Tag Archives: writing

Goodness Gracious!

Yesterday, I was having some minor pain issues in my neck and that hip joint again, so rather than take Tylenol or Advil, which I hate to take, I decided to try CBD oil for the first time.

Well, it actually works just fine as a pain medication but, man, does it relax me.  (Translation: I don’t feel like doing a fucking thing!)

I’m not sure if I’ll take it again, or not. I guess we’ll just wait until I get more pain issues, since it does indeed work for pain. But me feeling truly relaxed is not a sight that is often seen…

So I got nothing done on the new erotic short story yesterday (“Novitiate”). I hope today will yield even a tiny bit more than that! We shall see.( I’m still feeling rather relaxed and I took the CBD oil yesterday.)

I did get a sample of what the postcard announcing the reading of  my play is going to look like, though. It’s different from the other image I posted recently (I see there is a typo, so ignore that):

The “New Heritage” group is the Harlem production company. So I’m excited, gang!!

And I also found this exciting, although it has nothing to do with me. The discovery of a 2000-year-old mikveh (Jewish ritual bath) in the Lower Galilee — this is from the Second Temple Period in Israel, the time of Jesus. And of course the Galilee was the area Jesus practiced in. You can read the details of the excavation by the Israel Antiquities Authority here. The mikveh is in the lower right hand corner. It was found on the property of a 2000-year-old farm.

The farm with the ritual bath (lower right). Okay, well, there is absolutely nothing else going on here right now because I am sort of in la-la land.  I’m hoping this will change at any moment!!

Meanwhile, I’ll close this and drink some more coffee and stare.

I hope you have a terrific Tuesday, whatever you’re doing and wherever you are in the world. Thanks for visiting!! I leave you with a song I was thinking about here this morning. I’ve posted it on the blog before, but here it is again. Sometimes I take this song really personally:  “Waiting for You” from the Ghosteen album by Nick Cave & the Bad Seeds (2019). Lyrics are in the video. So listen (and read along) and enjoy!! I love you guys. See ya.

I Actually Have Nothing to Say!

I spent the entire day yesterday at my desk, working on “Novitiate” — the new erotic short story — and so nothing new has occurred since I blogged here yesterday morning.

I did not even have time to watch the rest of the Ronnie Wood documentary, Somebody Up There Likes Me (and if I don’t get to it here soon, I will miss my window and won’t be able to watch it without paying for it again).

I was writing clear through last night, right up until it was time to do yoga and then collapse in bed.

I’m only at 6000 words in the new story, but I’m finding that I have to keep going over and over and over these first 7 pages, because after that, it’s going to become extremely complicated. (It goes from 2 primary characters up to 15, and all of them are having sex at one point or another, so that’s gonna get kind of complicated.) So those first 7 pages have to lay some sort of believable groundwork for the remaining insanity.

I’m still really loving the story, though. And I am learning more about it  every moment that I work on it — meaning, it reveals itself to me, more and more, as I continue to streamline these first few pages. I’m finding it so interesting. And so different from what I thought it was first trying to be.

I think I mentioned a few days ago that now the editors don’t really want “Half-Moon Bride” in this story collection. They want to offer it as a stand-alone short story (eBook only). I will let them make the final decision. But the more I work on “Novitiate,” the more I think that “Half-Moon Bride” doesn’t really fit with the other stories that will be in this collection.  So perhaps it is best sold on its own.

Other than that microscopic world of mine…

The petunias are still blooming. It’s amazing. 5 months now, and no end in sight. I’m guessing they will keep right on blooming up until the first frost. But it is so weird to see the porches of all my neighbors and all that autumnal stuff going on there, for as far as the eye can see. And even though I cleared off my front porch and my back stoop, my kitchen porch is still a riot of blooming colors because I concentrated all the flower boxes there. And I really feel like I’m in some sort of time warp here — or “season” warp. (And, God knows, that in my mind, I’m always thinking it’s still summer, so it doesn’t help when everything in and around my house only encourages my misinterpretation  of the entire world.)

I can’t emphasize enough how different my life got when I moved into this house (going on 3 years now). It’s all good, but it’s all strange. I really, really do love living here, I’m happier than I’ve ever been in my life,  but my life has gotten more and more dissociated. And even though I’m sort of accustomed to being in a dissociated mental state (for a variety of reasons), when my house starts joining me in that, it gets really difficult to explain.

You know, when I first walked through this house, I felt so much happiness in every room. I really did. And I just knew that people had been really happy here. (The house is now 119 years old — when it was first built, there was no electricity, no central heat, and no running water. Two bathrooms were eventually added on, many decades apart. And the well outside was covered up, and the fireplaces that were in every room were eventually covered up.) I still believe that people were happy here — and I still believe really strongly that at least one spirit connected to building this house is actively around here.

But I was reading recently, in a metaphysical type book, that what we perceive about a place is our own future happiness. We are perceiving the happiness of our future selves. Which I think could be true, too. I’m certainly incredibly happy here. But I do think it’s a bit of both.

Anyway, that said. Come visit!! I need help cleaning out the barn…

All righty. I’m going to get moving here. Maybe watch the rest of the Ronnie Wood documentary. Or maybe work on the new story, or maybe sit and stare and drink my coffee for a while. We shall see. (Smart money is on the latter, I think.)

Thanks for visiting, gang. I hope you have a great Monday unfolding before you, wherever you are in the world. I’m still in a More of the Monkees frame of mind around here, so I leave you with another great song off that album, one that still brought tears to my eyes this morning, even 53 years later… “Sometime in the Morning” (1967). Listen, relax, ponder, and enjoy. I love you guys, See ya!

Wow! What A Difference Not Eating Broccoli Makes!!

First of all, I’m in a much better mood today, gang — like, 1000%.

Part of it was that I wasn’t actually feeling so great yesterday. (In addition to the emotional weirdness brought on by the chairs — see yesterday’s post, if you so desire. Otherwise — onward; don’t look back!!)

I take a lot of digestive enzyme supplements and probiotics  in order to be able to digest broccoli. I don’t actually like broccoli, but I have noticed an amazing difference in how my brain focuses after eating broccoli, so for YEARS, I have tried to eat broccoli (blanched) at least once a day. But I can’t digest it.

Well, then I noticed that none of the digestive enzyme-type things were actually helping — and in fact, some new ones I was taking seemed to be making matters worse.  I was in abdominal pain for about 24 hours. And then, finally, yesterday, it occurred to me to just stop eating broccoli. So I didn’t eat it. And without eating broccoli, I no longer needed all the extra enzyme stuff to try to digest it.

And today, I feel 100% fine.

Can you believe it took me that long to figure out that I should just stop eating broccoli??? It is so weird, the things we force ourselves to believe sometimes — i.e., broccoli is good for me so I need to eat it.

Anyway. Even though I felt truly horrible all day yesterday, I did get some great work done on the new erotic short story, “Novitiate,” so I’m hoping that today will be the same.

It’s turning out to be a very interesting story — it’s taking on a shape and tone that I hadn’t really expected at first. So my decision to get out of the story’s way, and stop being an emotional roadblock to it, turned out to be a really good idea.

I tell you, gang — stories really do know how to tell themselves if we can get out of their ways and just write.

