlessly back then. I saw him many times. The River was the last album to come out while I was still living in Ohio, and it came out right at that juncture where I moved to NYC. So for me, The River is oddly both filled with Ohio memories and very early memories of NYC.

It was never my favorite album of his. I liked a handful of the songs on it and that was it. (It’s a double-album, so there are a lot of songs on it.) And the titular song, “The River”, reminded me way too much of what life felt like in Ohio, and so I just played the album less and less as life went on in NYC, and then amazing albums like Nebraska and Born in the USA came out, and I never played The River again.

Well, I scrolled through the song titles in The River yesterday and saw that I recognized quite a few of them, had no recollection of some of them, but when my eye hit “The Price You Pay,” I stopped and thought, I’ll play this. I don’t remember it, but I know that I used to really love it.

That song goes back almost 40 years now. I usually play my music really loud, and yesterday was one of those days. So I flopped down on my bed, stared up at the ceiling and the song began playing, overtaking my room, and it was, like, holy fuck; this song is my whole goddamned LIFE.

Suddenly, everything I had lived since 1980 sprang into clear view, and then every girl I had been and every dream I had had in the 1970s jumped in there, too. And I realized that I did manage to live all my dreams to one extent or another, and I did sacrifice so fucking much in order to do that and I did pay a huge price for it; specifically, I got 2 divorces and never got to have any children. The scope of my life felt sort of devastating. Not necessarily in a bad way, but certainly in an overwhelming way.

You know, my life has been extremely hard. But only because I have always refused to let myself be squished down and pushed into some sort of box. I have always just seen life the way I see it, and I have always felt the need to express the way I see my own life, and usually that has wound up making a lot of people feel really challenged and uncomfortable. And then of course that often used to make me feel bad, but I couldn’t see how I could be anybody else but myself.

And the repeated sexual assaults and the rape stuff happening to me while I was in school — that stuff was directly related to the type of person I was, someone who just couldn’t back down. Even though it would have made my life so much simpler.  And it just built up after Greg died. Right after he died. None of those boys gave a fuck that I was dying from grief inside; they only saw me as a girl who wasn’t a virgin. They would not leave me alone. And I’ve always been the type of person, even if I’m scared to death, I will always speak up for myself and defend myself. And that just pissed them off more until everything just blew up, in a horrible way.

But I always got back up somehow and was just still myself.

Still, pretty quickly, I learned to just accept that, for some reason, being myself meant that the stakes were always going to be high. Even in my final year of high school, when Greg had been dead for 3 years already, some muscle-bound jock in the hallway at school told some other jock, “That girl’s a whore.” So I said, “You’re an asshole,” and it made him look like a total idiot.  Even though I knew there was a 50-50 chance that that type of guy would find me after school and rape me, too, and that thought actually did scare me; I wasn’t a whore and he was an asshole and I was not going to not defend myself. In the hallway at school, no less.

Anyway. That type of attitude was underlying everything I was once I got to New York and started to have my real life. I know that my life could have been so much simpler if I could have learned how to turn a blind eye to things, or to back down even a little bit. And I’ll tell you, I would have loved to have had a simpler life. Many’s the time when I was deeply wishing I wasn’t me. Times like when my trust fund was removed, or when I was disinherited all over the place.  But lack of money isn’t going to make me become someone else.

Whatever. I can’t help it. I’m still just me. But now that I’m inching toward the closing chapters of my life, I see that there was indeed a price to pay. I’m guessing I still would have lived my life the way I did, even if I had known all of the consequences beforehand.

Also, yesterday, Dana Petty posted 5 very short videos of Tom Petty at Fenway Park in 2014. I watched it a couple times because it was sort of transfixing.  First, they were alone in the limo, approaching the stadium and he was so quiet, so introspective.  Just staring out the window.  He was 64 years old at this point. She said something to him and he really quietly, distractedly, said “Yes.”  That was it. Then they got out of the limo and the Heartbreakers were already there and no one even said hello to him; just silence. Then some other backstage footage, then him onstage in front of tens of thousands of people, singing, “She was an American girl, raised on promises,” and the crowd going crazy. Then him coming off the stage and he was wired; just full of adrenaline, chatty, smiling, joking, posing for very quick photos with security people, then getting on his bus.  For a split second, Dana caught his face at an angle where I totally saw the young Tom Petty, from when he was maybe 30, back when he was such a rambunctious fighter. Just a flash of it– right there in his face when he smiled. It broke my heart. I saw the whole thing, you know, in a flash: He was 30, then he was 60, then he was dead.

