I Recognize This!

Okay, my TV set is not that old, it is at least digital. But since I don’t watch TV anymore, I have not yet upgraded to a flat screen TV.

Well, I did upgrade many years ago, but I let Mikey Rivera have it when he left me for another woman that he was deeply in love with. (No sour grapes here, gang!) But he loved that TV set and I was , just — what the fuck; I’ve lost everything else, just take the darn TV, too.

Anyway. Wow. I digress. And so quickly!

What I meant to focus on is that for the first time in over a year and a half, I sat in my family room this afternoon and watched a movie on my TV set. Actually, I watched a video. I still have a cool VCR. And a DVD player, too, even though all I ever really do anymore is stream stuff online. Still. I have all this stuff.

I was driving into town to get the groceries and I was listening to “The Lyre of Orpheus” by Nick Cave and the Bad Seeds (posted below). It is a really cool song. (I know, I always say that everything Nick Cave and the Bad Seeds do is great, so just to preserve my credibility, one day I’ll talk about something they did that was lousy. Off the top of my head, I can’t think what that would be — and it wouldn’t be Nocturama because I actually like that, too.) But it’s a really cool song, and it’s of course, quite different from any version of the myth of Orpheus that you probably recall from school, and it made me think of Cocteau’s amazing film from 1950, Orphée. But then I also recalled Cocteau’s final film, Le testament d’Orphée,  from 1960, which was a movie that had astounded me when I first saw it 25 years ago.

I have the film on video and I wondered how I would respond to it all these years later, so I actually got it out, sat in my family room and watched it. (You can see the whole film for free online, but I wanted to watch my own video of it; the one that somehow embodies all my memories.) Here’s my favorite still from the film:

From Jean Cocteau’s final film, The Testament of Orpheus, 1960

Jean Cocteau wrote the film, starred in it and directed it. But a lot of really cool people make cameos in it, as well. Including Picasso.

This film reminded me of why I used to love the cinema and don’t really love it that much anymore. At least not in the same way. And I still love some of the wisdom in this film — one being that no matter what an artist tries to draw (or to create) he will always just draw himself.

And also that a time may come when your creations will stand in judgment of you.  (Here’s one minute of his character of Orpheus coming back to life to judge him.) (The actor here, Jean Marais, was Cocteau’s lover and celebrated Muse until Cocteau’s death.)

But overall, 25 years later, I found so much in the film that was really delightful and amusing. Plus, it was kind of a reawakening for me, in that I gradually remembered that I had seen every film that Cocteau had made; that I’ve read all his novels, and read (but never seen) most of his plays. I’d forgotten this about me. I used to love Cocteau.

It made me realize (regarding Tell My Bones) that, with the encouragement of the director, I was able to really let my imagination free itself from time and space and create a true piece of theater, as opposed to a linear “play.”

And now I see that dwelling underneath all that was this kind of Cocteau stuff that I used to just devour. So it was sort of illuminating. I guess not an accident that I took this movie out today and watched it.

I’m super excited, also, to finally say here that Tell My Bones now has a costume designer, a lighting designer, and a scenic designer.

I’m just really happy, gang. Okay, I’m going to get back to work here. Hope your evening has been splendid.

Ah,Tuesday! It Rears Its Lovely Head Once More!!

Yes, Tuesday is laundry day around here! So that’s already underway.

And it’s also the day I have to drive into town and get groceries. All I have left around here are arugula and tomatoes. Healthy as I am, even I need a little more excitement than that. (Well, a lot more excitement than that, but we’re talking about food right now.)

Sometimes that part of living in the middle of nowhere gets a wee bit old — having to drive 25 miles & back to get the food. Because I spend maybe 20 minutes in the actual market. Then an hour driving. And then about 20 more minutes putting all the groceries away.

And I’ve already spent a chunk of the morning going over stuff with the director again for Tell My Bones and our Christmas promotion. And so I’m just now sitting down to blog at an hour when the blog is usually already posted.

So my day’s gone.

I’m going to spend what’s left of it (after the shopping trek) doing some more tweaking on Letter #5 from Girl in the Night: Erotic Love Letters to the Muse. And then, if I have the right headspace after that, I’m going to work some more on Thug Luckless: Welcome to P-Town. I just woke up in that kind of a mood.

Working with Thug takes a lot out of me, though, and if I’m not in the right headspace then it’s just useless. Writing that kind of porn (meaning the kind people wish to actually read) is like neurosurgery with words. Even though 99.9% of the words are filthy dirty & disgusting, they still have to be incredibly precise and in the exact specific place in the sentence; and then each sentence has to be precisely right. And then you can’t have too many words or it ruins everything.

So it’s a lot of work. However, it’s a task I’m willing to undertake for the sake of mankind (and good porn).

William at the A1000Mistakes blog in Australia (my favorite blog for learning about cool music I’ve never heard of before!), commented here yesterday about the unfortunate situation on the Internet and artists getting ripped off, etc.

What’s happening to me now is just sort of getting out of control. It’s never been this bad — where so much of my stuff is illegally being offered for free or for sale, all over the world.  I have enough of an enormous ego to feel flattered, you know — if you want it that bad, then, great. However, it truly erodes my income. But at the same time, these are really old stories and novels and novellas, and so it sort of just makes me feel like I have to focus my energy on the new work and let go of these things I can’t control.