I’m also finding that The Monkees’ records make a terrific soundtrack for writing “Novitiate” by — the story takes place in the summer of 1966, on the cusp of Free Love and those kinds of ideas. And for me, those old Monkees’ records have the perfect sound for that era, since I listened to those records a lot from 1966-1968.  I’m finding that the second album, specifically — More of the Monkees — just lets the whole story open up in my head. (More of the Monkees is actually a really, really great album. It was recorded in 1966 and then released in January 1967. It’s the album that has their fantastic version of Neil Diamond’s “I’m A Believer” on it.)

The Monkees -- More Of The Monkees (1967) Full Album | The monkees, Rock  album covers, Album covers

So I am once again in a really good place.

I did get a chance to listen to the first piece off the upcoming Nick Cave – Nicholas Lens collaboration, L.I.T.A.N.I.E.S (due in December). The piece is titled “Litany of The Forsaken.” It’s quite hypnotic, although I’m not 100% sure, yet, what it’s about.

Nick Cave and Nicholas Lens Collaborate on New Opera L.I.T.A.N.I.E.S |  Pitchfork

I also rented the new documentary film on Ronnie Wood, the Mike Figgis-directed  Somebody Up There Like’s Me.

Somebody Up There Likes Me - The Fellowship and Star

I watched about 20 wonderful minutes of it last evening, when suddenly the buffering would not cease. I’m guessing thousands of people all over the place were streaming it at once. (Saturday night, 8pm.) So I’m going to try to watch the rest of it at a less popular movie-streaming time. I was really enjoying it, so, that on top of not feeling well sort of sucked.

But ever onward we go, right?

Okay. So, I’m gonna get started here. I hope your Sunday is shaping up to be a really great one, wherever you are in the world!! I’m leaving you with my breakfast-listening music from this morning, “Mary Mary” from  More of the Monkees. It was actually written by Mike Nesmith in 1966 — he was one of the Monkees. It’s a great song, guys. So turn it up! Listen and try not to dance!!!! (Full disclosure: I was dancing all over the kitchen this morning at 5am, in my PJs, while listening to this and feeding the cats!!) All righty. Thanks for visiting. I love you guys. See ya.

A Lovely Morning So Far!!

For whatever reason — I guess the Autumn Equinox — I now get up at 4am and get out of bed! Whereas, I used to get up at 4am and just lie there for an hour.

Anyway, luckily, I was more than wide awake at 5am for the Bad Seed TeeVee chat-a-long to the Lawless soundtrack (Nick Cave & Warren Ellis). (I will say it again: that is such a beautiful soundtrack, gang; so atmospheric.)

It was fun. At one point I looked at the number of people in the chat and it was something like 900, but most people weren’t actually chatting. So it wasn’t completely insane.

And now it is 7am here and still completely dark out. So you really know it’s fall.

I spent a good chunk of my afternoon yesterday with Kevin, the director of my play (Tell My Bones) and his husband, Chris. So I did not get as much done on the new erotic short story as I had hoped. About 4 or 5 hours, at the most. It is still really challenging. I know what I want to say, but for some reason, I keep hesitating to say it — or write it, I mean.

(And on a side note — I spent about an hour chatting on the phone yesterday with an older gentleman I met through Gus Van Sant Sr. Well, we didn’t meet, we spoke on the phone about my play, via Gus. And at one point, I said something like, “I’ve been doing it a long time, already. I’m 60 years old…” And he said, “You’re kidding me! You sound like a kid!!”)

YAY!!!! Twice in one week…..

Oh, and, at one point yesterday, while I was talking to Chris about something, I noticed he was staring at my neck. I was wearing a sort of hippy-chick blouse that had a deep “V” neckline, and I didn’t ask him, but I just knew he was thinking: Man, no way does her neck look 60 years old….

(YES!! All those many miraculous skin products from France strike again!!) (Yes, yet again, another new product from France. First, they gave a jar of it to me for free. Then, they gave me another jar at half-price. We’ll see what happens after this, because it is really expensive but now I am hooked on it…) (As usual.)

1958 Beauty Ad, Avon Cosmetics & Skin Care Products, with 1950's Super-Model Anne St. Marie | Vintage makeup ads, Vintage cosmetics, Avon cosmetics
Me, yesterday!!! So youthful-looking!!!

Okay, anyway.

So, yesterday was nice even though I didn’t get enough work done on the new story. And I did finally get to chat with Valerie for the first time since her mom died. And the weather was just really, really lovely yesterday. All the trees have changed colors and it was mild enough to not need a jacket or anything. Just perfect weather. It was really a nice drive over to Kevin’s mansion on the hill.

So today, we will try again to make some significant headway with the new story. I guess what we really need is to make headway with myself — get myself to stop hesitating and just write the story the way it is asking me to tell it. Because the story is all up here in my head. I’m the one who is laboring over how to tell it. So we’ll work on that.

As of, like, right now.

So, thanks for visiting, gang. I hope you have a really nice Friday, wherever you are in the world.  Last night, I was listening to the 6 songs that have now been dropped for next week’s upcoming release of Tom Petty’s Wildflowers & All the Rest. (Listening to them over & over, actually. In my bed , in the dark. Thinking about life. And, of course, death, because now I can’t stop thinking about one without the other.)  And I really love that song, “Leave Virginia Alone.”

Today, I’m gonna leave you with Rod Stewart’s version of it, though. He had a hit with it back in 1995.  Listen and enjoy. I love you guys. See ya!

“Leave Virginia Alone”

Well they chased her
Down the alley
And over the hill
To steel her will
She was as hot as
Georgia asphalt
When the A-crowd came
To adore her brain

So leave Virginia alone
Leave Virginia alone
She’s not like you
And me
She’s not like you
And me

You should’ve seen her
Back in the city
Poetry and jewels
Broke all the rules
She was as high as
A Georgia pine tree
Makeup and pills,
Overdue bills

So Leave Virginia alone
Leave Virginia alone
She’s not like you
And me
She’s not like you
And me

Some sunny day
When the hands of time have
Gone their way
You’ll understand
Why it was so hard
To run away
To run away

She’s a loser
She’s a forgiver
She still finds good
Where no one could
You ought to want her
More than money
Cadillacs and rust
Diamonds and dust

So Leave Virginia alone
Leave Virginia alone
She’s not like you
And me
She’s not like you
And me

Ah, yeah
Leave Virginia alone
Leave Virginia alone
She’s not like you
And me
She’s not like you
And me

Ah, yeah, yeah, yeah, yeah ,…

La, la, la, leave her alone

Oh, Virginia
Oh, Virginia
Leave her alone

© 1994 Tom Petty

Okay, I Confess!

I do not seem capable of not posting to the fucking blog in the  morning!!!

Plus, I wanted to move yoga back to bedtime — before I take my shower and go hang out in bed, I want to do yoga. That’s when I used to do it for quite a long time and it is really relaxing to do that.

I managed to do that on Tuesday night — no problem. I even turned out the regular lamps and turned on my little Himalayan pink salt lamp for “spiritual ambience”  in my beloved bedroom. And it was really fun.

However, last night….

ME (in my shower): Fuck! I forgot to do yoga…

So, you know. I guess we’ll just see.

Part of my conundrum here is that the new erotic short story, “Novitiate,” is actually kind of intense. And posting to the blog first gives me a little bit of a buffer. I don’t have to plunge right into the intensity of the story the moment I sit down at my desk.