Almost 2 years now since he died.  For me, now, it feels like his whole life was just some movie I saw that I really loved. It feels almost like he never really existed. He was a dream I had or something; one that I dearly loved.  So much grief has shifted inside me and has slowly become something else. When I play his records, it gets very dicey for me; I never know when all those old feelings will surface in a sort of tsunami of love and loss. And it occurred to me that it has got to be so hard for Dana Petty to grieve normally because social media can just make everything remain so immediate. She’ll post some sort of photo or footage of him that is remarkably interesting or beautiful, and then thousands of people will immediately “like” it. That dopamine rush of social media, you know? Those crippling feelings of grief and of loss, and then you post your grief out into the world and then have thousands of total strangers “like” it in the space of a heartbeat.

How can you really process any sort of loss in that atmosphere? I don’t know. It all seems so strange.

Okay. I’m gonna get started here this morning. The director texted last night, wanting to see the new pages, so I have to focus. Have a great Saturday, wherever you are! The Conversations with Nick Cave resume tonight in Iceland! That should be cool (no pun intended), assuming that people who live in Iceland are rule-breakers, that is, like those folks in Helsinki were, and they post to Instagram when they’re not supposed to!

All righty! Thanks for visiting. I leave you with an opportunity to consider the price you pay.  I love you guys. See ya!

“The Price You Pay”

You make up your mind, you choose the chance you take
You ride to where the highway ends and the desert breaks
Out on to an open road you ride until the day
You learn to sleep at night with the price you payNow with their hands held high, they reached out for the open skies
And in one last breath they built the roads they’d ride to their death
Driving on through the night, unable to break away
From the restless pull of the price you payOh, the price you pay, oh, the price you pay
Now you can’t walk away from the price you pay

Now they’d come so far and they’d waited so long
Just to end up caught in a dream where everything goes wrong
Where the dark of night holds back the light of the day
And you’ve gotta stand and fight for the price you pay

Oh, the price you pay, oh, the price you pay
Now you can’t walk away from the price you pay

Little girl down on the strand
With that pretty little baby in your hands
Do you remember the story of the promised land
How he crossed the desert sands
And could not enter the chosen land
On the banks of the river he stayed
To face the price you pay

So let the game start, you better run you little wild heart
You can run through all the nights and all the days
But just across the county line, a stranger passing through put up a sign
That counts the men fallen away to the price you pay, and girl before the end of the day,
I’m gonna tear it down and throw it away

c – 1980 Bruce Springsteen

I Cannot Imagine Why She Would Do That!!

Wow, so judging from my Instagram feed,  it seems like everyone I know (and then some) went to see the Stones in LA last night.

As much as I adored the Stones for, like, 50 years, I cannot imagine wanting to go see them anymore.  And, actually, the times when I did see them, I didn’t actually enjoy them live. I thought their records were better. But technology being what it is now, it could be that they’re lots better live now than they used to be.

(Tom Petty & the Heartbreakers, though, were always an incredibly great live band, even way back in the beginning — with electricity but before technology!)

I still love Keith, of course, and Ronnie and Charlie, but Mick just gets on my nerves now. I used to find him entertaining and funny, but now he just sort of creeps me out. Not just the enormous amount of energy he seems to put into not aging, but that whole thing with his girlfriend a few years ago, when she hanged herself around her 50th birthday, after a photo of him in a bathrobe on a hotel balcony in Paris with a 27-year-old ballerina appeared in every single tabloid known to man…

Can you imagine, if he put as much thought into what to give people on their 50th birthdays as he puts into trying to figure out how to not age…?

Anyway. I don’t think anyone, anywhere, ever really owes the world an explanation for anything they’ve done, unless they want to give it. There’s a built-in retribution to everything — a balance that occurs — for everything that happens in the world, whether or not we ever personally see it. But people only owe themselves explanations, and if they feel kind, generous, loving, what have you, maybe they  choose to give explanations to their loved ones, in private.

