Tag Archives: Nick Cave & the Bad Seeds

Merry Merry & Happy Happy!!

Okay! Merry Christmas, again!

If you were an early bird here to the blog (or whatever time it was where you live), and caught the limited-time post,  I hope you enjoyed reading “Gianni’s Girl” as much as I enjoyed writing it, 25 Christmas Eves ago.

It was truly one of those stories that I felt was dictated to me by the main character. The words came, the story came, the whole thing flowed out in one (long) sitting, and did not require any editing except for punctuation and misspellings here and there.

And it’s true — Wayne and I were having a dinner party that night because it was Christmas Eve; company was coming over, we had a ton of cooking still to do and last minute grocery shopping to do, and I was glued to my desk, writing furiously away because this amazing story was spilling out of me and I couldn’t stop it. I wrote it by hand, then typed it up a few days later. (I still have the handwritten manuscript in storage.) I didn’t even own a computer yet.

Wayne was so incredibly irritated with me that morning. He kept coming impatiently into the room: “Aren’t you done yet? We have to get going!” ME, scribbling away: “No! It’s still coming!!”

I recall vividly, both us hurrying along Broadway in the throngs of last-minute shoppers. It was a very cold and overcast day and I was sort of delirious, trying to explain to Wayne how incredible this story was that had just suddenly come out of me — though it had taken several hours for it to come out. And he was not impressed in the slightest; he was just so irritated with me.

For me, though, the story had been so vivid as it came out onto the page. I could see the entire thing — like a movie. And the part where Gianni is talking about having all that sex with his mom, and his mom always being pregnant and his dad being an abusive drunk — that part actually looked like it was in a tenement on the Lower East Side of NYC. I’m not really sure why I decided it was in Chicago.  I guess because it was bootleggers and it was 1927. Although there were plenty of bootleggers and plenty of mob guys in NYC in 1927.

Anyway. I know that for obvious reasons, it can be considered an offensive story (gang rape), and the fact that it ends up being a love story kind of fucks with some readers’ heads, but I wrote it down just as it came to me. And then people seemed to really like it — well, except for the girl it’s dedicated to — “Michelle.” She did not dig it at all. She was really offended by it. She didn’t like it until years later, after it actually became popular and conveniently had her name on it. It sold something like 75,000 copies, new, in all its various English editions combined. I don’t know how many have sold in French, or as “used” books or in eBooks. (It’s in a few different eBook collections.)

Blessed By Light came to me the same way, except it was an entire novel.  Someone else was dictating that story to me for nearly a year and I just wrote it as it came. After I was halfway into writing it, and had begun reading back over it with my editor, I was really startled to see how closely the female character (the “girl in the night”) resembled me. It was uncanny and disconcerting and weird, because I didn’t see it as I was writing it. However, I purposely titled Girl in the Night: Erotic Love Letters to the Muse after that character in Blessed By Light, because it felt like it was me.

Well, okay!!

I tried very hard to stay away from my desk yesterday. I was successful but I had sort of a disjointed day because of it. I did re-watch Distant Sky: Nick Cave & the Bad Seeds Live in Copenhagen. It took a couple different sittings for me to get through the whole thing. I just find that concert and those songs just so amazing. Beautiful. Intense. Wonderful. Here’s “Girl In Amber” — I posted this photo briefly last night. But then everyone was visiting the photo of Basin Street in all that fog last night, so I pulled it to re-post it now:

“Girl in Amber”

And in case you don’t follow me on Instagram (I don’t think any of you do!), here’s a couple of photos I posted there:

Doris, on the table, ensuring she is first in line for Christmas dinner (this table is just for show — I eat alone in the kitchen).

 

The meanest cat in the world, Francis, on her Christmas chair! (Her mom, Tommy, underneath it.) (This is a vegan-friendly chair, it didn’t cost much. However, it is less than 2 years old and the cats have already destroyed it.)

Well, that’s it for now. I’m gonna go eat lunch or something resembling it. And then try to figure out what I will do next. I’m feeling like I might actually work at my desk today… (heavy sigh). We shall see.

Merry Christmas, everyone. Thanks for visiting!! I love you guys, see ya!

Best Morning of Christmas Eve, Ever!

For some reason, all day yesterday, I kept thinking about that concert film from 2018, Distant Sky: Nick Cave & the Bad Seeds Live in Copenhagen. I really wished I could re-watch it. I kept thinking about how great it would sound on my new speakers, plus I just really loved that concert and wanted to see it again.

You know, I have a private email address that only about 6 people know. Two of my friends have it; one of my ex-husbands has it (the other ex-husband only texts me on my phone); and then about 3 business-related people have it. It’s so that I can be sure that emails coming from any of those people never wind up in the junk folder, and never get lost among a ton of spam emails. I won’t ever accidentally delete it, or not see that it’s there the moment it arrives.

There’s only ever about 3 active things in that inbox, and right now they’re all emails from the director of my play. Around 2:30am, though, I saw that my ex-husband (in Seattle) had emailed me. It was no less than 8 animated Christmas gifs, the one posted above being among them! I find it so funny & sweet that he does that, because he’s Chinese, Buddhist, born & raised in Singapore — and he sends me the most Westernized depictions of Christmas imaginable.  It’s so funny. But he also said something really sweet to me and it was just the best little Christmas email to get at 2:30am.