I know I keep saying this about each of the new short stories — or novellas — that I’ve been writing, that they’re intense. That they push the boundaries and all that. Even though, throughout my entire 30-year career of writing erotica, I have almost always pushed the boundaries. Mostly because, in the beginning of that career, most people were not anywhere near as politically correct as they are now and so there weren’t any boundaries to really push. Readers expected certain storylines in erotica, and that was that.

But that said, my writing has evolved into something sort of relentless. Even though I hope that readers still find it really fun — it takes a lot out of me to be true to the writing of it. More often than not, while I’m writing “Novitiate,” I am quietly saying to myself: Oh my god, are we really going to go there?

This new story takes place in the summer of 1966 and is basically a week-long gangbang at a private campground.

For a change, though, no one at all is a virgin!!!! But that doesn’t mean that I don’t have my typical female character getting in over her head really quickly, because that’s basically all I ever write about!!!

It’s amazing just how many varied and intense stories I’ve managed to come up with over the space of 30 years where a female character can get in over her head really quickly.

Anyway. I guess I’m just rebelling against the intensity of the censorship that has been closing in increasingly on erotica over the last ten years. (And it has come from the “Liberals,” in an odd twist of fate…) (15 years ago, it was the Republicans I had to watch out for; now it’s the Democrats. Which is why people like me absolutely need a viable Independent Party in the USA.)

However, I take courage (and I don’t use that word lightly) from all those amazing 3D hentai animators out there in the world because they are breaking almost every taboo that is applied to written erotica.  And so many of them are just so fucking good at it.

Loyal readers of this lofty blog no doubt recall that I am a huge fan of 3D hentai monster porn.  And while bestiality is not one of the topics I have an interest in in real life (in all honestly, I think it’s abusive to animals), and while it is hugely taboo in erotica (unless you are writing in the realm of erotic shape-shifters), bestiality is all over hentai in the form of “monsters.”

For instance, 3D hentai werewolf porn is sort of incredible. It’s basically just very large dogs fucking very large-breasted girls. (Yes! Girls who have gotten in over their heads  really quickly and who are suddenly getting savagely fucked by dogs werewolves.)

One of the things I look for while watching hentai are the details. The backgrounds, the locations, the themes that recur over and over — and then look at the numbers of hits these things get (well into the millions of views per video). Because it gives me a really good idea of what younger people are into now. And one of the things that really amuses me is how often the girl- characters, who are basically being raped by monsters or dogs werewolves, are wearing really nice stockings and makeup and really pretty shoes.

Sometimes the makeup gets smeared a bit, you know. However, even while fucking dogs werewolves in every position imaginable, the creators of the scenes (99.9% are guys, I believe) make sure that nothing bad happens to the stockings or the shoes!!

If you’re a girl (such as I) and have spent of fucking fortune on expensive stockings over the decades (we won’t even discuss shoes!), you know that even being with a lover who’s non-canine  — right?

ME (feeling amorous): “Don’t fucking come near me until I change out of these stockings!! They cost me a fortune!!”

It doesn’t take much to completely ruin a really nice pair of stockings. The last thing you would want is a dog (or werewolf) even jumping up on you, let alone doing all that other stuff.

So that kind of thing, in animation, really just amuses me.

Anyway. I digressed a little.

My point was, that one of the things I really love about 3D hentai animation (when it’s not actually a video made for the Japanese viewing market, where genital censorship is the norm), is how uncensored and wide open the imaginations are of those animators. I just love the artistic freedom of it. I don’t love every single thing I watch, but I do love to see where the minds are going and see just how many millions of people are watching these videos.

It renews my faith in humanity.

That, combined with my new publishers, who only want erotica that does push the taboos (except of course, pedophilia), I guess my mind is finally rebelling against so many years of increasing censorship.

And I guess on that note, I’m ready to get to work here. Have a great Thursday, wherever you are in the world!! Thanks for visiting, gang. I leave you with some more Morgana King, this time “Mountain High, Valley Low.” Enjoy!! I love you guys. See ya!

Okay, I Don’t Know!!

That idea of switching the blog post to the evenings sure didn’t work out yesterday. Of course, I wasn’t expecting Eddie Van Halen to die and sort of skew my whole evening.

So we’ll just see how it goes.

I do feel really under the gun with the new erotic short story, though (“Novitiate”), although, now I’m not sure exactly what the editors at the publishing house want me to do re: “Half-Moon Bride,” (keep it as a stand-alone story, or include it in the collected stories) so I’m just trying to move forward with the new short story and get it done as quickly as possible. And then see what they decide to do.

Yesterday morning, Nick Cave sent out a Red Hand File. It was regarding an emotional stance that a lot of young radicals back in the late 60s and early 70s used to grapple with all the time:  meaning that they were so angry, disenchanted, overwhelmed by feelings of powerlessness in the face of society that they felt it was practically a crime to bring another baby into such an awful world. (And it did turn out, as Nick Cave suggests in his letter, that all those new babies coming into the world helped steer it into new and unexpected directions.)

On a personal note, though, I am one of those women who always, always, always wanted to have babies but wound up not being able to have a family. And whenever I see a young woman on the fence about having a kid or not, I am always really quick to point out to her that time fucking flies and women don’t have the luxury of just waiting indefinitely to decide. That the fertile years are over in a heartbeat. They really are.  Do it while you’re young and in love and have the energy.

Obviously, if a woman doesn’t actually want to have kids, ever, that’s a whole different thing. Don’t EVER have kids if you don’t actually want them. I’m just saying when a young woman is making herself crazy trying to decide — especially if her guy (or mate or significant other or husband) really, really wants to have a kid. Jesus Christ, I always tell her:  DON’T WAIT!!!!!

Plus, I also think it’s sort of egocentric to think that the state of the enormous WORLD is somehow something we’re uniquely responsible for. (If you look at world history throughout all of recorded time, there has never been a time of Utopia. It’s simply not what the world is about. We each live our own unique life within the enormous world.)

Anyway. I thought it was interesting. You can read it here.

Okay, well. Eddie Van Halen. What can I say? When I think of my life in NYC in the 1980s, the most amazing sense of joy and smiles and excitement and insanity and over-the-top fun — that was Eddie, and Van Halen, in general. Jesus Christ, talk about guitar heroes, right?

I realize he was 65 and battling cancer, and had lived a lot of years struggling with substance abuse, etc., but I still think of him as joy-filled “Eddie,” and it is such a shock to think that whole part of life is just gone now.

It’s also something Valerie and I talk about a lot. She and I are both officially in our 60s now — she had a close friend pass away very suddenly, right before her mom did, and her friend was only 61. It’s this feeling that once we start hitting our 60s, so many people decide to check out. They really do.

I get in that frame of mind a lot now — just thinking about what’s ahead of me, and is the best actually behind me now. And all that. And should I start winding things down and check out. (Not as a suicide, I hope, but I do believe on some deep Inner Being level, we make the decision to stay or to go, at any age.)

So, yesterday, is was, like — “On no! Not Eddie, too!” Another intense moment for the month of October…

Well, okay. I want to get some more coffee here and then get to work on “Novitiate.” I hope you have a great Wednesday, wherever you are in the world. Thanks for visiting, gang. I leave you with something fun from Van Halen’s multi-platinum monster album, Women & Children First (1980), “The Cradle Will Rock.” Turn it up and rock on!! I love you guys. See ya.

“And The Cradle Will Rock”

Well, they say it’s kinda frightening how this younger generation swings.
You know, it’s more than just some new sensation.
Well, the kid is into losing sleep and he don’t come home for half the week.
You know, it’s more than just an aggravation.
And the cradle will rock.
Yes, the cradle will rock.
And I say, rock on!
Rock on!

