Tag Archives: writing

Last Night, I Had A Dream

That Fluffy, my wonderful, goofy, intensely loving little stray cat, was alive again. And frisky and fluffy as anything you ever saw. She was scampering all over my living room. (That’s her, pictured above.)

She had been in a nursing home (of all things) because she was ill and dying (in real life, she died at home in my bed, from cancer, back in September 2016, and then, sadly, Bunny had a heart attack and died only a month later).

In the dream, I went to get Fluffy from the nursing home and she was no longer sick. In fact, she was getting ready to have kittens!

(In real life, when she first decided to come live with Mikey Rivera and me, she was still very young, starving, ill with pneumonia, infested with fleas, and pregnant with kittens. We took her in and took her to a vet, who assured me that Fluffy wouldn’t survive. I decided otherwise. I had the kittens aborted and kept her in quarantine for a very long time. And she lived to be 10 years old.)

This time, in my dream, Fluffy was obviously so healthy and full of life that I knew she and the kittens would live and I was so excited that, soon, I would have kittens scampering all over the house again. And I knew I was going to keep every one of them.

So. Well. I’m having a bit of a broken heart here this morning, I’m not going to go into why. But I felt that the dream was encouraging. I don’t really know how to interpret it, but it just made me feel hopeful. About the power of life, I guess.

Well, at this point maybe it won’t surprise you (it sort of surprised me, though, I have to say), that Peitor continued all day yesterday to tinker with that new logo for Abstract Absurdity Productions. He did some amazing work on it. But each time I thought that it was great, he tinkered some more and it was even more amazing.

However, he sent me so many versions of the logo in texts yesterday, that now I can no longer tell which one I like better or why.  We are working on the phone today, so I’m guessing we’ll be going over that and choosing one.  (I hope.)

I woke up this morning and suddenly recalled how meticulous he is — a true perfectionist. And I suddenly had a vision of perhaps being in a film editing studio with him, editing one of our future 45-second movies, and perhaps tearing my hair out…

ME (to him): “I thought that was real good.”

HIM (to the film editor): “Obviously I still need to study this. Let me see that one frame again.”

ME (thinking): oh no…

Then:

ME, CONT’D (17 million hours later): “Oh my god, Peitor — that’s fantastic.”

HIM: “I know.”

BOTH OF US (accepting our Academy Award for Best Short Subject Film of the Year):

ME (wondering where Nick Cave is and what color suit he’s wearing): Silently staring at audience.

HIM (holding the actual Oscar): “…each element and perspective, and placement for not only aesthetic but also thesis…”

All righty!! Of course, I am 100% not kidding!!

However, let me tell you a couple of things. Quite a few music Divas from the 1970s saw their careers land back to the top of the Billboard Dance charts 30-40 years later, after hiring Peitor to write songs and produce for them.

And I remember, vividly, a time I was staying with him in LA — when he had this really lovely garden townhouse on N. Fairfax off of Sunset Blvd. I was in LA promoting Neptune & Surf because it had just come out (this is over 20 years ago). And I was up in the guest room, just killing time because Peitor was under a really tight deadline to compose a 60-second piece of music for some sort of Simpson’s movie. (Yes, the animated Simpsons.) He was at that piece for hours. And I could hear him at his keyboard the entire time. And he was going over & over & over one certain refrain. And I mean, for hours he was doing this — one section from a 60-second piece of music.

And then finally a messenger came to pick up the tape. And finally Peitor and I went out to dinner. And when we came home, another messenger had come by to slip an envelope under Peitor’s door and in it was a check for $36,000. For that 60-second piece of music.

‘Nuff said. So. If he wants to tweak that logo 17 million times, I say, “let him!!”

Okay!!

Nick Cave sent out a really beautiful Red Hand Files letter thing this morning. Pertaining to the Bible, and to Mary Magdalene, specifically.  It meant a lot to me, what he said. You can read it at that link there if you so choose!!

I need to scoot because I have stuff to get to before Peitor calls. I hope you enjoy your Friday, wherever you are in the world. And just remember that love is beautiful, no matter what, so just be brave, okay? I leave you with two things today. A song from the 2013 album, Push the Sky Away, by Nick Cave & the Bad Seeds. (The cool lyrics-in-progress are in the video). And then also my breakfast-listening music from this morning: the titular song, “Graceland,” from Paul Simon’s 1986 Grammy winning album-of-the-year, Graceland.

I love you guys. See ya.

“Graceland”

The Mississippi Delta was shining
Like a National guitar
I am following the river
Down the highway
Through the cradle of the civil war

I’m going to Graceland
Graceland
In Memphis Tennessee
I’m going to Graceland
Poor boys and Pilgrims with families
And we are going to Graceland

My traveling companion is nine years old
He is the child of my first marriage
But I’ve reason to believe
We both will be received
In Graceland

She comes back to tell me she’s gone
As if I didn’t know that
As if I didn’t know my own bed
As if I’d never noticed
The way she brushed her hair from her forehead

And she said losing love
Is like a window in your heart
Everybody sees you’re blown apart
Everybody sees the wind blow

I’m going to Graceland
Memphis Tennessee
I’m going to Graceland
Poor boys and Pilgrims with families
And we are going to Graceland

And my traveling companions
Are ghosts and empty sockets
I’m looking at ghosts and empties
But I’ve reason to believe
We all will be received
In Graceland

There is a girl in New York City
Who calls herself the human trampoline
And sometimes when I’m falling, flying
Or tumbling in turmoil I say
Oh, so this is what she means
She means we’re bouncing into Graceland

And I see losing love
Is like a window in your heart
Everybody sees you’re blown apart
Everybody feels the wind blow

In Graceland, in Graceland
I’m going to Graceland
For reasons I cannot explain
There’s some part of me wants to see
Graceland

And I may be obliged to defend
Every love, every ending
Or maybe there’s no obligations now
Maybe I’ve a reason to believe
We all will be received
In Graceland

c – 1986 Paul Simon

Yay!! Shadow Puppets!!