And then at about 6am this morning, I was still in bed and checked that email inbox again and, lo & behold, Nick Cave & the Bad Seeds had written to me!! They never write to me at that email address — they only use my main one that the whole world knows!!

Well, upon closer inspection, it turns out that YouTube has that email address  — and they were the ones actually writing to me. But it was to tell me that Distant Sky: Nick Cave & the Bad Seeds Live in Copenhagen had just been uploaded to YouTube!! And that I could start watching it right that very second if I wanted to!

Fucking-A, right??!! Yay. I seriously really was thinking about that movie all day yesterday. I’m so happy!

I know… I’m committed to making this effort to watch only new things. (You’ll notice, though, that being “committed to making an effort” has a glaring loophole in it — you can see it a mile away.) Plus, it’s Christmas — who watches anything new on Christmas? I think it’ll be cool if I can manage to get through the next 2 days without watching It’s A Wonderful Life or A Christmas Carol or The Bishop’s Wife or Holiday Inn, or even some sort of old foreign film about Nazis in Paris at Christmas or something like that.

We’ll see how it goes. I am, though, going to SERIOUSLY make an effort to not sit at my desk. I am going to try to avoid the hypnotic pull of it. I really am.

Even though, last evening at the Granville Inn, I ran into Kevin — the director of my play — and his husband, Christopher. And so now all I want to do is work on some revisions of the play! But last night, Kevin — who greeted me with this amazing hug and a big smile and said really joyously, “I love you!” and it left me a little breathless because it’s been quite a while since anyone has done that to me — but he also said, “We’re not discussing work until after the holiday, okay?!”

And I said, “Okay!!” And I’m gonna try to stick to that. I really am. And if that means I’m forced to re-watch Distant Sky: Nick Cave & the Bad Seeds Live in Copenhagen in order to not sit down at my desk, well, you know….

I’m actually so glad that I looked really nice last evening. I was hoping to run into that older man — that widower who’s a transplanted New Yorker — because he’s really interested in my play and I wanted to give him one of the Christmas cards. He’s been really sick, but I was wondering if maybe he was feeling better and would stop in at the Inn before Christmas. So I had actually washed my hair and it was behaving splendidly — you know, silky and bouncy and just really full and not as if half of it had just fallen out in the shower and was hanging around the bathtub drain…(such is the life of hair at age 59 and a half). Plus, I had decided to wear make-up– eye make-up, that is. I never wear any other make-up anymore, even though I have a ton of it and I love make-up; I just hate wearing it now because it adds about 20 years to my face. And I spend 17 trillion dollars a year on products that ensure I look 15 years younger than I am when I roll out of bed each morning and so that I can go out bravely into the Hinterlands and have much younger people gush breathlessly that I don’t look anywhere near as old as I am!

I don’t want to ruin all that by wearing anything more than eye make-up.

But anyway. Last night, there I was, actually looking really good for a change. And I had on these cute little silver earrings shaped like cats in Santa hats with tiny bells on them (a gift from Kara last Christmas) and my little gold “Joy” pin with the tiny rhinestones. I just looked really tastefully festive and sort of “grown-up-ish.” In short: I looked nothing like how I usually look and then I ran into my director and his husband! So I thought privately to myself: oh, yay! they’ll think I look like this all the time…

All righty. Enough of that.

Nick Cave was either up really late or up very early, because I also got a Red Hand Files thingy in my (other) inbox just before dawn! I only know it’s about Christmas. I haven’t read it yet. But you can read it here if you so choose!

Right now, I’m gonna get more coffee, finish up the laundry, brush my teeth, admire my still-behaving hair in the mirror, and then get in my grown-up car and join the throngs of people who, comme moi, decided to save all their grocery shopping for Christmas Eve day — the worst traffic day of the whole year, even in a small town.

Then I will come home, not smoke Chesterfields, not drink bourbon, not sit at my desk and write… but still have a really great Christmas Eve!!

Okay. I leave you with this. It still breaks my heart to pieces (I loved this man and they killed him). But there’s still a lot of joy left there, too, gang. Death doesn’t kill love, it only transforms it. So play it loud and rejoice. And thanks for visiting. I love you guys. See ya!

https://www.youtube.com/watch?v=68SP0wCOcLA

We’ve Got 15 Feet of Pure White Snow Out There, Gang!

Oops! Meant to say 1/15th of half an inch of pure white snow…

Meaning, we got a really lovely little dusting of snow last night. It’s basically all gone now, but it was really just so pretty last evening.

I was on the phone with my father and all the blinds in my room were already closed, so I had no clue it was snowing. In his advanced age, my father seems to have become one of those people who is constantly checking my weather forecast. You know, he always knows what kind of weather we’re expecting out here in Crazeysburg, whereas I almost never do. I’m not much of a weather-checker, beyond sort of glancing out the window and looking at what it’s doing out there and then making a sort of mental assessment. If things are wet, it’s raining. If things are dry, it’s not. If huge gusts of billowing dead leaves are blowing all over the place, it’s windy and all my neighbors are wishing that I’d fucking raked before the wind set in.

And if things are white, it snowed.

So last evening, when the phone conversation had wound down and my dad said, “Okay, well be careful in that weather,” I just assumed he was being weirdly strange and so I ignored it and said, “okay, well; bye-bye” and then I hung up.