And when some local kid gets down, they try and drum him out of town.
They say, “You could of at least faked it, boy.”
At an early age he hits the street and winds up tied with who he meets, and he’s unemployed.
And the cradle will rock.
Yeah, the cradle will rock.
And I say, rock on!
Rock on!

Have you seen Junior’s grades?
And when some local kid gets down, they try and drum him out of town.
They say, “You could of at least faked it, boy.”
At an early age he hits the street and winds up tied with who he meets, and he’s unemployed.
His folks are overjoyed.
And the cradle will rock.
Yeah, the cradle will rock.
And I say, rock on!
Rock on!
Rock on!
Rock on!

© 1980  Eddie Van Halen, David Lee Roth, Alex Van Halen, Michael Anthony

As Always! Pussies Hard at Work Around Here!

Today is a much better day, finally.

I’m not sure what was going on with me since Friday, but it has officially cleared. And I feel like I’m back to being myself. I’m wondering if it was connected to the full moon, or if I was just nuts, with or without the moon. But anyway. It has passed.

My only trial now is that I am trying to stop using the Flonase. Every few months, I take a break from it because it is a steroid. However, it is the ONLY thing out there that really takes care of my allergies. So now I’m going through that thing where I can’t fucking breathe….

And I am doing laundry right now, even as I type! And sadly, the summer PJs are hanging to dry now and will be put away until late Spring.

Amazing how sad it makes me. When I was younger, I never gave a fuck about any of this kind of stuff, because I was always in such a hurry for life to happen, you know? I didn’t give a fuck what PJs I wore to bed — usually, back then, I only wore my delightfully pretty birthday suit to bed! I rarely do that anymore. Because, I’m, like 60, I mean 12. I mean SIXTY! Yes.

Here’s something funny. Yesterday, when I had that (amazing!!) phone chat with the CEO of the new publishing company I just signed with — I think she’s maybe in her late 30s, perhaps 40 at the most? Anyway, she said several times that she couldn’t believe I was 60, because of my voice. (I sound like I’m about 21. Honestly. Or maybe 12…)

I don’t know what it is.  My voice never matured. My personality certainly never matured. I know I don’t look 60, but I look, maybe 49 and a 1/2. I don’t really know. But what I do know is that now, alone in bed at night in the dark, more often than not, I’m streaming those reruns of The Monkees from my wee bonny girlhood.  (And I’m laughing — a lot.) And more often than not, when that’s over, I’m in the throes of some wonder-filled masturbatory frenzy.  Then I start chattering with my many cats, who I call “Silly Billies” because they like to chase each other around my dark bedroom the very moment I start to fall asleep.

And then I realize, you know — my God. I’m 60 years old. For Christ’s sake, I am really never going to grow up. Like, ever.

Normally, I don’t really notice “myself”, because I’m just me all the time.  But once I turned 60, back in July, I have started to sort of notice how weird I am.  I really did used to think that I would get married again one day, and all that stuff, and have some sort of conventional life. But I can’t even imagine anyone putting up with me at this point. It was hard enough for others to tolerate me back when I behaved just like the age I was.

I know! I would be a great match for, like, a really horny 12-year-old boy. But Ohio has these weird pedophile laws now…

Anyway!!

Well, judging from some of the comments I’ve been seeing in the WordPress feed, a whole lot of bloggers were not happy with that sweeping change they made over to the new block editor. So I was not the only one freaking out Friday morning over the “loss” of my blog. I feel a little better knowing that. (I’m also really relieved that I found the tiny little button that leads you to the classic editor. Thank god. But for some reason, they sure don’t want you to find it.) (I thought it was called “Word” Press because it was supposed to be like using “Word,” and not like trying to blog from some weird template from outer space…)

Anyway, for now, it’s over and done. And today is also the day that I am allowed to start building the new site for Marilyn’s Room Books. But I don’t know if I’ll do that today, because now I need to get this new erotic short story written, and do a final edit to the whole collection, and get that off to the publisher as soon as possible, since I already signed the contract for “Half-Moon Bride.”

So that is what my plate looks like today; I hope yours is just as happy.

This Friday, October 9th, is that live chat thing on Bad Seed TeeVee.

I believe that I have at long last figured out that intense Australian time zone difference.

I think it means that I will be tuning in at 6am, US East Coast time. Luckily, I am always awake at 6 am.

I’m not sure how you feel about it. But I guess it all depends on your time zone.

All righty.  Well, the dryer is bleating at me to come attend to it now. So I will close this and get the day underway here.

Thanks for visiting, gang. I’m gonna leave you with what I think is my favorite piece from the Lawless soundtrack (mentioned in that announcement there above). I was once a truly fanatical devotee of Emmylou Harris’s. I had all her records, and I knew every word, every note, etc., etc. I just loved her. (I don’t not love her now, but all of Country music has just changed so radically since those days, and a huge chunk of what I used to love has split off into Americana. It’s hard to follow all of it now.)

Anyway, I leave you with “Fire in the Blood / Snake Song”, which was written by Nick Cave & Warren Ellis (yes! the very same Warren Ellis who launched an Instagram account a couple weeks ago and has posted, like, maybe 4 times…) and which features both Emmylou Harris and Ralph Stanley — who, if you didn’t know him, was an amazing bluegrass banjo player; just legendary, but he has since passed on.

Okay, so I leave you with that today.  Enjoy! I love you guys. See ya!

Fire in the Blood/Snake Song

Come walk with me through the pines
In the morning sun.
The birds are singing in the pines
In the morning sun.

Come stand with me, my darling one,
Among the trembling pines.
We feel His presence all around
Fire in the sky.

You can’t hold me, I’m too slippy,
I do no sleeping, I get wandering
You can touch me if you want to,
I got poison, just might bite you.

Lie in circle on the sunlight
Shine like diamonds on a dark night.
Ain’t no mercy in my smile,
Only fangs and sweet beguiling.

Future, he don’t try to find me
Skin I’ve been through dies behind me
Solid hollow wrapped in hatred,
Not a drop of venom wasted.

You can slip and try to find me
Hold your breath and flat deny me
Makes no difference to my thinking
I’ll be here and you start sinking.

© 2012 Nick Cave, Warren Ellis

A Sunny Sunday October Afternoon in Crazeysburg!!

Sorry, gang.

This morning was about phone calls and yoga. So I am just now getting around to the blog.

I know that for most of my readers, this means that Sunday is just about over where you live, so I hope you had a really nice day, wherever you are in the world.

And I really want to thank everybody for all the likes and nice feedback on that ghost story I posted last night! It was one of those stories I discovered while looking for something else and had forgotten that I had even written (12 years ago!).  So it was really nice to get so much feedback on it. Thank you.

It is a really pretty day here, today. And, as usual, I will likely spend it here at my desk, writing.

There is some news, regarding my new (very long) erotic short story, “Half-Moon Bride.” If you have been following the blog for the past week or so, you know that I am re-thinking Volume 4 of The Muse Revisited.  And now the re-thinking is being once again re-thought!

So the collection will now be titled something else (that I haven’t thought of yet) and contain “Half-Moon Bride,” along with another  brand new story that I am currently writing, and then will also contain 6 other previously published stories — and they will all feature D/s themes (M/f and F/f) that push the boundaries of “questionable consent.” (Including “Asleep in the Dream of Life,” Necessary to Her Good,” “Gianni’s Girl,” and “Ribbon of Darkness,” among others.)

