Well, I’ve been physically awake since 4:30am, and I’m feeling good, you know — happy, whatever. But my brain has decided to go in slow motion, or something. I’m not sure what’s going on with me.
All morning, I have tried to post to this blog and complete sentences have been very slow in arriving. So this will probably be a short post. And maybe if the brain returns, I will post more later on this evening.
Late last night, I got a sudden text from Peitor. He was in an airplane at LAX, getting ready to take off for London. He even sent a photo from inside the plane (it actually looked pretty cool — sort of purplish lighting.) Anyway. Loyal readers of this lofty blog perhaps recall that Peitor has a habit of suddenly taking off for Europe. Usually London. And usually it means he’s in some sort of a frame of mind. That’s all I can really say about it on the blog, though, because it’s personal to him. But I was thinking, well, okay — will we be working on the script while you’re gone? I mean, this darn script is already taking us forever as it is, and we were supposed to work on it again tomorrow…
Well, I guess we’ll just see. He hasn’t texted again, so I still have no idea why he suddenly took off for London.
I know he was waiting to hear about scoring a film by a director that I absolutely love, who’s based in England. So maybe it was that. I just don’t know yet. But it threw me that not only was he suddenly leaving, but he was already on the plane.
Another friend was acting extremely strange yesterday, too. And since I have so few friends left (btw, I noticed that a ton of you didn’t show up the other day when I was holding open interviews here in Crazeysburg for new friends…). But seriously, I have so few people in my life right now, that when even two of them start acting unpredictably on the same day, it means that 75% of my friends are acting strange at the same time.
Well, anyway. Laundry here is almost done and then I’m heading into town to get the food. My birth mom actually left some deliciously tasty looking yummies in my freezer! Vegetarian lasagna and some sort of spinach phyllo something or other and pumpkin-sage ravioli. But I’m out of things like fruit and vegetables and my coveted organic Greek yogurt, so I still have to drive into town today.
Here’s hoping that my inability to form coherent sentences has little impact on my ability to drive.
And then I’m going to either work on Thug Luckless or work on notes for the new “letter” for Girl in the Night: Erotic Love Letters to the Muse. Perhaps even a little of both, if the brain begins working by then. (I honestly don’t know what’s the matter with me. If you could see the amount of typos I keep having to fix just in this short post, you’d be aghast!)
I have to mention here (again) just how much I love the new speakers I bought for the iPad. They are hard wired speakers — you know, that you plug into the wall. My last speakers lasted 10 years and decided to bite the dust while my mom was here and we were watching The Polar Express. I had to switch them out for the bluetooth speaker, which is cheap and has a short battery life. But these new speakers — wow. I was listening to Ghosteen this morning and just could not believe the sound quality. Jaw-dropping. And I only spent 20 bucks on them! (Plus, they’re made by the same company that made the old — more expensive — speakers. Incredible what 10 years can achieve.)
Oh, and right after I posted to the blog yesterday, Nick Cave sent out another Red Hand Files reply letter thing. You can read it here. It was mostly about that song “Deanna.” I thought it was very, very interesting. I read it several times, actually. (But, of course that’s me and I’m a bit obsessive…)
So, okay. I’m gonna scoot and get the laundry done and get to town and back so that I can sit right back down here at my desk and hopefully begin thinking straight. I have high hopes, but we’ll see!!
Thanks for visiting. I’m sure I will return! I love you guys. See ya!
These are only the photos of the dining room, but we did the family room and the kitchen, too. And that’s it. I’m exhausted!!
As soon as it gets dark — in about an hour — we’re going to go take a walk to look at the neighborhood Christmas lights. It’s getting really cold now, so it will feel like Christmas!!
The trees, decorated!
The main tree, with more ornaments on it than you can possibly imagine because the previous tree was a lot larger!
So those are shots of my dining room in there, too. I think it’s funny that it’s decorated so much because not a single solitary soul will see it. No one ever comes to visit me! Here’s hoping the cats appreciate my festive mood…
Okay! Hope you’ve had a good one, gang! There was a Red Hand Files thing from Nick Cave today, but I’m on my phone and don’t really know how to link it. It was about humor. The necessity of it. And about Conway Savage having been arrestingly funny.
I’ve started all the housecleaning stuff here that I wanted to get to before my mom arrives. After all, when she left here back in late September, she was leaving a really clean house. I came home from New York to the tidiest house imaginable. It made me so happy.
I wouldn’t want her to arrive next Monday and think, you know: Jesus, doesn’t this gal ever clean anything?
Because, truthfully, when I’m not working on a project (or seven) I’m a bit of a cleaning freak. To the point where I can sort of be annoying. I’m one of those people — I might not actually say it to you, but I’ll be privately thinking it: Wow, did you just move something a fraction of an inch from where I had it?
You’d think I wouldn’t be so — well, I guess anal-retentive is the phrase for it but it sure is unattractive — but you’d think I wouldn’t be like that, since I have 7 cats who usually decide that everything pretty much goes wherever they want it. Still. I do notice when things aren’t exactly where I last placed them.
However… Cleaning is not the voyage I’m speaking of, up there in the title of today’s post!
I’m speaking once again about Thug Luckless: Welcome to P-Town, the new novel that is fully underway in my brain.
It’s exciting. That whole process of writing a new novel — how the ideas begin to just sort of tumble down into my mind. Sort of like clothes falling down a laundry chute or something. Ideas just tumble in and I have to keep running to my notebook and jot down notes. That’s when I know for sure that a full-blown novel is actually in there, preparing to come out. It just really excites me.
It’s such a different process from, like, Girl in the Night, where I have no clue what I’m going to write, or when I’m going to write it. I only know that I want the book to be under 200 pages, so that means about 18 “Letters” total, depending on the length of each one.