A few hours later, when I went into the cats’ room to turn off their nightlight (not that I think cats need a nightlight, I just like the ambiance of it), I noticed that the streetlights outside their window were sort of blurry looking, and it reminded me of some of those Brassai photos of Paris in the 1930s. And I told Huckleberry, who was curled up on the bed, “It looks like Paris out there!” and when I went to get a closer look, I saw that it had snowed! It looked so lovely.

And then I realized that that’s what my dad had meant — Crazeysburg was receiving snow.

I think it’s sort of strange, how my dad has the most minor interest in me that you can possibly imagine, but he always knows what kind of weather I’m having.

My stepmom takes up 99.9% of his attention. She’s extremely ill and in a long-term care facility directly across from where he now lives. He moved into an independent-living facility on the same grounds as my stepmom’s nursing home because he basically spends every single day visiting her. This has been going on for about 7 years already. She’s a wonderful woman, she really is. I love her and it’s heartbreaking to see her deteriorate (she has MS), but even before she got sick, she had 99.9% of his attention and the remaining 1/10th of a percent of his attention went to her children. So I’ve gotten used to him barely noticing that I’m alive, unless of course  he’s in the mood to dash all my hopes about something.

It was like that with my first stepmom, too. But the situation with her had started out really differently. And I was thinking about that last night — when I saw that it had snowed and my dad, who lives 3 hours away, had known it was snowing outside my very windows before I did. But that he could barely care less about anything else going on in my world.

I was remembering what it was like when he used to be interested in me. It was when I was 12.  He became really interested in the things I thought about, what I was doing, what I wanted to do with my life. At that point, he was really supportive of my wanting to be a songwriter. (That changed when I actually moved to NYC and became one, but anyway.) When I was 12, he was having an affair with a 25-year-old girl. At the time, I didn’t know how old she was (or wasn’t), but I did know he was having an affair. I had figured it out and I was the only one who knew. I didn’t say anything because I was cool with it. I was happy for him, actually. I knew that my mother made him insane.

In hindsight, last night, I suddenly realized that he had become interested in me when I was 12 because I was practically as old as his girlfriend. He was probably trying to figure her out because he was in his 40s by then — and back in those days, that was a much older generation from a 25-year-old.

Even though she and I ended up getting along really, really well after he married her, he eventually just found me really distracting. I mean, to be fair, some really, really horrible stuff was going on in my world at that point and I wasn’t able to speak about any of it, so he didn’t know. He just found me really distracting and he wanted to focus on his new wife and so everything between him and me changed. That is a long time ago. It never changed back. Mostly, it got a lot worse. Now we’re just at that point where we acknowledge that the other one still exists and that’s about it.

So I find it really perplexing that he’s so interested in what kind of weather I’m having. And what’s also disheartening is that, in so many key ways, I’m exactly like my current stepmom. I actually am. She and I are very similar and my dad has no clue. He’s aware that I have a play that I have to keep revising and he’s aware of what kind of weather I’m having. And that’s about it.

But rather than get too bogged down in all my various stepmothers last evening, I decided to just look at how pretty the snow was and try to move on from there. It was a little disappointing to wake up and discover it had mostly all melted already. But last evening was really just lovely around here.

Okay. Well, I’m gonna get going here and get down to work. I’ve already spent a good chunk of time this morning trying to figure out if I want a new template for the In the Shadow of Narcissa website. I find the current template just so impossible to use. So unbelievably not user-friendly. But I eventually gave up because all the other templates seem too image-oriented. It’s a little frustrating. But onward.

I have an intense phone call with the director coming up later today, but beyond that, I think the day will be all about Thug Luckless. So I’m excited.

Thanks for visiting, gang. I leave you with my breakfast-listening music from this morning, “15 Feet of Pure White Snow”!! (And even though I’m not a huge fan of videos, I love this video!) From the Nick Cave & the Bad Seeds  2001 album, No More Shall We Part (which pretty much has nothing but incredibly great songs on it). And I was also thinking this morning about how much I love the word “mittens.” I really do. Okay! Have a  super Wednesday, wherever you are in the world. I love you guys. See ya!

“Fifteen Feet Of Pure White Snow”

Where is Mona?
She’s long gone
Where is Mary?
She’s taken her along
But they haven’t put their mittens on
And there’s fifteen feet of pure white snow

Where is Michael?
Where is Mark?
Where is Mathew
Now it’s getting dark
Where is John? They are all out back
Under fifteen feet of pure white snow
Would you please put down that telephone
We’re under fifteen feet of pure white snow

I waved to my neighbour
My neighbour waved to me
But my neighbour
Is my enemy
I kept waving my arms
Till I could not see
Under fifteen feet of pure white snow

Is anybody
Out there please?
It’s too quiet in here
And I’m beginning to freeze
I’ve got icicles hanging
From my knees
Under fifteen feet of pure white snow

Is there anybody here who feels this low?
Under fifteen feet of pure white snow

Raise your hands up to the sky
Raise your hands up to the sky
Raise your hands up to the sky
Is it any wonder?
Oh my Lord Oh my Lord
Oh my Lord Oh my Lord

Doctor, Doctor
I’m going mad
This is the worst day
I’ve ever had
I can’t remember
Ever feeling this bad
Under fifteen feet of pure white snow
Where’s my nurse
I need some healing
I’ve been paralysed
By a lack of feeling
I can’t even find
Anything worth stealing
Under fifteen feet of pure white snow

Is there anyone else here who doesn’t know?
We’re under fifteen feet of pure white snow

Raise your hands up to the sky
Raise your hands up to the sky
Raise your hands up to the sky
Is it any wonder?
Oh my Lord Oh my Lord
Oh my Lord Oh my Lord
Save Yourself! Help Yourself!
Save Yourself! Help Yourself!
Save Yourself! Help Yourself!
Save Yourself! Help Yourself!

c – 2001 Nick Cave

One More for the Road…

Of course, I was trying to make up my mind about what my Top 5 favorite Tom Petty songs would really be and they just kept shifting around. There were simply too many of them over a 40-year period.