The truth is that without the Internet I never could have gotten as popular as I did, as quickly as I did — all over the world. I loved the World Wide Web. I thought it was the most awesome thing back in the late 1990s. And back then, it went hand in hand with driving sales of actual books in bookstores.

And, because of the kinds of books I primarily wrote, Amazon was also a godsend to me. Most people did not want to go out to a public bookstore and openly buy the kind of books I wrote (because publishers usually put such horrifically tacky covers on them!!). So the privacy factor of Amazon really helped put me on the map, 20 years ago.

Still, as much as I personally love the ease of Amazon, they were also the beginning of the erosion of my earnings, way back when, because they were the ones who started to make it so fucking easy for people to buy cheap used copies of my stuff, that I got no royalties on whatsoever. Eventually, the Internet and eBooks helped put all of my publishers out of business (small presses, primarily). So this disruption of my career has been going on for quite a while now and, for the most part, I’m used to it.

This sudden onslaught of so much of it at once is a little hard to take, though. However.

I made the decision a long time ago that I was going to be a writer, no matter what. I’m used to the winds of fortune constantly changing. I would not recommend being a professional writer to anyone on the planet, though, unless you can stomach that.

A few years ago, the Philippine Daily Inquirer, a national newspaper of the Philippines, interviewed me in the late Spring, as students were graduating school, and among the questions they asked me was what I would advise these students who might want to make a career out of writing literary erotica.

I was dumbfounded, you know? Why on Earth would they ever want to do that? You’ve got to be out of your fucking mind to, you know, willingly choose this if you had even the remotest option of doing something else. And if, for whatever reason, like me, you know you don’t really have an option: you either write what’s in your head, or you blow your head completely off. Well, if that’s the case, then nothing I say is going to persuade or deter you.

But anyway. I’m used to things being less than perfect. My main goal is to write something good enough that somebody somewhere likes it so much that they want to keep it. Because it only takes one copy of something to be buried away for safe keeping — like a scroll in a clay jug in a cave in the cliffs over Qumran — to help it be part of the physical world for a really, really long time.

That’s the goal, anyway, when I put a word on some sort of page. And the Internet and everything that comes along with it, is part of that; be it good or less than good.

Okay. Nick Cave sent out a Red Hand Files thingy today! It was all about:

Ghosteen Nick Cave & the Bad Seeds

Had I known he was actually going to eventually tell us what Ghosteen was about, I’m thinking I might not have spent all those hours pondering it while listening to it in my bed, or at my desk, or in my kitchen, or while I was doing yoga, or driving all over Muskingum County, or while I was taking a shower….

However, that’s all water under the bridge, as it were. What matters more is that I still look really young for my age so not too much time was lost there.

I’m just kidding, of course. Mostly. Anyway. You can read it here if you so choose! As always, he’s eloquent and thought-provoking. And the album is just breathtaking, however you interpret it (or try to).

FYI: “Spinning Song” is a song I really love. I have no clue what it’s about. It is not one of the songs that breaks my heart or anything; I just really like the imagery, even though I don’t understand it. At all. But it seems to be a little bit about Elvis. And “the Queen” whose hair was a stairway, makes me think of Priscilla — not just on their wedding day, but more specifically, in the official photo from when the baby was first born: Priscilla’s hair is not to be believed. I never could understand her hair in those days. As a young girl, her hair actually kind of frightened me. (But then it turned out, in the 1980s, that she just had regular hair like everyone else.) (And that she was also incredibly funny and cute.)

Okay.  I’m gonna scoot. The day is practically over already!!! Have a perfect Tuesday, wherever you are in the world, and whatever it finds you doing. Thanks for visiting, gang. I love you guys. See ya.

Gettin’ My Shit Together & Takin’ It On The Road

Well, that’s sort of a play on words, based on the title of a popular Off-Broadway musical from the late 1970s, I’m Getting My Act Together and Taking it on the Road.

And even while I can sort of totally base my life on that musical, I’m actually just trying to get my shit together here today. I really, really am.

I have a phone meeting with the director in NYC this morning and need to kind of be like a “complete person” before that happens, because there are a lot of little things I need to discuss about the play, about the Christmas promotion, about bringing the first actors together and getting the workshop underway there for Tell My Bones. So I really need to have a functioning brain when I’m discussing all this.

Back when I was in Divinity School, I was trained in grief counseling, and so all the things I learned there (and practiced — I’ve been an effective grief counselor for others) — well, I need to do this for myself. Again. Counsel myself through this. And the first and most important thing, is not to meet myself at the level of my grief.  It’s kind of convoluted to counsel myself as if I’m two people, but in a way, I am because my grief has me behaving like a separate person here. One that I can stand back from and look at it in my head. And I know it isn’t going to help anyone at all, least of all him, if I don’t just get my shit together and get back to work around here.

And I have to stop worrying so much about how to behave towards him. I happen to be a really compassionate person and if I end up annoying him by hovering too much, I know him well enough to know that he will let me know if I’m annoying him.

This morning, I decided it was time to get the Christmas breakfast dishes out. Because how can you feel sad or dissociated when this cute guy’s looking at you, bringing you your coffee??!!

Well, I mean primarily the MOOSE in his little cap & scarf,  but I decided not to crop Nick Cave out of the photo, because that photo of him from a million years ago just always makes me really happy. (And of course my mom’s there in the background, pregnant with me in perpetuity.)