So it isn’t that I think Mick owed any of us an explanation for his choices re: who he wants to sleep with, but when he actually said in an official public statement that he couldn’t understand why his girlfriend would want to hang herself…

I don’t know. I think a 9-year-old could have seen the picture from Paris and understood what might have been behind that 50-year-old woman’s despair.

Even though he could have gone to his grave offering no explanation at all & I wouldn’t have personally minded, I would have liked him better had he offered something that looked sort of similar to the truth. You know, something like: I’m in my 70s now and I just need to be with women who are younger than most of my children. Otherwise, I feel old. If people can’t handle it, well, that’s their problem.

Something like that.

I personally, had a great time on my 50th birthday. I was with somebody I’d known forever, who always knew how to make me laugh, and we were doing incredibly fun, you know,  “stuff” together in the family room of all places (and then his grown son suddenly called long distance in the middle of it, with some sort of urgent need to catch up & say hello, which was so incredibly awkward for my friend but made us laugh really hard once he got off the phone).

Anyway. I didn’t mind turning 50 at all. I don’t mind aging. Plus, for me, menopause came so early that I was long over it by the time I turned 50, so I didn’t have that looming, or anything — menopause, alone, can sometimes be really hard on women’s self-esteem and the severe hormonal fluctuations can sometimes cause women to feel (imagine this) suicidal. (I don’t think rock stars are taught that in school, though, so I don’t think his possible ignorance of that fact was his fault.)

Also, my dear friend Peitor in Los Angeles was producing a record for Charo at the time of my 50th birthday (a record which turned out to be a huge comeback hit for her on the Dance charts), and he had her call me at home to sing me “Happy Birthday.” If you don’t know who Charo is, rest assured, it is quite an experience to pick up your phone and have Charo on the other end of it, singing to you.

Image result for charo
Charo & Elvis, who, sadly, did not live long enough to have Charo sing to him over the phone on his 50th birthday.

But if people still want to go see the Stones, that’s totally cool. And judging from all the Instagram comments, the show was spectacular. Everybody had a ball.

Dana Petty was at the show, too; she posted to Instagram from the parking lot. And the other day, her dog had a birthday — it turned 11. So she posted a photo of the dog when it was just a little puppy. Honestly, that’s the main reason I love Instagram. Where else would I get to see a photo of Tom Petty’s dog when it was a little puppy? He was so private when he was alive; he rarely let photos of his home life be available to anyone. Now that he’s dead, his various family members post amazingly lovely photos.

In fact, here’s one, of Tom and the same dog, grown; a photo I don’t think we ever would have seen on Instagram if Tom were still alive. (I guess that’s one reason that I’m glad he’s dead — I get to see all these wonderful candid photos of him that make me wish he were still alive.)

All righty!! I’m gonna get more coffee here and get to work on the endless play… Although I hope it won’t feel endless when it’s finally on the stage.

Thanks for visiting. Have a terrific Friday, wherever you are in the world!! Here’s what I was listening to this morning at breakfast, as the stupid school bus went by at 6am!! I refuse to believe the damn summer is OVER!!! I love you guys. See ya!

My Coffee NEVER Arrives Like This!!

I always have to go down to the kitchen and get the coffee myself, and in the process, try not to trip over hundreds of scampering cats who can’t stand me.

Okay. Perhaps I exaggerate – there are only 7 cats here who can’t stand me.

But I’m not exaggerating when I say that I’ve never had this sort of announcement when the coffee was ready. Least of all, by a guy who wore a seriously nice robe such as the one pictured above! (And I guarantee you; I have had plenty of nightgowns that looked like hers, so that can’t be the issue here.)

I guess it’ll just remain one of those eternal mysteries, gang – why it is that vintage advertisements never seem to reflect the life I’ve lived.

Still awaiting comments & edits from NY on Blessed By Light. In the meantime, I’m trying to sort of urge my mind into the Tell My Bones groove. The play could not possibly be more different from Blessed By Light if it tried, so I seriously have to find a way to steer my mind away from one creative track and onto another.