So then I tried to figure out what my Top 5 Nick Cave & the Bad Seeds songs would be and that was sort of impossible, too. Although I know that my #1 favorite song of theirs is “Hallelujah” from 2001. For some reason, that’s just my favorite. I guess because that’s the one that feels most like me, inside.

But then the next 4 sort of are in a tie. I can’t really decide what number they would get, but I think they would be:

Brompton Oratory, 1997
Up Jumped the Devil, 1988
Do you Love Me? (Part 2), 1994
Jesus of the Moon, 2008

But then right after that, it becomes just a massively huge amount of songs that I really love by them, so it becomes pointless to try to list them.

You can see that I’ve had a really productive day, all the way around…

I’m a little bit mad at myself over this Thug Luckless development. I really thought that one would be off my plate reasonably quickly. But now I’m not sure I can see that happening, but I guess you never know.

Okay. I guess I’m actually going to go to bed now and think about stuff, and then see what life looks like in the morning. Sweet dreams, gang! See ya!

Lots Less Gloomy Now!

Before I forget, I believe I have finished tweaking “Hymn to the Dark,” which is Letter #5 in Girl in the Night: Erotic Love Letters to the Muse.

I wanted to make it more like Novalis’ Hymns to the Night, and I think I did that. Without bringing Jesus into it, of course.

I re-posted it at its original link, which is here, if you feel like reading it again.

In an oddly creepy twist, I got a call on my cell phone earlier — a number I didn’t recognize so I didn’t pick up. But they left a phone message. It was a  cancer center in the town I used to live in, saying that they had all the information they needed from me.

Too fucking creepy. First my friend calls to tell me he has a horrible stage 3 cancer. Then UPS leaves a colon cancer kit on my kitchen porch, for a man I don’t know whose only known address is here at my house. Now a cancer center in the town where my old house was, calls to tell me they received all the information from me that they need.

All within under a week.

I’m super done with this whole cancer idea…

Okay. Well. Several friends from the NYC area called today to wish me a happy Thanksgiving and so that felt really good. It cheered me up to know that people are at least remembering how much I loved this holiday, even though I am alone, for now, and not celebrating it — for the 3rd year in a row.

But Valerie in Brooklyn was one of those friends who called and she said, “Don’t worry, Emmy; this will be the last one like this. Next year, everything is gonna be different for you.”

And I know she’s right. I will most likely be in Toronto this time next year, finally becoming a produced playwright with Sandra, in The Guide to Being Fabulous, at the Soulpepper Theater Company there.

So we’ll see.

And I washed all the lace curtains today so that they’re really white again, and the table runner in the dining room — slowly but surely getting ready to get this house decorated for Christmas once my birth mom gets here.

Trying to just let myself get excited but what I am really is kind of exhausted — just from life being so endlessly perturbing to me.

And I nearly fucked up on a couple of my bills again, this time in a really huge way — I might not be out of the woods yet, but fingers-crossed. I have got to stop all this dreamy, weird-ass brain shit that I keep doing — losing track of what day it is, what week. Sometimes even what month it is. I seriously need a keeper. I really do.

And the weather here today has been intense — the worst wind imaginable. It’s pulling some of the siding off one section of my house and I now need a really tall ladder to get it back in place. (And it blew down 3 huge sections of my neighbor’s fence, but they’re out of town for the holiday. They will have an interesting surprise when they get home and look out their kitchen window.)

But I really need that live-in handyman now. A keeper and a handyman, and then I’ll be just fine.

All right, well. I think I’ll go down and see what there is to eat around here. Then wash my hair!! And then I think I’m going to just hang out and read. And wait for tomorrow to just disappear and think, instead, of how cool next year will be.

Have a great rest of your Wednesday, wherever you are in the world!! I leave you with my breakfast-listening music from this morning. Still in The Lyre of Orpheus mode around here. The song is “Babe, You Turn Me On” (2004), which I’ve posted here before, I’m pretty sure. (I love the line about the deer and the flowers, and the image of the atom bomb.) Okay. Thanks for visiting. I love you guys! See ya.

I Recognize This!

Okay, my TV set is not that old, it is at least digital. But since I don’t watch TV anymore, I have not yet upgraded to a flat screen TV.

Well, I did upgrade many years ago, but I let Mikey Rivera have it when he left me for another woman that he was deeply in love with. (No sour grapes here, gang!) But he loved that TV set and I was , just — what the fuck; I’ve lost everything else, just take the darn TV, too.

Anyway. Wow. I digress. And so quickly!

What I meant to focus on is that for the first time in over a year and a half, I sat in my family room this afternoon and watched a movie on my TV set. Actually, I watched a video. I still have a cool VCR. And a DVD player, too, even though all I ever really do anymore is stream stuff online. Still. I have all this stuff.