Beyond that, I don’t have any clue what the “Letters” will focus on. The book is just a great big blank in my mind, extending before me. Then, suddenly the next title for a “Letter” will emerge, and maybe a color or a tone will accompany the title. But I won’t really know what it’s going to be about until the piece completely arrives, sort of like a mist rolling in at the edges of my awareness. And then, suddenly, the whole piece will sort of “download.” It could be weeks between title and download, though.
In the Shadow of Narcissa is a similar feeling, but it’s a lot simpler, since each of those pieces is only about 600 words. The only difficult part of that book is to try to retain the perspective I had as a toddler, when the inside of our house was pretty much my whole world, and everything about being alive was brand new and I didn’t understand anything.
I still don’t understand anything, but nothing is brand new anymore.
Well, I shouldn’t say that; I still have feelings about things that I’ve never felt before. So that’s cool.
Anyway, it’s a wonderful feeling — to have all these ideas rushing at me about Thug. It feels like it’s going to be a really complex, dark, amusing, intense sort of filthy book.
You know, in the old days, I used to have to write with the voices of my publishers in my head and their financial agendas looking over my shoulder — which also meant that my agent was looking over my shoulder, too. And that meant I had to seriously rein-in some of the things I wanted to write. Even though I seriously miss having publishers, it really does sort of free up my mind. My imagination. Since the small press market has shrunk so drastically, and each press is just glutted with writers trying to get a deal, I just write what I want to write now and then worry about who there might be to publish it after it’s done.
It just feels so good. Really liberating.
All righty. It’s Tuesday yet again, which means I have no food in the house!! So I gotta drive into town and do something about that. For some reason, the main road out of here is closed. So I have to sort of go the back way — the road that winds along where the old Erie Canal used to be about 200 years ago. And it’s a lovely, narrow old road. However, it takes long enough to get to town and back on the regular road.
Meanwhile…Nick Cave sent out a Red Hand Files letter thing this morning. He actually touched on some things I think about a lot. You can read it here. Today it’s about grieving — having to grieve publicly, I guess is how you’d describe it.
Okay, I gotta scoot! Have a terrific Tuesday, wherever you are in the world! Thanks for visiting, gang! I leave you with nothing today because I didn’t listen to any music at breakfast. I just sat there quietly and looked at the cats eating while I ate and I wondered how I got here (to Earth) and how they got into my life and where we’re all going to after this… I love you guys. See ya!
The cats eating breakfast in their corner of the kitchen, 2 summers ago, before Daddycakes died.
Yes, Tuesday is laundry day around here! So that’s already underway.
And it’s also the day I have to drive into town and get groceries. All I have left around here are arugula and tomatoes. Healthy as I am, even I need a little more excitement than that. (Well, a lot more excitement than that, but we’re talking about food right now.)
Sometimes that part of living in the middle of nowhere gets a wee bit old — having to drive 25 miles & back to get the food. Because I spend maybe 20 minutes in the actual market. Then an hour driving. And then about 20 more minutes putting all the groceries away.
And I’ve already spent a chunk of the morning going over stuff with the director again for Tell My Bones and our Christmas promotion. And so I’m just now sitting down to blog at an hour when the blog is usually already posted.
So my day’s gone.
I’m going to spend what’s left of it (after the shopping trek) doing some more tweaking on Letter #5 from Girl in the Night: Erotic Love Letters to the Muse. And then, if I have the right headspace after that, I’m going to work some more on Thug Luckless: Welcome to P-Town. I just woke up in that kind of a mood.
Working with Thug takes a lot out of me, though, and if I’m not in the right headspace then it’s just useless. Writing that kind of porn (meaning the kind people wish to actually read) is like neurosurgery with words. Even though 99.9% of the words are filthy dirty & disgusting, they still have to be incredibly precise and in the exact specific place in the sentence; and then each sentence has to be precisely right. And then you can’t have too many words or it ruins everything.
So it’s a lot of work. However, it’s a task I’m willing to undertake for the sake of mankind (and good porn).
William at the A1000Mistakes blog in Australia (my favorite blog for learning about cool music I’ve never heard of before!), commented here yesterday about the unfortunate situation on the Internet and artists getting ripped off, etc.
What’s happening to me now is just sort of getting out of control. It’s never been this bad — where so much of my stuff is illegally being offered for free or for sale, all over the world. I have enough of an enormous ego to feel flattered, you know — if you want it that bad, then, great. However, it truly erodes my income. But at the same time, these are really old stories and novels and novellas, and so it sort of just makes me feel like I have to focus my energy on the new work and let go of these things I can’t control.
The truth is that without the Internet I never could have gotten as popular as I did, as quickly as I did — all over the world. I loved the World Wide Web. I thought it was the most awesome thing back in the late 1990s. And back then, it went hand in hand with driving sales of actual books in bookstores.
And, because of the kinds of books I primarily wrote, Amazon was also a godsend to me. Most people did not want to go out to a public bookstore and openly buy the kind of books I wrote (because publishers usually put such horrifically tacky covers on them!!). So the privacy factor of Amazon really helped put me on the map, 20 years ago.
Still, as much as I personally love the ease of Amazon, they were also the beginning of the erosion of my earnings, way back when, because they were the ones who started to make it so fucking easy for people to buy cheap used copies of my stuff, that I got no royalties on whatsoever. Eventually, the Internet and eBooks helped put all of my publishers out of business (small presses, primarily). So this disruption of my career has been going on for quite a while now and, for the most part, I’m used to it.
This sudden onslaught of so much of it at once is a little hard to take, though. However.
I made the decision a long time ago that I was going to be a writer, no matter what. I’m used to the winds of fortune constantly changing. I would not recommend being a professional writer to anyone on the planet, though, unless you can stomach that.
A few years ago, the Philippine Daily Inquirer, a national newspaper of the Philippines, interviewed me in the late Spring, as students were graduating school, and among the questions they asked me was what I would advise these students who might want to make a career out of writing literary erotica.