And it actually did help — having breakfast with the moose. He’s on my breakfast bowl, too. And his sweet little face is adorable.

And for some reason, I keep listening to that old Bruce Springsteen song (I posted it here over the weekend) over and over. And before it popped so suddenly into my life the other day, I hadn’t thought of it in 40 years. Now I can’t stop playing it.

Loyal readers of this lofty blog can probably already figure out that the song pushes a lot of the wrong buttons for me, and yet there is something about this song — melody, tempo — that I really love.

And I was sitting at the breakfast table this morning, listening to it for the millionth time, trying to pinpoint what it is, exactly, about these kinds of sentiments about marriage that rub me the wrong way. And I have always been like this when it comes to marriage.

Back when this particular Springsteen album, The River, came out, I was at the tail-end of trying to make a key relationship in my life work. It was a guy I was really in love with, and had been for 5 years, but we argued so much, that we were always breaking it off, then getting back together.

He was from West Virginia, from a small town right on the Ohio River, so I only got to see him on weekends if I got to see him at all. And even back when we were teenagers, still in high school, he wanted to get married. Meaning, he wanted me to drop out of high school, move to West Virginia, live there with him and his mom, be married to him and start having babies. Right away. (And his mom was in full support of this, so that didn’t help.)

I know I don’t even have to tell you what was wrong with that picture for me. Especially since, by then, I already knew, by age 16, that I wanted to be a singer-songwriter and move to NYC, once I was out of school and could figure out how to do that. But I really, really loved that guy, so it was hard to simply just walk away. And so, instead, we tried to stay together and just argue, constantly.

One time, the summer when I was 16 and he was 17, he and I went to a drive-in movie and of course we were fooling around in the car — we had more sex than you can possibly imagine. In fact, he was actually the first guy to give me an orgasm — and on purpose. Meaning, he knew his way around that whole “clitoris” thing and when that had first happened between us, I was only 15 and it was a huge, happy thing for me, especially since Greg had only been dead for a year by then, and the rapes had happened. But anyway, I digress.

We were at the drive-in movie, fooling around, and I told him I couldn’t have intercourse that weekend because I was ovulating. And then  he was like a man on a mission, you know? And I was a girl on a mission in direct opposition to his mission. It got really dicey in that car that night, I can tell you. Man. I mean, I was super horny, because I was 16 and ovulating — the worst combination to be if you’re with your boyfriend in some car at the drive-in and not wanting to get pregnant.

It is sufficient to say that I really wanted to kill him that night. I was so pissed-off at him. And even though it seems like most 17 year-old boys don’t want their girlfriends to get pregnant, if you happen to have one of the weird ones, don’t — even for a moment– believe him when he says, “I promise I won’t come in you.” Instead, just put your jeans back on, get out of the car and just walk the fuck home.

Anyway. In early 1980, he and I were still in that constant struggle of trying to be together, long-distance, with me not wanting to get married.

HIM: “Why do you have to go all the way to New York City and sing in some bar? We can get married and you can sing at home. I’ll buy you a trailer and your own washer and dryer.”

ME: (various expletives spluttered really loudly and with deep consternation and disbelief. Even when I was totally sober.)

What’s odd, though, is that after I moved to NYC in November of 1980, I was actually married 5 months later. To this really amazing Chinese guy from Singapore. And even though the marriage didn’t work out, I loved him and still do; he always tried to help me find my way in the world. (And still does, actually.)

So it’s just fucking weird — me and marriage. And whatever the hell goes on in my head about that. Primarily, I just don’t want to be owned, you know? Because then you can always be discarded. For some reason, it’s very hard for me to see past that one specific thing. The discard.

Well, the Bruce Springsteen song, in my opinion, is all about marriage as ownership, but it’s still a sweet song that’s hard not to want to buy into, even knowing all that I know.

Oh, before I close! I want to point out that there is going to be a book by Nick Cave to coincide with the exhibit in Copenhagen, Stranger Than Kindness: The Nick Cave Exhibition. Back, over 30 years ago, when I worked at MoMA and books were published that supported a special exhibition, the books were only for sale at the museum. Not in bookstores or anything. So I don’t know if this particular book (which I know will be amazing) will be available for regular people to buy (meaning myself specifically.)

Normally, in a year when I’m not planning on being in Los Angeles, Toronto, and New York City repeatedly, with pretty much all of my published books and stories being rapidly consumed free of charge all over the Internet  by everyone in the world and so money is becoming a real pressing THING in my life (although I still got some royalties from Amazon this month, so thank you, people, who are actually purchasing stuff)… but normally, when all that’s not going on, and an amazing museum exhibit is going on somewhere in the world, I will go to it! But this one just can’t happen for me. That so sucks… But I know it’s gonna be really, really cool. And hopefully, that book will end up being for sale all over, at some point.

Okay. I gotta get ready for my phone meeting here. Finish my coffee. Brush my teeth. (I never feel like my day has officially started until I brush my teeth!!)

So I’m gonna try to be cool today, and stop being so irrational with my grief, and try to find a more productive way to behave about my grief because I know for sure that the success of my writing is also really important to my friend, whether or not he has cancer that does not seem likely to be cured.