It feels like that “changing horses in midstream” kind of thing. My mind doesn’t really feel ready to let go of Blessed By Light, but it has to. It is almost July and rehearsals will begin in a few weeks, and the director wants to see all my revisions for the entire play before we get started. (The rehearsals, though, will primarily be for the staged reading version of the script, which is only a 30 minute condensed version of the whole play.)

Loyal readers of this lofty blog no doubt recall that I went through a lot of stress, creating that staged reading version of the script back in January/February, and made significant changes to the storytelling at that point that haven’t been incorporated into the overall script yet. So I have to tackle that. And of course tackle it as the heat of July approaches.

But I actually do okay, writing in intensely unbearable heat. Sleeping in it is where I have serious problems.

Okay!

Yesterday’s post, curiously enough, yielded lots of traffic from Russia that I don’t usually experience – and none of it came through the WordPress Reader. Indeed curious, right?

Freaked me out just a little bit, I have to say. But on we go.

The last few days have yielded another sort of interesting development.

Even while being incredibly happy with finishing the new novel, and really happy with how it reads as a completed book, I’ve had these weird physical things that have started to perplex me. Relentless and usually overwhelming fatigue is an ongoing issue. Now pain issues. And now bruises appearing from out of nowhere that I can’t explain.

Yesterday evening, I found several more bruises. But you know, that sudden out of body experience I had while meditating yesterday morning felt really profound to me.  That idea that it was futile to go on because there was too much “nature” out in front of me, and yet that feeling of peace about being right where I was, because everything was so beautiful right where I was.

Obviously, I don’t like seeing these bruises.  And yesterday, I found 4 more.  I like to believe it’s just some weird byproduct of being a vegetarian and maybe not getting enough of some sort of vitamin. Still, whatever it ends up being, that sense of peace came over me again yesterday and it was profound. I felt totally okay with everything.

I’m so happy that I finished the novel, and I know I’ll finish the play, and I feel certain I’ll finish Girl in the Night: Erotic Love Letters to the Muse.

I have several other projects that I’ve already started – 3 plays, another novel, and a memoir; and then TV adaptations for 2 of my older novels. But yesterday, it suddenly felt like, well, if I don’t complete those projects for whatever reason, it’s okay. It’s these 3 primary ones that are front & center right now that matter most to me and I know for sure I’m going to finish those.

It’s a type of thinking I’ve never really had before, but it all felt really, really good to me. Like absolutely everything is all right, no matter what path I end up finding myself on.

Plus I think that the people that I love in this life know that I love them. And that’s really important to me.

Loyal readers of this lofty blog know all about Greg, the boy I fell in love with when I was 11 years old and he was 12; and I stayed in love with him until he was killed in an accident the summer I was 14 and he was 15.  And then all sorts of horrible things began to unravel in my world after he died. And I never got a chance to tell him that I loved him. I was a child, you know?  Throughout that whole relationship. Even though we had a ton of sex. I was still a child, really. I was overwhelmed by all the feelings I had for him, but it would never have occurred to me to say “I love you.” It just wasn’t part of my emotional landscape yet.

And I don’t think anything ever felt worse to me than having him suddenly be gone, forever, without being able to tell him that I loved him.

But ever since then, boy, I’ll tell you. I try to express how I feel towards people as best I can. Even though on so many levels, I am a really self-involved person, I do actually care deeply about people. Obviously, readers here know that I have this life-long processing of physical abuse and rape issues that I still deal with many decades later; things that have caused me to have intimacy problems that I try to process in the most productive ways I can. Still, it makes “relationships” very hard for me to maintain. But underneath all the drama, I still care deeply about people.

And I guess in some ways, even though this sounds sort of lame or even like an emotional cop out, my writing is always about human emotions and the emotional complexities of “being here” and the messages we give each other by “being here.”  I do care very much about the human condition, the human heart, and I try to put all of that into my writing and hope that it continues to affect people positively.  Even when there’s a lot of sex going on in what I’m writing, the human heart is always the central issue for me. That struggle for the heart to connect while it’s still here.