I was dumbfounded, you know? Why on Earth would they ever want to do that? You’ve got to be out of your fucking mind to, you know, willingly choose this if you had even the remotest option of doing something else. And if, for whatever reason, like me, you know you don’t really have an option: you either write what’s in your head, or you blow your head completely off. Well, if that’s the case, then nothing I say is going to persuade or deter you.
But anyway. I’m used to things being less than perfect. My main goal is to write something good enough that somebody somewhere likes it so much that they want to keep it. Because it only takes one copy of something to be buried away for safe keeping — like a scroll in a clay jug in a cave in the cliffs over Qumran — to help it be part of the physical world for a really, really long time.
That’s the goal, anyway, when I put a word on some sort of page. And the Internet and everything that comes along with it, is part of that; be it good or less than good.
Okay. Nick Cave sent out a Red Hand Files thingy today! It was all about:
Ghosteen Nick Cave & the Bad Seeds
Had I known he was actually going to eventually tell us what Ghosteen was about, I’m thinking I might not have spent all those hours pondering it while listening to it in my bed, or at my desk, or in my kitchen, or while I was doing yoga, or driving all over Muskingum County, or while I was taking a shower….
However, that’s all water under the bridge, as it were. What matters more is that I still look really young for my age so not too much time was lost there.
I’m just kidding, of course. Mostly. Anyway. You can read it here if you so choose! As always, he’s eloquent and thought-provoking. And the album is just breathtaking, however you interpret it (or try to).
FYI: “Spinning Song” is a song I really love. I have no clue what it’s about. It is not one of the songs that breaks my heart or anything; I just really like the imagery, even though I don’t understand it. At all. But it seems to be a little bit about Elvis. And “the Queen” whose hair was a stairway, makes me think of Priscilla — not just on their wedding day, but more specifically, in the official photo from when the baby was first born: Priscilla’s hair is not to be believed. I never could understand her hair in those days. As a young girl, her hair actually kind of frightened me. (But then it turned out, in the 1980s, that she just had regular hair like everyone else.) (And that she was also incredibly funny and cute.)
Okay. I’m gonna scoot. The day is practically over already!!! Have a perfect Tuesday, wherever you are in the world, and whatever it finds you doing. Thanks for visiting, gang. I love you guys. See ya.
Wow, I really slept in today, gang. It felt great but I kinda feel like half my day’s gone already.
I need to go into town and get groceries today because there is practically nothing left. Milk, V8 Juice, Almonds, and Cocoanut Water. That’s all there is in the house. And that’s about a 2-hour chunk of time, total, right there — driving into town & back to get groceries.
(My spellcheck is alerting me that my spelling of “cocoanut” hasn’t been in popular use for the last century. Yet this is how I was taught to spell it and I am not a century-years old yet…hmm.)
Anyway. I overslept. But only because, yet again, my bed and my room were so incredibly comfortable. I just slept so great. And the very moment I awoke, I checked my email because I’m still awaiting those comments from the director re: my revisions on the play. They have not yet arrived! But I did notice that the very moment I opened my eyes and checked my email, a Red Hand Files letter-thingy from Nick Cave arrived at that very moment. So I’m guessing this was why I bothered to wake up at all! Because, I tell you; man, I was really sleeping soundly there.
I am just so eager to get the director’s notes to see how close we are to signing off on the play and beginning the Christmas campaign for producers/backers. Even if the director wants me to do some additional work, I know he’s not going to ask me to undo anything that’s already there. I’m thinking that he’ll want something more done to the ending, though. We’ll see. But one thing I know without doubt is that his instincts for what’s needed are always just so on target. So his feedback is just really important to me.
(And someone else who is just so on target re: what a script needs is Peitor and I am really looking forward to being back on track with him with our script, for real, this Friday. I just love that project so much. And even though the finished film will only be about 8 minutes long, every single moment of screen time is considered, shot by shot, because there is almost no dialogue in the film. Honestly, maybe 6 or 7 sentences of dialogue, total. But the film is so absurd that every single viewable thing that an audience can process has to be accounted for. Even if they’re red herrings and sending the audience, subliminally, in an erroneous direction — every shot has to be seriously thought out. So that’s why this script is taking so long. (Plus, the film is funny — so we do spend a lot of time laughing our asses off.)
I’m currently reading this in my “spare time.” The blog is called Tony’s Bologna, and Anthony Robert is the blogger. So far, I am really enjoying the book because it is easy to grasp and very humorous.
The book is indeed about sales strategies and how to better approach selling; and while I am not only “an artist,” but also one who is very, very nearly close to being out of my mind most of the time — one thing I have always been really good at is that I give “good meetings.” I seriously do.I have my shark elements, for sure.
That comes from having grown up in an era where women were simply not taken seriously, ever. And if you were Attractive. Young. Loved sex. Then forget about it — no one was ever, ever, ever going to do anything more than be patronizing towards you. (Oh, and stare primarily at your tits and ask you if you wanted to have sex. Because men owned the world back then — and if we’re brutally honest about it, they still kinda do.)
Well, what I really wanted was to be taken seriously and have sex, but you really can’t do both. And since my career has always been the most important thing to me, 100% for always and forever, whether I was in the music business or in the publishing industry — well, hard as it is to imagine, my sexual availability actually has to completely disappear during meetings. (I know! Sometimes for as much as 60 minutes — or longer, if lunch is involved — I have to seem sexually unavailable! It’s exhausting.)
But seriously. Especially nowadays, artists do have to sell themselves, always. Just always. So even though you might not be in a corporate selling environment, or you might rather die than work in, like, a store; it still helps to understand how to sell something — meaning, your own work; your art. Because there is a lot of psychological stuff going on that’s super good to know about in a meeting (and “meetings” crop up in a lot of different ways if you’re an artist and you need to sell yourself). And this particular book, Fuck Sales, Let’s Talk…, is a really fun approach to all that stuff, if you’re interested.