So, thanks for visiting. Have a really good Monday, wherever you are in the world. I’ll leave you once again with the Springsteen song, so that you don’t have to scroll down. Plus, I’ll also leave you with my “answer song” and then my absolutely MOST FAVORITE song for when I’m in love and will follow a guy anywhere (even into marriage…). (And if you can’t figure me out then imagine how it feels to actually BE me!!). Okay. I love you guys. See ya!

I’m Willing

You know, it’s been sort of a rough day. And not necessarily “depressing,” because I have this other way of invalidating myself, where I can convince myself that all the negative suggestions I’m giving myself are actually positive. And then I can sort of chip away at a lot of the things that make me happy and then act as if it’s okay to have this paltry amount of happiness left over.

It’s hard to describe.

Of course it stems from my friend’s extremely serious illness (posted below, a couple days ago), which then throws me into the memories of the deaths of so many of my friends — most of the friends I’ve had in my life are now dead. And I’m not even that old (AIDS took a whole lot of them in one fell swoop, though: 13 of my friends died from AIDS).

It’s sort of like a defense mechanism takes over my brain or something — it sends these walls down to maybe protect me from any more unhappiness. I don’t really know. But it starts blocking out everything that could maybe make me happy or could maybe make me believe that there is some sort of “future.” I don’t know how to describe any of this.

But even as it’s been happening, over the past couple days, I could see that it was happening and I was in some ways content to do nothing about it. Just sort of deconstruct myself and float away. Act happy, but just sort of vacate myself. And in this much smaller way, I’m still trying to fight it. Because before I talked to my friend on Thursday night and found out how sick he was, I was pretty much the happiest I’ve ever been in my life.

So it’s just rough. I’m trying, though. You know — always trying to survive myself.

I was with Kara earlier and she said, as I was getting ready to go home — I had eaten a ton of chocolate; just a ton of it and I was a little wired. And she said, “You’ll probably go home now and just write like crazy! You won’t be able to sleep.”

And I said, “No, I don’t think I’m going to write.”

And she stared at me and said, “You’re not going to write?”

Like it was the first time she’d ever heard me say that — that I wasn’t going to go home and write. And it probably was the first time she’s ever heard me say that. And I actually heard myself saying, “No, there’s nothing I need to write.”

And she just looked at me like I was out of my mind. And very confidentially, so that no one around us would overhear, she said, “But what about the porn thing — you still need to work on that. It’s good money.”

And I was, like: oh yeah; that’s right. And only at that point, as I was leaving, did I tell her about how sick my friend is and about how upset I am — and she’s met him before, because he’s come to visit me out here in the Hinterlands a few times already.

Then I got in my car, and as I was driving back out to the middle of nowhere in the darkness of Muskingum County, I realized that I was trying to make myself disappear again. Emotionally. And I just really know that I shouldn’t do this, but I’m not 100% sure how to stop it. But by the time I got home, I realized that I was at least willing to stop it. And so maybe that is going to help.

To be at least willing to stop and to believe. So I’m going with that idea for now.

The day is done, baby

It seemed like maybe I wasn’t even going to post at all today.  My mind has been on thoughts outside myself. All day.

Now I’m In bed. And no glasses on, so here’s hoping that this isn’t just chock full of typos.

I just keep thinking that I can’t suddenly become a sort of mother hen to my friend after 47 years of never having been like that with him before. I can’t start texting constantly, saying “how are you?”  Because  I imagine that I’ll make him crazy. Who wants to hear from me everyday?

But then I think, we’ll it’s not like he’s ever been this sick with cancer before, with no prognosis yet about whether he’s going to live a while longer or die really soon.

I just don’t know. I texted him today because I knew he was going to try to drive to his brother’s house to have an early Thanksgiving with his bother and the kids and all that.  He texted back that he had made it and that he was there.

And then I think, we’ll that’s probably enough. I probably shouldn’t ask him what he’s eaten and if he’s holding his food down, and all that. That’s the mother hen thing. I don’t think I should go there. But I just don’t know.

Well I studied my Italian today and it’s gone up another level in difficulty so that was good. Kept my mind engaged. Read some Biblical Archeology stuff and got sort of involved in stuff about Darius I of Persia, back during the Babylonian exile of the Israelites.. But mostly my thoughts have just been miles away all day.  Just drifting.

I was listening to the strangest song today, too. Another old Bruce Springsteen song from 40 years ago that I’d forgotten all about. Not sure why today it suddenly re-emerged in my world, but here it is.

I hope you’ve had a good day whatever you did and where you are. I hope that tomorrow, I’ll be back on track. I love you guys. See ya.

 

A Day…

I had a hard enough time dealing with thoughts of my friend today and his cancer and how severe it has already gotten, so quickly. It’s heartbreaking for me to think of him living alone there in Houston, with his cat, and not being able to hold much food down and just losing so much weight. It’s got to feel worse than isolating. And he’s the kind of man who just doesn’t want anybody taking care of him or worrying about him. And so I’m trying to figure out the best way to be about all this — what’s best for him, and I don’t really know.

Then, for some strange reason, UPS accidentally delivered a colon cancer kit to my house — to someone who doesn’t live here. It was my address but I’ve never heard of the man. And I couldn’t find a listing for him anywhere in the village except at my address. It felt worse than creepy, you know? I feel bad for the man but at the same time, I just didn’t want it in my house and couldn’t understand why it had been delivered. Obviously, it was a mistake, but it just felt shocking. All this sudden cancer stuff, so close to home.