I was driving into town to get the groceries and I was listening to “The Lyre of Orpheus” by Nick Cave and the Bad Seeds (posted below). It is a really cool song. (I know, I always say that everything Nick Cave and the Bad Seeds do is great, so just to preserve my credibility, one day I’ll talk about something they did that was lousy. Off the top of my head, I can’t think what that would be — and it wouldn’t be Nocturama because I actually like that, too.) But it’s a really cool song, and it’s of course, quite different from any version of the myth of Orpheus that you probably recall from school, and it made me think of Cocteau’s amazing film from 1950, Orphée. But then I also recalled Cocteau’s final film, Le testament d’Orphée,  from 1960, which was a movie that had astounded me when I first saw it 25 years ago.

I have the film on video and I wondered how I would respond to it all these years later, so I actually got it out, sat in my family room and watched it. (You can see the whole film for free online, but I wanted to watch my own video of it; the one that somehow embodies all my memories.) Here’s my favorite still from the film:

From Jean Cocteau’s final film, The Testament of Orpheus, 1960

Jean Cocteau wrote the film, starred in it and directed it. But a lot of really cool people make cameos in it, as well. Including Picasso.

This film reminded me of why I used to love the cinema and don’t really love it that much anymore. At least not in the same way. And I still love some of the wisdom in this film — one being that no matter what an artist tries to draw (or to create) he will always just draw himself.

And also that a time may come when your creations will stand in judgment of you.  (Here’s one minute of his character of Orpheus coming back to life to judge him.) (The actor here, Jean Marais, was Cocteau’s lover and celebrated Muse until Cocteau’s death.)

https://www.youtube.com/watch?v=EYizzh5cbnw

But overall, 25 years later, I found so much in the film that was really delightful and amusing. Plus, it was kind of a reawakening for me, in that I gradually remembered that I had seen every film that Cocteau had made; that I’ve read all his novels, and read (but never seen) most of his plays. I’d forgotten this about me. I used to love Cocteau.

It made me realize (regarding Tell My Bones) that, with the encouragement of the director, I was able to really let my imagination free itself from time and space and create a true piece of theater, as opposed to a linear “play.”

And now I see that dwelling underneath all that was this kind of Cocteau stuff that I used to just devour. So it was sort of illuminating. I guess not an accident that I took this movie out today and watched it.

I’m super excited, also, to finally say here that Tell My Bones now has a costume designer, a lighting designer, and a scenic designer.

I’m just really happy, gang. Okay, I’m going to get back to work here. Hope your evening has been splendid.

It’s Been Kind of Just A Wonderful Day, All Things Considered Here

I’m still here at my desk, but I’m taking a little break.

I updated the photo of my birth father down there in the “In the Shadow of Narcissa” photo gallery. This is the photo I added (replacing the photo of him on Midway Island from 1973). My dad’s about 17 years old here, brand new in the US Navy — which means I was about 2 years old.

My birth father in the US Navy, 1962

I love this photo of my dad. One of my aunt’s gave it to me after he died. She found a bunch of old photos of him and mailed them to me in NYC. She died herself, not too long after that.  She was so sweet to me — my Aunt Jo. All of his siblings were sweet to me, actually.  But I never got to meet my Aunt Jo or my Uncle Earl, but I met the others. My Uncle Ralph, who is still a musician and used to play professionally in Nashville for a really long time — he’s still alive. I believe he’s married to a woman in Norway now.

Really early this morning — even before all the other stuff I was thinking about that I blogged about earlier today — I was lamenting that blogging has shifted me away from keeping journals. I used to keep journals, like, religiously. To the point where people I did indiscreet things with would sometimes say, “Don’t put that in your journal!”  I usually did anyway. I wrote about everything.

It made me a little sad, though, that the man from 2 summers ago who changed my life and then died — he made me swear not to ever write about it in my journal. Obviously, I didn’t blog about it. But he didn’t want me even writing privately about him, because he was married and had children and grandkids, and just didn’t want to run any risk that any of it would get back to them after he died. Ever.

I asked him if I couldn’t even write in a secret, private journal and keep it locked away somewhere, super private — because I really just wanted a written record of all we were going through together and how much he was changing me and how much I loved him. But even that, he said no. And he was really, really serious about it, too, so I didn’t write about him.

And this morning, I was lamenting that time was passing now and I didn’t want to risk forgetting anything about him and us, and I realized that I probably already was forgetting stuff. And it made me sad.

It reminded me how I recently realized that all the details of that first time I saw Nick Cave & the Bad Seeds in NYC in 1989 — even though the audience made me insane — I was bowled over by Nick Cave when he came onto the stage. I was just astounded by him, even though, by then I’d been buying his records for a few years already. I just wasn’t prepared for him, how he was “live.” And I started to realize recently that I was forgetting a lot about that concert — except for those stupid crazy audience people that I hated!! And I hadn’t been high or anything — I never took drugs when I went to concerts because I just loved music so much. I wanted to be really present, you know? Still, I was starting to forget.

So I decided to dig out the diary I would have been keeping back then, to see what I wrote about the show. I found the correct journal, as you can see here!! (FYI, I was not a big Guns & Roses fan, but I did have that album and it came with a decal that I put in the inside cover of my journal.)

The inside cover of my diary from 1989-1990

I’ve read all through that journal and found nothing whatsoever about that concert because it was the year I met my birth father, and almost that entire journal is about that whole thing. Me going to that little town to try to find him; them telling him about me; him calling me from Nevada; and everything else that happened.