Okay, well. Nick Cave’s Red Hand Files thingy today was very interesting. And amusing, but also, to me, very interesting. Because, of course, I ponder. Overall, it’s about Nick Cave’s version of the song “Stagger Lee.” A song that, especially if you’re an American (because we are Puritanical to our very cores, when you get right down to it), well, it makes your jaw drop the first time you hear it — and it’s been around forever now, yet a huge portion, just a really huge portion of Americans are unfamiliar with Nick Cave’s version of “Stagger Lee.”
Not too long ago, for some reason that I can no longer remember, I was showing a young woman the original “Stagger Lee” video on YouTube. She lives in Kentucky. Sort of educated in certain specific areas, but all tatted up and pierced everywhere and a smoker, 420 friendly and all that, and for some reason, it just never occurred to me that she wouldn’t connect with how amazing the song was.
Well, she didn’t. Oddly enough, the first thing that amazed her was that he was smoking a cigarette on the stage (in the video). Even though she smokes, she was taken aback by it: “Whoa, he’s smoking on stage.” (Which to me, shows just how culturally brain-washed younger people are nowadays about making choices — even their own choices, because she smokes.) Anyway. Once she said that, I thought: oh boy, smoking is so much the very least of it… And then he sings all the other stuff and she was just shocked by it. She said, “Wow, that’s harsh.”
And I said, “Don’t you think that’s amazing, though — where he took that song? How extreme it is?” But she couldn’t go there; I had seriously misjudged her mind’s ability to go out on a limb.
You know, as an aside — in the old days, the only people who were pierced and had copious amounts of tattoos, were the fetishists. The marginal people, well outside of mainstream thinking. Now it’s more a signal of mass-tribalism and fashion. It’s not necessarily an indicator anymore of where a person’s mind is capable of going.
Anyway. I still think that what Nick Cave did with that song, even though I am the last person to celebrate murder in any way; I still think it was courageous and brilliant and true to the character he was creating at that specific moment; just so over-the-top in a gloriously horrific way. And the video still blows my mind — the pink tee shirt and the white pants, and all those cool men and the absolute noisy chaos of the ending — which I had always assumed was some orgy of sex and murder. But perhaps it’s just sex. Or just murder.
Nick Cave made a comment in his response today about how he sometimes wonders if anyone really listens seriously to his lyrics (I’m paraphrasing) and my initial reaction was, “What sort of weird Nick Cave planet are you on, dude?? Everyone listens to every single word of your lyrics!”
But then I was reminded of my recent brunch with Wayne and Sandra in NYC, wherein Sandra, an absolute woman of the world, had never heard of Nick Cave at all; but Wayne had and has at least known of him for a very long time because Wayne was married to me for 14 years, but he only owns the CD Murder Ballads; a thing he acquired only recently because a niece gave it to him as a gift.
So I made a remark about “Stagger Lee” because I know Wayne’s sensibilities and I know that would be the type of song Wayne would love. But he didn’t know the song. I said,”You’re sure the CD is Murder Ballads?”
HIM: “Yes, I’m sure.”
ME: ” And you don’t remember hearing that song?”
HIM: “I guess I have to listen to it again. Pay more attention to the lyrics…”
So, I guess Nick Cave is actually right. Who knew?
Okay, anyway. I gotta scoot and drive into town and get some food for this barren place! Then I have 7 trillion emails to wade through, then I’m gonna work some more on “Hymn to the Dark” from Girl in the Night: Erotic Love Letters to the Muse. Have a terrific Tuesday, wherever you are in the world!! Thanks for visiting, gang. I love you guys. See ya.
Listening to “Stagger Lee” at an inappropriate age!! (Or perhaps just having some sort of weird sex thing in the afternoon.) (Actually, this is one of those kittens who lost his mittens and mom got pissed… I used to have this book when I was a little girl and this illustration always perturbed me.)
For some unknown reason, I woke up this morning bordering on feeling really depressed and the voice in my head was singing “I (Who Have Nothing).” If you don’t know this song, I of course will regale you with it at the bottom of this post.
If you’ve read my novel Freak Parade (and who hasn’t? ), you no doubt already know that I love Tom Jones — and have since I was a wee bonny lass, that’s for sure. I guess that’s a polite way of saying that he’s been around forever. (Because I’ve already been around forever and he’s been around even longer than that!)
Anyway. Boy, that man can sing. And because he can be so passionate, so deep, so emotional and powerful — because of those very things, I really couldn’t manage getting on YouTube before the sun was even up in order to listen to that (really old) intensely emotional song. Even though I really wanted to, because I thought it might give me some insight into why I would wake up singing it when I haven’t actually heard that song in years.
But I really just can’t listen to Tom Jones at 5:30 in the morning. (I guess if I was married to him or something, I could listen to him at 5:30 in the morning. Of course, he’s probably not actually singing at 5:30 in the morning. Who knows what he’s doing at that hour? It could be that he’s actually just sleeping. Anyway.)
So I got out of bed instead, and tried to focus on not feeling depressed. I’ve made good headway with 4 of the cats. Huckleberry and Doris — the two who always accompany me to the bathroom first thing in the morning, are now letting me pet them several times in a row. Mind you, I have to be peeing in the dark while this is going on , but I will take whatever meager crumbs of love that I can get. But it’s really so cute. They really seem to like being petted in this small way. Huckleberry has started purring — a thing I never heard her do in these 7 years. And Doris will actually bat at my hand if I pet Huckleberry for too long without petting her, too.
But if I pet them for one moment longer than they deem appropriate, they nip at me and scratch.
And Weenie and Scottie now both allow me to pet them one time before I set their bowls of food down in front of them in the morning, but that’s it. If I try to pet them more than once, they bite. Still, it’s progress. (It only took 7 years to be able to pet a cat once….)
I’m patient, if nothing else. And that was actually kind of why I was depressed this morning — sometimes I just feel like giving up. Just that sense of “why do I do all this every day; day in, day out?” And I of course mean everything in my life when I say that — not just this business of trying to permanently foster an entire colony of feral cats.