But on the upside,  I did finalize the details for my birth mom’s trip here. She’ll come on December 9th and stay about 3 days, and she said that she wants to help me decorate the house and the tree, and for me to hold off doing that until she gets here.

I can’t tell you how happy that made me. It’s so strange how elements of my childhood — unrequited things from long ago — are coming back now in this bittersweet way. Plus, I just feel like such a child half the time now. It is so weird. I simply don’t feel like a grown-up at all anymore. It’s hard to describe it. I make jokes about being immature, but it’s not really that. It’s more like my childhood is always right up here with me — never too far away anymore. Obviously, I can take care of myself and all that, but it’s like all this bad stuff from so long ago, or stuff that was so hard on me, sad for me, is coming back around but in a healed way. Like things have healed now. I finally get to really be me.

Well, sad as much of the morning was, my work with Peitor on the micro-script was wonderful today. Sometimes he just makes me laugh so hard. And, actually, I was so tempted to post one of his new songs here to my blog this morning because it is such a lovely, sad, song.  Sort of alternative/ambiance thing. Really beautiful. But you know, he’d put me in front of a firing squad if I did that! Because it isn’t even mastered yet; it hasn’t been released. I’m not at liberty to just share it with the world. But, gosh, it is such a good song.

He had sent me an updated mix of it on Thursday, so I was listening to it again this morning, thinking about my friend and his cancer and all. The song is called “Requiem for the Lost.”

Well, it’s just beautiful. And when I got on the phone with Peitor this morning, I told him again how much I love that song (I love all his music — he’s a film & TV composer, and a songwriter, and primarily a music producer. ) And then he told me about a new TV series he’ll be developing beginning in January and “Requiem for the Lost” and a bunch of other new songs will feature in the series. I can’t discuss his actual idea, obviously, but it was a wonderful concept and I was very excited for him. And then he asked me to collaborate on it with him!

I was just thrilled. Of course, I accepted. So we’ll start working on a new TV series project beginning in January. So I guess I’ll be going to LA more next year, too. Which is all right with me — I love LA. And they have such a cool apartment there in West Hollywood.

Anyway. It was an up & down kind of day.

I made a few minor tweaks to “Hymn to the Dark.” I’m not sure what I’m going to work on next. I might take a tiny break from writing.  I’ve been making some headway in my friend’s new book about his travels in the Netherlands and I’m really liking it. I’m finding it very calming. So we’ll see.

Gonna call it a night now, though. Hope your Friday was good for you, wherever it took you and wherever you are in the world. I leave you with this. It’s sort of in keeping with the feelings around here today. Leonard Cohen’s final — and posthumous — album is out now: Thanks for the Dance. Here’s a video about it. Okay. I love you guys. See ya.

What A Difference a Sad Little Day Makes

Yesterday was so good, gang.

Even though I’m a little stressed because of both plays moving forward at the same time, in 2 different countries, I’m of course extremely happy about it.

And I got really good work done on Letter #5 for Girl in the Night: Erotic Love Letters to the Muse. (I posted it here yesterday afternoon, but I still want to tweak two specific things.)

While I was vacuuming the house, though, I noticed that my oldest friend in the world — he’s my age, 59, but we have been good friends since were 12, so he is my “oldest” friend.  I noticed that he had called me but didn’t leave a message.

He always just texts me so I thought maybe he called my number by accident.

Loyal readers of this lofty blog will no doubt recall him, because I’ve blogged about him before — he is a geologist and he works for NASA in their current space program. He’s lived all over the world and studied rocks, but for the last couple of decades, he’s been in Houston, Texas, working with NASA.

I see him maybe once a year, twice if I’m lucky, because he still has family in Ohio and comes back for graduations and stuff like that.

We are very close, though. We have always had the same tastes in music, literature, drama, movies, and art. And we have the same sense of humor — the silly and the absurd.

But the two key things that are really different about us: I was in my early 30s before I found out that he was gay. (Very weird, considering I was “out” as a bisexual since I was 14 years old. And I put “out” in quotes only because it never occurred to me that it was something I should be secretive about. ) And, more notably, he’s a devout atheist. Hugely atheist. Whereas, I am hugely not atheist.

But somehow, we’re able to still be really close. And last summer when he came through Ohio, he decided he wanted to start looking for a house in the next county over from me, where it is known for all of its caves and hiking. And I mean, internationally known: a couple million backpackers go through that area, from all over the world, every year.  He’s getting ready to retire and wants to move back and buy an old house and  live near the caves and the cliffs and all those rocks.

I can’t even believe that he is at “retirement” age, because, as a writer, I have the mindset that I am never going to retire. If I can still spell, still craft a sentence, I’ll still be “working” in some capacity up until I die. I don’t understand this concept of retiring. Plus I’m still only 12, and so any form of retirement is just a long way off…

But last night, he did it again. Called and didn’t leave a message.

When I’m at my desk, my ringer is off on my phone. So I don’t know if someone’s calling me unless I happen to see it on the screen. And, again, I didn’t see his call until he’d hung up. And it’s just not like him to ever do that. He always texts me. So I texted him: Are you trying to reach me?

He texted back right away. Yes, I am. I know it’s late but please call. We need to talk.

SHIT, you know? You just know it can’t be good. So I called him right away.