This collection will be a print book, so I’m very, very excited about that. And I will keep you posted, meanwhile, I have to write my wee bonny fingers off to get that newest short story written and turned in with everything else.

All righty.

So! It is World Animal day today, so I hope you are enjoying your many critters, hither & yon. On my Instagram page, I posted a bunch of drawings of cats that Valerie has sent me over the years — most of them drawings of my own cats, but 3 in particular (on Instagram), are famous artists with cats.  One of my favorites that she did:

Diego Rivera and Cat by Valerie Wares

I  just love this. She does (commissioned) paintings of pets, too, and also a comic strip — Paws for Thought Comics.

So, as I was sorting through all the many drawings she’s done of my cats over the years, I did get a little misty-eyed. She did a wonderful gold-leaf portrait of my first NYC cat — Kitty– who lived to be almost 19 years old.

The painting now hangs in my guest room. Come visit and you can see it in person!!

She was a little black & white stray that followed Valerie home one day, when Valerie was still living out in Queens a million years ago, and since, at that point, Valerie already had 7 cats of her own and I was cat-less, the stray became mine. And I went all -out and gave her the glamorous name of “Kitty,” and then she stayed with me, as I said, for almost 19 years. And she’s actually been gone for 18 years already…

Anyway, I got a little melancholy, thinking about my many beloved creatures who have passed on now. Especially the ones who actually let me cuddle them!!! (Unlike 7 cats that I have now who will remain nameless, but they know who they are!!)

Okay, I guess on that note, I’ll get to work here today. Thanks for visiting, gang. I leave you with a song I was thinking about early this morning. I hadn’t thought of it in many-a-year! A very early monster hit for Rod Stewart (1972, I think!), “You Wear it Well.” So enjoy and I love you guys. See ya!

You Wear It Well

I had nothing to do on this hot afternoon
But to settle down and write you a line
I’ve been meaning to phone you, but from Minnesota
Hell, it’s been a very long time

You wear it well
A little old-fashioned, but that’s all right

Well, I suppose you’re thinking, I bet he’s sinking
Or he wouldn’t get in touch with me
Though I ain’t begging or losing my head
I sure do want you to know

That you wear it well
There ain’t a lady in the land so fine, oh, my

Remember the basement parties, your brothers’ karate
The all-day rock ‘n’ roll shows?
The homesick blues and the radical views
Haven’t left a mark on you

You wear it well
A little outta time, but I don’t mind

But I ain’t forgetting that you were once mine
But I blew it without even trying
Now I’m eating my heart out
Trying to get a letter through

Since you’ve been gone, it’s hard to carry on

I’m gonna write about the birthday gown that I bought in town
And you sat down and cried on the stairs
You knew it didn’t cost the earth, but for what it’s worth
You made me feel a millionaire

And you wear it well
Madame Onassis got nothing on you, no, no

Anyway, my coffee is cold, and I’m getting told
That I gotta get back to work
So when the sun goes low and you’re home all alone
Think of me and try not to laugh

And I’ll wear it well
I don’t object if you call collect

‘Cause I ain’t forgetting that you were once mine
But I blew it without even trying
Now I’m eating my heart out
Trying to get back to you

Oh, I love you, I love you, I love you, I love you
Oh, yeah

After all this, oh, it’s the same address

Since you’ve been gone, it’s hard to carry on, oh, no

© 1972 Rod Stewart, Martin Quittenton

A Modern Ghost Story?

I came across this short story I wrote 12 years ago, for a lesbian fiction anthology,  Haunted Hearths & Sapphic Shades, for Lethe Press. It’s a ghost story.  And it is suitable for all readers. (It’s approx.  7 pages.) I guess it makes for good reading in October.

**********************************************

A Path to the Woods
© 2008 Marilyn Jaye Lewis

 Like Rose up at the house lying alone in what used to be our room, our world, but is now only spoken of as her “sick bed,” the roses here along the path are also dying. Fall does that to so many vibrant things; it pulls the warmth from them little by little until one night, what was once so gaily blossoming in the sun is suddenly deep into frost and beyond saving, beyond life itself.

Pink rose petals are now strewn all over this footpath – the one in our back garden. Even in near darkness, the fallen petals are heartbreaking, making it look as if a gentle pink snow has blessed us – an ethereal dusting from Heaven; something sacred and eternal and not just the ordinary death-knell of autumn. Well, maybe it’s true that we’ve been blessed, but regardless, this too – this snow of dying rose petals – will be so fleeting. Damn it. Everywhere my eyes look in fact, the fleeting beauty I find there pierces my heart and tears it to pieces. It is all in motion, the forces of life, and all of it separate from me. I am so small and alone here; so incapable of mattering. The tall trees towering overhead, so cleanly outlined against the black depth of a faraway sky are starkly profound. Trees survive us so effortlessly; Rose, me, everything. They dig deep and branch out and then just keep growing.

Tonight, there is only a slice of moon peeking through the trees. I sway a bit, looking up at it. I’ve officially given up all hope tonight, all expectation of miracles. I’ve given up my meager efforts to find strength and to be kind; I’ve abandoned all of it to the vast emotional wasteland of hopelessness. And in support of choosing to kill my heart, I’ve once again returned to the wine. I’m drunk. And I’m out here in the garden in the dark searching blindly for some spiritual corroboration that giving up is wiser now. I can no longer fool myself into thinking that Rose is not dying (or in truth, is as good as dead), and that I’m not alone.

I wish I could simply pull the plug on Rose and then claim that I’d had nothing to do with the lifelessness that would rush in to finally claim her. But Rose is not plugged in to any medical machines; there is no cord for me to pull. She is simply lying there in our old bed, drugged and laboring to breathe.

It has gone on too many days already, this feeling that her death is imminent. If only I had the strength to do what they did in old movies: ease the down-filled pillow out from under her delicate head and then smother her out of her misery. Do the right thing for once, no matter how legally wrong it was. Be courageous – help her. But I have no courage; it’s been my eternal downfall. If I were brave would I be this drunk right now? I hardly think so.

Beneath the blanket of dead rose petals, our garden path is paved with white pebbles. Lit every few feet by lamps that glow an eerie runway blue at night, the pebbled path leads down our yard and into the woods, where the crunching pebbles under foot abruptly become dirt. I follow it all the way tonight, wine bottle in hand. I like how it feels to be on the dirt path for a change – like walking off to oblivion; dense trees immediately enclosing me overhead, protecting me from everything heart-wrenching, inescapable and inevitable. Rose and I rarely ventured into the woods in daylight; we certainly never did it after dark. However, I need this feeling that all of the sorrow is obliterated now in order to ease the guilt I’m feeling over leaving the house at all. I know she’s in there rattling at death’s door. It’s bad enough to have gotten so drunk when she might go at any moment. It is worse yet to physically abandon her; to secretly hope that she will die while I’m far away from her, to save me from having to witness the worst of my fears: me standing impotently by in a world that is so suddenly without Rose.

There’s a small clearing somewhere in these woods. I remember it from one of our rare sojourns. I have no idea how far into the woods it is, or even if I’m going in the right direction. I’m hoping to find it not because it’s particularly beautiful, but only because there are large rocks there that I can sit down on. Then I can be far enough away from the house that the death rattle is no longer in my ears. I can sit and drink and cry and no one will hear me and I, in turn, will hear no one.