And one true blessing that came from re-reading that specific diary is that some key things about what happened between me and my dad that night in his trailer — when we almost became incestuous. Well, all of those details were written down in my diary. And I discovered, these 20 years later, after so many years of feeling so incredibly guilty about what almost happened — it turns out I hadn’t remembered it exactly right. We did fall in love but there had been no valid reason at all for me to feel so guilty for so long.  We couldn’t help how we were feeling and the  bottom line is that we didn’t do anything. It’s all documented there in detail in my diary.

I was so angry at my dad for dying without telling me he was sick, that he had cancer. He simply stopped speaking to me and refused to return my calls. Then the next thing I knew, he was dead and cremated and gone, and I hadn’t even known he was sick. So I spent a lot of years (20, to be exact) being really mad at him for that and then just sort of hating myself for that night in the trailer, too.

Had I thought to read my diary 20 years ago, it could have helped me heal a lot sooner. But my point here is that my diaries are more accurate than my memories are, especially now that years and years are moving on at quite a clip. So now I’ve lost the details of that first Nick Cave show, and that sucks.

And now I know that I’ll eventually forget so many details about that man who changed my life forever over a handful of months one summer, before he died. I have written a few little things about him now, but nothing at all like what I would have written had I been putting it into a daily journal, and that makes me sad.

And then I think of all the years that I’ve spent primarily blogging now, instead of journaling, and how regrettable that probably will seem down the road. But you know, I can only write just so much. I already write more than I can sometimes manage. Blogging and journaling and the plays and the fiction and the memoirs… I’d go insane.

Oh well. I guess that’s just how things are for now.

Well, I did hear from the legal department at Little Brown & Co in the UK today, regarding this problem I’m having online with so many people offering illegal downloads of Neptune & Surf.  The main culprit (the gaming site) that I found last week has now disappeared. But others have sprung up. So they are going to go after them, which means a lot to me because it is, after all, a 20-year-old book. Still, the book matters a lot to me. I really hope, gang, that if you haven’t read that book and would like to, you’ll just pay for it the right way. It hardly costs anything. (And some of those sites are scams — they just want to grab your private information and run.)

And I did notice two other novels of mine being offered for free online now, too (in addition to some of my stuff being printed on demand illegally and sold to unsuspecting customers as legally published books). But these involve titles that I own and I don’t have access to those kinds of lawyers on my own. It’s depressing to see this stuff keep popping up, and it’s exhausting and it makes my head want to explode. It can just feel overwhelming, gang. You have no idea.

So please. You know, just think about it.

Okay. I’m gonna go eat something and then get back to work here. I hope you’ve had a really good day, wherever you are in the world. Thanks for visiting. I love you guys. See ya.

Lucie and Doris as kittens at the old house…

A Super Saturday in the Hinterlands!!

Well, for some weird reason, the blog decided to update all on its own after I had typed only a single letter!

(The letter was “A”.) I hope it wasn’t too riveting for you…

Anyway! I woke up really daydreamy this morning and had nothing really coherent to blog about. And as the day has progressed, I find that I’m still super daydreamy. I’m in a great mood. I feel just so extremely happy today. For no specific reason, I just am. And because of that, my mind just keeps wandering.

I’m still not getting a ton of new writing done, although I am focusing on Letter #5 of Girl in the Night: Erotic Love Letters to the Muse. At least I did get that far.

I’m also really kind of waiting to hear back from the director to see if he has any additional notes on the play, because Sandra will be back in NY from LA on Monday, and she’s waiting to get a copy of the revised play, too. So lots of waiting going on here. (I’m also still waiting to hear back from various small presses re: my queries about my new novel, Blessed By Light. Small presses take forever to reply to you. It’s been 5 months. One of the small presses I queried takes a year (!!) to respond.) So anyway, lots of waiting.

If you haven’t already noticed, I started a little photo gallery for In the Shadow of Narcissa. If you’re reading this on your phone, you can’t see the gallery. It’s only visible as a web page — down on the lower left. The web site where I actually post the segments of that memoir is not very photo friendly, so I’m posting them here instead. The photo of my birth father I will probably switch out for a younger photo. I have to dig something out of storage. But the photo I have posted of him currently is probably my favorite photo of him, just generally. He was in the Navy, on Midway Island, 1973. Still about 16 years before I would meet him.

Well, even though it isn’t even Thanksgiving yet, I am starting to feel excited about decorating the house for Christmas. This will be my 2nd Christmas in the house but my first year decorating. I was indescribably depressed last Christmas and didn’t actually think I would live through it.  I think I have a photo of my tree from last year. A fake tree with built-in lights. But I only had one ornament on it because my birth mother had been here and gave it to me.

The sole decoration on last year’s tree.

And as far as past Christmases go, here’s Fluffy, helping me put up a tree several years ago!! Gosh, I miss that cat. She died just a couple weeks before Bunny did. Those were very sad times for me. Selling the house. Moving away. My little cats dying.

Fluffy helping me put up the tree!

Okay. I also saw this photo from my old house. Summertime a few years ago:

Summers at the old house

If I spend too much more time scrolling through pictures this post will get unwieldy!!

All righty, on that lofty note, gang. I leave you with the breakfast-listening music from this morning, “Jesus of the Moon,” from Dig!!! Lazarus, Dig!!! by Nick Cave & the Bad Seeds.  I’ve posted it here before, but it was several months ago.  Okay. I hope you’re having a super Saturday wherever you are in the world. Thanks for visiting! I love you guys! See ya!!