And it is cancer. And its very advanced already. And it’s the kind of cancer most people don’t survive, only because it’s the kind of cancer most people don’t even know they have until the cancer has become entrenched, which is what happened to him. He’s still too early into the chemo-radiation thing for there to be any prognosis yet. At all. They have no clue yet if he’s going to survive or not. But he’s in very bad shape.

So we talked about the treatment, and we talked about how badly he wishes he could just gain some weight now (he’s almost to the Auschwitz-looking stage). And he talked about his atheism, and he told a very silly but funny Amish joke, and then we talked at length about the Romanovs. Because we are both hugely interested in Russian history and Russian literature, and the Romanovs have always been extremely interesting to me. So we focused on the Romanovs instead of on cancer. And then we closed the conversation with him saying he hoped to be back here in the spring, to look at more houses and finally find one that he wanted to buy. And then he asked me how many cats I have now, and I said that I was down to 7. And he said, “Okay, that’s good. You still need way more than that to be a crazy cat lady. But God bless you for taking such good care of them.”

And, of course, I found it so strange that he chose to say “God bless you.” Just so very unlike him. But I didn’t draw attention to it.

And afterward, when we hung up, it was late and I simply went right to sleep because I didn’t want to process any of it. At all.

When I awoke at 4:30 this morning, for a blessed moment, my mind was a complete blank. First, I thought about the two plays and specifically the work I’ll need to do in Canada. And then I thought about Girl in the Night: Erotic Love Letters to the Muse, and whether or not I wanted to tweak Letter #5 some more. And then I remembered that the Ghosteen CD (Nick Cave and the Bad Seeds) had arrived yesterday from Amazon in England. And the packaging of the CD was very beautiful; spare but beautiful and I was so happy that I had bought it. And then I remembered that Peitor would be calling from Los Angeles this morning because we have to work on the micro-script.

And only then did I remember that my oldest friend in the world is, well, not doing so well at all.

And of course, I couldn’t help but start thinking about us as 12-year- olds (he was the first person ever, and I mean EVER, to tell me that I was intelligent); then as 16-year-olds. Books and music and movies always solidified our friendship. And he never judged me, ever, for any of the terrible stuff that happened to me back then. He was always just my friend.

When we were 17, he said, “You have to see that new movie, Annie Hall. She’s just like you, Marilyn. She’s you.” And even though I did see the movie (5 times) and loved it, it was years before I was able to get any sort of perspective on myself and see that he had been right. I was just like her, and back then, I even dressed like her.  (The actual character, not Diane Keaton.)

Image result for photos of diane keaton as annie hall

And then, that same year, I think — right before we graduated high school — there was a hit song on the radio at the time, “Ariel,” and, again, he said, “That’s you, Marilyn!”

Maybe. Yeah, probably. Even more than 40 years later.

So I played it on YouTube in the dark, while I was still in bed and trying not to cry because it won’t solve anything.

But I leave you with that, because I have to get ready for my phone call with Peitor now. I hope you all have a good day, wherever you are in the world. I love you guys.

Excerpt 5: Girl in the Night: Erotic Love Letters to the Muse

This has been updated as of 11/27/19

The following contains sexually explicit material, so please be advised. Thanks!

*********************************************************

Hymn to the Dark

Shapes in the bed at night now. Soundless but entwined and enigmatically engaged. Thrusting, shifting, turning. Bordering on life. This is you, on top of me, in my dreams.

Sometimes it’s complicated – the positions my mind needs from your phantom form. Sometimes it’s brutal and yet my orgasm still erupts, the shock of it contracting me sharply around my solar plexus.

Most times, though, the need is almost unbearably simple: to learn the scent of you, your skin, your neck; or to hear the sound you make when desire can climb no higher in you and becomes climactic. The shift into ecstasy.

What does that sound like in you; how does it feel outside of you, but up close? The electric pulse of lust, flowing freely from you into me. With no emotional baggage. No barriers of doubt, disappointment, or change.

You’re a stranger to me, so you are weightless on my soul. But the measure of my love for you within my very being? It’s as profound as gravity – a presence to which I can attest; still, a force I cannot explain.

*     *     *

When I was five, I awoke with a start, alone in my bed.

It was summer, early in the morning. The sun was up but the house was silent. The feeling between my legs that had awakened me was urgent, persistent, undeniable. But I had no ready understanding of what it was, of where the feeling needed to go. The only thing I knew how to do down there was pee. So I tried that, to see if that would lead my insistent body to its desired destination. But all I did was wet my PJs and – very nearly – the bed. It felt nothing at all like the feeling I was somehow expecting.

I hurriedly slipped out of bed and changed into pajamas that were dry. And then hid the evidence of my incomprehension, crumpled into a pee-soaked ball, at the back of the dresser drawer.

*     *     *

Imagine, as I’m imagining now, that little girl of five, grasping the profoundness of you. Right at that moment. Perhaps that’s what the essence of her being was trying so hard to propel her toward – the rapture of it; the idea of you.

*     *     *

It took forever – two more years – for me to finally allow the orgasm to have its proper moment; to be known.

I was seven and convinced by then that the feeling of urgency my body was always climbing toward in my bed at night – my fingers between my legs now – was merely the signal to pee. I would not be fooled again. It would just make a mess.