Until that French gal’s shadow puppet caught my eye, I was actually going to lead with a cute little image like this because it’s raining here today:

 

 

 

 

 

But shadow puppets are just so much better, right, gang??!!

Right!!

Okay, so guess what?

Loyal readers of this lofty blog no doubt recall that toward the end of 2019 and into the beginning of 2020, I was hard at work, fixing that character arc for the supporting female character in my play, Tell My Bones. And that once I finally nailed it — adding a new song and some Jim Crow themes about lynchings and slave auctions — I had a distinct impression that Sandra was going to switch gears (after all these years of my adapting this play for her) and want to play the supporting role instead of the lead role.

I knew that the new material for that supporting role had become just a real standout kind of thing.

So last night, here comes  a text from the director of the play. He’d gotten a phone call from Sandra, who’s in rehearsals for something else right now up in Stratford, Canada, and she’s read the new version of the play now and she said that she wants that supporting role.

Obviously, I’m not surprised. And I’m not upset or anything at all like that. Just sort of interesting what happened with that supporting character, isn’t it?

For Sandra to go from a lead role, that also means being at the helm of 6 songs, to a supporting role with only one song. That’s kind of a strong statement, isn’t it?

Meanwhile, the Coronavirus might delay the table-read in  NYC in April. I’m still waiting to hear.  (And I’m of course still wondering about that Nick Cave & the Bad Seeds tour that starts in Europe next month. As most of Italy tries to go on lock-down. And I saw this morning that Coachella is maybe going to  postpone itself until the fall. I guess we’ll just see.) (I also saw that someone I follow on Instagram & on WordPress, posted that Coachella should postpone itself until it stops sucking.) (rrreow!!!)

Image result for vintage illustration of cat fight

Too funny. Okay.

Anyway. Back to me!

Today is all about Abstract Absurdity Productions. Again. It’s insane, how often it comes around now. (My idea, of course, to meet more frequently.) (My idea to start the whole darn production company…) And that handy schedule I created for getting that web site launched by April 1st is not exactly my friend.  Every so often, I stop and wonder: Hmmm. Web site –shit! I gotta launch that thing in a couple of weeks! I still have no fucking clue what I’m doing!

So that’s cool. God knows I need more stress in my life. Every damn day.  I am trying, though, gang.  You know, to stay on top of things. (And to stop suggesting new things.)

If I hear myself say one more time, “You know what I was thinking?” I’m going to scream. Enough thinking already, Marilyn. Jesus. Just stop.

Well, the weather has been inching its way into Spring here. Last night, I slept with one of my bedroom windows open just a crack. And then all these little cat faces kept trying to press their little noses into that space and get some real air. Finally. After 6 months of having all the windows totally closed.

And I’ve been able to lower the heat a couple degrees, too.

Oh, and even though I still have the flannel sheets and two blankets on the bed, I slept in my little black chemise again last night!! I got super tired of looking at the Christmas PJs when I woke up in the morning.  They just had to go. Winter is over & done and Spring is as good as here!

And next week — yay!! Cat birthdays all around!! Huckleberry and Tommy turn 8, and everyone else turns 7.  (Except me, of course — I’ll still be 12.) (Wow, soon enough my cats are going to be older than me. That’s going to be so weird!)

Happy pre- birthday to my many cats!!

 

 

 

 

 

[Sad UPDATE: My sweet little boy cat, Weenie — my last remaining male cat — is showing signs of kidney problems. The same thing his daddy died from last Spring. No more treats for this little guy.]

All righty. I’m going to finish up the laundry here and then get started on Thug Luckless until it’s time to work with Peitor on the final scene of “Lita måste gå!” (aka “Lita’s Got to Go!”). Have a terrific Tuesday, wherever you are in the world. Thanks for visiting, gang. I have nothing to leave you with today because I am still listening to “The Boy in the Bubble” and “Something’s Gotten Hold of My Heart.” So, instead, I’ll just leave you with this: a tender nursery rhyme from somebody’s wee bonny girlhood (not mine, for a change)! Enjoy it, regardless. I love you guys. See ya!!

See??!! This is Why I HATE this Stuff!!!

Losing that hour yesterday by turning the clocks ahead, and then the super full moon during the night??!!

First, I fell dead asleep for 2 hours — couldn’t keep my eyes open. Then tossed and turned forever — mostly tossed. Then laid awake from about 2:11am until 4:17am, before falling dead asleep again until seven-fucking-thirty. What the fuck is that? And then I had to absolutely drag myself out of the bed — I was completely exhausted.

(Of course, it was International Women’s Day yesterday, so I guess I was just embodying the pure wonderment of being an international woman, which is primarily: Exhaustion.)

And all my usual morning stuff just took forever today because I felt like I was trudging through Jello, and so now I am sitting down at my desk 2 hours later than I normally do. And I hate that.

And I have a lot to do today!! Wash hair, do yoga, make a phone call, sit and ponder the intensely curious nature of Instagram for a very long time — you name it, and I’ve got to do it!

And all I really want to do today is work on Thug because I made some very interesting progress with him yesterday. (New novel-in-progress, Thug Luckless: Welcome to P-Town)

That part is actually serious — I am really on a journey with Thug now and I just love when a novel unfolds and takes me places I’m not expecting to go.

I’m still in chapter one, where he’s talking about his owner, Mavis, who has already died.  And of course, chapter one is about finding his true voice in my head and figuring out what he knows and doesn’t know, since he’s an AI sexbot. And just how far along has he gotten in his experiences in P-Town before we join him in the beginning of the novel. Stuff like that has to come into my consciousness as it hits the page. So it takes a little while.

But it is such a cool feeling when the words come, and Thug’s personality comes, and Mavis herself becomes a personality posthumously. It just fascinates me. The words come, they’re on the page. I stop and re-read what I’ve written, and I’m sort of amazed that these are characters with emotional depth and a presence. Where does that come from?