For the most part, I’m actually really happy. But some days, I wake up and look at it all – life, I mean — and I think: not this again; didn’t I do all this just yesterday, and every single solitary other day before this one? For what? What’s the goal here? Is there in fact a goal? A reason to be here, beyond just doing the same darn thing every single day? What is life, anyway? What does all this mean?
And then I can quickly spiral downward from there, if I’m not careful. Man, it can happen really quickly.
So I do try really, really hard to distract myself from thinking like that. And the cats — as un-demonstrative as they are — they can be very good at distracting me. And I do honestly think, on some really deep level, that that’s why they’re here. To distract the heck out of me.
Anyway, after breakfast, I went back up to my room to meditate, but I just didn’t feel like it today. So I got on YouTube and finally listened to Tom Jones sing “I (Who have Nothing)”. And, man, that fucker can sing. I’m still not sure why I woke up with that song in my head — it did indeed remind me of Freak Parade, and of all that was going on in my life when I began writing that novel back in 2005 (or I should say, all that had happened to me before then, which made me write the novel). But maybe, on some deep level, my ears needed to hear the entire Universe, in the guise of Tom Jones, say “I love you” in that indescribably overpowering way. (And he doesn’t seem to be straining himself, or anything, when he sings like that; it just comes out.)
Well, I don’t actually really know what anything is about. I know I have the day ahead of me and I want it to be productive and maybe even joyful. I guess we’ll see.
There was yet another Red Hand Files newsletter thing today that Nick Cave sent out. I felt terrible reading it. I shouldn’t have posted anything on my blog the other day about some of the things people write in and say to him. So if you read what I posted, just delete it in your head. And I will attempt to mind my own business (a thing that is sometimes exceedingly hard for me to do).
Okay. I’m gonna get started here. Work on the play. Set the Italian lessons aside for a moment. Get back to thinking in English. Have a wonderful Monday, wherever you are in the world. Thanks for visiting, gang. The video I’m leaving you with is poor quality, visually, but the sound is what’s important, and it’s incredible. All right. I love you guys. See ya.
I, I who have nothing
I, I who have no one
Adore you, and want you so
I’m just a no one,
With nothing to give you but, oh
I Love You
He, He buys you diamonds
Bright, sparkling diamonds
But believe me, dear when I say,
That he can give you the world,
But he’ll never love you the way
I Love You
He can take you anyplace he wants
To fancy clubs and restaurants
But I can only watch you with
My nose pressed up against the window pane
I, I who have nothing
I, I who have no one
Must watch you, go dancing by
Wrapped in the arms of somebody else
When darling it’s I
Who Loves you
I Love You
I Love You
I Love You
c- 1970 Jerry Leiber, Mike Stoller, Giulio Rapetti, Labati Donida
First of all, Ghosteen, the new Nick Cave & the Bad Seeds double album, is officially out today!! Go buy it, perhaps along with one or more of its various and sundry merchandising options!!
Ghosteen Nick Cave & the Bad Seeds, out today
I was indeed informed yesterday that my very own copy of the CD was put in the mail to me yesterday (I can even track its shipping progress, if I’d like to), and it is guaranteed to arrive on Friday November 22nd !!!! WTF!!
I mean, it is totally my fault for being so impatient. Pre-ordering it from the UK, instead of waiting until it was available for pre-ordering at Amazon US (which was something, like, later that same afternoon). And then, of course, God knows I was too busy to go into Amazon UK and cancel the pre-order and then re-order it at Amazon US — because that would have taken about 5 minutes, and I usually save those 5 extra minutes I have each day for using the bathroom…
Anyway. When I got the cheerful email yesterday, alerting me of the CD’s successful send-off somewhere in my general direction, I was really irritated with myself. That’s two weeks away. It’s like how shipping was in olden-times…
However, it’s not as if I don’t constantly listen to it already on my phone and on my iPad, and have it practically memorized. I don’t actually need the CD in my life. So I’ll just look on it as a happy little perk — one day, in the mysterious and far distant future, I’ll look out my kitchen door, and there it will be, sitting happily on my porch in the wilds of Muskingum County, after its long, and no doubt colorful and adventure-filled, voyage from England.
(Meanwhile, all 14 of my neighbors here in Crazeysburg, 33% of whom work at the Amazon warehouse 25 miles from here, will have been happily listening to their own US-distributed copies of the Ghosteen CDs that whole entire time…)
Okay. One more Nick Cave thing…
He sent out another Red Hand Files letter-thingie today; a sort of follow-up to the one he sent out a couple of days ago, about Transcendental Meditation. You can read it at that link there, if you so choose. I would say that his response today was charitable (which is an adjective, meaning “apt to judge others leniently or favorably” and which is probably why he meditates).
And so, onward.
Yes!! I made amazing progress with the play yesterday — finally. I made it through that chunk of dialogue — and I was really happy with it. And then a great big bunch of stuff poured out on its heels, that I was also really happy with.
And today, I have maybe a page left?? Honestly, I am that close to finally being done. One page. (Until they need more rewrites, that is.)
And on that note, I’m gonna scoot. I have to pay some bills here before I totally forget again and have a bunch of hard-working office-drones from hither & yon politely wondering if I’m asleep or dead or on drugs. (None of the above. What I am is super day-dreamy these days.)
So I’m gonna pay bills. Then I’m gonna put on my Wellies, and my scarf and mittens and my arctic coat, and drag all the various flower pots and summer lawn accoutrements back into the barn for the winter (the frost and snow flurries did indeed arrive, and now all the impatiens are done). Then I’m gonna pour myself another cup of coffee and sit my quite comely behind back down at the computer and FINISH THE PLAY!!!! (Again!!!!!)
Have a wonderful Friday, wherever you are in the world, gang! Thanks for visiting. I leave you with this — but, you know, go BUY IT. (I can’t really link your purchasing options here because my readers come from all over the world. But I’m sure you know where you buy your music.) All righty! I love you guys. See ya.