The slice of moon overhead is following me, gliding in and out of treetops. I can’t keep looking up at it, though. I’m stumbling drunk as it is; I don’t need to stumble literally and then fall and perhaps break an ankle out here in the dark. It’s a good sign, I suppose – I’m trying to keep at least some kind of grip on acceptable behavior. Rose would have been impressed.

Shit. Now they’re coming, all those tears that I’ve been trying to swallow, to keep at bay. God. The sound of my own crying breaks my heart even more. I am going to be so alone without her. I don’t want to be here without Rose. She is the love of my life. Before the illness ravaged her, she was so dark and lovely and transfixing – her soul was like that proverbial well, some kind of deep, dark water you would only find in a dream. Her brown eyes looked out from an ancient place, a place mysterious and bottomless. I worshiped her.

Why was I always so intolerant of her weaknesses, then? Why couldn’t I just love her? Why was I always so hard-hearted and mean? “Please tell me that wasn’t all I was!”

I’m crying out loud to the trees now when I should be up there in our old room, saying all this to Rose.

But she doesn’t hear me anymore. The Rose that could have responded to me is gone now. There’s only a shell up in our bed. I should have had the courage to say these things when she was still cognizant and able to give a reply; to forgive me.

What the hell is that? There’s an echo in these woods. My cries return to me a moment after they’ve left me. It is disturbing to hear. In fact, it’s scaring me.

Sniveling, I abruptly stop crying altogether but the echo continues. Oh my god, I realize; I’m not alone in these woods. Someone else is here; someone else is also crying.

I turn back toward the house to leave whomever it is that sounds so miserable, alone with her sobbing heart. I don’t want to invade someone else’s sorrow. I want to respect the stranger’s grief.

But no, that’s not really it, is it? I’m afraid of being needed. I always have been. I’ve always demanded that others be strong, as if it were something virtuous when, in reality, I was only in doubt of my heart’s ability to carry the burdens of others.

The sobbing continues. It’s a blessing in a way; it’s taken my attention off of my own breaking heart – finally. It’s a woman, I can at least tell that much from the sound of her cries.

I turn around once again and follow the path in the woods to the clearing I’d been searching for, and there she sits on a rock as I would have done, alone and sobbing. A woman with white hair; a thin, almost skeletal woman; her skin is luminous – too luminous to chalk up to only the hint of moonlight. I am compelled to approach her, even though it becomes quickly apparent that I’ve scared her to death.

“Christ,” she cries. “Stasha, where did you come from?”

She knows my name. Good lord, who is this? She looks so much like Rose. “Rose?”

She sniffles. “I’m sorry. I didn’t want you to find me like this. I was trying so hard to be stoic, you know? You seemed to be holding up so well and I wanted to be like you.”

“Rose, what the heck are you doing out here? And what’s happened to you?”

“What do you mean?” she asks, frantically wiping her eyes in a pitiful attempt to make it seem as if she hasn’t been sobbing her heart out. “I just needed to cry a little,” she defends herself. “We all need to from time to time.”

“I don’t mean that; I can see you’re crying. I was, too. But…” My voice falters. I am completely bewildered here. I set down the bottle of wine, feeling thoroughly spooked.

“Are you drunk again?” she asks. “Stasha, what is the matter with you?”

I try to pull myself together, at least together enough to speak. “Rose, how did you get out here? How did you even manage to get out of bed, let alone walk all the way down here, by yourself, and without my seeing you? And what’s happened to your hair? And where’s the nurse?”

“What? Am I a prisoner now? I’m not allowed to leave the house by myself, without your permission? I’m just sick, Stasha, that’s all. I’m sick. Everyone gets sick from time to time. It’s not like I’m dying. Yet.”

Oh god. These are the very words she said to me right after we’d learned about her illness and the unbearable prognosis.

“I still want to take that trip, you know,” she goes on insistently. “I’m scared; I admit it, but I’m not going to let this death sentence completely stop what’s left of my life. I’m going, even if I have to go by myself. That said, though, I still want you to come with me.”

“Come with you where?” I ask in horror – I know what she’s going to say because we had this conversation once before.

“To London, obviously. We have the tickets already. I’m going, Stasha. I don’t care what the doctors say.”

“Rose,” I say cautiously, “we already went to London – a year ago, Christmas. You got really sick there, remember? We had to take you to a hospital.”

She studies me strangely, as if I’m the one who’s out of place here; whose words are incomprehensible to her. “No,” she says, with faltering conviction. “That’s not true. The plane tickets are upstairs on top of the dresser.”

My mind goes to the dresser in our room and then I re-encounter the specter of her nearly dead body lying in our bed, laboring to breathe; the same bed where she’s been lying incurably ill for several months; nurses coming and going. I suddenly feel like I’m going to faint. Who is this woman who seems so like my Rose?

“Stasha, what’s happening to you? Why are you acting so crazy? I thought you were going to quit drinking, at least for my sake, until we got through this ordeal. I need to be able to count on you – to count on you being sober, being present for real, not just physically in the room. Or in the woods – well, you know what I mean. But look at you: you’re drunk. Goddamn you.”

I’m drunk, that’s what this is. I’m really drunk, more so than I think I’ve ever been. That’s what’s causing all this insanity. I’m drunk. I should never have betrayed her trust in me; I swore I would be right there with her when she died; that I wouldn’t leave her side. This is my punishment for leaving the house. This is my guilty conscience rising up from my dreams or something.

“Stasha, I am so disappointed in you,” she goes on. “I need you to be sober now. I really need you.”

“I’ll go back to the house, Rose, I swear. I’ll go right now and I’ll leave the wine here.”

“No! Don’t leave me,” she suddenly screams. She bolts toward me. “I know what’s up there! I know what’s in that room!” She grabs my arms to keep me from leaving. She is real. She is no dream. Up close like this, I can see into her eyes. Even in the dark, I recognize Rose. It is too alarming. How did she get here? And how did her damn hair get so white? “But you were in the house, Rose,” I splutter. “That was you in the room.”

“I know,” she says quietly, still gripping my arms tight. But she looks so desperate and defeated now, so tragic.  She says it again, “I know.”

I stare at her, unnerved. She hasn’t been this alive, or this strong, in many months.

“I’m not going back in there, you know.” She is barely audible now. “I know what’s going on up there – in that room, that bed. Why did you leave?”

“What do you mean?”

“You know what I mean, Stasha. You left me there. Alone. I was –” Her voice falters. She lets go of my arms and turns away. “I was dying. Shit. What’s happening to me?” She looks around us at the surrounding trees then up at the black sky. “How did I get out here? Stasha, what’s going on? Help me. Please. I don’t want to die. I don’t know how to die.”

Out of habit, I reach down for the wine bottle. It is always my instinct: to get drunker still. But I offer her some first. “Maybe a drink would help?”

She looks at the bottle being offered to her. “Maybe,” she consents. “Maybe it will.” Rose takes the bottle and helps herself to a healthy swig of wine. “We need to figure this out,” she says. “We need to be rational and we need to be calm, right?”

“Right,” I agree without even thinking. If I were thinking, rational and calm would easily give way to panic and alarm. She admits that she was up there in the room dying, and yet she’s right here with me, asking for my help. It makes no sense.

“You could do the pillow thing,” she suggests.

“The what?”

“You know, put the pillow over my face. I know you want to; you’ve thought of it.”