Well, because of this extreme lack of time here this morning, I can’t tarry here. I’ve gotta scoot. But I hope you have just a really great Monday, wherever you are in the world! Thanks for visiting, gang. I’m leaving you with a song I hadn’t thought of in a really long time — until last evening, when I was suddenly unable to not think about it. It was a hit for Gene Pitney a million years ago, but Nick Cave & the Bad Seeds did a cover of the song on their 1986 album, Kicking Against the Pricks. All righty! Enjoy. I love you guys. See ya!!

“Something’s Gotten Hold of My Heart”

Something’s gotten hold of my heart
Keeping my soul and my senses apart
Something’s gotten into my life
Cutting its way through my dreams like a knife
Turning me up and turning me down
Making me smile and making me frown

In a world that was small
I once lived in a time there was peace with no trouble at all
But then you came my way
And a feeling unknown shook my heart, made me want you to stay
All of my nights and all of my days

I gotta tell you now
Something’s gotten hold of my hand
Dragging my soul to a beautiful land
Something has invaded my nights
Painting my sleep with a colour so bright
Changing the grey and changing the blue
Scarlet for me and scarlet for you

I’ve got to know if this is the real thing
I’ve got to know what’s making my heart sing
You smile and I am lost for a lifetime
Each minute spent with you is the right time
Every hour, every day
You touch me and my mind goes astray

I gotta tell you now
Something’s gotten hold of my hand
Dragging my soul to a beautiful land
Something has invaded my nights
Painting my sleep with a colour so bright
Changing the grey and changing the blue
Scarlet for me and scarlet for you

c – 1967  Roger Cook, Roger Greenaway

Happy Worst Day of the Year!!

Yes, this is my least favorite day of the year — the day when we move the clocks ahead one hour and everything inside me becomes discombobulated!

(And if you use google translate to read this blog, good luck with that word!)

Discombobulated: adjective – confused and disconcerted.

For some reason, it usually takes me several days to get used to losing that hour. And even though I usually only sleep 5 or 6 hours a night and can easily sleep a little longer and catch an extra hour of sleep, I really resent doing that because I am so possessive about Time –when I’m awake, that is.

My “wide awake, me-time” is really precious to me and I resent having to surrender even one hour of it just so that the country can get a little more time to have barbecues or something all summer.

Anyway!

So here I am.

Well, today I completed yet another one of those little Inner Being Dialogue journal thingies. I have filled 4 of those little journals in 9 months. I’m serious when I say it has changed my life. It really has. It has changed how I focus my mind. And if you have any interest at all in getting a better grasp on how reality works, beneath the surface of what we generally consider “physical reality,” and to perhaps get more efficient about scripting your own life,  then I really, really recommend keeping one of these journals — or doing something similar to it.

It is simply your Inner Being talking to you. Like tuning a radio dial to a specific frequency and then the voices come. For me, writing it down resonates best for me.

Back when I first started keeping the journal, I was listening to a podcast about the Inner Being while doing yoga. And a guy said that when he first began meditating to specifically tune in to his Inner Being, his Inner Being said: “We are here.”

And this totally stopped me in my yoga tracks, gang, because that was exactly what happened to me when I first started my Inner Being journal. They said: “We are here.” Plural.

When I was a little girl, I was always very aware that there were these “people” watching me. I couldn’t point to them or anything; I could only feel them. They weren’t frightening to me at all. I didn’t think of them as angels or anything. Just people– plural — making sure I was doing okay.

One time, when I was 7, I was playing with a couple of my girlfriends after school and I mentioned, in passing, something about the people watching us. And they both said, “What are you talking about?”

ME (seven years old and quite cavalierly believing I was sane): “You know, those people who watch us. They make sure we’re okay.”

And neither of them had any clue what I was talking  about and so I never, ever mentioned it again to anyone, ever. (It was around that same time that I also mentioned that “thing” that happens between your legs that feels so incredible, and none of my girlfriends had a clue what I was talking about then, either. There was a lot of stuff I started to just stop talking about.)

But the “people” were there. And I started to think that maybe my birth mom had sent them to look out for me and that, because of that, none of my non-adopted friends had any need to have people watching them. Whatever.

By the time I was 12 (just a really incredible year for me, apparently), I first started having a dissociated state of mind. An alternate world I was creating so that I could get away from my adoptive mother. It seems — as I’m trying to remember it now — that that was when I started to lose that connection to a sense of “people watching me.” At that point, I was starting to really sink into mental illness. By the time I was 14, I’d become really adept at splitting myself off mentally from my mother’s presence and going to that alternate world.

I had a different house there, an entirely different family. And that’s where I went as soon as my adoptive mother came into my field of vision every day. I can’t stress enough how terrifying that woman was to me. But the dissociated state  wasn’t just a survival mechanism; it was the only place in my waking world where I could find love. It eventually got to the point that if I wasn’t hanging out with my friends, then I was in that dissociated state — living in another house, with a different family.

I remember one afternoon, when I was in my mid-twenties and living in the tenement on E. 12th Street in NYC, it suddenly occurred to me that the other world was completely gone. And I couldn’t remember when it left me. It was just totally gone. I remember telling my friend Jeffrey about it, and how startling it felt to realize it. And then directly on the heels of that realization, I found my birth mom, and then a couple years into that relationship with her and all my half-siblings, my birth dad came into my life.

So it’s interesting. Charting that gradual shift over the course of 25 years: benevolent energies watching over me; my mind splitting off to find a place of love; my birth family coming into my life and filling it with so much actual love.

And then, of course, it was also really interesting to begin those Inner Being dialogues, sort of out of the blue, and find a plurality of voices there. (I don’t “hear” the voices; I feel them. The words come.)

So I will begin journal #5 tomorrow morning.