“Bright Horses”
The bright horses have broken free from the fields
They are horses of love, their manes full of fire
They are parting the cities, those bright burning horses
And everyone is hiding, and no one makes a sound
And I’m by your side and I’m holding your hand
Bright horses of wonder springing from your burning hand
And everyone has a heart and it’s calling for something
We’re all so sick and tired of seeing things as they are
Horses are just horses and their manes aren’t full of fire
The fields are just fields, and there ain’t no Lord
And everyone is hidden, and everyone is cruel
And there’s no shortage of tyrants, and no shortage of fools
And the little white shape dancing at the end of the hall
Is just a wish that time can’t dissolve at all
Oh, oh, oh
Oh, oh, oh, well, this world is plain to see
It don’t mean we can’t believe in something, and anyway
My baby’s coming back now on the next train
I can hear the whistle blowing, I can hear the mighty roar
I can hear the horses prancing in the pastures of the Lord
Oh the train is coming, and I’m standing here to see
And it’s bringing my baby right back to me
Well there are some things that are hard to explain
But my baby’s coming home now, on the 5:30 train
Yesterday wound up being pretty okay. Even though, by the time I actually was able to sit at my desk and really focus on the play for a few uninterrupted hours in the evening, it turned out that my extensive notes on the new dialogue were better than the actual new dialogue, so I closed the computer and just decided to wait until today.
Two things happened yesterday that were interesting.
My phone chat with my ex-husband in Seattle revealed that he was in some sort of depression — something having to do with the state of the whole world and its economy. A view I don’t share because I don’t stare at the stock market all day — or ever.
But it was weird — he’s not someone who has ever been prone to actual depression. He has certainly had his struggles in life and had things that have really challenged him. But depression was not something he ever succumbed to.
I just let him talk, you know. Express whatever he needed to express, without trying to change his point of view on anything. But I didn’t share any of his views and that felt so weird, because we usually have similar views on life, in general (which was why we got married, a million years ago). The stuff he was focused on yesterday — well, I couldn’t have felt more different about that stuff.
And then I had an email exchange with a friend in Europe who was talking to me about my new novel, Blessed By Light. He likes the concept a lot (in an extreme nutshell, the novel documents a love affair that takes place in the final year of life of a fictional American rock & roll legend — and it’s told in Second Person, throughout). But he didn’t like the title at all.
And I found that both interesting and sort of amusing, since “Blessed By Light” refers to God, and somewhat to Jesus, and to that light we go toward when we die (or so people in near death experiences attest to), and then the actual spotlight of fame — and all of it relating to the character in the novel, who strongly believes in God. And since it’s totally uncool to believe in God anymore, I thought to myself, that’s interesting that the title is bothering him so much and he doesn’t even know yet that it refers to God.
People seem to like that my characters have a lot of sex and take drugs and are challenged by moral dilemmas, but you know — God. Not sure we appreciate going there.
It’s definitely an American novel, though, that’s for sure.
But aside from those two strange things, yesterday was actually really nice. Nowhere near as annoying as I thought it would be.
As soon as I left to go vote, the sun came out big time; the sky cleared up and it was a gorgeous day to drive around in. I voted, and everyone at the voting place was in good spirits. I went to the Honda dealership and everyone there was in good spirits. I went to get my groceries and the check-out girl said, “wow, I love what’s in your cart– you buy all the things I like.” Then I came home and vacuumed the house, etc., etc. It was just a really nice, easy day. Not annoying at all.
I also changed the furnace filter — I knew it had to be getting bad because my breathing issues were getting more pronounced. I usually have to give myself a little pep talk before I go down into my basement, though. It’s not the creepiest basement I’ve ever had but it is second in line. Once I’m down there, though, I’m actually okay. Much like this entire house, even the creepy 119-year-old unfinished basement has good vibes to it. (Assuming you don’t mind spiders, which I don’t.)
In fact, while I was down there changing the filter, I took a couple of photos for you!! One is of what’s left of the 119-year-old coal bin under the stairs, and the other is the coal shoot, which has been sealed up, but it’s still technically there. I just love old stuff like this — you know, actual remnants from the man who built this house. His water well is still outside my back door and is only nominally covered over, and the barn of course is still there, with all its original insides, including the hand built cupboards, and the old hand-built pass-throughs for feeding the horse. People just layered the new stuff around the old stuff over the years. And I just really love that.
The remains of the 119-year-old coal bin under the basement stairs.The sealed-up coal shoot at the top of the stairs. Don’t want to wear your fetish high-heels on these old stairs, that’s for certain!
Well, after I had that full day, and got no productive writing done on the play, I just did yoga and then listened to Ghosteen on my phone while I played solitaire on my iPad, and wondered how musicians feel about people listening to all their hard work on a phone. But still, it just seemed like a good day.
Oh, yesterday, Nick Cave sent out another Red Hand Files letter. You can read it here. It’s about the benefits of Transcendental Meditation, and how it transformed him from the horribly wonderful man he used to be into the wonderfully wonderful man he is today! (I’m paraphrasing, of course, because I am incapable of thinking so much as a disparaging thought about Nick Cave.) However, he was eloquent and interesting, as always.
And now I am going to get back to work on the ending of this play!!! See if I can come up with some actual dialogue that is as good as my notes are.
Still doing the Angel Clare thing at breakfast around here, so I leave you with a truly gorgeous piece of production work today, “Old Man”. A song written by Randy Newman, about a mean old man, a father, dying alone — almost. If you’ve never heard it before, you should listen to it (turn it up). It’s the kind of soaring, devastating singing that Art Garfunkel is famous for. Okay. Thanks for visiting, gang!! I love you guys. See ya.
“Old Man”
Everyone has gone away, can you hear me? Can you hear me?
No one cared enough to stay, can you hear me?
You must remember me, old man, I know that you can if you try.