“Rose –”

“It’s okay, Stasha. You don’t have to deny it; I want you to do it. I don’t know how to let go, that’s my problem. I can’t find that light to go toward, that beacon we’re all supposed to see? I don’t see it. I can’t figure out how to cross over – cross over what, to where?”

She’s asking me to kill her, or to at least assist her in suicide. This is terrible. “Rose, maybe you’re just thinking too much about it. You sometimes do that. Maybe you just need to calm way down, you know? Get super calm and it’ll be like falling to sleep. You won’t even notice it. It’ll be very peaceful; you’ll cross over and then you’ll be dead.”

“I’ve tried it, believe me. I’ve been trying it for what feels like weeks already. I’m drifting to sleep and then I get to that point, that cliff – I feel like I’m falling over it, and then I feel like I’m suffocating; I can’t breathe. I’m falling to my death and I can’t breathe. Then there’s that jolt of fear and I’m back again. I’m still alive. I’m back in that damn bed and you’re standing there, staring down at me with a look on your face that tells me I must be pretty repulsive to look at now. You look at me with such – I don’t know – horror. And I know from that look that I need to get on with it already, that I need to just go now. But I can’t. I don’t know what the fuck to do.”

She’s crying again.

“Rose, honey. Don’t cry.”

She’s weeping in the same way that I’ve wept, night after night, alone in the guest bedroom, praying that the night nurse won’t hear me. Well, she has to have heard me, but I was at least praying that she wouldn’t come in. She never did.

“Rose,” I say. “What if I hold your hand? What if we go back to the house together, right now, both of us; we go back to the bedroom, you get back in bed and try to just fall peacefully asleep. I’ll hold your hand. It won’t be painful. You won’t fall from any cliff. You’ll just cross over, like you’re supposed to. You won’t even notice it.”

“How do you know? How can you possibly know?”

I admit that I don’t know. “It’s just a hunch. It’s what I think dying is like. Let’s at least try it, okay? You’ll hold my hand.”

She takes one final swig of the wine and drains the bottle. I have a quick pang of regret, I would have liked at least another swallow, but I don’t want to be selfish. It’s unbecoming to me and inappropriate to the weightiness of the situation. Let her be blissfully drunk when she dies, I figure. Let her at least have that. “Okay,” she finally says, gathering her courage. “We can try it.”

Together, we walk back through the dark woods, finding our way on the dirt path to the beginning of our backyard.

“Look at that house,” she says. “Isn’t it charming? I’ve always loved this house, Stasha. I’ve loved my life here with you. Every minute of it has felt effortless. Even those times we fought, I still felt like my soul was at home here – in this house, with you.”

“I think I’ve felt that way, too, Rose. I just didn’t know how to put it into words.”

“Then why do suppose you were always drinking? What was it you thought the wine could give you that you couldn’t simply feel by being here, alive, with me?”

“I don’t know, Rose. I honestly don’t know.”

“Be straight with me, okay? Is tonight the first night you’ve gotten drunk since we found out that I was sick? Did you keep your promise to me, for the most part?”

I take her hand. It is ice cold. I lead her up the white pebbled garden path. “I swear, Rose. This was the first time. I kept my promise.”

As we get closer to the sliding door that leads in to our kitchen, Rose holds back. “Look,” she says. “Someone’s in the kitchen. Is that nurse in there?”

“Probably, why?”

“I don’t want her to see me, or to be in the room with us. She makes me nervous, Stasha. You go in by yourself and tell her you want some time alone with me, okay? I want to try it with just you and me. No strangers. This is my death. It’s important to me.”

“Okay,” I agree. “I’ll tell her.”

“I’ll meet you upstairs in the bedroom, then.”

“Okay.” I have no idea how Rose is getting into the house, but I’m guessing she knows a secret way. I slide open the kitchen door and the nurse smiles at me. She’s having a cup of tea at the kitchen table. She can tell I’m drunk; it’s obvious. But she’s very polite about it. “Getting some air, Stasha?”

“Yes,” I say.

“That’s good.”

“Listen, I want some time alone with Rose now. I’m ready to tell her good-bye. I think she needs to hear me say it. I think I need to hear myself say it.”

“I think that’s very wise, Stasha. I know it’s a very sad time for you, but I think this idea is best for you both. Call for me if you need me.”

“I will.”

I go up the stairs alone. For the first time in weeks, I am not dreading getting to the top of those stairs and seeing the door to our room standing open, revealing a near-lifeless Rose in our old double-bed. What does startle me, though, is that the more luminous, white-haired Rose is now standing next to our bed but the dying, dark-haired Rose is still in it.

“What’s going on?” I say quietly, but I’m starting to panic. “Who are you really?”

“I’m Rose,” she insists.

“Then who’s in the bed?”

“Me. I have to get back in that thing. God, look at me; I look awful. I used to think I was so beautiful.”

“You were,” I assure her. “I mean, you are. Even with all that white hair.”

“What do you mean?” Rose turns and finally sees herself in the mirror. “Shit,” she cries out. “Is that me? What the hell happened to my hair?”

“I don’t know,” I say. “You must be, like, the ‘soul’ part of you now or something.”

“I guess,” she says doubtfully.

“Well? Are you ready?”

“I think so, Stasha. I think so. I’m really going to miss you, you know.” The sound of tears is creeping into her gentle voice.

“Don’t,” I say. “If you start weeping again that nurse is liable to come running.”

“You’re probably right.” She stops a minute to compose herself and then she sits down on the bed next to her useless and now haggard body. “I guess I just sort of –” She makes a sweeping gesture with her arms. “I kind of just swoop in there, huh?”

“I guess. I was assuming you knew.”

“Hmm.” She studies the situation. “I wasn’t really counting on this part.” She looks up at me. “I actually have no idea how to get back in there.”

“Well, don’t look at me. I don’t even know how you got back into the house.”

She sighs. “Stasha?”

“Yes?”

“Let’s do the pillow thing, okay? I think it’s going to be easier.”

“I can’t! I can’t do that to you.”

“You wouldn’t be doing it to me, really. I’m right here. The real me is, anyway. I mean, this would just be for the sake of convenience. I’m going to be right back out of the body again anyway, right? This way, I’ll just go directly from here. I’ll cross over like this. What do you think?”

“No, Rose, I can’t. I can’t kill you. I think we need to stick to the plan, do it the right way.”

“But I don’t want to get back in that thing, Stasha. I’m sorry; I just don’t. You have no idea how creepy it feels in there. It’s dark and clammy and cramped, and I can barely breathe.”

She gets up off the bed and slides a down-filled pillow out from under her body’s head.

“Stop it, Rose,” I shout. “Don’t do it. Don’t!”

But she’s doing it anyway; she’s smothering her near-dead form with her own pillow.

“Don’t! Rose, please.”

I struggle to tug the pillow from her grasp but she’s determined; she’s quite strong. “Rose, come on – don’t!”

But it’s too late. The shell of a body gives up with barely a noticeable struggle. She’s dead. She’s really dead. And the white-haired Rose is gone, too. I’m standing alone in the room in shock, in horror. She’s crossed over. And it all happened so quickly. I didn’t even get to say good-bye. It’s breaking my heart all over again. I look down at the love of my life, dead now; a fluffy white pillow over her face. I’m sobbing uncontrollably.

The nurse walks in and startles me from my grief. “Stasha!” she cries. “What have you done?”