On sort of a related note — people who know me well know that, throughout my life, my psychic abilities have been really pronounced. (I believe that we’re all psychic, but I also believe that if you don’t believe you are, you won’t recognize it in yourself. I think that our psychic perceptions are actually the larger part of what our minds receive, but because of our physical senses filtering most of that out, we have come to believe that what’s physically in front of us is information that’s more reliable than what we psychically perceive. But I believe it’s the other way around. )

And even though I cannot draw my way out of a paper bag — I have no artistic talent in that area at all — when I was living in that same apartment on E. 12th Street, the night before my birth dad contacted me, I was in a really inexplicable, heightened mental state. Just agitated beyond belief. Pacing the small apartment like crazy. My mind was on high alert about something but I couldn’t figure out what.

(After a lifetime of trying to find out who my birth father was, he suddenly called me from Nevada one evening, while I was watching a rerun of “The Andy Griffith Show” on television)

However, the night before the call came…

I had a set of colored pencils and I suddenly sat down at my kitchen table and began to draw — I was in a sort of hypnotic state. Just really intensely drawing. And this is what I drew:

 

 

 

 

 

 

 

 

 

 

And then, the following day,  a phone call that I had been waiting for my entire life finally happened. And my birth father introduced himself to me. (And changed my life forever.) And in that very first phone conversation, he told me that he had been in the Navy during Vietnam and that his back had been severely injured on a flamethrower during a skirmish on the Mekong Delta.

And then he said, “I have no idea why I just told you that. I never talk about that.”

Isn’t that interesting? Plus, I had been making that drawing while he was on a phone call with the people in a little town in Ohio who were telling him that I existed — and he was freaking out. He didn’t know, until the moment that they told him, that he had a daughter anywhere at all. (I was already 28 when he found out about me.)

So there you go! Just a slice of the wonderment that we call Marilyn’s Mind.

All righty. I’m gonna scoot and get started around here. It’s cold out there today, but really sunny. Outside my window right now, I can see a little boy riding his bicycle! Like maybe Spring is right around the corner…

Thanks for visiting, gang. I leave you with my intensely appropriate breakfast-listening music from today! “The Boy in the Bubble,” from Paul Simon’s Graceland, 1986. Another incredible album. If you’ve never heard this song, listen to it! It’s so cool. And catchy. And hypnotic and very upbeat. Okay. I love you guys. So much. Have a great Sunday. See ya.

“The Boy In The Bubble”

It was a slow day
And the sun was beating
On the soldiers by the side of the road
There was a bright light
A shattering of shop windows
The bomb in the baby carriage
Was wired to the radio

These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That’s dying in a corner of the sky
These are the days of miracle and wonder
And don’t cry baby, don’t cry
Don’t cry

It was a dry wind
And it swept across the desert
And it curled into the circle of birth
And the dead sand
Falling on the children
The mothers and the fathers
And the automatic earth

These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That’s dying in a corner of the sky
These are the days of miracle and wonder
And don’t cry baby, don’t cry
Don’t cry

It’s a turn-around jump shot
It’s everybody jump start
It’s every generation throws a hero up the pop charts
Medicine is magical and magical is art
The Boy in the Bubble
And the baby with the baboon heart

And I believe
These are the days of lasers in the jungle
Lasers in the jungle somewhere
Staccato signals of constant information
A loose affiliation of millionaires
And billionaires and baby

These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That’s dying in a corner of the sky
These are the days of miracle and wonder
And don’t cry baby, don’t cry
Don’t cry

c – 1986 Paul Simon

But Wait — There’s More!!

All righty.

Today is just a really fresh and new day and I woke up feeling like I could think clearly again. I was getting a little bit fuzzy yesterday — and not in a good way. (Although I’m not sure if “fuzzy” has qualities of goodness and badness…)

That said, though,  work with Peitor went great yesterday. We are almost done with the script for “Lita måste gå!” (aka “Lita’s Got to Go!”). Which is kind of astounding, all things considered, right?

We’ve only been working on this script (for an 8-minute film) for 15 months now. Yeah, I know — we each traveled a bit — one of us traveled a lot (I won’t name names but it wasn’t me). Plus we each had deaths in our families, etc., etc. So it’s not like we worked for a solid 15 months, but still. Way, way too long. But now we are really closing in on the finish line.

And what’s very interesting about all of this is that, this morning, I looked at the calendar and saw that the deadline I had randomly assigned for completion of the script is March 13th. Next Friday. Interesting, right? How making schedules can really have a positive influence on the momentum of things?

We also spent a lot of time going over organizational type stuff about how to best package the script for potential investors, because it’s a shooting script — all angles and blocking, sound cues and lenses, etc., and only 4 lines of dialogue. Although, at one point, a woman says, “Zuzu!” and at another point, a different woman says, “Oh!” But beyond that, only 4 lines of dialogue, total.)

At that point in our discussions, I mentioned to him that I got the official request to do the audition for that Literary Arts Fair — I’m reading a family-friendly version of “The Guitar Hero Goes Home,” which is an excerpt from my novel Blessed By Light. 

And I said to him, “You know, it’s completely acceptable nowadays to submit the audition on video. You know, just do it on your phone and email it in. Everyone does that now.”

HIM: “You’re not everyone.”

ME: “I know, but it’s 2 hours of driving to read a ten-minute piece.”

HIM: “Are you whining?”

ME: “No. I’m just saying it’s a lot of driving.”

HIM: “But you miss the chance to actually meet the people — and to make that first impression.  You know how important that is — you’ve been to finishing school.”

Jesus Christ. grumble grumble grumble. Don’t you just hate when people are right?

So I’m going to drive 2 hours for a ten-minute audition. Next weekend. And the festival itself is like a nanosecond after I will be with my new Swiss friends, seeing Nick Cave & the Bad Seeds in Zurich. So I’m guessing that the minute the Arts Festival thingy is done (and I’m having jet lag or something), Sandra will tell me I need to be in Toronto to start the table reads for The Guide to Being Fabulous (our other play, which is being produced later this year).

I am, of course, exaggerating. Still. The reason God gave us 365 days in a year is apparently so that we can take 3 of those days and cram our whole entire lives into them. And then spend the rest of the summer just listening to crickets and watching the fireflies as the sun goes down because you have absolutely nothing left to do.