So just open up your eyes, old man, look who’s come to say, “Goodbye.”
The sun has left the sky, old man, the birds have flown away
and no one came to cry old man, goodbye, old man, goodbye.
You want to stay, I know you do, but it ain’t no use to try,
because I’ll be here, and I’m just like you, goodbye, old man, goodbye.
Won’t be no God to comfort you, you taught me not to believe that lie.
You don’t need anybody, nobody needs you, don’t cry, old man, don’t cry.
I try not to get on Instagram or check email until my morning is well under way, because you just never know what lies in wait for you online that could just fuck up your whole day. You don’t really want to wade into those dangerous waters until you’ve at least had coffee and meditated…
However, this morning, for some reason, it was about 5:30am, and I was barely even awake, let alone out of bed, and I started scrolling through Instagram and almost immediately found a post from Brian Wilson, where he was quoting something Keith Richards had said and it just sort of happily set the tone for my morning.
Keith was commenting about certain very early songs by the Beach Boys that Brian Wilson had of course written, and one of the songs Keith mentioned was “In My Room.”
I had forgotten all about that song and I used to just love it. It was a “B” side, never a bona fide “hit,” but it was included on the greatest hits double album, Endless Summer. And that’s where I first heard the song, at age 14.
Of course, I got right on YouTube and played “In My Room,” as I lay there in the dark, contemplating getting out of bed.
It is still such a sweet song and it made me realize just how much of my life has been spent in my room. (My various online businesses and blogs have either been called Marilyn’s Room, or referred to my room in some way, for that very reason — my whole entire life seems to happen in my room. Try as I have to always move my offices out of my various bedrooms over the years, it always moves back in. I love my room!)
It also made me think about Keith Richards, whom I seem to have loved my whole entire life, beginning at age 11, when I’d read the monumental Rolling Stone magazine interview with John Lennon (whom I had loved since I was about 9). Lennon talked a lot about the Stones and Bob Dylan in that interview — and that’s how I really got introduced to the “real” Rolling Stones, not the “evil” ones that the media had perpetuated.
Anyway, from that interview with John Lennon, I managed to find the equally monumental interview Rolling Stone magazine had done with Keith Richards, at his infamous villa in the South of France, earlier in 1971.
Keith Richards, Villa Nellcote, South of France, 1971
You know, it was difficult enough to be 11 years old and try to truly understand John Lennon, a man I genuinely idolized; it was a whole other planet of astonishment being 11 years old and trying to understand Keith Richards, especially since I knew very little about the Stones at that point, and knew only a handful of their hit songs.
It is safe to say he made an overwhelming impression on me. I had to read the interview with a dictionary at hand, because some of the words he used I didn’t even know yet. (I remember that “decadent” was one of the words I had to look up, and it was used somehow in connection to Nazis and it took me a really long time — years — before I grasped what he was getting at there.) I also remember going to the library to find all the books & recordings I could on the Delta Blues singers. I knew most of the old rock & rollers and rockabilly guys by then, but the Delta Blues was new to me.
Anyway, it was cool to lay there in the dark this morning, listen to “In My Room” and think about Keith Richards and realize just how young he’d been when I was 11 (he was only 28!!) — he seemed ancient to me. Like he’d been alive forever… (this song is actually quite appropriate, isn’t it??!!)
Okay, so here’s a photo of my room from when I was 12.
My room, circa 1972
I was actually taking a picture of my dog, Brindle. However, you can sort of see my room. You can see that great old Zenith radio!! That was the actual radio I listened to, even though it was probably 20 years old by then — a castoff from my parents. (I never had any sort of state-of-the-art hi-fi equipment, ever. Even my record player was a portable, battery-operated thing.)
I still have my stuffed animals on my bed — from my actual childhood. Not “new” stuffed animals. I seem to have been reading A Blues I Can Whistle, which I recall I had to read for 7th grade English class. (I also recall that I loved the book!! Here is the synopsis: A young man, institutionalized after attempting suicide, writes about what happened the summer after his first year of college.)
And there is my little 3-ring binder, too, not only with flowers on it (because, after all, I was a girl), but also photos of Alice Cooper and his band –photos that had come with the record School’s Out — are taped to the front of the binder. (A pair of paper panties also came with that album!) The binder holds all the songs I had written by then. (What I wouldn’t give to still have that binder and look at all those old songs.)
So that’s one of my many rooms. As near as I can recall, I have had 19 bedrooms in my lifetime…
And for no reason at all, here I am at age 2, ten years earlier, at the first house in Cleveland. (I found it while trying to find photos of my room). A bag of Wise potato chips are in front of me, my favorite potato chips, ever.
Me in Cleveland in 1962
Okay. I’m gonna get back to work here. I hope you have a terrific Tuesday.
Oh, wait! Nick Cave sent out a Red Hand Files newsletter today that was extremely interesting and eloquent — a few words longer than last week’s. About shyness and his wife. You can read it here. (Interestingly enough, when I saw Nick Cave at Town Hall, his wife was sitting a few seats over from me, in the same row. And at one point, when he was talking about his wife being his Muse, he did a sort of impersonation of how nervous she was likely acting over being talked about publicly as his Muse, and she actually was doing that exact nervous thing right at that moment. And I mean, exactly. Sort of fluttery and stuff.)
Okay. So, thanks for visiting!! You know what I’m leaving you with today!! I love you guys, See ya.
“In My Room”
There’s a world where I can go and tell my secrets to
In my room, in my room
In this world I lock out all my worries and my fears
In my room, in my room
Do my dreaming and my scheming
Lie awake and pray
Do my crying and my sighing
Laugh at yesterday
Now it’s dark and I’m alone
But I won’t be afraid
In my room, in my room
In my room, in my room
In my room, in my room
Letter #5 for Girl in the Night: Erotic Love Letters to the Muse began its transmigration from the ether to the page!! I was not really expecting it, so I was really excited.