I’ve Noticed that Sometimes It Takes Her Forever to Get Her Mind Back

Well, finally. My mind came back.

The rewrites I need to make on Tell My Bones — the direction I need to take and the voices I needed to hear from my characters, are finally arriving.

I’m guessing that by the end of this coming week, I might even have the new version of the play entirely finished.

It is such an incredible relief when the voices you need to hear finally start talking to you. Of course, this means that all the other projects I’m doing will take a back seat for a week or two, but I totally don’t mind. It is just such a relief to finally move past certain difficulties I’ve been having — re: personalities involved in the play — and just concentrate on the PLAY. Make space in my head to allow the revisions to just come.

I’ve blogged here in the past about my singer-songwriter career in NYC, way back in the old days of the 1980s, and how naive I was back then about people’s ability to literally sabotage your whole career. And then how it started to happen again in the early days of my writing career, but at that point, I did what I felt I had to do to ensure that I didn’t get sabotaged again.  I’m not going to go into all of it again here, only enough to say that I’ve been around long enough to know that it’s real. People do try to sabotage you.

You know, even if people aren’t consciously aware that they’re doing it to you, on some emotional level, because of their own insecurity, some people do want to see you fail. It’s up to you, of course, to allow that to happen or not. And because of naivety, I allowed it to happen to my music career, but I’ve never allowed it to happen again. But it’s that feeling of incredible disappointment, when you see it coming at you from someone you had no clue whatsoever there was ever any reason to distrust. However, in these few weeks since I’ve been home from NY, shit happened and continued to happen, so my eyes are open. For sure. Unfortunately.

I guess I really just needed to process that whole thing and find the best way to keep the relationship intact, but move forward with a better understanding of what is really in play, underneath it all.

Peitor’s brief phone conversation with me on Thursday really helped me get back on track and get my head together. (And I guess 3 hours of crying in the dark yesterday morning was the final processing of everything. And I can finally move forward. Allow people to be whoever they need to be, but move forward.)

So here we are.

Well, tickets began going on sale in Europe yesterday for the 2020  Nick Cave & the Bad Seeds tour, supporting their new indescribably staggering album, Ghosteen.

If it weren’t for the fact that I will be up to my eyeballs with stuff for the play in NY by then, as well as overseeing the Writer’s Retreat either in Italy or England, I seriously contemplated the idea of buying a ticket to one of those concerts, just choosing a country I’d never been to before, and going.

But, of course, it is just indescribably impractical. And I feel completely, 100% confident, that they will eventually come to the States and add Crazeysburg to their line-up of venues. (We do have a Little League ball field here, with ample bleachers to hold all 14 of us who live here. So of course it will clearly happen. Patience is key.)

Anyway. Whatever. Who knows what the fuck is going to happen in my life by mid- 2020, right? I should try to just focus on the weekend for now. It is the final weekend of October and I just last night realized that I haven’t set out a single Halloween decoration. I keep thinking, subconsciously, that it’s still September.  Oh well.

I’m gonna close this and get started here. Go down to the kitchen and get another cup of coffee. Thanks for visiting, gang. I hope you have a splendid Saturday, wherever you are in the world!! I leave you with this parting shot of Tom Petty, early 1990s, drinking a cup of coffee. (He was a Maxwell House drinker to the end — according to his second wife, Dana.) Okay. I love you guys. See ya.

Coffee! Always has been and forever will be the beverage of champions!

Don’t You Worry ‘Bout Me

Well, from the sublime to the ridiculous — after all those mornings of not wanting to budge from bed until long after the sun was up, this morning, I was up and out of bed by 4:30. What the hell, right?

I guess just go with it.

I have a lot to work on today. Not only Letter #5 for Girl in the Night: Erotic Love Letters to the Muse, but also Peitor and I are supposed to work on our script for a few hours this morning over the phone. (For our micro-short known variously as “Lita’s Gotta Go” or “Lita’s Got to Go” or “Leta’s Got to Go”, or the Swedish subtitle, “Lita maste ga.”)

Anyway.

Wow, Instagram sure was pink last night.

I didn’t stop working until about 10PM last night, and that was the first time I’d gotten on Instagram all day, and quickly discovered an ad campaign or Vogue layout or both for the Vampire’s Wife’s pink dress.

Then I awoke around 3am, thinking about that pink dress campaign and how it sort of has the feel of a visual offshoot of the Ghosteen album cover — soft, pink, harmless. Not that the album cover is pink but it does have pink in it and it does feel intensely harmless. Like it could be a mural on the wall of a child’s nursery. And it struck me that the two projects combined — the new album and its subsequent merchandising and upcoming tour, and the pink dress merchandising campaign — is not just the processing of grief, but inadvertently the merchandising of grief, on a huge scale.

You know how I ponder things, and sometimes I ponder things past the point of no return, because I certainly don’t want to see Ghosteen that way. But it is part of the job: you make the record, you have to tour, sell tickets, sell the merchandise, hopefully sell the record itself; earn your living (even a guy’s “gotta make ends meet/on Jubilee Street” right?).