Anyway. I’m guessing it’ll all work itself out splendidly.

I’ve been wanting to mention that the gas prices around here have dropped to $1.95 a gallon!! I have not seen that kind of gasoline price in over 20 years. Seriously. I’m not exaggerating now. And also, when I did see those kinds of prices 20 years ago, it was when the cost of gas was starting to skyrocket and we considered $1.95 expensive. Weird, though, right? Now I stop and get gas even if I only need a quarter of tank or something, because I just can’t get over how cheap it is! Wow. (And this is on the heels of the cost of everything else in my life inching its way into the stratosphere. So it’s doubly nice.)

All righty. I’m gonna scoot. Get the day underway over here. Thanks for visiting, gang. I hope you have a really great Saturday, wherever you are in the world! And wash your hands and don’t touch your face, and all that.  (Oddly enough, the friends I am closest to — meaning relationships, not distance — are each living in cities that are now in an official State of Emergency because of the coronavirus: Seattle, LA, and NYC.)

But anyway. Take care everyone. I’m on a Paul Simon kick here, still.  So I leave you with the breakfast-listening music from this morning. An intensely upbeat and joyous tribute to love and those unexpected encounters that change your life forever!! Yay!! “Gone at Last,” his duet with Phoebe Snow from his truly timeless and amazing album, Still Crazy After All These Years (1975).

So turn it up and enjoy.  (And remember, gang: all is fair in love, so keep those proverbial muskets of love primed & ready!) Okay. I love you guys. See ya.

 

“Gone At Last”

The night was black, the roads were icy
Snow was fallin’, drifts were high
I was weary, from my driving
So I stopped to rest for awhile
I sat down at a truck stop
I was thinking about my past
I’ve had a long streak of that bad luck
But I’m praying it’s gone at last

[CHORUS:]
Gone at last, gone at last
Gone at last, gone at last
I had a long streak of bad luck
But I pray it’s gone at last
Oo,oo,oo…

I ain’t dumb
I kicked around some
I don’t fall too easily
But that boy looked so dejected
He just grabbed my sympathy
Sweet little soul now, what’s your problem?
Tell me why you’re so downcast
I’ve had a long streak of bad luck
But I pray it’s gone at last

[CHORUS]

Once in a while from out of nowhere
When you don’t expect it, and you’re unprepared
Somebody will come and lift you higher
And your burdens will be shared
Yes I do believe, if I hadn’t met you
I might still be sinking fast
I’ve had a long streak of that bad luck
But I pray it’s gone at last

[CHORUS]

c – 1975 Paul Simon

Quite the Morning Here!

First off, I want to say that Nick Cave’s Red Hand File thing today was wonderful. He replied to a question involving some of his past often intensely provocative lyrics and how he handles them in the year 2020 — a time which has lost “its sense of humour, its sense of playfulness, its sense of context, nuance and irony“.

He wrote just a really well stated reply. And as usual, he doesn’t back down. If you’re a writer, it will definitely resonate with you on some level. You can read it at the link above.

For me, you know, so much of what I have written in my life was never, ever, even for a moment considered politically correct or acceptable in a public way. So I haven’t really had to brace myself for a future audience that might suddenly view it differently. (Unless of course that meant that suddenly my work was acceptable!! Yay! That would be so cool. You know — for my work to not always have to be read in private, or to exist in that segregated place.)

Actually, Valerie and I were talking on the phone about that the other night. How in the next century, after AI sexbots like Thug Luckless had become the norm and everybody owned one, my work would be considered classics of popular literature and they would be adapted for whatever the future form of entertainment would be — you know, 3D-hologram virtual reality streaming TV shows that might takeover a person’s entire living room and the viewer can become part of my overall erotic storyline. Right?

My future might be very bright in that regard. (Someone will find out for sure, but probably not me.)

My future’s so bright I gotta wear shades.

 

On a sort of Nick Cave-related note…

Today, the MP3 version of Rowland S. Howard’s acclaimed solo album from 1999, Teenage Snuff Film, is now available for download! Go get it at a (legal) download place near you!!

 

 

 

 

 

Okay. I can’t tarry today. It is once again Abstract Absurdity Productions day. (They seem to come around quite often now, don’t they?) I have to get some things done before my phone call with Peitor.

Have a really good Friday, though, okay? Thanks for visiting, gang. It means the world to me to have you here. I’m going to leave you with a killer song from Teenage Snuff Film — “Autoluminescent.”  I love you guys. See ya.

“Autoluminescent”

I am blinding
Autoluminescent
I am white heat
I am heaven sent
I was a nightmare
But I’m not gonna go there
Again

Into the black hole
The house of no contest
Make mine a meteor
Rise me above the rest
I’m soaring through outer space
There is no better place
To be

I’m bigger than Jesus Christ
I’m greater than God in light
I am dangerous
I cut like the sharpest knife
I’m going nova
And I hope I can hold her
In

Into the darkness
I gave away myself
Slipped on the spiral stairs
Tumbling down the well
I fell on a soft spot
I’m white heat, I’m white hot
Again

c – 1999 Rowland S. Howard

And Then Good Fortune Struck!!

Yes! I glanced out back this morning, as the sun came up, and saw that the cats were out there finally taking care of my yard!!

Gosh, I wish. (Loyal readers of this lofty blog are no doubt aware that there are a lot of homeowner chores that I am always trying to foist onto my cats.) (To no avail.)

What my cats do instead behind my back:

 

 

 

 

 

 

 

Okay, anyway!!

I had the most interesting day yesterday — for reasons I won’t blog about. I can only say that it was Instagram-related and I about wore out the pondering mechanism in my wee bonny brain.