“My god, no,” I insist, turning to look at her, but even I am having trouble believing it.

© 2008 Marilyn Jaye Lewis

We’re Gonna Try Again Today

Yesterday was intense, gang.

I don’t know if that full moon was factoring in to things, or not. But emotionally, I was all over the place yesterday.

The happy stuff was that my lunch with Kevin, the director of Tell My Bones, was so much fun. He had some initial casting questions, regarding actors, but other than that, we just talked about all kinds of stuff and laughed a lot and had a really nice break from the intensity of our lives.

And then, almost the moment I got back home, my ex-husband in NYC called to chat. He actually bought the print edition of The Guitar Hero Goes Home and was reading it!!

He said he would give me his feedback when he’d finished reading it, but he asked, “How can people think there isn’t a lot of sex in this book?”

Well, by the standards of “erotica” there’s not a lot of sex in it. By anyone else’s standards, I guess there’s a ton of sex in it… (I do have it listed as “appropriate for over 18 only”)

I give up, though — trying to figure how to market anything I write. There’s always either too much sex or not enough.

But it was so nice that he actually bought the book.

And then my other friend Kevin called! The one who lives in Montana most of the year (and the one who my ex-husband visited while on his vacation out West this summer!). It was so nice to chat with him. He’s planning to come back to Ohio soon, but only for one month and then he’s planning to go off to Chile and Argentina for a while, if COVID doesn’t get in the way of that. So I’m not sure if that vintage 1965 VW camper van of his will remain in my barn indefinitely or not.

So that was really just great — to have all those people to talk to you yesterday, including actually seeing another human being!

But in between all that, I would sink rapidly back into a depression.  For a few reasons, many of which involve people who are not getting back to me about things that are very important to me (some other things I wrote, and also stuff related to another play). I’m beginning to feel like I don’t exist.

But part of me is trying to convince myself that “not hearing from people” is actually a good sign…

And I’m still trying to get them to come pick up the 8 yard waste bags filled with dead hydrangea blossoms that are sitting at the curb (since Tuesday). 6 phone calls. Each phone call guaranteeing me that the truck is coming, and it never comes… Yesterday afternoon, the customer support person said the truck came by and couldn’t find any yard waste.

How can you not see 8 enormous brown yard waste bags filled with enormous hydrangea blossoms at the curb? Finally, the last phone call I made to them yesterday to see if they’d get here before the weekend started — the lady told me I’d be better off just putting them in my trash bin and having them picked up as trash on Wednesday.

It broke my heart, you know. Literally. Because I’m neurotic and I can’t treat all these beautiful blossoms like “trash.” But now I have to. So I stuffed them into my trash bin and now there’s no room left for my regular trash between now and Wednesday.

I actually cried doing that — not only because that’s how fucking sensitive I am, but because, you know, why didn’t the guy who picked up the trash on Wednesday — yes, the very same guy who moved all 8 yard waste bags one foot away from my trash bin — just put them in the garbage truck, since he was actually holding them??

I hate when things make no sense and then I’m the one who ends up feeling crazy.

Well, one nice thing — I was sitting at the kitchen table, eating dinner and trying to stop streaming that Brian Jones documentary because it keeps making me so fucking sad: I saw a woman walk by on the sidewalk and then she stopped and pulled one of the yard waste bags from out of my bin and took a whole bunch of those hydrangea blossoms home with her. I don’t know if she’s going to dry them or what. But I felt so happy that someone was going to use them, probably as decorations in some way.

I can’t bring anything like that indoors because all 7 of my crazy cats destroy that kind of thing over night.

Another nice thing is that the little house across Basin Street is finally going to get some inhabitants!

When I first moved in here, the woman who owned that little house was in a nursing home, and she has since passed away. Her son comes by periodically to take care of the grass, etc., but it’s been a totally empty house. But the son has been getting it ready for some people to move in — an older couple, it looks like.  It will be so nice to finally have some life over there.

Here is the little house, this morning, as the full moon was just barely visible through the fog. It looks like  a really weird house from this side of it, but it’s actually really cute.  And has 2 porches and a deck.

Little house across the street.

At one point, I was hoping my birth mom could either rent that house, or we could buy it for her. But my sister didn’t want her living that far away, and I don’t think my birth mom wanted to live that close to me, 24/7 — because I’m sort of crazy, in case this blog has not alerted you to that.

Whereas, both of my sisters are intensely not crazy. They’re super grown up and serious about everything. (And I’m actually the eldest.)

Well, okay.

Last night, I was listening to some lovely Morgana King music in the dark, in my bed. Trying to seek out reasons to be really happy about all these people who are treating me like I’m invisible. (This song in particular, is so lovely):

And then I started poking around in my music, and I discovered that Bruce Springsteen has actually dropped another new song for his upcoming album, Letter To You. It’s called “Ghosts,” and it blew me away for 2 reasons: one, being that it was that anniversary of Tom Petty’s death yesterday and it made me think a little bit of Tom Petty.

But it also made me think of The Guitar Hero Goes Home — my new novel. It really did. It just kicked my heart so hard.

Because, you know, it’s always just me and the thoughts that are in my head. It’s been like that for as long as I can even remember. I’ve always been very isolated by my thoughts, even as a really little girl. And then at some point, my thoughts make it on to paper and go out in the world, and they either sell or don’t sell, but then I’m always right back to being alone with the thoughts that are in my head.

But even though The Guitar Hero Goes Home is fiction — I made it up, it just came to me out of the blue two summers ago, when I was so in love; but even though he’s fiction, that guy in that novel is so real to me. Just so real. For me, he lives. And I love him like he’s “real.” And so that new Springsteen song “Ghosts” just hit me so hard.

And not in a bad way, but a very intense way, and it reminded me of how isolated I really am. And I don’t guess that, as this point, it’s going to ever really change. I guess that this particular lifetime is just all about managing alone.

Okay, well. I’m going to get started here. Yoga and then put some more of those thoughts down on paper and call it a short story.

I hope you have a great Saturday underway, wherever you are in the world. Thanks for visiting!! I love you guys. See ya.

“Ghosts”

I hear the sound of your guitar
Comin’ from the mystic far
Stone and the gravel in your voice
Come in my dreams and I rejoice

It’s your ghost moving through the night
Your spirit filled with light
I need, need you by my side
Your love and I’m alive

I can feel the blood shiver in my bones
I’m alive and I’m out here on my own
I’m alive and I’m comin’ home

Old buckskin jacket you always wore
Hangs on the back of my bedroom door
Boots and the spurs you used to ride
Click down the hall but never arrive

It’s just your ghost moving through the night
Your spirit filled with light
I need, need you by my side
Your love and I’m alive

I can feel the blood shiver in my bones
I’m alive and I’m out here on my own
I’m alive and I’m comin’ home

Your old Fender Twin from Johnny’s Music downtown
Still set on 10 to burn this house down
Count the band in, then kick into overdrive
By the end of the set we leave no one alive

Ghosts runnin’ through the night
Our spirits filled with light
I need, need you by my side
Your love and I’m alive

I shoulder your Les Paul and finger the fretboard
I make my vows to those who’ve come before
I turn up the volume, let the spirits be my guide
Meet you, brother and sister, on the other side

I’m alive, I can feel the blood shiver in my bones
I’m alive and I’m out here on my own
I’m alive and I’m comin’ home
Yeah, I’m comin’ home

© 2020 Bruce Springsteen