It’s titled “Hymn to the Dark” and it begins with the idea that angels can be pretty dark, that they aren’t always about “hallelujah,” but that my Muse has shown me that the dark can sometimes be glorious.
So it goes to some beautiful (& erotic) places.
The title came as a sort of play on Novalis’ famous Hymnen an die Nacht (Hymns to the Night; Germany, 1800).
Novalis’ real name was Georg Friedrich Philipp, Freiherr von Hardenberg. He lived only from 1772-1801. And Hymns of the Night is an often heart-rending poem of grief that he wrote after his beloved Sophie died (very young) and then he died shortly after her, at age 29. They both had consumption.
The poem was a sensation when it was published in Germany in a literary magazine, Athenaeum 3 (in 1800), and the poem heralded the birth of German Romanticism.
The book (it’s a long poem mixed with prose), is a staple of Divinity studies and so I’d read it when I was studying for the ministry. But I think that Christian theologians only look at one specific segment of the poem and don’t really consider the entirety of what Novalis wrote. Even while he does do an uncanny job of capturing what the idea of Christ brought to masses of people who moved out of paganism and into monotheism and then needed to re-frame their idea of Death.
I’m making the poem sound scholarly, but it’s not; it’s really fluid and deep and beautiful. Still, Novalis has a really succinct grasp on how three different eras of Western humanity dealt with the loss & grief of death, and since it was still only 1800 A.D., he ends with the Christian era, nailing it precisely:
“No longer was the Light the seat of the gods or their heavenly sign — over themselves they drew the veil of Night. Night became the mighty womb of revelations — the gods drew back into it — and fell asleep, only to go out in new and more splendid forms over the changed world.”
But in the beginning of the poem, where he’s talking only about his own deep grief and deep loss, he is surprisingly modern and doesn’t represent traditional Christian thinking at all, so why Christians sort of seem to ignore that part is a bit of a question mark for me. But it’s that early, non-Christian, part of the poem that moves me most. Lines about how the secret heart remains true to the Night, where creative Love comes alive, and how we owe everything to that Love (and you can easily read several passages of it as implications of erotic love):
“Won’t Love’s secret offering ever burn forever? …Only fools misrecognize you… They don’t feel you in the grapes’ golden flood — in almond trees’ wonder oil — in poppies’ brown juice. They don’t know that it’s you hovering around a tender girl’s breasts making her womb heaven — and don’t suspect that, out of old stories, you, opening heaven up, come and carry the key to the Dwellings of the Blessed, quiet messenger of infinite mysteries.”
“Doesn’t all that inspires us bear the color of the Night? It bears you mother-like, and you owe all your magnificence to her. You’d evaporate inside yourself — you’d crumble away in endless space if she didn’t hold you, tie you, so that you became warm and, flaming, sired the world.”
His beginning premise seems to be that the Night saved him from his grief and returned his passion, as well as his lover, to him; that in the Night, he engages in some sort of erotic coupling with her soul once more. And at the very end of the poem, he seems to be plainly speaking about it:
You come, beloved —
The Night is here —
My soul’s enraptured —
The earthly day’s past
And you’re mine again.
I look into your deep dark eyes,
See nothing but love and bliss
We sink onto the altar of night
Onto the soft bed —
The veil is gone
And, lit by the warm pressure,
There glow the pure embers
Of the sweet offering.
None of those sentiments are encouraged in true Christian theological mindsets. Unless, of course, you’re subversively dressing it up in the guise of how you feel about Christ. But Novalis isn’t talking there about Christ at all; he is plainly talking about Sophie’s soul coming to him at Night after her death.
Well. All right. I have truly digressed there. I only meant to say that Letter #5 of Girl in the Night is underway… And won’t it be fun!
Anyway, yesterday was wonderful and I’m thinking today might hold more of the same wonder. I will indeed make time to drive into town and buy groceries!! Yay! That’s always fun — having food in the house.
(And I did go to the gas station yesterday and I begrudgingly bought the smallest bottle of milk available. And then, while making my way to the counter to pay for it, I passed through the candy aisle. I am not a big candy-eating person, at all. However. What to my wondering eyes should appear but a Kit-Kat bar in dark chocolate!! I did not know they made such a thing! I do love dark chocolate. So I bought the darn thing, and four-hundred-and-ten calories later!!!!!! I had eaten it in its entirety and it was incredibly good.)
Okay-doke, gang. Oh — Nick Cave sent out a Red Hand Files newsletter today. (Linked there.) But only read it when you truly have the time to contemplate his always-eloquent reply. If you hurry through it, you will only do yourself a disservice.
I am, of course, joking, This time, his reply was only 2 words long. (If you’d like to know which words, they are linked above.)
Okay. I’m gonna scoot!! Thanks for visiting, gang. I’ll leave you with something somewhat appropriate, somewhat not, for today’s ramblings.
This is the song I personally played (over & over) when I graduated from Divinity School (Magna Cum Laude, but on my heady way to nowhere because I just see Christ so darn differently than everyone else does.) It was in December, so it was around Christmas and this song was appropriate to the season. While I do not believe in transubstantiation, I do believe this is a truly beautiful (and beautifully sung) hymn. (It’s actually about Easter, but we sing it at Christmas…) Okay, I love you guys. Have a splendid day!! See ya!
Panis angelicus
fit panis hominum;
Dat panis caelicus
figuris terminum:
O res mirabilis!
manducat Dominum
Pauper, servus, et humilis.
Te trina Deitas
unaque poscimus:
Sic nos tu visita,
sicut te colimus;
Per tuas semitas
duc nos quo tendimus,
Ad lucem quam inhabitas.
Amen.
(Me, in relation to my head right now…)
![F*ck Sales Let's Talk: A Common Sense Approach to Sales by [Robert, Anthony]](https://images-na.ssl-images-amazon.com/images/I/41Xzcp2x4eL.jpg)
Marilyn's Room 