However, what I will blog about is that I had a very productive time with Thug Luckless yesterday, too.  And at one point, I was trying to find out how AI sexbots get delivered to their purchasers. Do they come fully assembled, standing up in a tall cardboard box? Do they come in responsibly-sourced wooden crates, filled with environmentally safe packing peanuts? I’m guessing they arrive fully assembled, though, right? You wouldn’t want to leave something important like that to hapless (and undoubtedly fully aroused) purchasers who will likely be extremely impatient at the very moment of the bot’s arrival.

Well, I could not find out any of that shipping information, but I did learn a bit more about the male AI sexbots — primarily, that they only manufacture about two males. The rest of them are females.

These AI sexbots are really quite interesting, but still kind of spooky. The eyes, mainly. I was talking on the phone very late last night with Val in Brooklyn (who is not actually in Brooklyn right now, she’s at her mom’s, up the Hudson, so we’ve been chatting more than usual) and one of the things we concluded is that the price of those sexbots will eventually come way down, so that everyone can afford one, but that it probably won’t happen in our lifetime.

But who knows, right?

I personally think AI sexbots are pretty cool. And like anything, I’m guessing that some people will go overboard with them and some people won’t.  And then I told Val that, according to stuff all over Google, the feminists are all up in arms about the AI (female) sexbots because they objectify women. And we both laughed so hard about that. And she, in her Brooklyn accent, said, “Oh — ya think?”

Jesus. Just too funny. Why does it even have to be mentioned at this point?  I don’t think any of us are stupid — not any of us; the world over. Those female bots are lurid as hell. And they are more provocative than any Playboy Bunny that God ever created — Bunnies being one of the most memorable creations in my lifetime that objectified women. And bots can be programmed to never say “no.” Plus, you don’t have to tip them. Obviously they objectify both women and men. Are we really going to write academic papers about this?

[No, we’re going to write experimental novels!! — Ed.]

Anyway.  That whole phone conversation with Val aside.

I eventually realized that nothing whatsoever dealt with realism when it came to Thug Luckless so why be so worried that the way he arrived from the factory had to somehow be based on fact? So I just figured it out for myself and had him arrive fully assembled in a crate stuffed full of environmentally safe packing peanuts — primarily because I wanted him to have psychological vestiges of how it felt to have those peanut-things all over him, even though he was dressed. And the irony of the environmentally safe stuff arriving in a post-Apocalyptic town. And then how it felt to see his owner’s face — that relief as she finally pried open the crate and took him out. The feeling of sanctuary, you know?

One thing I will mention here: Apocalypse is a stupidly hard word to type. And I wrote a 600-page novel called Twilight of the Immortal, about Rudolph Valentino, and his breakthrough movie role was “The Four Horsemen of the Apocalypse.” So I was having to type that darn word all the time. It made me insane. For some reason, typing that word just forces me to become sort of dyslexic.

Anyway! I am really happy with my progress with Thug primarily because of that feeling that a new novel is underway; it’s a feeling of adventure and excitement and joy. So I am happy.

I’m happy about a lot of stuff right now, gang. I really am.

And today is going to be about washing my hair and doing yoga, and working on Thug. And, more than likely, thinking about Nick Cave, because I wouldn’t be me if I didn’t. (I’m of course wondering about that darn coronavirus  and the start of the Ghosteen tour.) (And also this thing in NYC right now where things are getting dangerously close to blaming the Jews for spreading the virus.)

(And speaking of Jews — yesterday was John Garfield’s birthday. He was a famous NY stage actor and movie star and political activist. And he was my adoptive grandma’s first cousin. His dad and her mom were brother & sister. Poor Jewish refugees from Poland. If you keep up with my childhood memoir, In the Shadow of Narcissa, you will no doubt know that my adoptive grandma (paternal) was my favorite person in the whole world. And she loved her cousin, John. Happy belated birthday, John Garfield.)

Image result for john garfield actor
John Garfield (Jacob Julius Garfinkle), 1913 -1952.

Oh, and I also want to mention that the combination of yoga, booty core, and glucosamine seems to be doing some really, really good things to my legs, gang. So we shall see!

All righty, I’m gonna scoot!! Have a really nice Thursday, wherever you are in the world. Thanks for visiting, gang. I leave you with my very-late-last-night listening music as well as breakfast-listening music from this morning!! “Late in the Evening,” by Paul Simon, from his album One-Trick Pony, 1980.

This song was a hit when I first moved to NYC and I can remember hearing it while on a city bus, heading to see a movie, wondering how on Earth people afforded the price of movie tickets in NYC on a regular basis. NYC was some serious culture shock for me when I first got there. Like being on a whole different planet back then.

I don’t know — this song gave me something to cling to for a little while. And it’s nice to listen to it now because the song is actually really joyful, and all those difficult early days are so far behind me!

Okay. I love you guys. Take care. See ya!

“Late In The Evening”

The first thing I remember
I was lying in my bed
I couldn’t of been no more
Than one or two
I remember there’s a radio
Comin’ from the room next door
And my mother laughed
The way some ladies do
When it’s late in the evening
And the music’s seeping through

The next thing I remember
I am walking down the street
I’m feeling all right
I’m with my boys
I’m with my troops, yeah
And down along the avenue
Some guys were shootin pool
And I heard the sound
Of a cappella groups, yeah
Singing late in the evening
And all the girls out on the stoops, yeah

Then I learned to play some lead guitar
I was underage In this funky bar
And I stepped outside to smoke
myself a “J”
And when I came back to the room
Everybody just seemed to move
And I turned my amp up loud and I began
to play

And it was late in the evening
And I blew that room away

The first thing I remember
When you came into my life
I said I’m gonna get that girl
No matter what I do
Well I guess I’d been in love before
And once or twice I been on the floor
But I never loved no one
The way that I loved you
And it was late in the evening
And all the music seeping through

c – 1980 Paul Simon

Me, As Usual — Getting My Ducks In A Row!

I’ll tell you, it is really starting to feel like Spring, gang!

The starlings arrived, en masse, this morning. They are out there flying about, everywhere. The cats are very excited! I’m not sure how long it will take the birds to move in under the soffit outside my backdoor and start building nests again and then really making my cats crazy, but I tell you — they are everywhere this morning!