The dress doesn’t really weigh on me as much. Although, I don’t support women’s fashion overall, whether it’s the puritanical conformity of the Vampire’s Wife dress, or the sort of horrific complicated torture chambers of Alexander McQueen’s fashions, and everything in between. I realize, at the bottom line, women’s fashion is really just about the mind of the designer, but the overriding consequence of “women’s fashion” still bespeaks of the trivialization (and sometimes the attempted annihilation) of the minds, unique identities, and bodies of women. You know, there’s just no way around the decades, and decades, and decades of that symbolism. I’ve always been attracted to style icons — Bianca Jagger in the 1970s rushes to mind — but an overall blanket of “women’s fashion” has always sort of repelled me (the primary reason I didn’t last long as a professional fashion model when I was in my late teens — my own agent, the man responsible for getting me employed, yelling at me in front of the entire office that if I didn’t like being treated like a piece of meat, I was in the wrong business. And he was right.). (And then my adoptive dad coming to town and taking me out to dinner and finding out that I was working as a professional fashion model: “If you want men to think you’re stupid, Marilyn, then being a model is the best thing to be.” Thanks, Dad.)

Well, anyway.

I do love where men’s fashions have gone in this current century, though. Men’s fashions used to be just as annihilating of a man’s psychological freedom, his spirit. And now, with magazine’s like Another Man especially, men’s bodies, their personae within the fashions, within the mise en scene, seem to have become liquid art. Just something so invigorating and uplifting to look at there. To my mind, at least.

But I’m digressing. I was just lying there at 3am today, thinking about Ghosteen and the necessary fact of having to merchandise it, and then wondering what on Earth that would really mean. Are you ultimately merchandising the death of a child? My mind can’t really even begin to go there. It was so disturbing. I’m hoping, of course, that the experience is something that helps audiences transcend some specific grief; find release, maybe? Not just be swept into some sort of oceanic abyss of emotion, being that it will be on that frenzied scale of a live concert. That ultimately uncontrollable emotional scale. (I’m guessing you can tell that I don’t go to concerts, either. They just have become this huge, unwieldy “thing”. A veritable sea of “too much.”)

Skeleton Tree felt so different to me, as a record. There was still a lot of grief there, but it did feel like individual songs. And even while they were equally abstract, there were songs that I could viscerally connect with in terms of my own life — “Girl in Amber,” “Distant Sky,” “Jesus Alone,” and “I Need You.”

Ghosteen just seems so sweeping and not as if it contains separate, individual songs that you can just sort of toss out there in a song lineup. And it’s just a devastating album — in its grief, its beauty, its overwhelming, abstract imagery.  It might be easier if it wasn’t a sort of “concept” album; if it wasn’t a sort of microscopic focus on the byproduct of emotional chaos brought on by a child’s death. But I guess that’s sort of obvious, isn’t it — it would all be so much easier if it wasn’t that. Jesus. I just can’t process what it means to create a (hopefully) cathartic work of art about grief, about life, love, death; and then have to, you know, “take it on the road!” and wear a pink dress.

Just forever and ever, right? The death of a child has been unbearable. Psalm 137 (KJV) springs horribly to mind — and that’s from twenty-five hundred years ago.

Oh god. Some mornings,you know,  life is just a wee bit stultifying.

But then I started thinking about David Byrne and how he has this really popular show on Broadway right now — American Utopia. I hope I get to see it. The Broadway cast album is out already, and it made me think of that Talking Heads song that I used to just love – “Don’t Worry About the Government”. Such simple times, you know? Early days in NYC. Life, even in its turmoil and awfulness, its drugs and booze and poverty and violence, was still new and still full of kinetic excitement for me and my friends. Daily.

But being in my early 20s, and being age 59 now — you can’t compare the two. You just can’t. There’s that pesky thing of experience fucking that comparison all up.

Still, it did make me go on YouTube at around 4am and play that song and realize that I still know every glorious word to it. And I remembered just how much that chorus meant to me, spoke to me, in those days.

Anyway. I gotta get started here. Thanks for visiting, gang. I love you guys. See ya!

“Don’t Worry About The Government”

I see the clouds that move across the sky
I see the wind that moves the clouds away
It moves the clouds over by the building
I pick the building that I want to live in

I smell the pine trees and the peaches in the woods
I see the pine cones that fall by the highway
That’s the highway that goes to the building
I pick the building that I want to live in

It’s over there, it’s over there
My building has every convenience
It’s gonna make life easy for me
It’s gonna be easy to get things done
I will relax along with my loved ones

CHORUS
Loved ones, loved ones visit the building,
take the highway, park and come up and see me
I’ll be working, working but if you come visit
I’ll put down what I’m doing, my friends are important

Don’t you worry ’bout me
I wouldn’t worry about me
Don’t you worry ’bout me
Don’t you worry ’bout me

I see the states, across this big nation
I see the laws made in Washington, D.C.
I think of the ones I consider my favorites
I think of the people that are working for me

Some civil servants are just like my loved ones
They work so hard and they try to be strong
I’m a lucky guy to live in my building
They own the buildings to help them along

It’s over there, it’s over there
My building has every convenience
It’s gonna make life easy for me
It’s gonna be easy to get things done
I will relax along with my loved ones

CHORUS
Loved ones, loved ones visit the building
Take the highway, park and come up and see me
I’ll be working, working but if you come visit
I’ll put down what I’m doing, my friends are important

I wouldn’t worry ’bout me
I wouldn’t worry about me
Don’t you worry ’bout me
Don’t you worry ’bout ME…

c – 1977 David Byrne