Luckily, the gods that created Life and planets and daffodils and the moon and fox terriers and babbling brooks and lightning and little turtles and giant squids and oak trees and maple sap and snails and peppermint and a kitten’s purr and milk in nursing female mammals and worms and trout and iguanas and wild violets and strawberries and all manner of crustaceans and the arachnids, also made the aroused clitoris a thing extremely difficult to ignore.

One night, I was simply too weak-willed to resist its incessant pull any longer. If I wet the bed, then I wet the bed, but I simply could not stop the flow, the amazing feeling. I kept rubbing that little nub between my hairless legs until I passed breathlessly over –

“Into that thing your body does, you know? That thing that happens.”

But none of my little seven-year-old girlfriends had a clue what I was referring to: What thing?

*     *     *

Let me tell you about a young woman from Queens with long dark hair. She played an electric bass guitar back then. She wore a motorcycle jacket and black jeans. Combat boots. She wasn’t tatted up yet, that came later. She played punk rock. She smoked. She had a persistent heroin habit. That part’s gone now, but at the time it was an ever-present wedge between us.

I loved that woman. Real love. The kind I have transferred over to you. The kind of love that reaches forward through dark centuries of chaotic knowing and secret longing and makes its presence undeniably known.

Sometimes she was clean, and she’d come around to see me.

Those moments were what I thanked God for. They were the actual moments in which I knew I had a deeper reason to exist.

You cannot ever know many people like that, or in that way. That way that emits that type of cry from your own soul. The kind of love that you simply must pursue because all the things you agreed to forget about when you were born are hiding in plain sight within those eyes, that face; in the world that those eyes create in your dreams.

That first night that she was clean and I was sober at the same time and we found ourselves together, sitting on my bed – we kissed, with bodies that were not deadened to life but that could feel – all of the intensity that there is to feel. That night, that moment, she undressed. I probably did, too, but my own nakedness was not of enough interest to me to override for even a moment just how lovely her naked body was.

It was the moment I’d been born for
exulted in
to remember her suddenly, from some
deep black
sleep;
a memory of worlds
going horribly wrong –
in order to be together again
here now
in the quiet safety of my bed
in my meager apartment in
the East Village,
seeing her beauty anew in
a new life a
new way
a different and
now very sacred light.

By then, I had made many other girls come with my mouth, my tongue and, usually, two of my fingers up their slippery holes. I loved making girls come. I loved eating pussy. I was not particular at all. If a girl wanted to play, I played. If a girl didn’t want to play and I did, I tried. I knew how to take no as the second answer, not the first. I was persistent when I wanted a girl.

But with her – it was a gift. She gave her naked body over like a gift. And my mouth on her was tentative; could it be real? A woman I loved so dearly would open herself so wide for me?

And when her orgasm came, it seemed to come abruptly. She shuddered and it was undeniable.

Hers were the only orgasms other than my own that could leave me breathless and filled with awe. Her body coming, her face happy and my mouth on her down there.

*     *     *

Down there. That was the place my fingers learned to seek, alone in my bed at night. My mind told me stories. Terrible, brutal stories about bad, bad girls and their beautiful daddies who are always right there to reluctantly mete out the punishment.

That was the world that blossomed for me, even as early as age six. To this day, I have no idea where it came from, why it was there, waiting for me and why I was so delightfully pulled into it; so much so that I couldn’t wait to go there almost every night.

The man who had raised me was gentle, fair, pragmatic, sober, and in those early years, kind.

The man in my six-year-old erotic imagination was scary; I trembled because of him but I went to him willingly and I adored him.

You scare me, too, you know. You do. I know you know.

*     *     *

Do you know this – that I adore you? That the mere idea of you is all it takes to cause me to sink under and surrender? To those waves of thoughts that have grown up so much since I was six; that world within me that still tells stories, but simpler ones.

Regardless of what two people can do in my imagination, the simple story about you always tells me this: I do not know what life is; I do not know what we came here for. I do not know why bodies exult in love and in lust and in erotic trust and abandon. I don’t know what a body is. I have no answers for anything – well, not for the questions that really matter, I don’t.

Still, my mind goes willingly into those fornicating pictures – into the noise, the sweat, the fear and the taboos, into the sanctuary, the force and sometimes even the pain – to conjoin your form with my own.

The idea of you on top of me or next to me or under me or all around me; my mind and my body go willingly into the fray of you to become, for a moment, the flowing answer that it can never truly know. Until the orgasm comes. And the questions begin again.

The longing begins again.

*     *     *

One day I will die
We’re all going to
And from there, I will gaze
back over here
and relive the phantom nights
that have become filled with
you now –
with your body, your will, your erotic
appetites and carnal
desires
all the things that make you so
magnificent
to me
And that will be a good thing
Whether or not
you ever really came.

© 2019 Marilyn Jaye Lewis
Girl in the Night: Erotic Love Letters to the Muse

If wishes were horses….

I’d have beggars riding all over this house! For sure.

BookOfNurseryRhymes62.jpg

I found out a little bit ago, on Instragram — after nearly 57, 000 other people found out, I might add. Sometimes Instagram takes forever to get something into your feed that you actually want.

But anyway:

Stranger Than Kindness: The Nick Cave Exhibition opens at The Black Diamond, Copenhagen on 23 March and runs until 3 October 2020.