I love that they have arrived. But it also makes me feel a little anxious, because Spring means I need to get to NYC to begin the table reads for Tell My Bones at the Dramatist Guild. And even though I know that is going to go great — I just know it; I feel it in my own bones. It also means that then Summer will be right around the corner and you know that summers are so tricky for me.

I don’t want to set myself up to fail, or anything. But once Summer arrives, it is so emotionally hard for me to let it go. Once Summer leaves, it means I am one summer farther from the man who died. And even though I know for certain that life is meant to be that way — the cycles of the seasons, of life/love/death — it’s still a heartbreaking specter, always in the background for me. I’m never 100% sure how I’m going to handle that kind of stuff until it’s upon me, you know?

I try not to use all this as a reason to throw myself into my work. However, I’m doing it anyway.

Well, yesterdays’ script-writing session with Peitor was actually incredibly productive. We completed Scene 5, the scene of primary importance in the whole (very short) film. I was impressed with us, because we achieved this 2-page scene in 3 sessions, instead of our usual 20 and a half.

And when I re-read what we had managed to capture in the script (4 lines of very brief dialogue and then the shots, the blocking, camera angles, and lenses), I was really pleased with it.

That said, though, wow. Yesterday. I had a wee bit of a bad attitude. And I guarantee you, I was trying really really really hard to keep a lid on it.  First, he showed up late for the call. Not something I actually mind, because I can usually just lie around on my bed, and scroll through an unending cavalcade of Nick Cave photos on Instagram. Not the worst torture ever.

ME (scrolling on Instagram): like, like, like, save, like, save, save, ooh — really like, save, oh my god— like like like [ad infinitum].

Still, it was getting kind of really late and then I remembered that I had yet to figure out how to edit the video that he had sent me on Saturday — a thing we need for the web site. So I got off the bed and sat down at my desk and proceeded to drive myself completely insane because I couldn’t get the program on my desk top to do what I needed it to do.

When he finally called, I was really pissed off at my computer and trying not to transfer my pissed-off-ness to his now being really late for the call. But when I’m in that state , I really need to use the “f” word a lot.  The “f” word is my escape valve and helps me get back to normal. However, Peitor is not really keen on my use of the “f” word — at all. He has this weird reasoning that I have developed an impressive and wide-ranging vocabulary for a reason and that I should use it as a way of communicating without the “f” word.

So I tried to just sort of not be pissed-off and not use the “f” word and not have a bad attitude but I was struggling miserably with all 3.

And as we worked on the script — both of us on speaker, and me getting monosyllabic because I was perched so  precariously on needing to bleat out a long and sputtering “f” word stream — I suddenly hear him moving around his apartment, doing a ton of stuff while we were working. It was distracting, but I was trying to let everything go because I really hate having a bad attitude. I really do.

But then I finally said, “Peitor, what are you doing? It sounds like you’re outside.”

HIM: “I’m driving. I need to get to a lunch engagement.”

Oh my god. A lunch engagement. Tootling around West Hollywood  in his vintage convertible coupe, heading out to lunch. And I’m stuck at my mini-desk, typing away.  I’m not sure yet what I will say in my acceptance speech when I get my Academy Award but I know I’m going to get one because I managed to sound like a reasonable human being for the remainder of that call.

It was not easy. At all.

Because what I really, really wanted to say were things like: “Glad you could fit me in, between the Tibetan singing bowls and a lunch date,” and “So what am I now — the typist?” or get really churlish with: “Does it really matter what my opinion is on this shot? We’re just going to do what you want anyway. We always do” (which is not true, btw).  And then a whole lot of  FUCKS thrown in, too.

I did none of that. Thank god. Because he is one of my best friend’s, and now a business partner, and I seriously do not want to fuck that up. But, wow. Did I struggle with that.

Luckily, directly after that call, I spoke for over an hour with Val in Brooklyn. And we laughed a lot and got caught up on stuff and I got over the Abstract Absurdity Productions call.

And then when I re-read Scene 5 in the script, as I was readying it to send over to Peitor, I saw that we had done a really good job, regardless. The scene was amazing. And I was able to text him during his lunch engagement to say: “Scene 5 is AMAZING.” And he texted back: “Great!!”

So that was yesterday. And I am hoping that today is all about Thug Luckless: Welcome to P-Town. Because I really, really want to just get lost in my work. We shall see.

Well, late last evening, while sitting at my desk and staring, I made the mistake of listening to Amy Winehouse’s “Back to Black,” a song I really, really love — I love the whole album, actually. But I have always just loved that song. And because I identify perhaps too much with that song — meaning, that if I’d been able to sustain any sort of meaningful relationship with anyone ever, I wouldn’t be the gal that I am.

Anyway, I began to get super depressed. Real quick.

So I closed up shop, went downstairs and watched a little more of the final episode of Ken Burns’ Jazz documentary. (This final episode is primarily covering Sonny Rollins and Miles Davis.) And I actually learned stuff about Miles Davis’s music from the mid-1950s, post-heroin addiction, that I never knew before.  And it was really beautiful. Very romantic — in that big city/cocktails/cigarettes/little-black-dress-on-and-then-off kind of way. Just lovely stuff.

So I managed to survive yesterday. And I am back at it today.

I am going to get started with Thug now. I hope you have a really good Wednesday, wherever you are in the world. Thanks for visiting, gang. I’ll leave you with both my breakfast-listening music from this morning — “When I Fall in Love,” by Miles Davis, which brought more than a couple of wistful tears to eyes, as I sat at the kitchen table and watched the cats and drank my coffee — and Amy’s “Back to Black” because it really is just a great song. Enjoy — or just think about life if “enjoy” is asking too much of you right now. I love you guys. See ya.