Love people. Help them feel loved. Let people know they’re not alone. Life is the same innate journey for all of us, even while we experience it each in our own unique way. I really believe there is an undercurrent to all of it that is exactly the same for all of us, and it comes from love.

Okay.

I still did not set up the laptop. I have some revisions I need to make by tomorrow to the micro-short video script that Peitor and I are working on, so I will probably avoid the laptop yet again and focus on that today! Or at least this morning. And then avoid the laptop by doing stuff like washing my hair, doing yoga, finding something to stare at and then stare at it. Study Italian. Play the guitar…

I so don’t want to deal with that laptop, and yet I also can’t wait for it to be ready for me to use!! What a conundrum!

All righty!

The Conversations with Nick Cave continue in Brighton for the next couple nights and then will completely disappear from the landscape for a couple of months, wherein I’m certain he will have all sorts of private (lower case ‘c’) conversations and wear whatever he wants to wear! Instagram will somehow survive and continue to get all clogged up with all sorts of things that may or may not mean anything.

As usual, we shall see!

The breakfast-listening music was a little sad today – one of Tom Petty’s many “divorce” songs before he finally got up his nerve (basically) to divorce Jane. It’s a song I’ve posted here numerous times over the years just because I really love the darn song: “Only A Broken Heart.”

(You know, if you like Tom Petty and have never read either his official biography, Petty, by Warren Zane, a really good book and a NY Times Bestseller from 2015; or Conversations with Tom Petty by Paul Zollo, a phenomenally good book from 2006; you should read them. He talks about pretty much every song he ever wrote and why he wrote them and what was going on in his life when he wrote what he wrote, as well as songs that might mean a lot to you that he barely even remembers writing because it meant almost nothing to him. Even his huge hit “Wildflowers,” a really gentle little love song/folk song, he says was actually a song he wrote for himself; because he knew he was unhappy but that he deserved to be happy and he needed to get a divorce… It’s just all very, very interesting if you like Tom Petty.)

Okay, enjoy your Friday, folks. Wherever it takes you! Thanks for visiting, gang. Please know I love you guys so much!! See ya!

“Only A Broken Heart”

Here comes that feeling I’ve seen in your eyes
Back in the old days, before the hard times
But I’m not afraid anymore
It’s only a broken heart

I know the place where you keep your secrets
Out of the sunshine, down in a valley
But I’m not afraid anymore
It’s only a broken heart

What would I give, to start all over again
To clean up my mistakes

Stand in the moonlight, stand under heaven
Wait for an answer, hold out forever
But don’t be afraid anymore
It’s only a broken heart

What would I give, to start all over again
To clean up my mistakes

I know your weakness, you’ve seen my dark side
The end of the rainbow is always a long ride
But I’m not afraid anymore
It’s only a broken heart

c- 1994  Thomas Earl Petty

Good Morning, Glories!!

Those Welsh people don’t bandy that word “God” about too easily. They seem to prefer words like “man” and “myth.” Which, of course, still means that everyone in Wales loved the Conversation with Nick Cave that took place there last night. Even people who were as “far away as they could possibly be,” seat-wise, said that it was an incredible night.

Yes – same suit, or 1 in 1700 that look exactly the same . This is clearly a “conversation” suit.

My favorite Instagram photo of Nick Cave to come out of the weekend, though, was not from the concert, but taken at a service station somewhere with Paul Weller. I don’t know where they were, I only know that it was black & white there. Or maybe it was just the photo that was black & white… Anyway, I love that photo and I wish that I could somehow get it off my phone and onto my wall.

Yesterday was a really, really good day, gang. Some good news came in over the phone. Unfortunately it was business-related stuff that I can’t blog about yet. But I just felt so happy all day.  It has to do with one of my plays and one of my TV pilot projects. I will, of course, keep you posted.

I did indeed chat on the phone with Peitor for a few hours yesterday, too. Not work-related, however.  We won’t resume working on the scripts until next Saturday.  Just lots of “life” going on there in his world.  Some of which I didn’t even know about. It’s so interesting how you can know someone really well – I would say that Peitor is my closest friend – and still not know a whole lot about what might be going on in his head.