I sure wish I could go see that. I love Copenhagen, for one thing, and I haven’t been there in a long time. But, more than that, it sounds like such a cool exhibit. You can read about it here.

(Yes, I realize that the exhibit is probably going to travel here to Crazeysburg, and that patience is a virtue and all that. But still… sure wish I could go. )

Why, Sure! I Can Forget Your Birthday! No Problem At All!

Man, sometimes my brain is just amazing. I never, ever used to forget things like people’s birthdays. But nowadays, it’s more unusual when I do remember one.

That said, though, this time I really outdid myself. On November 3rd — that was 17 days ago — I texted a friend and former business partner in NYC, asking her what her birthday was because I knew it was in November but couldn’t remember which day and I didn’t want to forget her birthday this year. She texted back “Nov. 20th.”  And 17 days later… absolutely clean slate in the brain. I didn’t remember her birthday until I woke up this morning.

You know, I just don’t understand how my brain works (or doesn’t) sometimes. I wonder just how self-involved I’m capable of getting. I guess we’re only going to find out now as time keeps barreling along.

I found this little tidbit of information interesting: I’ve had over 10,000 visitors to the blog this year. I don’t actually keep track of stuff like that anymore because I consider this just my private little blog, tucked away in a corner of the blogosphere now.  But I saw the numbers this morning when I was sorting through some of the widgets in the back-end of the blog. If someone were to have just randomly asked me how many people had come to my blog this year, I really would have said “maybe a few hundred.”

I guess you don’t want me to be your accountant or anything.

Well, I made good progress with “Hymn to the Dark” yesterday, until I got the news from Sandra about our other play finally getting a firm date for production (plus she posted a photo on Instagram of our director and one of the producers). Then I just couldn’t concentrate on anything at all after that.

I am really excited but it is also going to be a huge amount of work — not just that specific play (an original musical about Sandra’s life) which still needs massive revisions; but the year, in general, will be a huge amount of work because both plays are moving forward, in different phases, at the same time, again.

I’m happy about that, because each project can help drive the other. But it’s clear that I’m just going to have to really pace myself. I still want to finish Girl in the Night, as well as In the Shadow of Narcissa — which I’ve decided I want to present as chapbook-sized flash fiction. (And I don’t want to forget about Thug Luckless, either. Because he’s a cool character with plenty of post-apocalyptic porn potential!! Yay!!)

I woke up at 2 in the morning, with an old song of mine in my head — a song I wrote in 1981 that I used to really, really love and I tend to forget about it, since I never did any demo of it with the band. I have a demo of just me and the backup singer and my guitar, but nothing more. It used to go over really well live, so it was just always in the line-up and I never saw a need to demo it. But I just love that song.  (Titled “Saturn’s Got Moons Enough for Mars and Venus” — it’s an upbeat swing tempo, with a ton of words about astronomy and archaeology and dinosaurs, and it’s of course about a love gone bad, and it has a really catchy chorus. It really does.)

Eventually, when I’m finally able to afford to go into the studio in LA and record my album (with Peitor producing again — after only 35 years), I want to try to remember to include that song! I really do just love it. I drifted back to sleep, sort of singing it in my head, and I had a dream that the chorus was so long that when it was printed out on paper, it weighed 5 pounds.

This is of course not true, but what an interesting dream. I’m sure it means something very important.

I texted  my birth mom yesterday, to see if she wanted to come visit between Thanksgiving and Christmas — I usually don’t call her on the phone because she still makes me nervous, even after all these years. Something in the back of my brain still worries that she’ll pick up the phone and finally say, “What do you want? I gave you up for a reason now please just leave me alone.” (Sadly, I actually have an adoptive mother who’s more like that: “I adopted you for no reason whatsoever now please leave me alone.”) (Here’s an actual quote from my adoptive mom: “What part of leave me alone did you not understand?”) (I guess that whole part there about leaving you alone…)

Anyway. My birth mom texted back, “Yes, I’d love to.” It just made my day. So now I have an added reason to get into that huge storage closet and get out the many, many, MANY boxes of Christmas stuff! And it will officially be not only my first Christmas in the new house (because last year I was so despondent with loss and grief, and with trying to keep it all a secret, that I was off with various church people who were trying hard to keep me from killing myself. I’m very grateful that they were successful). But it will also be my very first Christmas with my birth mom.

Even though I’ve known her now since I was 25, we’ve never been together for Christmas. And when I was a little girl, I always missed her terribly at Christmas. I had to keep that a secret, too, of course. (When you have to keep secrets that are really sad, I think it just makes it that much harder to bear them and more isolating.)  So this is indeed a dream come true for me. My own house, my own tree, my own mom.

Okay. I’m gonna close and get to work here. I’d leave you with that song I wrote back in 1981, because I was singing it to the cats at breakfast this morning and they seemed to really like it, but I have no digital file of it whatsoever. And I don’t want to leave you with just the lyrics, because the chorus alone weighs 5 pounds!

So I’ll leave you with this. My mom at 5 years old, and me at 5 years old. I really just can’t tell you how much it means to me that she is in my life, and that she wants to be. Thanks for visiting, gang. Have a super Thursday, wherever you are in the world!! I love you guys. See ya.

My birth mother at 5 years old, Greenfield, Ohio, 1952
Me at age 5, Cleveland, Ohio, 1965

 

 

The world of author Marilyn Jaye Lewis