“Back To Black”

He left no time to regret
Kept his dick wet
With his same old safe bet
Me and my head high
And my tears dry
Get on without my guy

You went back to what you knew
So far removed from all that we went through
And I tread a troubled track
My odds are stacked
I’ll go back to black

We only said goodbye with words
I died a hundred times
You go back to her
And I go back to…

I go back to us

I love you much
It’s not enough
You love blow and I love puff
And life is like a pipe
And I’m a tiny penny rolling up the walls inside

We only said goodbye with words
I died a hundred times
You go back to her
And I go back to…

We only said goodbye with words
I died a hundred times
You go back to her
And I go back to…

Black, black, black, black, black, black, black
I go back to…
I go back to…

We only said goodbye with words
I died a hundred times
You go back to her
And I go back to…

We only said goodbye with words
I died a hundred times
You go back to her
And I go back to black

c – 2007 Amy Winehouse, Mark Ronson

Where Is This Day Going To??!!

Well, I am trying to get started here today!

For some weird reason, I was just about to get out of bed at around 5am, when I decided to take mental inventory of the day ahead of me, and voila! — I was sound asleep for two and half more hours! WTF???

The glucosamine is finally beginning to work and I am starting to notice a bit of a positive difference in my legs. That same feeling, like: I hadn’t realized that things were changing and so now that there is the ease coming back into my joints, I am recalling how it feels to  just move really freely. It does feel great, but I still went to bed last night feeling some pain in my legs. I think that disrupted my sleep — well, that and this weird habit I have now of being on Instagram at all hours. Anyway.  I think that’s why I suddenly slept like a rock — the inflammation in my legs finally died down.

All righty!!

So I’m trying to do laundry here. Trying to get ready for my several hours of script work today with Peitor. I’d been hoping to get to answering some emails this morning, too, but I’m also feeling frustrated by the lack of productive time I am finding to spend on Thug Luckless: Welcome to P-Town.

Yesterday, I stared at the file, open in front of me on the desk top, for hours. Literally And only made about 3 changes to what was already there, and then came up with the name that P-Town had before the “accident.” (And that is: Sandover — in honor of James Merrill’s epic multi-volume poem from 1976-1980, The Changing Light at Sandover.)

(In my novel, so far I am only calling the accident: “the terrible accident at the factory.” I’m not sure yet, but I don’t think I’m ever going to say what the accident was or what they did at the factory because everything comes from Thug’s POV and he is an AI robot and only “knows” what people tell him.)

(I’m starting to see very clearly now that Thug Luckless is going to be another experimental novel. Which of course translates into “small press/no money.” But you know what? I just can’t go there anymore. I can’t worry about it. According to international legal resources, the book has already been pirated anyway, and it hasn’t even been written yet!!)

(And I’m not sure why all this stuff is in parentheses, but it is.)

Whatever. If money were the thing motivating me ever in my entire life — well. I don’t even have to explain what the rest of that sentence might look like. (i.e.: My life would look nothing at all like how I live.)

Last night, it occurred to me that my home-ownership priorities are just so strange. I’ve been here 2 years now and I don’t have a dishwasher yet — just a gaping space for it in the kitchen. Or central AC — although I’m not likely to ever get that because I have this love affair with open windows. I still haven’t put the door back on the linen closet in the upstairs hall (the door is out in the barn, so it’s not as if the door is just somewhere handy.) But the light at the top of the stairs went out last night so I replaced the bulb because I have a whole stockpile of energy efficient light bulbs. And then the battery in one of the smoke detectors went out and I got out of bed and replaced that because I have a plethora of batteries around here of various voltages.

I mean, I have so many batteries and light bulbs, and paper towels, and toilet paper and Kleenex. And a stockpile of filters for the vacuum cleaner. And I have just tons of cloth dish towels, even though I only always use the same one. And I have 17 thousand-million dishes, and glassware, and bar ware — including cocktail shakers and ice buckets and ice tongs, etc., that never get used.  And I have so many bed linens in this place that you’d think I was running a dormitory (I even have linens for twin beds, which I don’t even own).  And of course, the tidal wall of age-defying products from France bursting from the storage closets of both bathrooms…

Weird, right? I think that’s weird, anyway.  Such an extreme amount of only certain things.

Including leaves. Even I was forced to sigh heavily and shake my head this morning, as I glanced outside my backdoor window and saw just the enormous pile of dead leaves that had blown into a massive heap outside my backdoor — where my neighbor’s privacy fence meets my yard. And try as they might, all those leaves cannot get up enough velocity to blow themselves up over that really tall fence and settle nicely into my neighbor’s yard.

I have no idea what to do about those leaves.  Because I am definitely not raking them. But I can just see my lawn guy getting right back into his truck when he comes to cut the grass for the first time next month and sees something like that.

Or the gutters. We are not even going to talk about the gutters, although I am at least aware that I need to deal with my gutters.

What I really need, though, is someone to be the actual homeowner here so that I can just wear the title: Homeowner. And then just sit at my desk for hours on end crafting masterpieces of fiction that most people the world over will not understand. (Starting with my father.)

Okey-dokey!!! On that lofty note! I gotta scoot, gang. The morning is almost officially over. I need to get ready for Peitor.  (Who is out there in West Hollywood right now, doing yoga and meditating to the sound of Tibetan bowls and all sorts of spiritual goodness type stuff.) (He’s even a vegan– he recently one-upped me on my vegetarianism.) So I’m gonna get crackin’ here.

Have a terrific Tuesday, wherever you are in the world!! (And while I was typing here, a little fruit fly landed in my coffee cup and had all the limp signs of being horribly drowned to death. But I scooped him out of the coffee with my fingertip, put him on the back of my hand, blew on him a little bit and then let him just dry out for awhile. And after several minutes, guess what? He came back to life, walked around on the back of my hand and then flew away! Tiny miracles everywhere, gang. You just gotta know where to look. And you’ve gotta make up your mind that you’re gonna see them when they happen!!)

So! I leave you with my listening-music from last evening!! Turn it up and just smile (or, you know, grab onto someone you’re super  hot for & swing.) Have a great day. I love you guys. See ya!!