Of course, he is a man who always manages to keep things under control. He never leaps to emotional weirdness, like some people we know (who live alone in the middle of nowhere with a bunch of haughty yet beautiful cats).  He’s always perfectly dressed, perfectly groomed, perfectly been-at-the-gym every day, perfectly gone -off-to-the-meditation-place where they have those tranquil-sounding ringing bowls ; just always perfectly perfect.

So even if he’s disturbed about something, he’s perfectly calm and well-groomed about it.

I, on the other hand, leave grooming to those days when I think I might actually see somebody, you know? (I’m exaggerating, of course; I’m stupefyingly vain.) But my “emotional” stuff – wow, right? You usually don’t have to wonder if something might be bothering me, or if there “might be” something on my mind. You can’t accuse me of being passive-aggressive, either, that’s for sure. I’m not gonna tell you one thing and secretly harbor a totally different feeling.

But one thing I really, really value about Peitor is how even-keel he is, emotionally.  It helps keep me centered; it grounds me. Even though most of the stuff I go through I keep to myself, sometimes,  when I feel like I’m going to explode, usually from exasperated confusion over the entire human race, I’ll text him:

ME:  r u someplace where u cn talk right this second?!!!!

HIM (usually): yes

ME: [punching numbers on my phone]

(phone rings)

HIM: “Hello, Marilyn.”

ME:  [great big bunch of indescribably intense emotional gobbledygook weirdness]

HIM (talking very, very, VERY calmly): “You sound angry.”

I just love shit like that because it stops me in my tracks. It completely derails whatever outburst is going on in me.

Anyway. Yesterday was nothing like that. It was a good day. It truly was, on all fronts.

It’s a quiet, rainy Sunday morning here. I woke up in another one of those erotic euphoria things again — it has been several days since that has happened, so it was really nice. And I hope it’s gonna just set the whole tone for my day around here.

It is, of course, Father’s Day. Here’s a photo I love:

This is, of course, Tom Petty in socks & PJs, playing a harmonica. I don’t know which daughter this is. (He had 2, kind of far apart in ages, and then later in his life, when he re-married in his 50s, he adopted a son named Dylan.)

And here’s a photo closer to home, though from a very, very long time ago:

The photo has no date, but I’m guessing it’s my 3rd birthday, which means my dad is 33 here and that it’s 1963. (My adoptive dad.)  That’s our first house in Cleveland.

Okay, the church bells are ringing right now outside my window, which means that Sunday morning is really getting started here in Crazeysburg.

As the picture way at the top indicates, I am doing laundry here right now and I’m gonna go finish all that up, get more coffee and get the day underway!! I am getting dangerously close to actually finishing Blessed By Light, gang. Hard to believe. But then I have to seriously hit the ground running with revisions on the play.

Thanks for visiting. I hope you have a blessed and beautiful Sunday, wherever you are in the world.  I leave you with one of my all-time favorite songs, gang. Truly. Just one of my favorites. I hope they play it at my funeral really loudly and that everybody is happy about lives well-lived. (It’s one of those songs that makes me think very fondly of Gus Van Sant Sr although it was a favorite song long before I met him.) Okay. I love you guys! See ya!

http://www.youtube.com/watch?v=EFbGGuo2vNk

“Begin the Beguine”

When they begin the beguine
It brings back the sound of music so tender
It brings back a night of tropical splendor
It brings back a memory ever green

I’m with you once more under the stars
And down by the shore an orchestra’s playing
And even the palms seem to be swaying
When they begin the beguine

To live it again is past all endeavor
Except when that tune clutches my heart
And there we are, swearing to love forever
And promising never, never to part

What moments divine, what rapture serene
Till clouds came along to disperse the joys we had tasted
And now when I hear people curse the chance that was wasted
I know but too well what they mean

So don’t let them begin the beguine
Let the love that was once a fire remain an ember
Let it sleep like the dead desire I only remember
When they begin the beguine

Oh yes, let them begin the beguine, please make them play
Till the stars that were there before return above you
Till you whisper to me once more, “Darling, I love you”
Then we suddenly know what heaven we’re in
When they begin the, begin the, begin the beguine

When they begin the, begin the, begin the beguine
When they begin the beguine

c- 1935 Cole Porter